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▀▀██████▄▄▄████ ▄▀▄▀▄█▀█▄▄▄▄▄▄▄▄▄▄▄▄ ▀▀▀ ▄▄▀▄▄ ▀▀█████▀▀ ▄▀▀▀▄▄ ▀▀███████▀ ▄▀ ▀▀▄▄ ▀▀▀██████▀ ▄ ▀█▀▄░▀▄▀ ▀▀▀▀▀ ▀▀▄▄▄▄▄▄▄▄▀ ▀▀▄▄ ▀▀▀ ▄▄▀ . ▀▀█▄▄▄▄▄▄▄▄█▄ ░██▀█ ▀▀▀▀▀ ▀▄█▄ ▀▄▄▄▀ ▄▀██▀ B O S S M P 3 I S P R O U D T O P R E S E N T ▀▄█▀█▄ ▄▀██░ ********************************************************** ▐███▀ ▀▄█▄ artist : Hybrid size : 97,8 MB ██▌▄ ░█▄▀▄ album : Live at the amphitheater 933 FM bel : n/a ░██▀▄ ▄▀██▀ genre : Beat str.date: 00/00/0000 ▄▀▄▀▀ ▄▀██░ source : CDDA rip.date: 09/01/2003 ▀█▀▄ ▀██ bitrate : 192 kbit ripper : Team BOSS ██▀█ █ █ ▄▀██▀ ▄▀ ▄ █▀▀▀▀▀▀▀▀▀▀▀▀▀▀██▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀█ ▄▀██ ██▀ ░█ ███▀▀███ ███ ▄▀ ███▀███ ██▄ ███ ███▀▀▀ ███▀██ █░ . ▀▄█▄ ▄ █ █▄ . ░██ ███ ███ ███ ▀ ███ ███████ ███ ▄▀ ███ ██ ██░ ░█▄▀▄▄ ▄ ▀▀▄█▄█▄▀▄▄▄███ ███ ███ ███ ▀▄ ███▄▄▄▄ ███████ ███▄▄▄ ███ ██ ██▀▄▄ ▄▀██▀ ▀▀▄▄▄ ▀█▀█ ▄▀██ ███▀▀██▀ ███ ▄▀ ███ ███████ ███ ▄ ███ ██ █ █ ▄▀█▀█ █▄▄▀ ▀ ▄█▀ ▄▀▀▀▄██ ███ ██ ███▄▄▄ ██▄▄███ ███ ▀██ ███ ▄▀ ███▄██ ██ ▀██▄██▀░ ▀ ▄█▄▀░█ ░█▄▄ ▄▄▄▄ ▄▄▄▄▄ ▄▄▄▄ ▄▄ ▄ ▄▄▄ ▄ ▄▄▄▀█▄▄▄▄▄▄▄▄█▄███▄▀▄▀▄░ ▀▄▀█░█ ░█ ▄▀ ▀▄█▀█ ▄▀ ▀ ▀▄██▄▀ ▀▄█ ▀▄▄▀ █▀█░ ▀▀▄▀░▄█▄▀█░ █▀█▀▄▀ █ ▀▄ ▄ ▀▀▀ ▀▀ ▀▀▀ ▄ ▄ █▀ ▀▄▀█▄ ████▄ ▀ ▀▀▀ ▀▀▀ ░████░ ▐███▄▄ ░██▌▄▀ ██▌▄▀█ Mike Truman, Chris Healings and Lee Mullins are ░██▌▄▀ ██▌▄▀█ Hybrid, a Swansea-based collective with designs on ░██▌▄▀ ██▌▄▀█ the future of music. Their debut album, Wide Angle, ░██▌▄▀ ██▌▄▀█ will surprise anyone who thinks that dance music ░██▌▄▀ ██▌▄▀█ can't be clever, challenging and musically astute. ░██▌▄▀ ██▌▄▀█ Here's the shocking news: You might want to listen to ░██▌▄▀ ██▌▄▀█ it for longer than a few weeks. You don't have to be ░██▌▄▀ ██▌▄▀█ standing up to listen to it. ░██▌▄▀ ██▌▄▀█ Truman, Healings and Mullins met while clubbing in ░██▌▄▀ ██▌▄▀█ Swansea seven years ago. They bonded over Truman's ░██▌▄▀ ██▌▄▀█ house remix of Pink Floyd's Another Brick in the ░██▌▄▀ ██▌▄▀█ Wall, and they've been doing DJ sets and mixing their ░██▌▄▀ ██▌▄▀█ own music ever since. They have become sought-after ░██▌▄▀ ██▌▄▀█ remixers, putting their production skills to use on ░██▌▄▀ ██▌▄▀█ tracks for artists as varied as Jazzy Jeff, Carl Cox ░██▌▄▀ ██▌▄▀█ and Alanis Morissette. Now they are ready to make ░██▌▄▀ ██▌▄▀█ their album debut. ░██▌▄▀ ██▌▄▀█ ░██▌▄▀ ██▌▄▀█ Wide Angle - which has been over a year in the making ░██▌▄▀ ██▌▄▀█ - was born of Hybrid's frustration with the narrow ░██▌▄▀ ██▌▄▀█ horizons of British dance music; its structural ░██▌▄▀ ██▌▄▀█ predicabitity; its slavish concentration upon beat to ░██▌▄▀ ██▌▄▀█ the exclusion of everything else; its disinclination ░██▌▄▀ ██▌▄▀█ to seek inspiration from the broader musical corpus. ░██▌▄▀ ██▌▄▀█ They wanted to make the dance form more melodic, more ░██▌▄▀ ██▌▄▀█ imaginative, bigger and deeper than it had ever been ░██▌▄▀ ██▌▄▀█ before. So they went from Swansea to London, Moscow ░██▌▄▀ ██▌▄▀█ and New York, gathering material for a set of ░██▌▄▀ ██▌▄▀█ startlingly innovative tracks. ░██▌▄▀ ██▌▄▀█ ░██▌▄▀ ██▌▄▀█ "We want to make music that will last," says Mullins. ░██▌▄▀ ██▌▄▀█ "Something that isn't disposable, something that ░██▌▄▀ ██▌▄▀█ people will want to listen to over and over again." ░██▌▄▀ ██▌▄▀█ Something, perhaps, that dance music's natural ░██▌▄▀ ██▌▄▀█ constituency might get more out of than a rushing ░██▌▄▀ ██▌▄▀█ sensation in the skull and a spontaneous nosebleed ░██▌▄▀ ██▌▄▀█ and that those beyond that natural constituency might ░██▌▄▀ ██▌▄▀█ also find inspirational. "We just push the music to ░██▌▄▀ ██▌▄▀█ see how far it will go," says Healings. ░██▌▄▀ ██▌▄▀█ Too much club music, Truman argues, is wholly ░██▌▄▀ ██▌▄▀█ predicable: "You know where the samples have come ░██▌▄▀ ██▌▄▀█ from, you know where the beats have come from, you've ░██▌▄▀ ██▌▄▀█ heard all these riffs over and over again. What's the ░██▌▄▀ ██▌▄▀█ point in listening to it? You might as well turn it ░██▌▄▀ ██▌▄▀█ off. We want to make music that will be surprising, ░██▌▄▀ ██▌▄▀█ something that will spark the imagination and that is ░██▌▄▀ ██▌▄▀█ enriching to listen to, rather than just supplying ░██▌▄▀ ██▌▄▀█ the same old product." Dance music whose movements ░██▌▄▀ ██▌▄▀█ are less predictable than the usual breakbeat ░██▌▄▀ ██▌▄▀█ repertoire. ░██▌▄▀ ██▌▄▀█ ░██▌▄▀ ██▌▄▀█ To this end, they recruited singer-songwriter Julee ░██▌▄▀ ██▌▄▀█ Cruise, best known for her work with cult film-maker ░██▌▄▀ ██▌▄▀█ David Lynch. It was her fragile, Naiad voice that ░██▌▄▀ ██▌▄▀█ gave Twin Peaks its otherworldly quality, and more ░██▌▄▀ ██▌▄▀█ recently, she has been performing with the B52s, Moby ░██▌▄▀ ██▌▄▀█ and on the soundtrack of Kevin Williamson's hit ░██▌▄▀ ██▌▄▀█ horror movie, Scream. "Most techno and dance is so ░██▌▄▀ ██▌▄▀█ cold and