┌───────────────────────────────────────────────────────────────────┐ │■ ■│ │ .-/ .-. │ │ _.-~ / ___ | ~-._ │ │ \:/ -~| / __/| .\:/ │ │ / || (:/:| \ │ │ / /\/| |:\___\| |\ \ │ │ / /:::|.::/:::/:.|:\ \ │ │ / /:::/ \\/:::/::/:::\ \ │ │ / .::\ \-~~~~-/\/:.. \ │ │ /..:::::\ /:::::..\ │ │ /::::::::- -::::::::\ │ │ \:::::-~ ~-:::::/ │ │ \:-~ ~-:/ │ │ METAL CLASSICS ARCHIVE │ │ │ │ │ │ │ │ P R E S E N T S │ │ │ │ │ │ + Hideaki Nakama - Point Of No Return-(DCCA-36) + │ │ │ │ │ │╔═════════════════════╗ │ │║ Release Information ║ │ │╠═════════════════════╩══════════════════════════════════════════╗ │ │║ ║ │ │║ Release Date.Dec-09-2018 Encoder......L3.98.4 -V0 --lowpas ║ │ │║ Genre........Heavy Metal Graber.......EAC ║ │ │║ Year.........2005 Khz/Bitrate..44,1/ Br ║ │ │║ ║ │ │║ Ripper.......anthem Songs........09 ║ │ │║ Covers.......Yes Url... n/a ║ │ │║ ║ │ │╚════════════════════════════════════════════════════════════════╝ │ │ │ │ │ │ │ │╔═════════════════════╗ │ │║ Release Notes ║ │ │╠═════════════════════╩══════════════════════════════════════════╗ │ │║ ║ │ │║ Artist : Hideaki Nakama Rating : You Decide! ║ │ │║ Album : Point Of No Return-(DCCA-36) Label : BMG ║ │ │║ ║ │ │║ ║ │ │╠════════════════════════════════════════════════════════════════╣ │ │║ ║ │ │║ Description : ║ │ │║ ║ │ │║ Point of no return. I have always been ║ │ │║ fascinated by that expression; If we try to find ║ │ │║ a definition of it, we will come up against an ║ │ │║ endless number of explanations, one of the most ║ │ │║ accurate and I like the "point of no return" ║ │ │║ when, in a process that tends to something, that ║ │ │║ exact moment arrives. from which the trigger is ║ │ │║ inevitable. We have all experienced the ║ │ │║ sensation of being at that point where there is ║ │ │║ no turning back, when after the action is ║ │ │║ finished we think "that is what it has to be" ║ │ │║ and we go ahead half-shocked. I go a step ║ │ │║ further, since I understand life as a point of ║ │ │║ no return in itself, every day that passes is ║ │ │║ composed of a series of decisions, learnings and ║ │ │║ experiences that will accompany us the rest of ║ │ │║ our lives, badly that weighs us . ║ │ │║ ║ │ │║ The concept of "point of no return" takes on an ║ │ │║ amplified meaning when it comes to artists, ║ │ │║ being able to place it many times at some ║ │ │║ specific moment of discographies that from there ║ │ │║ took a totally different direction, leaving us ║ │ │║ many times away from the band that we loved so ║ │ │║ much while that, on the other side of the coin, ║ │ │║ a new legion of parishioners were recruited ║ │ │║ thanks to this new direction and although, in a ║ │ │║ better or better way, the renowned bands have ║ │ │║ always known how to survive this inflection ║ │ │║ point, the ones really touched were the Novo ║ │ │║ bands, those whose first contact with a record ║ │ │║ company was a step of vital importance that ║ │ │║ could depend on his career, that's when a false ║ │ │║ step can end all that effort, hope and savings ║ │ │║ at a stroke, that's when it really Settles the ║ │ │║ point of no return. ║ │ │║ ║ │ │║ But all that is changing, and that is thanks to ║ │ │║ this new digital age that we are living today ║ │ │║ seems that this point of no return is no longer ║ │ │║ having an effect, since the eagerness to explore ║ │ │║ a multitude of metalheads with the help of The ║ │ │║ new technologies are causing a massive ║ │ │║ resurgence of extinct formations for years, even ║ │ │║ decades. ║ │ │║ ║ │ │║ ║ │ │║ á ║ │ │║ There are no barriers of any kind, nowadays ║ │ │║ anyone can, at the click of a button, enjoy in a ║ │ │║ matter of seconds those dirty, recondite and ║ │ │║ dusty jobs that the record industry deprived us ║ │ │║ of at the time, being able to reach savoring ║ │ │║ real gems, slowly making groups of countries ║ │ │║ that do not even exist anymore and which word of ║ │ │║ mouth is endowing them with the status of cult ║ │ │║ bands, producing a phenomenon as curious as the ║ │ │║ return to the ring of many of those formations ║ │ │║ that in their day did not eat a donut and today ║ │ │║ they begin to be revered. ║ │ │║ ║ │ │║ Good proof of this phenomenon is reflected in ║ │ │║ festivals such as Keep it true whose name is ║ │ │║ already a declaration of intent and I strongly ║ │ │║ advise you to take at least one look at your ║ │ │║ poster, I'm sure that more than one will start ║ │ │║ at once. make numbers ║ │ │║ ║ │ │║ The case of Mr. Nakama, although we could not ║ │ │║ call it outstanding, much less believe that it ║ │ │║ will reach that cult status of which we spoke, ║ │ │║ not at least outside the borders of the country ║ │ │║ of the rising sun where it does have a good ║ │ │║ legion of faithful, if it enters the bag of ║ │ │║ those jobs that deserve to be rescued and which ║ │ │║ I am sure that more than one will enjoy without ║ │ │║ hesitation, because something else, but heavy ║ │ │║ classics here to give and give. ║ │ │║ ║ │ │║ Born in 1965 in Hyogo (Japan), he grabbed the ║ │ │║ guitar for the first time when he was a child ║ │ │║ after having been blown away by a Kiss concert ║ │ │║ he saw on TV, from that moment on he became ║ │ │║ interested in guitarists from the size of ║ │ │║ Blackmore, Uli Roth or Michael Schenker and ║ │ │║ instead of spending hours stuck to Nintendo like ║ │ │║ most of the Japanese of his age, Hideaki killed ║ │ │║ time unraveling the secrets of Doctor, Doctor, ║ │ │║ R≤isφn Dubh, Lazy ... and is that the good one ║ │ │║ of Hideaki learned to suck in a self-taught way ║ │ │║ from all those seventies teachers that in the ║ │ │║ end such good disciples have bequeathed to us. ║ │ │║ ║ │ │║ With 18 years old he would form the Japanese ║ │ │║ Hard Rock band Hurry Scuary, with which he ║ │ │║ recorded the album Break it up (BMG Victor, ║ │ │║ 1988), which had a good national recognition; ║ │ │║ the problem is that Hideaki Nakama's point of ║ │ │║ view pointed beyond where the brightness of the ║ │ │║ rising sun reached, the music that made him feel ║ │ │║ he did not carry the Japanese flag, his idols ║ │ │║ were both European and American, and finally our ║ │ │║ boy decided to embark on full in a solo project, ║ │ │║ so only a year later of his work with Hurry ║ │ │║ Scuary came to light his first and only album in ║ │ │║ this guise which, under the successful title of ║ │ │║ Point of no return, suckled and much of all ║ │ │║ those works to which the masturbamasts of the ║ │ │║ time had given them to hang the neoclassical ║ │ │║ metal label and that sentenced the career of the ║ │ │║ virtuoso guitarist Nippon, because although by ║ │ │║ that time it had already become all ║ │ │║ ║ │ │║ ║ │ │║ ║ │ │║ Norio Sakai: Bajo, Voz ║ │ │║ Satoshi Miyawaki: Baterφa ║ │ │║ Hideaki Nakama: Guitarra ║ │ │║ Fumiaki Ogawa: Teclados ║ │ │║ ║ │ │║ ║ │ │║ ║ │ │╚════════════════════════════════════════════════════════════════╝ │ │ │ │ │ │ │ │╔═════════════════════╗ │ │║ Release Tracklist ║ │ │╚═════════════════════╩══════════════════════════════════════════ │ │ │ │ 01 - Inquisition [04:13] │ │ 02 - In 2040, On The Beach [05:04] │ │ 03 - Wings Of Destiny [04:19] │ │ 04 - El Giza [05:01] │ │ 05 - Requiem [03:53] │ │ 06 - Stranger To You [04:08] │ │ 07 - Smiling Landscape [04:52] │ │ 08 - A Short Piece For A Guitar And Strings [02:02] │ │ 09 - Point Of No Return [08:37] │ │ │ │ Total Length : [42:09 minn │ │ │ │ │ │ ▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄ │ │ │ │ │ │ │ │ ╔═════════════════════╗ │ │ ║ Greetings To: ║ │ │ ╚═════════════════════╝ │ │ │ │ Too all people who contributes to make this │ │ archive of good music in a exceptional conditions │ │ │ │ │ │ │ │■ ■│ └───────────────────────────────────────────────────────────────────┘