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I Can't Get Thru To You 3:18 ░▐ ▌░ 02. For A Breath 5:39 ░▐ ▌░ 03. Moonship 2:50 ░▐ ▌░ 04. Home Again 6:51 ░▐ ▌░ 05. Sentries 2:39 ░▐ ▌░ 06. P.O.W. 6:52 ░▐ ▌░ 07. Rollin' Up My Mind 4:14 ░▐ ▌░ 08. Barking At The Ants 6:40 ░▐ ▌░ ░▐ ▌░ ░▐ ▌░ ▄▄▄┌─────────────┐▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄ ░▐ ▌░ ▒▒▒│ rip notes │▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒ ░▐ ▌░ └─────────────┘ ░▐ ▌░ ░▐ ▌░ Good Thunder were a young, heavy progressive five piece from ░▐ ▌░ Los Angeles, comprising of James Cahoon Lindsay (lead vocals, ░▐ ▌░ percussion), John Desautels (drums), David Hanson (guitars, ░▐ ▌░ vocals), Bill Rhodes (bass) & Wayne Cook (keyboards). Their ░▐ ▌░ short-lived existence produced only one album, 1972's eight ░▐ ▌░ track, eponymous debut, released through Continental records, ░▐ ▌░ a sub division of Elektra. It was produced by the famous Paul ░▐ ▌░ A. Rothchild, who produced albums by The Doors, Janis Joplin, ░▐ ▌░ and Rush just to name a few. ░▐ ▌░ ░▐ ▌░ Their album is now largely forgotten and certainly didn't ░▐ ▌░ attempt to break new ground within the field of Californian ░▐ ▌░ bands writing hard, guitar oriented art-rock with a ░▐ ▌░ progressive/ psychedelic edge, during the early 70's. That ░▐ ▌░ said, the musicianship behind the crunchy guitars, driving ░▐ ▌░ bass-lines and underpinning Hammond organ rhythms, ░▐ ▌░ demonstrate a more than competent level of proficiency. ░▐ ▌░ Indeed, the construction of their more progressive tracks ░▐ ▌░ (such as 'Barking At The Ants', the stand-out track of the ░▐ ▌░ album) leave one wondering what might have been, with a ░▐ ▌░ couple more albums under their belts. ░▐ ▌░ ░▐ ▌░ This album would appeal to those who enjoy their traditional, ░▐ ▌░ heavy progressive rock with an overtly melodic, pre-AOR ░▐ ▌░ commercial feel in the vein of early Angel & White Witch, ░▐ ▌░ mixed with Deep Purple, High Tide & Uriah Heep classic rock, ░▐ ▌░ with the odd touch of Allman Brothers quirkiness. ░▐ ▌░ ░▐ ▌░ Most of the core band went on to join AOR band L.A. Jets, ░▐ ▌░ then most of L.A. Jets went on to record under the name 1994. ░▐ ▌░ Both L.A. Jets and 1994 included GoodThunder members John ░▐ ▌░ Desautels, Bill Rhodes, Terry Linvill, and included ░▐ ▌░ singer/songwriter Karen Lawrence. Wayne Cook went on to play ░▐ ▌░ keyboards with Steppenwolf and co-wrote the instrumental "Lip ░▐ ▌░ Service" from the Skullduggery album. Wayne Cook also played ░▐ ▌░ keyboards with Player on their first two albums, he filled in ░▐ ▌░ as keyboardist for Alice Cooper for a few shows, but was ░▐ ▌░ never a permanent member. ░▐ ▌░ ░▐ ▌░ ░▐ ▌░ ▄▄▄┌─────────────┐▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄ ░▐ ▌░ ▒▒▒│ marr │▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒ ░▐ ▌░ └─────────────┘ ░▐ ▌░ ░▐ ▌░ indie . pop . rock . shoegaze . dream . jangle . twee ░▐ ▌░ chamber . noise . c-86 . college . goth . post . kraut ░▐ ▌░ darkwave . alternative . lo-fi . country . americana ░▐ ▌░ folk . folk/rock . psychedelic . progressive . metal ░▐ ▌░ heavy . hair . math . grunge . classic . southern . aor ░▐ ▌░ west coast . punk . garage . avantgarde . classical ░▐ ▌░ electronic . ambient ░▐ ▌░ ░▐ ▌░ ░▐ ░▌░ ░ █ █ ░ ░▐░ ▌░ ▓▓█ █▓▓ ░▐ ▌░ ░█ █░ ░▐ ▌░ █ ░ ▒ ░ ░ ▒ ░ █ ░▐ ░ ▌░██ ░ ▒█████░ ░█████▒ ░ ██░▐ ░ ▒ ░ ▌░█ ░ ███▓ ▓██ ▒ ▒ ██▓ ▓███ ░ █░▐ ░ ▒ ░██ ▌█▓ ████ █▒ ▒█ ████ ▓░▐ ██░ ░██████░ ███ █ █ ███ ░██████░ ██████ ███ █ █ ███ ██████ ▒███ ███▒ ██ █ █ ██ ▒███ ███▒ ████ ████████ ▒ █ █ ▒ ████████ ████ ████░ ███████░ ░░ █ █ ░░ ░███████ ░████ █████░ ████▒ ▒ ▓█ █▒ ▒█ █▓ ▒ ▒████ ░█████ █████░ ██████████ ███ █ █ ███ ██████████ ░█████ ▒██████ ░ ███████▒ ████▒▒█ █▒▒████ ▒███████ ░ ██████▒ ░ ███░ ███ ░ * █▓▓ ▓▓ ▓▓█ * ░ ███ ░███ ░ █░ ███ █░ *** * * █▒█▒▒██████▒▒█▒█ * * *** ░█ ███ ░█ ████ ██ * ████████ ████████ * ██ ████ ████████ * *** ░ ░██████ ██████░ ░ *** * ████████ █████ ** ░ ████ ▓▓▓▓▓▓▓▓ ████ ░ ** █████ ▒█████████████▒▒ ░░ ░░ ▒▒█████████████▒ ░▓██████████▒ ░░ ░░ ▒██████████▓░ ▒█████ ░░ ░░ █████▒ ███ ███ ██ ██ ▒█ █▒ https://play.google.com/store/music/album?id=Bmxmuceei762wawboj2gqu3hya4