boring," asserts Cruise. "Try and hum it. ░██▌▄▀ ██▌▄▀█ You can't. Hybrid have melody. They have intelligent, ░██▌▄▀ ██▌▄▀█ ironic lyrics. They have a nice, neat, clean, ░██▌▄▀ ██▌▄▀█ tasteful voice. It's a sophisticated sound." ░██▌▄▀ ██▌▄▀█ ░██▌▄▀ ██▌▄▀█ ░██▌▄▀ ██▌▄▀█ They also recruited Sacha Puttnam, a composer and ░██▌▄▀ ██▌▄▀█ musicologist who trained at the Moscow Conservatory - ░██▌▄▀ ██▌▄▀█ where he rented a tiny flat from a fellow academic ░██▌▄▀ ██▌▄▀█ that contained just a bed and a grand piano. Since ░██▌▄▀ ██▌▄▀█ graduating, he's moved back to his native London and ░██▌▄▀ ██▌▄▀█ into film and TV work. ░██▌▄▀ ██▌▄▀█ He scored The Confessional for Canadian theatrical ░██▌▄▀ ██▌▄▀█ genius Robert LePage, and recently composed the music ░██▌▄▀ ██▌▄▀█ for a BBC adaptation of Bleak house. ░██▌▄▀ ██▌▄▀█ ░██▌▄▀ ██▌▄▀█ Puttnam brought a strong element of orchestral ░██▌▄▀ ██▌▄▀█ discipline to Hybrid's electronic experimentalism. He ░██▌▄▀ ██▌▄▀█ found the experience educative. "When I'm composing, ░██▌▄▀ ██▌▄▀█ there's always this little academic on my shoulder, ░██▌▄▀ ██▌▄▀█ telling me to keep things changing constantly, and to ░██▌▄▀ ██▌▄▀█ keep within certain strictures. But Mike's taught me ░██▌▄▀ ██▌▄▀█ to forget all that." Bringing slamming dance rhythms ░██▌▄▀ ██▌▄▀█ into contact with classical orchestration forced ░██▌▄▀ ██▌▄▀█ Puttnam to discard the rule book. But he also found ░██▌▄▀ ██▌▄▀█ precedent for this kind of experimentation: "It's ░██▌▄▀ ██▌▄▀█ exactly what Debussy did," he contends. "In his day ░██▌▄▀ ██▌▄▀█ you weren't allowed parallel fifths. So he comes ░██▌▄▀ ██▌▄▀█ along, starts using parallel fifths and suddenl ╘y ░██▌▄▀ ██▌▄▀█ that's his own sound. So when Mike's not worrying ░██▌▄▀ ██▌▄▀█ about academic restrictions, suddenly you get these ░██▌▄▀ ██▌▄▀█ wonderful harmonies that you're not supposed to have. ░██▌▄▀ ██▌▄▀█ And they work." Last August, they went to Moscow to ░██▌▄▀ ██▌▄▀█ prove the point. In the bowels of Mosfilm, the old ░██▌▄▀ ██▌▄▀█ Soviet film complex where Eisenstein and Tarkovsky ░██▌▄▀ ██▌▄▀█ once clocked on for work, they recorded the tracks ░██▌▄▀ ██▌▄▀█ for Wide Angle with the 90-piece Russian Federal ░██▌▄▀ ██▌▄▀█ Orchestra. ░██▌▄▀ ██▌▄▀█ ░██▌▄▀ ██▌▄▀█ Working the DJ circuit has allowed the Hybrid boys to ░██▌▄▀ ██▌▄▀█ immerse themselves in a broad range of musical ░██▌▄▀ ██▌▄▀█ styles. "You draw all these influences in, and use ░██▌▄▀ ██▌▄▀█ them to create new sounds," explains Truman. Wide ░██▌▄▀ ██▌▄▀█ Angle betrays the influences of John Barry, Stevie ░██▌▄▀ ██▌▄▀█ Wonder, Eartha Kitt, Berlin techno, Peter Gabriel and ░██▌▄▀ ██▌▄▀█ Claude Debussy. "Everything that we've listened to ░██▌▄▀ ██▌▄▀█ over the years has been absorbed and used in some ░██▌▄▀ ██▌▄▀█ way," he reflects. ░██▌▄▀ ██▌▄▀█ "A lot of people just concentrate on the engine of ░██▌▄▀ ██▌▄▀█ the music, and forget about melody, and the other ░██▌▄▀ ██▌▄▀█ bits that make it interesting," argues Mullins. Wide ░██▌▄▀ ██▌▄▀█ Angle offers brassy, grandiose soundscapes which ░██▌▄▀ ██▌▄▀█ summon up images of Sean Connery parachuting from an ░██▌▄▀ ██▌▄▀█ exploding helicopter; dark, hypnotic swathes of ░██▌▄▀ ██▌▄▀█ sci-fi noise; lush string arrangements supplied by 90 ░██▌▄▀ ██▌▄▀█ classically-trained Russians; belting club beats ░██▌▄▀ ██▌▄▀█ tempered with sly, sophisticated touches; sweet, ░██▌▄▀ ██▌▄▀█ sassy crooning and Marilyn Monroe vibrato from Julee ░██▌▄▀ ██▌▄▀█ Cruise; ball-breaking rap from SoonE MC. It's music ░██▌▄▀ ██▌▄▀█ for grown-ups. But it doesn't, thankfully, have that ░██▌▄▀ ██▌▄▀█ highfalutin pomposity that has felled past attempts ░██▌▄▀ ██▌▄▀█ to expand pop's musical horizons. Jeff Wayne it ░██▌▄▀ ██▌▄▀█ ain't.s ░██▌▄▀ ██▌▄▀█ ░██▌▄▀ ██▌▄▀█ "I played it to my family in Iowa," says Cruise. "My ░██▌▄▀ ██▌▄▀█ brother's into jazz, my mother's in a nursing home, ░██▌▄▀ ██▌▄▀█ my sister's a regular housewife and my other brother ░██▌▄▀ ██▌▄▀█ is a hippy from Berkeley. And they all sat there in ░██▌▄▀ ██▌▄▀█ the living room and they really liked it. They all ░██▌▄▀ ██▌▄▀█ got it, in their own way. This music doesn't exclude ░██▌▄▀ ██▌▄▀█ anybody. It doesn't tell you that you don't belong. ░██▌▄▀ ██▌▄▀█ You don't have to be as bland as Celine Dion to have ░██▌▄▀ ██▌▄▀█ appeal as wide as that." Maybe she's getting a little ░██▌▄▀ ██▌▄▀█ carried away here, but Julee sees Hybrid fitting ░██▌▄▀ ██▌▄▀█ snugly into a tradition that includes Gershwin and ░██▌▄▀ ██▌▄▀█ Copland. "It's proper music," she enthuses. ░██▌▄▀ ██▌▄▀█ ░██▌▄▀ ██▌▄▀█ Hybrid's multi-album deal with Distinct'ive Records ░██▌▄▀ ██▌▄▀█ has allowed them the security to formulate long-term ░██▌▄▀ ██▌▄▀█ plans. They are developing their live act, and have ░██▌▄▀ ██▌▄▀█ already gone down