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survivors, spreading their message of peace, love, and mind expansion across the globe throughout the better part of three decades. The object of adoration for popular music's most fervent and celebrated fan following - the Deadheads, their numbers and devotion legendary in their own right - they were the ultimate cult band, creating a self-styled universe all their own; for the better part of their career orbiting well outside of the mainstream, the Dead became superstars solely on their own terms, tie-dyed pied pipers whose epic, free-form live shows were rites of passage for an extended family of listeners who knew no cultural boundaries. Nearly synonymous with the term 'psychedelic', the Grateful Dead reached their true peak of psychedelia on their third album, 1969's "Aoxomoxoa". The band had already begun work on an initial recording of the album when they gained access to the new technology of 16-track recording, doubling the number of individual tracks they'd used on their last album. Fueled by acid and keeping pace with the quickly changing hippie subculture of the late '60s, the band went wild with this newfound sonic freedom. The exploratory jamming and rough-edged blues-rock of their live shows were ornamented with overdubbed choirs, electronic sound effects, and layers of processed vocal harmonies. Rudimentary experimental production took the band's already-trippy approach and amplified it with generously applied effects and jarring edits. In their most straightforward songs, Aoxomoxoa's ambitious production isn't as noticeable. Gelatinous rockers like "Cosmic Charlie" and "St. Stephen" showcase Jerry Garcia's spindly guitar leads and the band's dusty vocal harmonies clearly before detouring into wild studio experiments. Though the studio mix of "China Cat Sunflower" sounds like the different instruments are floating in space, trying to connect from distant individual planets, the core of the song still comes through, and this number would become a live favorite for the rest of the band's lengthy run. This was the first album where the band brought on lyricist Robert Hunter, who would go on to pen some of the band's best-loved lyrics. The early glimpses of the Hunter/Garcia partnership that come through on the bluegrass-inflected "Dupree's Diamond Blues" or the mellow ballad "Rosemary" foreshadowed the complete shift to gentle Americana the band would make on their next studio outing, 1970's masterful Workingman's Dead. The overly experimental