Henry_Wolff_And_Nancy_Hennings--Tibetan_Bells_II-1991-WUS

Tracklist (M3U)
# Filename Artist Songname Bitrate BPM
1 01-henry_wolff_and_nancy_hennings--continuum_warp-wus.mp3 Henry Wolff And Nancy Hennings continuum warp 194 Unknown
2 02-henry_wolff_and_nancy_hennings--the_illusory_body-wus.mp3 Henry Wolff And Nancy Hennings the illusory body 185 Unknown
3 03-henry_wolff_and_nancy_hennings--skybells-wus.mp3 Henry Wolff And Nancy Hennings skybells 194 Unknown
4 04-henry_wolff_and_nancy_hennings--shadow_and_distances-wus.mp3 Henry Wolff And Nancy Hennings shadow and distances 203 Unknown
5 05-henry_wolff_and_nancy_hennings--skybells_ii-wus.mp3 Henry Wolff And Nancy Hennings skybells ii 191 Unknown
6 06-henry_wolff_and_nancy_hennings--the_silver_eye-wus.mp3 Henry Wolff And Nancy Hennings the silver eye 180 Unknown
7 07-henry_wolff_and_nancy_hennings--the_sword_behind_the_buddha-smile-wus.mp3 Henry Wolff And Nancy Hennings the sword behind the buddha-smile 187 Unknown
8 08-henry_wolff_and_nancy_hennings--the_seven_sounds_of_dissolution-wus.mp3 Henry Wolff And Nancy Hennings the seven sounds of dissolution 195 Unknown
9 09-henry_wolff_and_nancy_hennings--leaving_the_body-wus.mp3 Henry Wolff And Nancy Hennings leaving the body 183 Unknown
10 10-henry_wolff_and_nancy_hennings--astral_plane-wus.mp3 Henry Wolff And Nancy Hennings astral plane 183 Unknown
11 11-henry_wolff_and_nancy_hennings--through_the_void-wus.mp3 Henry Wolff And Nancy Hennings through the void 189 Unknown
NFO
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█ ▀▄▄▀ ▀███▄▄▄████▄▄▄▄██▓ ▀████▄▄▄▄████▓ ▀███▄▄▄▄▄▄███▀ ▀▄▄▀ █ ▀▄█ █▄ ▄█ █▄▀ ▀ ▀ █ WASHED UP SCENESTERS PRESENTS : █ ▀ ▀ ▄▄▀ ▀▄▄ █ █ █ Henry Wolff And Nancy Hennings--Tibetan Bells II █ █ █ █ Artist ....: Henry Wolff And Nancy Hennings █ █ Album .....: Tibetan Bells II █ █ Genre .....: Meditative █ █ Label .....: Celestial Harmonies █ █ Catalog # .: 13005 █ █ Language ..: English █ █ █ █ Source ....: CDDA █ █ Grabber ...: EAC █ █ Encoder ...: LAME 3.97 (VBR NEW) █ █ Bitrate ...: VBRkbps █ █ Size ......: 68,2 MB █ █ █ █ Rel. date .: Jul-11-2007 █ █ █ █ n/a █ █ █ ▄▀ ▀▄ █ █ ▀▄█ █▄ ▄█ █▄▀ ▀ ▀ █ ▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀ █ ▀ ▀ ▄▄▀ [ TRACK LiST ] ▀▄▄ █ █ █ █ █ This is *NOT* a substitute of the original - If you like it, BUY IT! █ █ -------------------------------------------------------------------- █ █ █ █ NB TRACKNAMES: LENGHT: █ █ █ █ 01. continuum warp 02:17 █ █ 02. the illusory body 04:15 █ █ 03. skybells 02:46 █ █ 04. shadow and distances 03:19 █ █ 05. skybells ii 02:50 █ █ 06. the silver eye 04:26 █ █ 07. the sword behind the buddha-smile 02:10 █ █ 08. the seven sounds of dissolution 03:38 █ █ 09. leaving the body 07:33 █ █ 10. astral plane 05:24 █ █ 11. through the void 11:57 █ █ 50:35 min █ █ █ █ -------------------------------------------------------------------- █ █ To the involved artist(s): consider this release as a free, world █ █ wide promotion campaign and thank us! █ ▄▀ ▀▄ █ █ ▀▄█ █▄ ▄█ █▄▀ ▀ ▀ █ ▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀ █ ▀ ▀ ▄▄▀ [ RELEASE NOTES ] ▀▄▄ █ █ █ █ █ █ █ Product Description: █ █ █ █ Wolff and Hennings' first album, Tibetan Bells, created a stir █ █ when it was released in 1971. It represented a pioneering style █ █ of music, unfamiliar to an audience experienced only in Western █ █ modes of composition and instrumentation. In 1978, they recorded █ █ Tibetan Bells II in San Francisco. The subsequent contribution █ █ by Wolff and Hennings to the Philip Glass soundtrack for █ █ `Koyaanisquatsi', an avant-garde film, brought the bells before █ █ a new audience. █ █ █ █ █ █ Tibetan Bells II is the outcome of years of study, travel, and █ █ experiment by Henry Wolff and Nancy Hennings, two musicians █ █ resolutely in quest of the "sound between the spaces." Bringing █ █ together musical elements never before associated, sounds vastly █ █ separate it time, space, and tradition, the musicians have █ █ advanced across remote areas of sound. In Tibetan Bells II, the █ █ ancient resonances of the bells of Tibet are deployed within a █ █ musical framework uncompromisingly 20th century, and Western. █ █ Tibetan Bells II is an unprecedented synthesis of the sounds of █ █ East and West, past and present. The instruments of this release █ █ are exclusively the bells of Tibet. These remarkable instruments █ █ have been described elsewhere, yet it is a striking fact that █ █ the tones of Tibetan bells, the indigenous products of a highly █ █ evolved yet little known Asian culture, have often been confused █ █ with the ultra-modern sounds of electronic music. Nothing could █ █ be further from the truth. There is no electronic tampering and █ █ the resonances of the bells owe nothing to outside sources. █ █ Unearthly and timeless, they are their own. █ █ █ █ The Secret Society of WUS is back once again. When the time has █ █ come to rid the world of evil influences we are here to heed █ █ that call. The Tibetan Gods have asked that we deliver this █ █ album to the world to encircle the minds of the ignorant. To █ █ those that disbelieve in us you have been warned. We start off █ █ with Karmic balancing as we come to the beat of true climatic █ █ chaos to rupture your ears to deafening silence. Thanks for █ █ those that believe. Once again WUS is made up of those that █ █ created the true underground scene when all of you were still in █ █ wet sagging diapers. Hail to those that have fallen to the █ █ cursed government and its shadowy agents of evil. █ █ █ █ █ █ Washed up Scenesters Governed Society Posted Notice: █ █ █ █ We do this for the love of music. We thank all the music █ █ artists of the world for their great acheivements and talents to █ █ bring the greatest sounds to this universe. █ █ █ █ We specialize in "ALL YEARS" + "ALL GENRES" + "ALL LANGUAGES" █ █ █ █ █ █ Greets To All Our Friends Past & Present: █ █ █ █ PWA, DOD, iNC, THG, ACiD, iCE, QTX, RAZOR1911, DOM, HV, PTG, █ █ PTL, HOODLUM, ROMKIDS, ESi, MALiCE, EXODUS, FATE, DiViNE, F4CG, █ █ FAiRLiGHT, NeXUS, GLoW, TDT, PARSEC, TYRANNY, MOTiV8, RTS, █ █ EQUALITY, DEVOTiON, NOKTURNAL TRADiNG ALLiANCE, SCuM, PREMiERE, █ █ AMOK and the List goes on and on . . █ █ █ █ Keep the scene secure! Keep all releases off XDCC, FSERVE, █ █ NEWSGROUPS, P2P, BTorrent, and other forms of public accessible █ █ sites.. Your only hurting the scene which entails hurting your █ █ friends within the underground.. If you like this release █ █ please consider buying the original! █ █ █ █ We definately do not greet any part of the government. We like █ █ to keep our dignity and do this the underground way. █ █ █ █ █ █ █ ▄▀ ▀▄ █ █ ▀▄█ █▄ ▄█ █▄▀ ▀ ▀ █ ▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀ █ ▀ ▀ ▄▄▀ [ Oi ] ▀▄▄ █ █ █ 4 HORSEMEN, █ █ 801, █ █ APOCALYPSE PRODUCTiON CREW, AUDiO ARCHiVE FORCE, █ █ BEATS iN CONTROL, █ █ CHROMANCE, CiTADEL CREW MP3 DiViSiON, COMPRESS DA AUDiO, █ █ DEAFNESS, DiSSiDENT, █ █ FRENCH SOUND PROViDER, █ █ iMAGiNE, iMPULZ, iNTERNET MUSiC PiRATE GUiLT, █ █ JAZ, █ █ MORGOTH, MUSiC AND DECiBELS, MUSiC TO MASSES, █ █ NEW WORLD ORDER MP3, NORDiC MUSiC