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P R E S E N T S .···. ▓ │▀▀▀█▓▄▄ █████ ██████▓▀ ▀ ▀ ▀▓██████ █████▀Horace Tapscott with the Pan-Afrikan Peoples Arkestra - Live At I ▀█████ ████▀ ▀████ ███▀ ▀███ █▓▓▓▓ ARTiST..[ Horace Tapscott with the Pan-Afrikan Peoples Arkestra ▓▓▓▓█ █▓▓▓▓ TiTLE...[ Live At I.U.C.C. ▓▓▓▓█ ████ GENRE...[ Jazz CAT#....[ SJRD424 ████ ████ LABEL...[ Soul Jazz Records ENCODER.[ Lame 3.99.5 ████ ████ YEAR....[ 2019 QUALiTY.[ 320kbps ████ ████ SOURCE..[ WEB MODE....[ Joint-Stereo ████ ████ PLAYTIME[ 119:15 min REL.DATE[ 04.12.2019 ████ ████ TRACKS..[ 08 RiPPER..[ TEAM OMA ████ ████ SiZE....[ 273,1 MB SUPPLiER[ TEAM OMA ████ ████ ████ ████ ████ ████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████ ████ ■ ███▓█ .···. T R A C K L i S T .···. █▓███ ■ ████ ████ · ▄▓███▓ ▓███▓▄ · ████ █████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████ ██████▓▀ ▀ ▀ ▀▓██████ █████▀ ▀█████ ████▀ ▀████ ███▀ NR. TRACK. TiME. ▀███ █▓▓▓▓ ∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙ ▓▓▓▓█ █▓▓▓▓ ▓▓▓▓█ ████ 01 Horace Tapscott with the Pan-Afrikan Peoples 20:36 ████ ████ Arkestra - Macrame ████ ████ 02 Horace Tapscott with the Pan-Afrikan Peoples 11:17 ████ ████ Arkestra - Future Sally's Time ████ ████ 03 Horace Tapscott with the Pan-Afrikan Peoples 16:22 ████ ████ Arkestra - Noissessprahs ████ ████ 04 Horace Tapscott with the Pan-Afrikan Peoples 16:14 ████ ████ Arkestra - Mckowsky's First Fifth ████ ████ 05 Horace Tapscott with the Pan-Afrikan Peoples 26:24 ████ ████ Arkestra - Village Dance ████ ████ 06 Horace Tapscott with the Pan-Afrikan Peoples 14:55 ████ ████ Arkestra - L.T.T. ████ ████ 07 Horace Tapscott with the Pan-Afrikan Peoples 11:20 ████ ████ Arkestra - Desert Fairy Princess ████ ████ 08 Horace Tapscott with the Pan-Afrikan Peoples 02:07 ████ ████ Arkestra - Lift Every Voice ████ ████ ∙∙∙∙∙∙∙∙∙∙∙∙ ████ ████ TOTAL:119:15 ████ ████ ████ ████ ████ ████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████ ████ ■ ███▓█ .···. R E L E A S E N O T E S .···. █▓███ ■ ████ ████ · ▄▓███▓ ▓███▓▄ · ████ █████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████ ██████▓▀ ▀ ▀ ▀▓██████ █████▀ ▀█████ ████▀ ▀████ ███▀ ▀███ █▓▓▓▓ ▓▓▓▓█ █▓▓▓▓ ▓▓▓▓█ ████ https://play.google.com/store/music/album/Soul ████ ████ _Jazz_Records_present_Horace_Tapscott_with_the ████ ████ ?id=Bodsoqa3veidusdgczc53tah5pq ████ ████ ████ ████ ôI love Horace Tapscott! I love his music, his ████ ████ philosophies, and everything he did for the ████ ████ community that I grew up inö KAMASI WASHINGTON ████ ████ ████ ████ Soul Jazz Records are proud to release the ████ ████ first in a series of albums by the legendary ████ ████ Los Angeles radical jazz artist, Horace ████ ████ Tapscott and The Pan-Afrikan Peoples Arkestra. ████ ████ Horace Tapscott is the key figure in the Los ████ ████ Angeles political and underground jazz scene ████ ████ of the late 20th century û his stridently ████ ████ independent and radical music, as far- ████ ████ reaching, cosmic and spiritual in scope as it ████ ████ was rooted in the Watts community of Los ████ ████ Angeles where he lived. ████ ████ ████ ████ This superb rare, deep and spiritual jazz opus ████ ████ album was recorded at the Immanuel United ████ ████ Church of Christ, Los Angeles, in 1979, and ████ ████ has been unavailable on vinyl for over 40 ████ ████ years. æI had a vision of the inside of this ████ ████ church, and I went there, and it was just like ████ ████ I had dreamed it.