Genre | Electronic |
---|---|
Date (CEST) | 2020-10-24 21:17:57 |
Group | dh |
Size | 125 MB |
Files | 13 |
M3U / SFV / NFO |
Howling--Colure-(COUNTCD213)-CD-2020-dh
Infos
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Tracklist (M3U)
# | Filename | Artist | Songname | Bitrate | BPM |
---|---|---|---|---|---|
1 | 01-howling--ellipses_i-dh.mp3 | Howling | Ellipses I | 233 | Unknown |
2 | 02-howling--pieces-dh.mp3 | Howling | Pieces | 252 | Unknown |
3 | 03-howling--bind-dh.mp3 | Howling | Bind | 251 | Unknown |
4 | 04-howling--healing-dh.mp3 | Howling | Healing | 254 | Unknown |
5 | 05-howling--dew-dh.mp3 | Howling | Dew | 269 | Unknown |
6 | 06-howling--need_you_now-dh.mp3 | Howling | Need You Now | 260 | Unknown |
7 | 07-howling--the_water-dh.mp3 | Howling | The Water | 248 | Unknown |
8 | 08-howling--light_on-dh.mp3 | Howling | Light On | 243 | Unknown |
9 | 09-howling--phases-dh.mp3 | Howling | Phases | 255 | Unknown |
10 | 10-howling--mother_mother-dh.mp3 | Howling | Mother Mother | 259 | Unknown |
11 | 11-howling--body_inside-dh.mp3 | Howling | Body Inside | 238 | Unknown |
12 | 12-howling--lover-dh.mp3 | Howling | Lover | 259 | Unknown |
13 | 13-howling--ellipses_ii-dh.mp3 | Howling | Ellipses II | 239 | Unknown |
NFO
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█ - d e e p h o u s e -
24.10.2020
·∙∙·[rlsnfo]·∙ ∙···∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙···∙···∙·
.
artist : Howling
title . Colure
type : Album
year . 2020
genre : Electronic
subgenre . House / Deep House / Downtempo
label : Counter Records
cat . COUNTCD213
URL : https://howlinghowling.com
.
·∙∙∙[ripnfo]∙∙ ∙···∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙···∙···∙·
.
grabber : EAC
encoder . LAME 3.100
quality : VBRkbps / 44,1Khz / Joint-Stereo
source . CDDA
.
·∙∙·[trax]∙·∙∙ ∙∙··∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙···∙···∙∙
01.Ellipses I 01:15
02.Pieces 05:06
03.Bind 04:12
04.Healing 06:13
05.Dew 05:27
06.Need You Now 06:42
07.The Water 05:54
08.Light On 04:25
09.Phases 08:30
10.Mother Mother 06:07
11.Body Inside 06:54
12.Lover 06:49
13.Ellipses II 01:23
68:57 min 125,05 MB
·∙∙∙·[comments]·∙·∙∙·∙···∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙·∙·
RY X and Frank Wiedemann reunite as Howling to present Colure, the
sophomore full-length record from their joint musical enterprise. RY
X, solo alternative artist and member of The Acid, and Frank, one half
of me, bring fans a bigger, sharper follow-up to their debut, Sacred
Ground. On Colure, the Berlin-based Wiedemann and Los Angeles-based RY
X conjure transcendent creations out of their contrasting musical
backgrounds and environments. The album is assuredly dualistic:
electronic and acoustic sounds sit comfortably side-by-side, and big
melodic hooks are laced into hypnotic club productions.
The duo marked their debut as Howling with the release of a self-
titled track in 2012, a runaway viral success that they followed with
the 2015 album Sacred Ground (which was praised by Mixmag, DJ Mag,
Resident Advisor and more). Their lauded live show toured
internationally, taking in slots at Melt! Festival, Electronic Beats
Festival and an Innervisions showcase at the Royal Albert Hall.
On Colure they wanted to pick up where they'd left off with their last
record and distill the core ingredients to improve on it. "We wanted
people to know, 'This is a Howling track,'" Wiedemann says. From the
introspective, bass-driven 'Bind', to the delicate piano in 'The
Water' (the duo's spin on the track of the same title from RY X's 2019
solo album, Unfurl), and the steady-built euphoria of 'Phases'
(previously supported by XLR8R and Resident Advisor upon its 2017
single release), the minutely-realised songwriting and production
across each track are what tie these records together to create a
stunning body of work.
The album title gestures to their binary relationship. "Colure" refers
to the point, in astronomy, where two celestial poles are aligned.
Echoed in the album artwork, and in the production around their new
live show, it mirrors the two contrasting poles which each of them
occupies. "This project is a lot about how we come together", Ry says.
"It's the idea", concurs Wiedemann, "that we're two different planets,
in our own orbit, but which meet when we come together to make music."
Each of the songs is made to be played live. Their intention was to
create songs that could expand and evolve in a live setting, leaving
them room to improvise and experiment. Accordingly, they crafted
spare, sharply defined songs, rooted in an organic sound, and with
analogue set-ups that could be replicated at their shows. Each of the
tracks will be accompanied by an intricate visual art piece, developed
by artist Benton C. Bainbridge (who's previously worked with the
Beastie Boys and TV On The Radio).
Above all, this is a record about bringing distinct musical spheres in
contact with one another, embracing the fresh possibilities that can
arise out of difference. A follow-up album that's been long in the
making, the long-gestated care and attention is discernible in every
corner of the record, in the finely crafted details that populate each
and every track.
enjoy!
remember to support artists.
·∙∙∙·[respect]∙··∙·∙∙·∙···∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙··
shoutouts to the groups that love the music they promote..
·∙∙··[dh]·∙·∙∙·∙···∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙·····∙··∙
If you're down with the deep house music, music with feeling..
music that makes you groove no matter where you are.. and you
think you can add to this feeling.. then drop us a line [email protected]
keep the feeling real. .∙· d e e p h o u s e 2 0 2 0 ·∙.
·∙∙∙··∙∙··∙·∙∙·∙···∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙···∙···∙·