ENSEMBLE, █ █ PROViDERS OF SOUND, PSiLOCiBiN, █ █ REVOLUTiON, ROCKERS' BREWiNG CORP, RUDE BWOY KUTZ, █ █ SCHOOL OF THE OLD, STRONGER THAN ALL, SYNTHESiS MEDiA, █ █ TOUCHDOWN, TWEE, █ █ WALL OF SOUND, WE LOVE WAREZ MP3 & █ █ █ ▄▀ *ALL* of our friends and family. ▀▄ █ █ ▀▄█ █▄ ▄█ █▄▀ ▀ ▀ █ ▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀ █ ▀ ▀ ▄▄▀ [ ABOUT ] ▀▄▄ █ █ █ █ █ Founded overnight by monkeys with typewriters, WUS is yet another █ █ group of inferior and copycatting amateurs. The only reason why █ █ we're around is because we like to expose our monstrously huge cock █ █ out in public and brague about it in nfos. █ █ █ █ Your true pseudo-friends, █ ▄▀ ▀▄ █ ▄▄▄ ▄▄▄ █ ▀▄ ▄▀ ▀▄ WUZZiES iNC. ▄▀ ▀▄ ▄▀ ▀▀ ▄▀ ▀▄ ▀▀ ▀▀ ▀▀ ▄▄ █▀▀█▄▄▄▄▄▄▄▄▄▄▄ ▄█ ░▓█ █ ▀▀▀█▀▀▀▀▀▄▄▄▄▄▄▄▄▄ ▄▄▀▀ █░▒▓██ ▄▄▄█████████████████████ ████ ▄▄▀▀█ ██▒▓█████████▓▓▓▓▓▓▓▓▓▓▓▓███████▀ ▓██▀ ▄▄▀▀ █▄▄███▒███▓▓▓▓▓▓▓█████████████████▀▀▄█▓██▌ ▄▄▀█ ▄▄█████▓▓▓▒▓▓█████████████████████████▄███▓███ ▄▄▀▀ ▄█████▓▓▓█████▒███████████████████████████████▓██▌ ▄▀█ ▄▄█████████████████████████████████████████████████▀▀ ▄▀▄▄████▓▓▓▓██████████████████████████████████████▀▄▄▀▀▀██▌ ▄▀▄████▓▓▓█████████████▒▒▒▒▒▒▒▒▒▒▒▒████████████████▄█████▄▄▄ ▄█▄███▓▓▓███████████▒▒▒▀▀▀ █▀▀█▒▒▒██████████████████ █████▓▓█████████▒██▒▒▀ ▒ ░░░ █ █░░▀▒▒██████████████▌ ██▓██████████▒██▒▓ ▒▒░ ▀▄█▀ ░░▓█████████████▌ █████▀███████▓▌█▒▓ ▓▒▒░ ▄ ▄███ ▄ ░▓████▀█████▀▀ ██▀▀▄███████▓▒▌█▓ ▓▒▒ ▀▄ ▄▀▀ █▀▄ ▄▀ ░▓████▄█▀▀▄██ █▄██▓██████▓▒▒█▀█ ▄▓▒▒ ▀ ▄▀ ▀▀ ░▓██████████▌ ██▓█▀▀▀▀▀▓▓▒▒█▓▌▄█▓▒▒ ░░░▄▄▄▄ ▄▄█░░░░░ ░▓█████████▌ █▓▀▄████▓▓██▓▓███▓░████▄▀███▒▒░ ▒███▓▓▓▓▄▄░░ ░▓█████████ █▓█▀▄▀░▒▒█▀▀▒░▓▓█████████▐███▒▒░▒█████████▒▓▄░ ░▓█████▒███ ▓ █░▒██░░░▒░▀▀▄▄▀▓█▒▒▀███▐███▒░▒███████████▒▓░ ░▓█████████ ▄▄▄▄ █▄▒█▒░▄▄▄▒▄█▀▒▀█▄▓█▒▒▐██▐████░▒████████████▒▌ █▓████████▌ █▒▒▒▀█▄▄██▌░▒████▀▀ ░░▒▓████████▐████░▒▒█████████████ █▓████▒███▌ █▓█▒░░▀█▀▒▒▀▀██▄░░█▒░ ░░▒▓▀█████▐████░ ▒████████████▌ ███████▒███▌ █▓▒▄ ░░░▀▄▄▒▒▒ ▀▀▀▄█▒░ ░▒█▓▒▀▀▀▄███▒▀ ▄▄ ▀▒█████████▓ ░▒▒█████▒███▌ ▄█████████▀▀▄▄▒▒▄▄█░█▒░░▐▌▓█▒███▒▒▀ ██░ ▀▒▒███▓▓▀ ▒▓▓█████▒███▌ ▀█▀ █▀ ██████░▒██░▒█▓█▐▓▀▀▀ ████░░ ▀▀▀▀ ░▒▓▓██████▓███▌ ▄▄ ▄ ▄ ▄██████░▒▓█░▒█▓█▌▓ ▀█▓ █▀ ░▀█ ▄█▓░▄ ░░▒▒▓████████▓███▌ ▄▀▀▀▀▄ ▀█▄ ██▄███████░▒▒██░▓▓▄▀█▒█▄▄█▒ █▓ ░░ █▓░███▄▄████████████▓██▌▀▄████▄▀ ▓▓▓▒▒▓▓▓▒▒▒▓▓▓▓██░▓▓▄▀▒██▒██▒▒█ ▓ ▄ ▄░ ▓▒▀████████████████▓████▒█░▒▒▒█ ▀█▀▓▓▓▓████▀█░█▒▓▄▀▓█▒██▀▄▀██▌ ▄ █ █▒ ▄ ▒▐███████████████▓███▒█░▒▄█▄▒█ ▄██▀▀▀ ▐█░▓██▒▓█▒▓█░███▌▓█▐█▄▀▄▀▀▄▀▀▄▄▀▀▄▀▄░▄███████████████████▒█▒▓█▀▄▌▒▌ ██ ▐█░▓█▒▓█▌▓█▌▒▒▓█▌▒▓█▐█░█▓░█▒░ █ █ ███████■██▀ █████████▌█▒▓█▌▒▒█ ▀▀ ▐▒░▓█▒▓█▒▓█▌▒▒▓█▌ ▓█▐██████░▄▄█▄▄░▒██▓███████▀ ▄████▓██▌█▒▓█▌█▀ █▒░▓▒▓█▌▒▓█▌▒███▌▒▓█▐███████████▒▒▒██▓██████▄█▄▄██████▓██▌█░▒▓█ ▐█░▓█▒▓█▌▒▓█░▒░▒▓█▓█▐███▒██████████████▓███████████■███▓███ ░▒▓█ █▒░▓█▒██▌▒▓█░▒░▒▓██▐████▒███████████████▓███████████████▓██ ░▒▒█▌ ▐█▒░▓█▓██▌▒▓█░▒░░▓█▌▄▀███▒███████████████▓██████████████████▌ ░▒▓█ █▒░▓██▓██▌▒▓█░▒████▌▓█▐███▒█████████████▓██████████▀▄▀▀█████▌ ░▒▓█▌ █▒░░▓█▒▓██▒▒▓█▌ ▒░▒▓█▒▓█▐██▒█████████▀██ ███████████████▄▄▀███ ░▒▓█ █▒░▒▓█░▒▓██▒░▒▓▌▒▒░░██▌▓█▐███▒██████████ ████████▄▀▀█████████▀█▌ ░▒▓█▌ █▒░█▒█░█▒▓██▒░▒▓█▒▒██▒▓█▒█▐████▒▒███▀▄▄██ ████████████████████▄ ░░▒▓█ ▄█▒░█▒█░█▓▒▓██▒░▒▓█▒ ▒░░▒██▐█▀▀███████████▄█ ██████████████▀▄▄▀▀███▌░░▓█▓█ ██▒░█▒█░█▓█▒▓██▒░░▒▓▌▒▒░ █▒██▓██▄ ▀█░░▒▓█▀▀▀▀ ▀█████████████████▄▄▄█░░▓█▓█ ██▒░█▓█░█▒▓█░▓▓██▓░▒▓█▒ ██ ▒█▓█▄▓▓█ █░▒▒▓█ ░░░░░░▒▒▀▀▀▀▀██████▄░█▓█▌ ██▒░▐█▓█░█▒▓█░█▓██▓░░▒▓▌░ ▒░ █▒▓▓███ █▒▒▓▓█ ▄███▄ ▄███▄ ▄██▄ ▄██▄▀▄░██▌ ▐██▒░█▓▒░█▒▒▓▒░█▓██▌▓░▒▓█▒░ ▒█ ░░▒█▓█▄█▓▓▓██ █▓▓▒▒██▒▒▒██▓▒▒██ ██▒▒▓█▒▒██▓█▓███ ██▒ ▐█▓█░█▒▒▓▓░▒▓▓█▌▓▒░▒▓█ ▒ ▀▒▒ ░█▒▒█████████▓▓██▒██▄██▓▓██▒█▌███▓▒█▓█▒█▓█▓███ ██▒░█▓▒█▒▒██▄▓░█▒▓██▒▓▒░▒▓█ ▒░ ▀█▀░▒▒▒▓▓▓▓▓██▓▓▓█▒██▓██▓▓▓█▒█▌▐██▓▒█▓█▒█▓█ █░█ ██▒░█▓▒█▒████▌▓█▒▓██▌▒▓▒░▒▓█▄ ▒▒░░ ▒▓██▒█▓██▓▓██▒██▓██▓▓▓█▒█▌▐█▓▒█████▀█ █░▒█ █▒░▐█▓▒░▒██▓█▌▓▒░▒▓██░▒▓▒░▒▒▓█▄▄ ░░░░▒▓█░▒█ ██▓▒▒██▓▄ ██▓▒▒▓█▒████▀███▀█▀▄░▒▒▒ █▓░▐▌▓▒░██▓▒█▌█▒░█▓▓██░▒▒▓▓░░▒▒▒▒▒▒███▒▓▌░▒█ ▓▀███▀▓▀██▄▀███▀ ▄██▀ ▀█ ░░ ▀▄██ █▓░█▌▓▒▓██▓▒██▓█▒█▓▓▓██▄░▒▒▀ ▄▀▀ ░░▒▒▓▐░▒▐▌ ▓█░░ █░░░▀██▄ ▒▒░░▀██▄ ░░▀█▄▒▒▒▓█▄ █▓░█▌▓░▓███▒██▓█▒░█▒▓▓███▄▀▄▀ ▄▄▄▄ ░░▓█░▒▐▌▓▐▌▒▒█▒▒▒▒▒▒▀██▄▒▒▒▒▒▀██▄▒▒▒▀█▄▓██▒ █▓▓█▌▓▓▐█▓█▒▓█▌▓█▒░░▒▓▓▓█▄▀ ▄░░░░ ▀ ▓▐▌░▒█ ▓█ █▓▓▓▄▄▄▓▓▓▀██▄▓▓▓▓▓▀██▄▓▓ ▀█▄▒░ ██▓█▌▓▓▐█▓█▒▓█▌▓██▒░░▒▒▄▀▓█░░░░ ▄▄▄▄▒▓█▒▒▐▌▓█ █ ▄█▒▓▓▓▄▄ ▀██▄░░░█▄▀██▄ ▄██▄ ██▓█▌ ▓▐█▓██▓██▒▓██▄▒ ▄▀▄█░▓▓▄▓▓▓▒▒░███▄▒█▓█ ▄▀ ▄▒▒░ ▒▒▒▓█▄ ▀██▄ ░░█▄▀███▄▒ ▀ ▒▒▒██ ▓▐█▓▒█▒▓█▌▒▓██▄▀ ▄░░▄█▓▓▒▒░▒▒▒▒▒▒░█▄▀▄▀ ▄▒▒░ ░▒░░░▒▒▓▄ ▀██▄ ░░░█▀██▄ ░░░▒▒█▄▐██▒██▒██▓▓██▄▄░░▄█▓▓▒▒▒ ░░░░░▒▒▒▀█▄▄▒▒░░ ░▒▒ ░░░░▒█▄▄ ▀██▄▒▒▒▒░▀██▄ ░░▒▒▄███▒█████▀▀▄▄▄▓▓▓▒▒▒ ░ ░░░░▒▒▀▄▄ ░░▒▒ ░░ ░░▒▒▒▓▓████▄░░░ ▀█ ░░▒▒▀▀▀██████░▒▒▒▒▒▒ ░░ ░░░▒▒▒▀▀▀▄▄▄▄▄▄▄▄ ░░░░░░▀█▄▄▄▄▄ ░░░░░ ░░░ ░░░░▒▒▒▒▒▓▓▓▓▓▓▓▓▓▓▄▄▄▄▄▀▀ ▀▀ "Those who cannot remember the past are condemned to repeat it." George Santayana (1863-1952)

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