Æ This location remained the ████ ████ residence of the musical collective for most ████ ████ of the 1970s. ████ ████ ████ ████ The music of Horace Tapscott and The Pan- ████ ████ Afrikan Peoples Arkestra is part Sun Ra ████ ████ Arkestra, part John Coltrane, part Art ████ ████ Ensemble of Chicago. This ground-breaking and ████ ████ monumental album (released here for the first ████ ████ time ever on expanded triple vinyl and double ████ ████ CD) explores the multi-faceted deep and ████ ████ spiritual jazz of Tapscott û Afro-centric ████ ████ rhythms, hypnotic bass lines, TapscottÆs ████ ████ stabbing modal piano playing and stunning ████ ████ flute and horn arrangements. æThe Pan-Afrikan ████ ████ Peoples Arkestra ?û Live at I.U.C.C.Æ is a ████ ████ true high point in the cannon of great ████ ████ independent underground jazz music recorded ████ ████ during this era. ████ ████ ████ ████ TapscottÆs Pan-Afrikan Peoples Arkestra was ████ ████ set up as a musiciansÆ collective in Los ████ ████ Angeles in the early 1960s, part of the ████ ████ Underground Musicians Association (UGMA), ████ ████ later Union of GodÆs Musicians and Artists ████ ████ Ascension (UGMAA), an umbrella organisation ████ ████ for musicians, poets, dancers and painters in ████ ████ the neighbourhood. Out of this group came many ████ ████ leading players including Black Arthur (Arthur ████ ████ Blythe), Azar Lawrence, Dwight Trible, Phil ████ ████ Ranelin (originally from Tribe), writer ████ ████ Stanley Crouch, David Murray, Adele Sebastian, ████ ████ Jesse Sharps and hundreds more. ████ ████ ████ ████ At the start of the 1960s Tapscott was part of ████ ████ a radical underground jazz scene on the west ████ ████ coast that included Don Cherry, Ornette ████ ████ Coleman and Eric Dolphy. But while these other ████ ████ artists sought international success and the ████ ████ magnetic pull of New York City, Tapscott chose ████ ████ to remain in Los Angeles music and stayed ████ ████ firmly rooted in the Watts community, ████ ████ organising the long-standing Pan-Afrikan ████ ████ Peoples Arkestra and the Union of GodÆs ████ ████ Musicians and Artists Ascension. ████ ████ ████ ████ This musical and artistic collective was part ████ ████ of the larger Black Arts Movement that spread ████ ████ across the USA during this time - in similar ████ ████ fashion to African-American community arts ████ ████ collectives such as The Association for the ████ ████ Advancement of Creative Musicians (and Art ████ ████ Ensemble of Chicago) in Chicago, the Tribe ████ ████ collective of musicians in Detroit, Amiri ████ ████ BarakaÆs Spirit House in New Jersey, and The ████ ████ Black Artists Group in St Louis. ████ ████ ████ ████ After TapscottÆs debut album for Impulse ████ ████ Records in 1969, Tapscott and the Pan-Afrikan ████ ████ Peoples Arkestra recorded two albums with ████ ████ Elaine Brown, the only woman to lead the Black ████ ████ Panther party. æSeize the Time û The Black ████ ████ Panther PartyÆ also featured the artwork of ████ ████ Emory Douglas, graphic designer and Minister ████ ████ for Culture for the Black Panthers. Tapscott ████ ████ was closely aligned to the Los Angeles chapter ████ ████ of the Black Panthers, at one point working ████ ████ out of the same two-story building in South LA ████ ████ û while upstairs they planned revolution, ████ ████ stockpiled weapons and hosted revolutionaries ████ ████ such as H Rap Brown, Angela Davis and Stokely ████ ████ Carmichael, downstairs Tapscott ran the ████ ████ Arkestra, a number of which were also Black ████ ████ Panther members. Through this association and ████ ████ after the UGMAA building was raided in the ████ ████ Watts Riots, Tapscott was watched by both the ████ ████ FBI and the CIA and effectively black-listed ████ ████ from further recording sessions. ████ ████ ████ ████ Despite this, throughout the 1970s Tapscott ████ ████ continued to create music as a community ████ ████ experience, performing and running workshops ████ ████ mainly at local parks and recreation events ████ ████ and in churches around the Watts area of Los ████ ████ Angeles. The group performed for free, ████ ████ sometimes requesting an entry fee of a food ████ ████ donation which was distributed to poor ████ ████ families in the area. ████ ████ ████ ████ TapscottÆs music remained undocumented ████ ████ throughout the 1970s. It was not until 1978 ████ ████ when a new record company, Nimbus West, was ████ ████ especially set up by Tom Albach, specifically ████ ████ to record the music of Tapscott, The Pan- ████ ████ Afrikan Peoples Arkestra as well as a number ████ ████ of solo projects by group members. ████ ████ ████ ████ The music, ethos and influence of Horace ████ ████ Tapscott among Los Angeles artists is ████ ████ profound, McCoy Tyner commenting that in the ████ ████ 1970s there was no music coming out of LA that ████ ████ wasnÆt linked to Horace Tapscott and The Pan- ████ ████ Afrikan Arkestra. In the 1990s a new ████ ████ generation of artists took inspiration from ████ ████ Tapscott; The West Coast Get Down collective, ████ ████ including Kamasi Washington and Thundercat, ████ ████ was involved in similar processes of cross- ████ ████ pollinisation across the arts in South Los ████ ████ Angeles working with Kendrick Lamar, Pan- ████ ████ Afrikan Arkestra vocalist Dwight Trible, ████ ████ Flying Lotus and his Brainfeeder label and ████ ████ others. ████ ████ ████ ████ æOur music is contributive, rather than ████ ████ competitiveÆ HORACE TAPSCOTT ████ ████ ████ ████ Originally released independently in 1979, ████ ████ this ground-breaking album is extremely hard ████ ████ to find and is issued here in glorious ████ ████ expanded double CD and digital with a bonus ████ ████ track and with all its original striking ████ ████ artwork. ████ ████ ████ ████ ████ ████ URL: n/a ████ ████ ████ ████ ████ ████ ████ ████ ████ ████ ████ ████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████ ████ ■ ███▓█ .···. G R O U P .···. █▓███ ■ ████ ████ · ▄▓███▓ ▓███▓▄ · ████ █████ ▄▄▓█▀▀▀│ ▓ MAiL: [email protected] ▓ │▀▀▀█▓▄▄ █████ █▀ ▀██▓▀ ▀ ▀ ▀▓██▀ ▀█ ██▄██▀ ▀██▄██ ████▀ The only thing that really matters is music!!! ▀████ ▀██▓ ▓██▀ ▀██▓▄ ▄▓██▀ .▀ │ ▀▀██▄▓▄ .···. G R E E T S .···. ▄▓▄██▀▀ │ ▀ . ▄▓▓▄ │ ▀▀▀█▄▄ ▄▄█▀▀▀ │ ▄▓▓▄ . ▀▀ ▀▀▄ FRiENDS / SiTEOPS / NUKENET ▄▀▀ ▀▀ ▀ . ▄ ▄▓▓▄ ▀▄ RIP kHz ▄▀ ▄▓▓▄ ▄ . ▀ ▀ ▀▓▀ ▀▀ ▀ . ▄.···. !kb^faa 08.MARCH 2009 .···.▄ . ▀ ▀▀ ▀▓▀ ▀ .