a storm in venues as far apart as ░██▌▄▀ ██▌▄▀█ Miami and Liverpool. They've just be signed for a gig ░██▌▄▀ ██▌▄▀█ on top of Mount Fuji. With Wide Angle laid down, the ░██▌▄▀ ██▌▄▀█ band are now doing the groundwork for their next ░██▌▄▀ ██▌▄▀█ album.s ░██▌▄▀ ██▌▄▀█ And with tastes and skills as eclectic as Hybrid's, ░██▌▄▀ ██▌▄▀█ there's plenty of scope for the wildest kind of ░██▌▄▀ ██▌▄▀█ experimentation. They're making noises about an ░██▌▄▀ ██▌▄▀█ unplugged breakbeat album, and suite of music in ░██▌▄▀ ██▌▄▀█ which the melodic instruments play the beat, and the ░██▌▄▀ ██▌▄▀█ percussion instruments play the melody. Whatever ░██▌▄▀ ██▌▄▀█ their next move, expect to be surprised. ░██▌▄▀ ██▌▄▀█ ░██▌▄▀ ██▌▄▀█ ░██▌▄▀ ██▌▄▀█ Hybrid live from the Amphitheater in Ybor City, ░██▌▄▀ ██▌▄▀█ Florida on 93.3 FM. Enjoy. ░██▌▄▀ ██▌▄▀█ ░██▌▄▀ ██▌▄▀█ ░██▌▄▀ ██▌▄▀█ ░██▌▄▀ ██▌▄▀█ ░██▌▄▀ ██▌▄▀█ ░██▌▄▀ ░██▀▄▀ ░██▀▄▀ ▄▀▄▀▀ ▄▀▄▀▀ ▀█▀▄░ ▀█▀▄ ░██▀█ ░██▀█ ▄▀██▀ ......................... ▄▀██▀ ▄▀██░ ▄▀██ ▀▄█▄ [Track Information] ▀▄█▄ ░█▄▀▄ ░█▄▀▄ ▄▀██▀ 01. Live_at_the_amphitheater_933_FM-08-30-2003 71:14 ▄▀██▀ ▀██▄ ▀██▄ ░██▄▀ ------- ██▄▀ ▄▀▄▀ (71:14 min) ▄▀▄▀ ▀▄██░ ▀▄██ ▀██▄ ░██▄ ██▀▄ ██▀▄ ░▀█▀ ▀█▀ ▄▀██ ▄▀██ ▀██▄ ▀██▄ ░██▄▀ ██▄▀ ▄▀▄▀ ▄▀▄▀ ▀▄██░ ▀▄██ ▀██▄ ▀██▄ ░██▄▀ ██▄▀ ▄▀▄▀ ▄▀▄▀ ▀▄██░ ▀▄██ ▀██▄ ░██▄ ██▀▄ ██▀▄ ░▀█▀ ▀█▀ ▄▀██ ▄▀██ ▀██▄ ▀██▄ ░██▄▀ ██▄▀ ▄▀▄▀ ▄▀▄▀ ▀▄██░ ▀▄██ ▀██▄ ░██▄ ██▀▄ ██▀▄ ░▀█▀ ▀█▀ ▄▀██ ▄▀██ ▄▀██ ▄▀██░ ░███▄ ███▄ ░██▄▀ ░██▄▀ ▄▀██░ ▀▄ ▄ ▄ ▀▄ ▄▀ ▄▀██░ █▀███ █▄▄ ▄▄▀█▀▀▄ ▄▀▄░█▄▄ ▄▄▄▀▀▄░█▄▄ ▄▄█ █▀███ ▀▐██▌ ░█▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀█░ ▀▐██▌ ░█▀▄█ ░█ ██▀▀▀███ ███▀▀███ ██▀▀▀███ ██▄ ███ ███▀▀▀ ███▀██ █░ ░█▀██ ░▄▀▄▄▀▄ ██ ██ ███ ███ ███ ██ ███ ███████ ███ ███ ██ ██░ ░▄▀█▄ ▄▀▄▄▄▀▄▀▄▄▄███ ██ ▀▀▀ ███ ███ ██ ███ ███████ ███▄▄▄ ███ ██ ██▀▄▄ ▄▀▄▄▄▀ ▄▄▄░▀█▀█ ▄▀██ ██ ▀▀██ ███▀▀██▀ ██▀▀▀▀▀▀ ███████ ███ ▄ ███ ██ █ █ ▄▀█▀█ ▀ ▄█ ▄▀▀▀▄██ ██▄▄▄▄██ ███ ██ ██ ▄ ▄ ███ ▀██ ███ ▄▀ ███▄██ ██ ▀██▄▀▀▀ ▄▀▄█ ░█▄▄ ▄▄▄▄ ▄▄▄▄▄ ▄▄▄ █▄▀█▄▄ ▄ ▄▄▄ ▄ ▄▄▄▀█▄▄▄▄▄▄▄▄█▄███▄█▄▀▄ ░█▀▄ ░█ ▄▀ ▀▄█▀█ ▄▀ ▀ ▀▄██▄▀ ▀▄█ ▀▄▄▀ ░█▀█ ▀▀▄ ▄█▄▀ ░█▄█▀ ▀▄ ▄ ▀▀▀ ▀▀ ▀▀▀ ▄ ▄ █▀ ▀▄▀█▄ ▀▄███ ▀▀▀ ▀▀▀ ░████░ ██▌▄▀ ▄▀▄▀▀ ▀▄███ Greetings, obviously you are reading this because ▐███▀ ░███▄ BOSS has caught your attention in one way or another, ██▌▄ ███▄▀ most likely from this great release. ░██▀▄ ██▌▄▀ ▄▀▄▀▀ ░██▀▄ BOSS has many quality rls' everyday you just have to ▀█▀▄ ▄▀▄▀▀ find them. