Genre | Ethnic |
---|---|
Date (CEST) | 2022-02-26 22:26:24 |
Group | OMA |
Size | 105 MB |
Files | 11 |
M3U / SFV / NFO |
Hamid_El_Shaeri--The_SLAM_Years_1983-1988-(HABIBI018)-WEB-2022-OMA
Infos
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Tracklist (M3U)
# | Filename | Artist | Songname | Bitrate | BPM |
---|---|---|---|---|---|
1 | 01-hamid_el_shaeri--tewidni_dom-oma.mp3 | Hamid El Shaeri | Tew'idni Dom | 320 | Unknown |
2 | 02-hamid_el_shaeri--yekfini_nesma_sotak-oma.mp3 | Hamid El Shaeri | Yekfini Nesma' Sotak | 320 | Unknown |
3 | 03-hamid_el_shaeri--ayonha-oma.mp3 | Hamid El Shaeri | Ayonha | 320 | Unknown |
4 | 04-hamid_el_shaeri--ya_saheb-oma.mp3 | Hamid El Shaeri | Ya Saheb | 320 | Unknown |
5 | 05-hamid_el_shaeri--git_ya_sheta-oma.mp3 | Hamid El Shaeri | Git Ya Sheta | 320 | Unknown |
6 | 06-hamid_el_shaeri--shantet_safar-oma.mp3 | Hamid El Shaeri | Shantet Safar | 320 | Unknown |
7 | 07-hamid_el_shaeri--oyoun_houriyat-oma.mp3 | Hamid El Shaeri | Oyoun Houriyat | 320 | Unknown |
8 | 08-hamid_el_shaeri--maktoub_aleina-oma.mp3 | Hamid El Shaeri | Maktoub Aleina | 320 | Unknown |
9 | 09-hamid_el_shaeri--reet-oma.mp3 | Hamid El Shaeri | Reet | 320 | Unknown |
10 | 10-hamid_el_shaeri--dari_demouek-oma.mp3 | Hamid El Shaeri | Dari Demou'ek | 320 | Unknown |
11 | 11-hamid_el_shaeri--weyn_ayamak_weyn-oma.mp3 | Hamid El Shaeri | Weyn Ayamak Weyn | 320 | Unknown |
NFO
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████ ■ ███▓█ █▓███ ■ ████
████ · ▄▓███▓ OPEN MUSiC ASSOCiATiON ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ .···. P R E S E N T S .···. ▓ │▀▀▀█▓▄▄ █████
██████▓▀ ▀ ▀ ▀▓██████
█████▀ Hamid El Shaeri - The SLAM! Years: 1983 - 1988 (Habibi Funk 018) ▀█████
████▀ ▀████
███▀ ▀███
█▓▓▓▓ ARTiST..[ Hamid El Shaeri ▓▓▓▓█
█▓▓▓▓ TiTLE...[ The SLAM! Years: 1983 - 1988 (Habibi Funk 018) ▓▓▓▓█
████ GENRE...[ Ethnic CAT#....[ HABIBI 018 ████
████ LABEL...[ HABIBI Funk Records ENCODER.[ Lame 3.100 ████
████ YEAR....[ 2022 QUALiTY.[ 320kbps ████
████ SOURCE..[ WEB (FLAC) MODE....[ Joint Stereo ████
████ PLAYTIME[ 44:58 REL.DATE[ 02.26.2022 ████
████ TRACKS..[ 11 RiPPER..[ TEAM OMA ████
████ SiZE....[ 103,14 MB SUPPLiER[ TEAM OMA ████
████ ████
████ ████
████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████
████ ■ ███▓█ .···. T R A C K L i S T .···. █▓███ ■ ████
████ · ▄▓███▓ ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████
██████▓▀ ▀ ▀ ▀▓██████
█████▀ ▀█████
████▀ ▀████
███▀ NR. TRACK. TiME. ▀███
█▓▓▓▓ ∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙ ▓▓▓▓█
█▓▓▓▓ ▓▓▓▓█
████ 01 Tew'idni Dom 03:42 ████
████ 02 Yekfini Nesma' Sotak 04:13 ████
████ 03 Ayonha 03:42 ████
████ 04 Ya Saheb 04:06 ████
████ 05 Git Ya Sheta 03:18 ████
████ 06 Shantet Safar 03:08 ████
████ 07 Oyoun Houriyat 05:18 ████
████ 08 Maktoub Aleina 04:10 ████
████ 09 Reet 04:26 ████
████ 10 Dari Demou'ek 04:43 ████
████ 11 Weyn Ayamak Weyn 04:12 ████
████ ∙∙∙∙∙∙∙∙∙∙∙∙ ████
████ TOTAL: 44:58 ████
████ ████
████ ████
████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████
████ ■ ███▓█ .···. R E L E A S E N O T E S .···. █▓███ ■ ████
████ · ▄▓███▓ ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████
██████▓▀ ▀ ▀ ▀▓██████
█████▀ ▀█████
████▀ ▀████
███▀ ▀███
█▓▓▓▓ ▓▓▓▓█
█▓▓▓▓ ▓▓▓▓█
████ https://habibifunkrecords.bandcamp.com/album/ha ████
████ bibi-funk-018-the-slam-years-1983-1988 ████
████ ████
████ If you were to ask us for a defining Habibi ████
████ Funk track, there are a few that come to mind: ████
████ from FadoulÆs ôSid Redad,ô DaltonÆs ôSoul ████
████ Brotherô to Ahmed MalekÆs ôOmar Gatlato.ô ████
████ However, none are as widely connected with us ████
████ at this point as Hamid Al ShaeriÆs ôAyonha.ô We ████
████ heard the track for the first time when we were ████
████ working on selecting tracks for your first ████
████ compilation and we instantly loved it. We ████
████ obviously had heard of Hamid El ShaeriÆs music ████
████ before, but only material from his Al Jeel ████
████ phase when he was already the full-blown ████
████ superstar he is now. Listening to his releases ████
████ from the early 1980Æs opened a whole new door ████
