Hamid_El_Shaeri--The_SLAM_Years_1983-1988-(HABIBI018)-WEB-2022-OMA

Tracklist (M3U)
# Filename Artist Songname Bitrate BPM
1 01-hamid_el_shaeri--tewidni_dom-oma.mp3 Hamid El Shaeri Tew'idni Dom 320 Unknown
2 02-hamid_el_shaeri--yekfini_nesma_sotak-oma.mp3 Hamid El Shaeri Yekfini Nesma' Sotak 320 Unknown
3 03-hamid_el_shaeri--ayonha-oma.mp3 Hamid El Shaeri Ayonha 320 Unknown
4 04-hamid_el_shaeri--ya_saheb-oma.mp3 Hamid El Shaeri Ya Saheb 320 Unknown
5 05-hamid_el_shaeri--git_ya_sheta-oma.mp3 Hamid El Shaeri Git Ya Sheta 320 Unknown
6 06-hamid_el_shaeri--shantet_safar-oma.mp3 Hamid El Shaeri Shantet Safar 320 Unknown
7 07-hamid_el_shaeri--oyoun_houriyat-oma.mp3 Hamid El Shaeri Oyoun Houriyat 320 Unknown
8 08-hamid_el_shaeri--maktoub_aleina-oma.mp3 Hamid El Shaeri Maktoub Aleina 320 Unknown
9 09-hamid_el_shaeri--reet-oma.mp3 Hamid El Shaeri Reet 320 Unknown
10 10-hamid_el_shaeri--dari_demouek-oma.mp3 Hamid El Shaeri Dari Demou'ek 320 Unknown
11 11-hamid_el_shaeri--weyn_ayamak_weyn-oma.mp3 Hamid El Shaeri Weyn Ayamak Weyn 320 Unknown
NFO
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P R E S E N T S .···. ▓ │▀▀▀█▓▄▄ █████ ██████▓▀ ▀ ▀ ▀▓██████ █████▀ Hamid El Shaeri - The SLAM! Years: 1983 - 1988 (Habibi Funk 018) ▀█████ ████▀ ▀████ ███▀ ▀███ █▓▓▓▓ ARTiST..[ Hamid El Shaeri ▓▓▓▓█ █▓▓▓▓ TiTLE...[ The SLAM! Years: 1983 - 1988 (Habibi Funk 018) ▓▓▓▓█ ████ GENRE...[ Ethnic CAT#....[ HABIBI 018 ████ ████ LABEL...[ HABIBI Funk Records ENCODER.[ Lame 3.100 ████ ████ YEAR....[ 2022 QUALiTY.[ 320kbps ████ ████ SOURCE..[ WEB (FLAC) MODE....[ Joint Stereo ████ ████ PLAYTIME[ 44:58 REL.DATE[ 02.26.2022 ████ ████ TRACKS..[ 11 RiPPER..[ TEAM OMA ████ ████ SiZE....[ 103,14 MB SUPPLiER[ TEAM OMA ████ ████ ████ ████ ████ ████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████ ████ ■ ███▓█ .···. T R A C K L i S T .···. █▓███ ■ ████ ████ · ▄▓███▓ ▓███▓▄ · ████ █████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████ ██████▓▀ ▀ ▀ ▀▓██████ █████▀ ▀█████ ████▀ ▀████ ███▀ NR. TRACK. TiME. ▀███ █▓▓▓▓ ∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙ ▓▓▓▓█ █▓▓▓▓ ▓▓▓▓█ ████ 01 Tew'idni Dom 03:42 ████ ████ 02 Yekfini Nesma' Sotak 04:13 ████ ████ 03 Ayonha 03:42 ████ ████ 04 Ya Saheb 04:06 ████ ████ 05 Git Ya Sheta 03:18 ████ ████ 06 Shantet Safar 03:08 ████ ████ 07 Oyoun Houriyat 05:18 ████ ████ 08 Maktoub Aleina 04:10 ████ ████ 09 Reet 04:26 ████ ████ 10 Dari Demou'ek 04:43 ████ ████ 11 Weyn Ayamak Weyn 04:12 ████ ████ ∙∙∙∙∙∙∙∙∙∙∙∙ ████ ████ TOTAL: 44:58 ████ ████ ████ ████ ████ ████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████ ████ ■ ███▓█ .···. R E L E A S E N O T E S .···. █▓███ ■ ████ ████ · ▄▓███▓ ▓███▓▄ · ████ █████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████ ██████▓▀ ▀ ▀ ▀▓██████ █████▀ ▀█████ ████▀ ▀████ ███▀ ▀███ █▓▓▓▓ ▓▓▓▓█ █▓▓▓▓ ▓▓▓▓█ ████ https://habibifunkrecords.bandcamp.com/album/ha ████ ████ bibi-funk-018-the-slam-years-1983-1988 ████ ████ ████ ████ If you were to ask us for a defining Habibi ████ ████ Funk track, there are a few that come to mind: ████ ████ from FadoulÆs ôSid Redad,ô DaltonÆs ôSoul ████ ████ Brotherô to Ahmed MalekÆs ôOmar Gatlato.ô ████ ████ However, none are as widely connected with us ████ ████ at this point as Hamid Al ShaeriÆs ôAyonha.ô We ████ ████ heard the track for the first time when we were ████ ████ working on selecting tracks for your first ████ ████ compilation and we instantly loved it. We ████ ████ obviously had heard of Hamid El ShaeriÆs music ████ ████ before, but only material from his Al Jeel ████ ████ phase when he was already the full-blown ████ ████ superstar he is now. Listening to his releases ████ ████ from the early 1980Æs opened a whole new door ████ ████ for us. At the time, Hamid had just left Libya ████ ████ to pursue his career in Egypt via a detour in ████ ████ London, where he recorded his first album. ████ ████ ████ ████ HamidÆs distinct sound of the sound is ████ ████ quintessentially reliant on heavy synths and so ████ ████ it was particularly important to purchase these ████ ████ synths in a timely manner. ôWhenever a new one ████ ████ [synthesizer] would come out, we would have to ████ ████ buy it immediately, otherwise someone else ████ ████ would get their hands on that sound.