Genre | Progressive Rock |
---|---|
Date (CEST) | 2021-10-23 09:58:36 |
Group | MARR_INT |
Size | None MB |
Files | 6 |
M3U / SFV / NFO |
Hansson_Och_Karlsson-Monument-WEB-1967-MARR_INT
Infos
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Tracklist (M3U)
# | Filename | Artist | Songname | Bitrate | BPM |
---|---|---|---|---|---|
1 | 01-hansson_och_karlsson-richard_lionheart-marr.mp3 | Hansson Och Karlsson | Richard Lionheart | 320 | Unknown |
2 | 02-hansson_och_karlsson-triplets-marr.mp3 | Hansson Och Karlsson | Triplets | 320 | Unknown |
3 | 03-hansson_och_karlsson-tax_free-marr.mp3 | Hansson Och Karlsson | Tax Free | 320 | Unknown |
4 | 04-hansson_och_karlsson-february-marr.mp3 | Hansson Och Karlsson | February | 320 | Unknown |
5 | 05-hansson_och_karlsson-collage-marr.mp3 | Hansson Och Karlsson | Collage | 320 | Unknown |
6 | 06-hansson_och_karlsson-h.k._theme-marr.mp3 | Hansson Och Karlsson | H.K. Theme | 320 | Unknown |
NFO
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█ █
█ █
█▒ Artist - Hansson Och Karlsson ▒█
█▒ Title - Monument ▒█
█▒ ▒█
█▒ Genre - Progressive Rock Time - 35:26 ▒█
█▒ Label - Universal Music Size - 90.54 MB ▒█
█▒ ▒█
█▒ Format - Album Bitrate - 320 kbps ▒█
█▒ Year - 1967 Freq - 44.1 kHz ▒█
█▒ Source - MP3 Encoder - Lame 3.99.5 ▒█
█▒ ▒█
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▌░ ▄▄▄┌─────────────┐▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄ ░▐
▌░ ▒▒▒│ tracklist │▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒ ░▐
▌░ └─────────────┘ ░▐
▌░ ░▐
▌░ 01. Richard Lionheart 4:18 ░▐
▌░ 02. Triplets 4:55 ░▐
▌░ 03. Tax Free 7:14 ░▐
▌░ 04. February 7:17 ░▐
▌░ 05. Collage 8:52 ░▐
▌░ 06. H.K. Theme 2:50 ░▐
▌░ ░▐
▌░ ░▐
▌░ ▄▄▄┌─────────────┐▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄ ░▐
▌░ ▒▒▒│ rip notes │▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒ ░▐
▌░ └─────────────┘ ░▐
▌░ ░▐
▌░ The two members of Hansson & Karlsson are both better-known ░▐
▌░ for other things - Bo Hansson as the composer of the ░▐
▌░ progressive fantasy album Lord of the Rings and Jan Karlsson ░▐
▌░ as a second-rate actor. But playing together in the '60s, ░▐
▌░ they were among the most important Swedish progressive bands, ░▐
▌░ and possibly the band reaching the most fame abroad in the ░▐
▌░ '60s. They played with acts like Frank Zappa, Cream, and Jimi ░▐
▌░ Hendrix. ░▐
▌░ ░▐
▌░ When the '60s ended, and as Hansson & Karlsson were getting ░▐
▌░ big in progressive circles in Europe, their career came to a ░▐
▌░ halt after conflicts between the two and with their manager. ░▐
▌░ Karlsson also ran the most lively progressive club in ░▐
▌░ Stockholm, Filips, where, except for Hansson & Karlsson, ░▐
▌░ bands like TrΣd, GrΣs & Stenar and Mecki Mark Men played. ░▐
▌░ ░▐
▌░ In 1966, jazz drummer Jan Karlsson was introduced to the ░▐
▌░ former bassist of the Merrymen, Bo Hansson. The latter was ░▐
▌░ still a novice at the organ, but Karlsson was so impressed ░▐
▌░ with what he heard that he invited him to form Hansson & ░▐
▌░ Karlsson, an instrumental drum and organ duo. Their music was ░▐
▌░ built on improvisation and they seldom knew what they would ░▐
▌░ play before concerts. ░▐
▌░ ░▐
▌░ As part of the Swedish progressive movement in the late '60s, ░▐
▌░ they drew their folk music influences from bands such as ░▐
▌░ International Harvester and TrΣd GrΣs & Stenar. But they were ░▐
▌░ also influenced by jazz and employed a heavy organ sound ░▐
▌░ before it was common in progressive rock, something that ░▐
▌░ would later lead to Hansson's internationally successful Lord ░▐
▌░ of the Rings. ░▐
▌░ ░▐
▌░ Hansson & Karlsson's debut, Monument, was released in 1967 ░▐
▌░ and was followed by Rex, recorded live at numerous concerts ░▐
▌░ around Sweden. By now, they had gotten to know Jimi Hendrix, ░▐
▌░ whom they met after a concert at one of his visits to ░▐
▌░ Stockholm. They played together a number of times and Hendrix ░▐
▌░ also recorded the duo's song "Tax Free." ░▐
▌░ ░▐
▌░ The third album, Man at the Moon, was released in 1968, and ░▐
▌░ while being famous at home, the group also started to get ░▐
▌░ more well-known in Europe, although without ever having a ░▐
▌░ real break. A chance to change that came when they were ░▐
▌░ invited to play at a concert in Switzerland that would be ░▐
▌░ televised all over Europe. The other three acts were Jimi ░▐
▌░ Hendrix, Procol Harum, and Cream, and all were to be granted ░▐
▌░ equal focus in the advertisements and on the posters. ░▐
▌░ ░▐
▌░ But misunderstandings, or maybe downright skulduggery, with ░▐
▌░ the manager had Hansson & Karlsson performing in the Northern ░▐
▌░ Swedish town of Boden instead, for a slightly higher pay, but ░▐
▌░ to very little international attention. This was the start of ░▐
▌░ the end for the duo, and while recording one more, rather ░▐
▌░ uninspired album, they broke up in 1969. Karlsson took up ░▐
▌░ playing with Lasse Werner again, and later set out on an ░▐
▌░ acting career, mainly focusing on comedies. Hansson's biggest ░▐
▌░ musical achievements were still ahead, at least commercially ░▐
▌░ and in an international perspective. ░▐
▌░ ░▐
▌░ In the '70s, his album Lord of the Rings sold millions of ░▐
▌░ copies and charted in both Europe and the US. With a revived ░▐
▌░ interest in progressive music in the late 90's, Hansson & ░▐
▌░ Karlsson reunited for a number of minor concerts. ░▐
▌░ ░▐
▌░ ░▐
▌░ ▄▄▄┌─────────────┐▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄ ░▐
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▌░ └─────────────┘ ░▐
▌░ ░▐
▌░ indie . pop . rock . shoegaze . dream . jangle . twee ░▐
▌░ chamber . noise . c-86 . college . goth . post rock ░▐
▌░ kraut . post punk . darkwave . alternative . lo-fi ░▐
▌░ country . americana . folk . folk/rock . psychedelic rock ░▐
▌░ progressive rock . metal . heavy metal . hair metal ░▐
▌░ hard rock . math rock . grunge . classic rock . aor ░▐
▌░ southern rock . west coast . punk rock . hardcore . garage ░▐
▌░ avantgarde . classical . electronic . new wave . ambient ░▐
▌░ synthpop . leftfield ░▐
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https://www.deezer.com/us/album/2375201