████ for us. At the time, Hamid had just left Libya ████
████ to pursue his career in Egypt via a detour in ████
████ London, where he recorded his first album. ████
████ ████
████ HamidÆs distinct sound of the sound is ████
████ quintessentially reliant on heavy synths and so ████
████ it was particularly important to purchase these ████
████ synths in a timely manner. ôWhenever a new one ████
████ [synthesizer] would come out, we would have to ████
████ buy it immediately, otherwise someone else ████
████ would get their hands on that sound.ö London ████
████ also played an important role for Hamid as a ████
████ musical epicenter. He fondly reminisces about ████
████ the many live shows he attended there, ████
████ including some of the biggest international ████
████ musicians like Freddie Mercury and Michael ████
████ Jackson. ████
████ After returning to Cairo where he also recorded ████
████ his following albums, he connected with SLAM! ████
████ for the release of his debut, laying the ████
████ foundation of a collaboration that lasted for 5 ████
████ albums. ████
████ ████
████ Luckily, we were able to connect with Hamid ████
████ through our friend Youssra El Hawary, whose ████
████ extensive network has opened many doors for us ████
████ within the Egyptian music scene. We met Hamid ████
████ for the first time probably in 2016 at his ████
████ office / rehearsal studio in the outskirts ████
████ Cairo. We were expecting a larger-than-life ████
████ character in-line with his status as a ████
████ certified superstar, yet the actual person ████
████ turned out to be very approachable and super ████
████ easy to connect with. He liked the idea of an ████
████ effort to amplify his early works again, which, ████
████ when originally released, were far from an ████
████ economic success. While he was down to assist ████
████ with an interview and his blessing for the ████
████ project he also told us that for any license we ████
████ needed to speak with the original label SLAM! ████
████ who released these songs, still held the rights ████
████ and also remained in business over the decades ████
████ though they didnÆt actively release any new ████
████ music. ████
████ Hany Sabet had started SLAM! records in the ████
████ early 1980s and focused on cassette tape ████
████ releases, the format that expedited the success ████
████ of a new generation of record labels in Egypt. ████
████ By the mid 1980Æs, SLAM! had become one of the ████
████ most successful and economically dominant ████
████ record labels in Egypt, with Hamid El Shaeri ████
████ being just one of their key artists, alongside ████
████ Mohamed Mounir, Hanan, Hakim, Mustafa Amar and ████
████ many more. Luckily, Hany Sabet turned out to be ████
████ a friend of our colleague Malak MakarÆs father, ████
████ which probably helped to warm him to the idea ████
████ of licen- sing ôAyonhaö to this - in the scale ████
████ of his world - tiny label from Germany. ████
████ Eventually ôAyonhaö ended up becoming a widely ████
████ successful release and either Hany or we ████
████ brought up the idea of a full album dedicated ████
████ to Hamid El ShaeriÆs work on SLAM!. ████
████ ████
████ This release is dedicated to Hany Sabet, the ████
████ founder of SLAM! and his wife Rosemary Jane ████
████ Sabet (who took the photos we used for the ████
████ cover and the booklet), who sadly passed away ████
████ during the time it took us to prepare the ████
████ release. ████
████ ████
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████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████
████ ■ ███▓█ .···. G R O U P .···. █▓███ ■ ████
████ · ▄▓███▓ ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ MAiL: [email protected] ▓ │▀▀▀█▓▄▄ █████
█▀ ▀██▓▀ ▀ ▀ ▀▓██▀ ▀█
██▄██▀ ▀██▄██
████▀ The only thing that really matters is music!!! ▀████
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▀██▓▄ ▄▓██▀
.▀ │ ▀▀██▄▓▄ .···. G R E E T S .···. ▄▓▄██▀▀ │ ▀
. ▄▓▓▄ │ ▀▀▀█▄▄ ▄▄█▀▀▀ │ ▄▓▓▄ .
▀▀ ▀▀▄ FRiENDS / SiTEOPS / NUKENET ▄▀▀ ▀▀
▀ . ▄ ▄▓▓▄ ▀▄ RIP kHz ▄▀ ▄▓▓▄ ▄ . ▀
▀ ▀▓▀ ▀▀ ▀ . ▄.···. !kb^faa 08.MARCH 2009 .···.▄ . ▀ ▀▀ ▀▓▀ ▀ .