ö London ████ ████ also played an important role for Hamid as a ████ ████ musical epicenter. He fondly reminisces about ████ ████ the many live shows he attended there, ████ ████ including some of the biggest international ████ ████ musicians like Freddie Mercury and Michael ████ ████ Jackson. ████ ████ After returning to Cairo where he also recorded ████ ████ his following albums, he connected with SLAM! ████ ████ for the release of his debut, laying the ████ ████ foundation of a collaboration that lasted for 5 ████ ████ albums. ████ ████ ████ ████ Luckily, we were able to connect with Hamid ████ ████ through our friend Youssra El Hawary, whose ████ ████ extensive network has opened many doors for us ████ ████ within the Egyptian music scene. We met Hamid ████ ████ for the first time probably in 2016 at his ████ ████ office / rehearsal studio in the outskirts ████ ████ Cairo. We were expecting a larger-than-life ████ ████ character in-line with his status as a ████ ████ certified superstar, yet the actual person ████ ████ turned out to be very approachable and super ████ ████ easy to connect with. He liked the idea of an ████ ████ effort to amplify his early works again, which, ████ ████ when originally released, were far from an ████ ████ economic success. While he was down to assist ████ ████ with an interview and his blessing for the ████ ████ project he also told us that for any license we ████ ████ needed to speak with the original label SLAM! ████ ████ who released these songs, still held the rights ████ ████ and also remained in business over the decades ████ ████ though they didnÆt actively release any new ████ ████ music. ████ ████ Hany Sabet had started SLAM! records in the ████ ████ early 1980s and focused on cassette tape ████ ████ releases, the format that expedited the success ████ ████ of a new generation of record labels in Egypt. ████ ████ By the mid 1980Æs, SLAM! had become one of the ████ ████ most successful and economically dominant ████ ████ record labels in Egypt, with Hamid El Shaeri ████ ████ being just one of their key artists, alongside ████ ████ Mohamed Mounir, Hanan, Hakim, Mustafa Amar and ████ ████ many more. Luckily, Hany Sabet turned out to be ████ ████ a friend of our colleague Malak MakarÆs father, ████ ████ which probably helped to warm him to the idea ████ ████ of licen- sing ôAyonhaö to this - in the scale ████ ████ of his world - tiny label from Germany. ████ ████ Eventually ôAyonhaö ended up becoming a widely ████ ████ successful release and either Hany or we ████ ████ brought up the idea of a full album dedicated ████ ████ to Hamid El ShaeriÆs work on SLAM!. ████ ████ ████ ████ This release is dedicated to Hany Sabet, the ████ ████ founder of SLAM! and his wife Rosemary Jane ████ ████ Sabet (who took the photos we used for the ████ ████ cover and the booklet), who sadly passed away ████ ████ during the time it took us to prepare the ████ ████ release. ████ ████ ████ ████ ████ ████ ████ ████ ████ ████ ████ ████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████ ████ ■ ███▓█ .···. G R O U P .···. █▓███ ■ ████ ████ · ▄▓███▓ ▓███▓▄ · ████ █████ ▄▄▓█▀▀▀│ ▓ MAiL: [email protected] ▓ │▀▀▀█▓▄▄ █████ █▀ ▀██▓▀ ▀ ▀ ▀▓██▀ ▀█ ██▄██▀ ▀██▄██ ████▀ The only thing that really matters is music!!! ▀████ ▀██▓ ▓██▀ ▀██▓▄ ▄▓██▀ .▀ │ ▀▀██▄▓▄ .···. G R E E T S .···. ▄▓▄██▀▀ │ ▀ . ▄▓▓▄ │ ▀▀▀█▄▄ ▄▄█▀▀▀ │ ▄▓▓▄ . ▀▀ ▀▀▄ FRiENDS / SiTEOPS / NUKENET ▄▀▀ ▀▀ ▀ . ▄ ▄▓▓▄ ▀▄ RIP kHz ▄▀ ▄▓▓▄ ▄ . ▀ ▀ ▀▓▀ ▀▀ ▀ . ▄.···. !kb^faa 08.MARCH 2009 .···.▄ . ▀ ▀▀ ▀▓▀ ▀ .

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