Genre | Rock |
---|---|
Date (CEST) | 2019-01-19 04:11:10 |
Group | FANG |
Size | 69 MB |
Files | 10 |
M3U / SFV / NFO |
Gruff_Rhys-Babelsberg-(RT0010CD)-CD-2018-FANG
Infos
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Tracklist (M3U)
# | Filename | Artist | Songname | Bitrate | BPM |
---|---|---|---|---|---|
1 | 01-gruff_rhys-frontier_man.mp3 | Gruff Rhys | Frontier Man | 233 | Unknown |
2 | 02-gruff_rhys-the_club.mp3 | Gruff Rhys | The Club | 237 | Unknown |
3 | 03-gruff_rhys-oh_dear.mp3 | Gruff Rhys | Oh Dear! | 235 | Unknown |
4 | 04-gruff_rhys-limited_edition_heart.mp3 | Gruff Rhys | Limited Edition Heart | 249 | Unknown |
5 | 05-gruff_rhys-take_that_call.mp3 | Gruff Rhys | Take That Call | 251 | Unknown |
6 | 06-gruff_rhys-drones_in_the_city.mp3 | Gruff Rhys | Drones in the City | 228 | Unknown |
7 | 07-gruff_rhys-negative_vibes.mp3 | Gruff Rhys | Negative Vibes | 232 | Unknown |
8 | 08-gruff_rhys-same_old_song.mp3 | Gruff Rhys | Same Old Song | 217 | Unknown |
9 | 09-gruff_rhys-architecture_of_amnesia.mp3 | Gruff Rhys | Architecture of Amnesia | 242 | Unknown |
10 | 10-gruff_rhys-selfies_in_the_sunset.mp3 | Gruff Rhys | Selfies in the Sunset | 236 | Unknown |
NFO
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\ / \ / . '
: \/ F A N G \ / : '
____ \ / . . .. .. .:.. .
\ / presents \ / .
. \/ \/ :
: .
..:.. ,
: Artist......: Gruff Rhys
: Album.......: Babelsberg :
: Label.......: Rough Trade .. .:.. .
Genre.......: Rock :
Catnr.......: RT0010CD .
' Source......: CD ,
; Rip.date....: 2019-01-19
Str.date....: 2018-06-08
Quality.....: 236kbps/44.1kHz/Joint Stereo . :..
.:. Url.........: http://gruffrhys.com '
' ,
________ ________
\ / \ /
\ / \ /
\ / # title time \ /
\/ \/
1. Frontier Man 3:35
2. The Club 4:03
3. Oh Dear! 3:16
4. Limited Edition Heart 3:38
5. Take That Call 3:42
6. Drones in the City 3:49
7. Negative Vibes 5:15
8. Same Old Song 4:09
9. Architecture of Amnesia 4:41
10. Selfies in the Sunset 4:49
______
\ / ________ Runtime 40:57
,\ /... . . .... .... \ / ' Size 72.80 ______
:\/ ', \ / , \ /
' '... ..\ /.. .. .....:. .. .... .. . ..\ /.
