Genre | Punk |
---|---|
Date (CEST) | 2004-11-25 08:43:43 |
Group | BVME_INT |
Size | None MB |
Files | Unknown |
M3U / SFV / NFO |
Green_Day-American_Idiot-RETAIL-2004-BVME_INT
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NFO
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║2004║
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╔═══╩═══╗╔══════╗ ╔╝▓▓▓▓▓╚╗
╔╝▓▓▓▓▓▓▓╚╝:BVME:╚════════════════════════╝▓▐▀▀▀▌▓╚══════╗
╚╗▓▓▓▒▒▒▒░░░▀█▄.Presents.▄█▀░░░▒▒▒▒▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓╔╝
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▓▓▓▓▓▓▓▓▓▓▓ ╔═════════╩═══════════╗
▓╔═══════╗▓ ║Supplied By: BVME ║
▓║Release║▓ ╚═════════════════════╝
▓▓▓╚╦══╦═══╝▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▀█▄█▀█▄█▀█▄█▀█▄█▀█▄█▀▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓
▓╔══╩══╩═════╦════════════════════════════════════════════════════════════════╗▓
▓║ Date: ║ NOV 25TH, 2004 ║▓
▓║ Release: ║ Green Day - American Idiot-RETAIL ║▓
▓║ Year: ║ 2004 ║▓
▓║ Genre: ║ Punk ║▓
▓║ URL: ║ http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:eg0e4jo77wav~ ║▓
▓║ Label: ║ Reprise ║▓
▓╚═══════════╩════════════════════════════════════════════════════════════════╝▓
▓ ░ ░░ ░░░ ░░░░ ░░▒▒▒▒▓▓▓▓▓▄█▀█▄█▀█▄▓▓▓▓▓▒▒▒▒░░ ░░░░ ░░░ ░ ║▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓
▓▓▓╔═════════╗ ╠═╗▓
▓║File Info║ Big Vanilla Mountain Entertainment ║ ║▓
▓▓▓╚╦═══════╦╝ ║ ║▓
▓╔══╩═══════╩═╦════════════════════════════════════════════════════════════╗║ ║▓
▓║ Size: ║ 96,8 MB ║║ ║▓
▓║ Source: ║ CDDA ╠╝ ║▓
▓║ Encoder: ║ LAME v3.90.3 modified ║ ║▓
▓║ Grabber: ║ Exact Audio Copy ║ ║▓
▓║ Bitrate: ║ VBR --alt-preset standard ║ ║▓
▓║ Mode: ║ Joint-Stereo ║ ║▓
▓║ Type: ║ MP3 ║ ║▓
▓╚════════════╩════════════════════════════════════════════════════════════╝ ║▓
▓ ░ ░░ ░░░ ░░░░ ░░▒▒▒▒▓▓▓▓▓▄█▀█▄█▀█▄▓▓▓▓▓▒▒▒▒░░ ░░░░ ░░░ ░ ║▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓
▓▓▓╔═════════╗ ╠═╗▓
▓║Tracklist║ ║ ║▓
▓▓▓╚╦═══════╦╝ ║ ║▓
▓╔══╩═══════╩═════════════════════════════════════════════════════════════════╗║ ║▓
▓║01 American Idiot 02:54 ║║ ║▓
▓║02 Jesus of Suburbia 09:08 ║║ ║▓
▓║03 Holiday 03:53 ║║ ║▓
▓║04 Boulevard of Broken Dreams 04:21 ║║ ║▓
▓║05 Are We the Waiting 02:43 ║║ ║▓
▓║06 St Jimmy 02:55 ║║ ║▓
▓║07 Give Me Novocaine 03:26 ║║ ║▓
▓║08 Shes A Rebel 02:00 ║║ ║▓
▓║09 Extraordinary Girl 03:34 ║║ ║▓
▓║10 Letterbomb 04:06 ║║ ║▓
▓║11 Wake Me Up When September Ends 04:46 ║║ ║▓
▓║12 Homecoming 09:19 ║║ ║▓
▓║13 Whatsername 04:12 ║║ ║▓
▓║ ╠══╝▓
▓║ 57:17 min ║▓▓▓▓
▓╚════════════════════════════════════════════════════════════════════════════╝▓
▓ ░ ░░ ░░░ ░░░░ ░░▒▒▒▒▓▓▓▓▓▄█▀█▄█▀█▄▓▓▓▓▓▒▒▒▒░░ ░░░░ ░░░ ░ ║▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓
▓▓▓╔═════════════════╗ ╠═╗▓
▓║Album Information║ ║ ║▓
▓▓▓╚╦═══════╦════════╝ ║ ║▓
▓╔══╩═══════╩════════════════════════════════════════════════════════════════╗║ ║▓
▓║It's a bit tempting to peg Green Day's sprawling, ambitious, brilliant ║║ ║▓
▓║seventh album, American Idiot, as their version of a Who album, the next ║║ ║▓
▓║logical step forward from the Kinks-inspired popcraft of their underrated ║║ ║▓
▓║2000 effort, Warning, but things aren't quite that simple. American Idiot ║║ ║▓
▓║is an unapologetic, unabashed rock opera, a form that Pete Townshend ║║ ║▓
▓║pioneered with Tommy, but Green Day doesn't use that for a blueprint as ║║ ║▓
▓║much as they use the Who's mini-opera "A Quick One, While He's Away," whose║║ ║▓
▓║whirlwind succession of 90-second songs isn't only emulated on two song ║║ ║▓