production could sometimes obscure the musical ideas, as distorted vocals clashed with acoustic instruments or multiple drum tracks ping-ponged across the stereo field. The eight-minute epic "What's Become of the Baby" was the most glaring example of the album's ungrounded production aesthetic, reaching an almost musique concrΦte level of weirdness with random electronic sounds and choppy effects swarming on Garcia's isolated vocal tracks. "Aoxomoxoa" was so out there that the band themselves had second thoughts, returning in 1971 to remix the album in full. The new mix dialed back some of the wilder moments and added clarity, but these eight songs would remain the most adventurous, confusing, and over-the-top productions the band would record. "Aoxomoxoa" is a prime example of the Grateful Dead's difficult relationship with the recording studio, which would take different forms throughout their long, strange trip. Even leaning wholeheartedly into all the available bells and whistles, the band couldn't quite capture with Aoxomoxoa the depths of cosmic wonder they tapped into organically every time they took the stage. Not without its excellent moments, the album is more a document of late-'60s studio experimentation than a huge step in any sustained path for the band. Remastered deluxe edition of "Aoxomoxoa". Available for the first time on CD, the "Aoxomoxoa" original 1969 mix coupled with the band's 1971 remix. With previously unreleased songs from the first live concerts in music history to be recorded to 16-track tape. Proper reason: previous rip wasn't tagged right. in fact, it's a mess. it violates rule 4 that states 'the song title for the filename must include the full title as it's written on the cover/CD/inlay with all additional infos'. for this rip it's essential to know which tracks on disc 1 is the 'original 1969 mix' and which are '1971 remix', since two versions of this classic obviously are included (same problem on disc 2, no tags for those live versions as listed on cover). besides rule 4, it also violates rule 17 about correct ID3 title tags needed. ░ ░ █▀▀█▀ ░░░░ ░░░ ██ ██ ░░ ░ ░░░ ░░ ▄▄▄▄ ▄ ▄▄ ░ ▄▄ █ ▀▀ ░ ▄█▀▀█ ▄ ▀█ ▄▄█ ░░░ ▀ ▀███ ░ ████ ░░ ░ ░ ░ ░░░ █ ▄███▀▀▀▀▀▀▀▀▀▄▄▄▄▄ ░░ ░░░ █▄ █▀ ░░ ▄▄██▀▀▀▀██▄▄▄ ░ ▀▀▀▄▄ ░░░ ░▄ ░ ▀▀ █ ░ ▄███▓░ ░░ ▀███▄▄▄ ░░ ▀▀▀▀▄▄▄ ░░ ░░ █░ ░ █ ▄█▀▄██▄▄▄▄▄██████████████▄▄▄ ░ ░░▒██▄ ▄░░░░▒█ ░▒░ ░ ▄▄▄▄▄██████▀████▀███████████████████████▄▄░░░▒▒▓▓██▄ ▀█▒▓▓█ █▓░░░ ▄▄▄▄▀▀▀▀▀░░ ░ ███████▄ ▀▀▀██████████████░░ ▄███████████▀▄▀▀▀▀▀ █▀▀ ▄█▀██▀▒▒▒░░░░ ▀██▄ ▀████▄▄█▀████████▓░░ ░███████████▀░▓█▄▄▄ █ ▄█░ ▀▀█▒▒░░░ ░ ▀██▄▄▄ ██████████▓░░ ░▄██████████▓▀▀▓▓▓▓██ █▀█▄▄▄ ▀▀▄▄░░ ░ ▄ ▀ ▀▀▄▄▄ ▀███████░ ▄██▀██████████▒▒▒▒▓▓▀ ▀ █▄█ ███▄▄░░▀▀▄▄░░ ░ ▀ ░ ▀▀▄▄▀▀▀▀████████████▀███░░░▒▒▓▓██ ▄██████████▄▄ ░░▀█▀▀▄░ ░░▀▀█▄▄ ████▀▀▀▀▀ ░ ░░░░▄██▄▀▀ ██░▓██▄▀████████▀ ▄░░ ▀▄▄▄ ░ ░░▄▄█▀ █▀▀ ░░ ░░▄██▀ ▀▀▄ ▀▓██▄▀▀███▓░ ▀█▄▄▄░░ ▀▀▄▄ ▄▄▄▀███▀ ░ ░░░███ ▀▀▄▄▀███▄▄▀████░████▄▄█▄▄░▀▀▄▄ ▄▀▀░▄▄▀▀ ░ ░░ ░▄▄███ ▄▄███▄█▀▓████▄ ███████████▄░░▀▀▄██▀▀░▄▀▀ ░ ▀ ░ ▄▄██████ ▄████████████▄█▀███▄█▀██████████▄▄▄██▄▄▀▀░░ ▄▄▄▄ ▄ ▄▄██████▄▀ ░ ▀▀██████████░ ▀▀▄█▀▓██▄▄▀▀██████▀ ▄██ ░░ ▄█████▓░▄▄███████▀ ░░ ▀▀███████▄▄░░▀█▄▄█▀▓██▄▄ ▀██▄▄██▀ ░ ▄███████████████▀ ░░░ ░░░ ▀▀████████▄█████▄▄▀▀█████████ ░ ▄▓████████████▀ ░░░░░ ▀▀██████████████▄▄▀▀▓████▄▄▄▄▄▄████▄██████▀▀ ░░░░░ .. ░░░░░ ▀███████████████▄▄█▀▀██████████████▀▀ ░░░░░ ::. ░░░░ ▀▀██████████████████████▀██████▀ ░░░░ ooh ye.. ░ ▀██████████████▄░▀███████▀ ▀▀████████████▄▄▄▄ ▀ ::t r a c k l i s t ::: ▀██████▀▀ ::: . ▀▀ ------------------------------------------------------------------------------ CD 1/2 01. St. Stephen (Original 1969 Mix) 4:29 02. Duprees Diamond Blues (Original 1969 Mix) 3:41 03. Rosemary (Original 1969 Mix) 2:06 04. Doin That Rag (Original 1969 Mix) 5:17 05. Mountains Of The Moon (Original 1969 Mix) 4:13 06. China Cat Sunflower (Original 1969 Mix) 4:17 07. Whats Become Of The Baby (Original 1969 Mix) 8:28 08. Cosmic Charlie (Original 1969 Mix) 5:47 09. St. Stephen (1971 Remix) 4:27 10. Duprees Diamond Blues (1971 Remix) 3:33 11. Rosemary (1971 Remix) 2:00 12. Doin That Rag (1971 Remix) 4:44 13. Mountains Of The Moon (1971 Remix) 4:05 14. China Cat Sunflower (1971 Remix) 3:42 15. Whats Become Of The Baby (1971 Remix) 8:15 16. Cosmic Charlie (1971 Remix) 5:30 CD 2/2 01. New Potato Caboose (Live at Avalon Ballroom, San Francisco, 13:59 January 24 1969) 02. Duprees Diamond Blues (Live at Avalon Ballroom, San Francisco, 4:41 January 25 1969) 03. Doin That Rag (Live at Avalon Ballroom, San Francisco, January 25 5:42 1969) 04. Alligator (Live at Avalon Ballroom, San Francisco, January 25 9:08 1969) 05. Caution (Do Not Stop On Tracks) (Live at Avalon Ballroom, San 7:11 Francisco, January 25 1969) 06. Feedback (Live at Avalon Ballroom, San Francisco, January 25 1969) 3:46 07. And We Bid You Goodnight (Live at Avalon Ballroom, San Francisco, 2:39 January 25 1969) 08. Clementine (Live at Avalon Ballroom, San Francisco, January 26 11:04 1969) 09. Death Dont Have No Mercy (Live at Avalon Ballroom, San Francisco, 9:57 January 26 1969) ----- 142:41 ------------------------------------------------------------------------------ ██ ░ █▀█ ▀███▄▄ ░ █░▀░▓█ ░ ██ ░░░ ██░█ ██▄▄ ░ ██ ░ ░░ █▒▀▀█░▒▓█▄ ▄ ███ ░░░▀▀█▓░ █ █▀████▄▄▄ ░░ ███▄ ░░░ ▀▀█▄░ ▀██▄▀▀████▄ ▄ ▄█████ ░ ░ █▄▄ ░░▒▓███▄▀████▄▄▄▄ ░ ██████▄ ░░ ▄▄▄▄▄▄▄▄▄▄▄▄██▄▄███████████▄▀▓░▀████▄ ▄███████▄ ░ ▄███████▀▀███▓▀░███▀▀███▀██████████░▀█░▀███████████████▄ ▄█ ▄▄▄▄▄█████▓▄▄ ▀██▄▄███▄▄▄▀█▄░░▓█▄░▀▓█▀████████▄▓██████████████████ ▄█████████▓▄▄█████▀▀▀▀▀▀▀▀▀▀██████████████████████████████████▄▄███▀▀ ▄▄██▓▀▄▄▄▄██▀▀▀▀▀ ░░░░░░▒▓ ▄███████ █████████▀▀▀▀▀▄████▓░▀██▄▄▄██▄ ▄██▓▄██▀▀▀ ░ ░░ ▄▄█████▄▄▄███▓██████▀ ▄▄██▀████▄▄▄▄░░ ▀▓██ ▄███▀▀▀ ░ ▄██▓▒▒░░ ██████▀▄█████▀▀░▄▄███▓░ ░▀▀▀█░▄▀██ ███▀▀ ::.. ▄███▀▀▀▀▀▀████░▓█ ▀▀██▀░░▄█▀▀ ▄█████▄▄░░ ▀███▄ ██▀ ░ ███▄█████▄██░████ ██▓▄▄▀▀░▄▄█▀██░ ▀▀▄▄░▓██▀ and then we chill ▄██▓░ ░▄ ▄█▀█ ▓███ ▀███▀░░▄█▀▀▄▄██▀██▄ ░ ▀ ▄██▄ ▄██▄ ▀▀▀▀██ ░███ █▓▀▒░▄▀ ▄█▀▀█▓░ ▀▀█▄░░████ :::: ▄█▓░░▄▄▄██▀░▓██▀ ░░ ██▄█░░▄█▀ ███▄▄ ▀█▄░▓█ ::: ▄██▄█▀▀▀█▀██▄█▀ ░░ ▀█▓▀ █▀ ░▄████ ▀█▄ ▀███ .. ▀█▓▀░░▄██░████ ░░░ ██▄▄░░ ▄▀ ██░ ▀ ░░▀█▀ ██▀▄█▀███▒▓██ ░░ ███▀░▄█ ░ ▄██▓▀█▄ ░ ░▄▄██ ▄███▀░▄█▀█▄██ ░░ █▓░▄█░░ █▀ ██░ ▀█▄▒▓███ █▓░███░▄███ ████░░ █▀ ██ ░ ▀░ ██ ▄███▀██▄▓█▀ ░ ▀██▓▒▄█ ░ ▄████▄ ░███ ▄█▀░██████ ▀████░░ █▀ ▀█░▀▀▄░░▓██ █▓▄▄█ ██▀ ▀██▓▒░█░ ░▄█▄ ▀▀░▄██ ░ ████▀██▀ ██▄█▀░▄█ ███▄░░░███ ░ ██████▀ ▀██▓▒▄█░░█▓ ▀█▄▒▓█ ░░ ░ ▄█████▀ ██▄█ ░▄██▄░ ▀███▄ ▀░░ ░░ █████ ▀██▓▒▄█░██▀▄░▓███ █▓░░░ ░░░ ▄███▀ ▀▀███▀▄██░▀███ ▀▀▀█▓░░ ░ ░░░ ▄██▀ ▀█▓░█▀█▄░▓██▀ ▀▀▀ ▀ ▀▀ G R E E T I N G S ██▄█░█▓▄▄█▄ ▀██░██▀██▀ ▒█▄▓█ ▀█▓████ ▀████▀ ███ ░ Special Thanks to DSP CMS FTD KrbZ JCE FuFFeNS IGR iMPG diss ░ and all rippers that have and continue to rip quality music. ░ ░ ░░░ ░░░ ░ ░▒█ █▒░ ░ ░▒▓█ █▓▒░ ░░▓█▀ ▀█▓░░ ░ ░░▓█▀ ▀█▓░░ ░ ░ ░░░▄█▀ ▀█▄░░░ ░ ▄ aSC' fairchild o4, 11 ▀ ▀▀▀ ▀▀▀ ▀ ▄▄▄▄▄▄▄▄ ▄▄▀▀▀█▄▄ .dFs. ▄▄▄█▀▀▀▀▀█▀█▄▄▄ ▄██▀▀▀▀ ▀ ▀▀ ██▄ ▄█▀ ▀▀▀▀▀▀██▄ ▄█░░ ▀█▄ ▄█▀ ░ ░░░ ████ ▄█▀ ░ ░░ ▄███▄▄█▄█▄░░ ░░ ▀█▄ ▄█▀▀ ░ ░ ████ ▄█░ ░ ▄█████▓▓▒▒░░░░ ░░ ██ ██░ ▄▄▄▄▄▄▄ ████▄ █▀░░ ▄██ ██████▄▓▒▒▒░░░ ████▄ ░ ███ ██░░░ ▄█████████████▀██▄█░░░░ ▄███ ░ ████▀ █▓▓▒▒▒░░░░ ████ ▄████ █░░░░ ▄████▀▀▀▀▀ ████░░░░ ███████▄█▄▄▄██▀██ █▓▓▓▒▒▒░░░░███▀ ░ ████ █░░░░░ ████▀█▄▄░░░ ░ ███░░░░░░▀███▄████▀█▀░░ ▀██▄█▓▓▓▒▒▒▒░░░░▀░ ▄█████ █▄░░░░░░███▄▄▄██▒░░░ ████░░░░▒▒▒██▓▓▓▓▓▓▓▒░░░ ▀████▓▓▓▓▒▒▒▒░░░░░▄▄██████▀ ▀█░░░▒▒▒▒▒▒▒▒▓▓▓▓▒▒░░░░░███░░░▒▒▒▒▒▒▒▓▓▓▓▓▓▓▓▒░░░░████▓▓▓▓▓▒▒▒▒▒▒███████▀ ▀█░▒▒▒▒▒▒▒▒▓▓▓▓▓▓▓▒▒▒▒░▀███░░▒▒▒▒▒▒▒▓▓▓▓▓▓▓▓▓▓▓▒▄▄████▓▓▓▓▓▓▓▓▓▓▓███▀▀ ▀█▒▒▒▒▒▒▓▓▓▓▓▓▓▓▓▓▓▒▒▒▀████▒▒▒▒▒▒▒▒▓▓▓▓▓▓▓▄▄███████▀█▓▓▓▓▄█▄███████▄ ▀▀███▒▒▒▓▓▓▓██▓▓▓▓▓█████████████▄█▄▄█▄▄████████▀▀ ▀█▄█████████▀▀▀ ▀▀████████████████████▀▀▀███████████████▀▀ █████▀▀▀ ▀▀▀▀▀ ▀████▀▀▀ ▀▀▀▀▀▀▀▀ ▀ ▀▀