: Release Notes: \/ , \/ ,
' '
,: "God! Show me magic!" Gruff Rhys screamed on the first song of :,
: the first Super Furry Animals album, and 22 years later he's :
:' still waiting patiently. Even as his band of psych-rock ':
,: shapeshifters waded through all manner of global epidemics -- :,
: pollution, war, technology overload, evangelicalism, and, um, :
:' vampire bats -- he never lost his grace, sense of humor, or ':
,: faith in the underdog. While the Furries have been on pause for :,
: much of the current decade, Rhys has continued juggling :
:' absurdity and profundity, albeit with a more delicate touch, as ':
,: a solo artist. But the ceaseless stream of bad political news :,
: that flooded the past couple of years tested even this eternal :
:' optimist's mettle. And when he wasn't contemplating the ':
,: doomsday clock, he had to keep an eye on the actual one: He :,
: recorded his new album, Babelsberg, in a Bristol studio that was :
:' set to be demolished for condo redevelopment. ':
,: :,
: On his previous solo effort, 2014's American Interior, Rhys :
:' embarked on a musical road trip across the Midwest, retracing ':
,: the footsteps of an 18th-century ancestor who ventured stateside :,
: in search of a mythic Welsh-speaking indigenous tribe. :
:' Babelsberg is another journey through the American landscape, ':
,: but it forsakes speculative history to survey the nation's :,
: current condition. Lyrically speaking, the album features some :
:' of the most sobering, spiteful songwriting of Rhys' career, ':
,: with little of his trademark whimsy to cut through the black-sky :,
: mood. If its omnipresent, string-swaddled arrangements (courtesy :
:' of the BBC National Orchestra of Wales) initially feel like a ':
,: soothing antidote to the bleak subject matter, they also serve :,
: an equally provocative purpose. :
:' ':
,: After all, the plush, countrypolitan sound they create is :,
: evocative of the bygone America to which so many MAGA-hat :
:' ideologues desperately want to revert. With Babelsberg, Rhys ':
,: effectively delivers that crowd a flaming pile of dog shit :,
: encased in a rhinestone-studded jewelry box. The messenger :
:' arrives in the form of "Frontier Man," the kind of smooth, ':
,: harmony-rich cowpoke serenade you could imagine raising the :,
: curtains at the Grand Ole Opry in 1968. But when Rhys croons, :
:' "On the frontier of delusion/I'm your foremost frontier man," ':
,: he invokes the all-American outlaw archetype less as a model of :,
: valor and independence than as an example of pigheaded :
:' persistence in the face of contrary evidence. ':
,: :,
: Just as "Frontier Man" savors the friction between its medium :
:' and its message, much of Babelsberg lays on the symphonic ':
,: opulence to conjure the shaky-handed unease of our times: After :,
: barreling out of the gates with a frantic gallop, "Oh Dear!" :
:' free-falls into the orchestra pit as Rhys shouts out the ':
,: ominous title like a drowning victim begging for a life :,
: preserver. "Architecture of Amnesia," meanwhile, uses its :
:' chamber-prog grandeur as a cudgel, with Rhys mounting a war ':
,: march against "bigots" who hide behind the "blue birds" of :,
: social media to spew their hate. But even the album's prettiest, :
:' most serene moments simmer with external tensions. "Drones in ':
,: the City" is a gorgeous ambient ballad that has Rhys ruminating :,
: on the ambiguous meaning of "drones" and how their :
:' connotations--annoying remote-controlled gizmo vs. stealth ':
,: killing machine--differ depending on where you are in the world. :,
: But in its final minute, the song's burbling bassline :
:' accelerates as though it's about to flatline, briefly ':
,: transforming the album's most splendorous song into its most :,
: anxious. :
:' ':
,: For all its lavish instrumentation and weighty subtext, however, :,
: Babelsberg never overwhelms Rhys' preternatural gift for writing :
:' swoon-worthy melodies. "Limited Edition Heart" and "Negative ':
,: Vibes" are among the finest, most impassioned songs he's ever :,
: crafted--defiant soft-rock salvos that position a warm embrace :
:' as armor against the world crumbling around us. And if we are ':
,: truly doomed, Rhys offers the grim reassurance that we're too :,
: narcissistic to notice. Atop the chipper, ivory-tickling saunter :
:' of "Selfies in the Sunset," Rhys and guest vocalist Lily Cole ':
,: sardonically serenade each other about posing for a few last :,
: snaps in front of a "blazing red" mushroom-cloud backdrop, :
:' milking the apocalypse for Instagram likes. In the unsettled ':
,: universe of Babelsberg, this is the way the world ends--not with :,
: a bang but a self-satisfied finger tap. :
:' ':
: '
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.. . :........... . . . . ............: . .
______________ ______________
\ / \ /
\ / Shout out to all our homies from: \ /
\ / \ /
\ / iPC BOSS HiT2000 1way UKi i8 RNS \ /
\ / RAGEMP3 MANDY DV8 pLAN9 BUTT \ /
\ / \ /
\/ ____ ____ \/
\ / F A N G \ /
\/ 2 0 1 9 \/