▓║suites here, but provides the template for the larger 13-song cycle. But ║║ ║▓
▓║the Who are only one of many inspirations on this audacious, immensely ║║ ║▓
▓║entertaining album. The story of St. Jimmy has an arc similar to Hⁿsker ║║ ║▓
▓║Dⁿ's landmark punk-opera Zen Arcade, while the music has grandiose ║║ ║▓
▓║flourishes straight out of both Queen and Rocky Horror Picture Show (the ║║ ║▓
▓║'50s pastiche "Rock and Roll Girlfriend" is punk rock Meat Loaf), all tied ║║ ║▓
▓║together with a nervy urgency and a political passion reminiscent of the ║║ ║▓
▓║Clash, or all the anti-Reagan American hardcore bands of the '80s. These ║║ ║▓
▓║are just the clearest touchstones for American Idiot, but reducing the ║║ ║▓
▓║album to its influences gives the inaccurate impression that this is no ║║ ║▓
▓║more than a patchwork quilt of familiar sounds, when it's an idiosyncratic,║║ ║▓
▓║visionary work in its own right. First of all, part of Green Day's appeal ║║ ║▓
▓║is how they have personalized the sounds of the past, making time-honored ║║ ║▓
▓║guitar rock traditions seem fresh, even vital. With their first albums, ║║ ║▓
▓║they styled themselves after first-generation punk they were too young to ║║ ║▓
▓║hear firsthand, and as their career progressed, the group not only ║║ ║▓
▓║synthesized these influences into something distinctive, but chief ║║ ║▓
▓║songwriter Billie Joe Armstrong turned into a muscular, versatile ║║ ║▓
▓║songwriter in his own right. ║║ ║▓
▓║ ║║ ║▓
▓║Warning illustrated their growing musical acumen quite impressively, but ║║ ║▓
▓║here, the music isn't only tougher, it's fluid and, better still, it fuels ║║ ║▓
▓║the anger, disillusionment, heartbreak, frustration, and scathing wit at ║║ ║▓
▓║the core of American Idiot. And one of the truly startling things about ║║ ║▓
▓║American Idiot is how the increased musicality of the band is matched by ║║ ║▓
▓║Armstrong's incisive, cutting lyrics, which effectively convey the paranoia║║ ║▓
▓║and fear of living in American in days after 9/11, but also veer into ║║ ║▓
▓║moving, intimate small-scale character sketches. There's a lot to absorb ║║ ║▓
▓║here, and cynics might dismiss it after one listen as a bit of a mess when ║║ ║▓
▓║it's really a rich, multi-faceted work, one that is bracing upon the first ║║ ║▓
▓║spin and grows in stature and becomes more addictive with each repeated ║║ ║▓
▓║play. Like all great concept albums, American Idiot works on several ║║ ║▓
▓║different levels. It can be taken as a collection of great songs ù songs ║║ ║▓
▓║that are as visceral or as poignant as Green Day at their best, songs that ║║ ║▓
▓║resonate outside of the larger canvas of the story, as the fiery anti-Dubya║║ ║▓
▓║title anthem proves ù but these songs have a different, more lasting impact║║ ║▓
▓║when taken as a whole. While its breakneck, freewheeling musicality has ║║ ║▓
▓║many inspirations, there really aren't many records like American Idiot ║║ ║▓
▓║(bizarrely enough, the Fiery Furnaces' Blueberry Boat is one of the ║║ ║▓
▓║closest, at least on a sonic level, largely because both groups draw deeply║║ ║▓
▓║from the kaleidoscopic "A Quick One"). In its musical muscle and sweeping, ║║ ║▓
▓║politically charged narrative, it's something of a masterpiece, and one of ║║ ║▓
▓║the few ù if not the only ù records of 2004 to convey what it feels like to║║ ║▓
▓║live in the strange, bewildering America of the early 2000s. ║║ ║▓
▓║ ╠══╝▓
▓║ ║▓▓▓▓
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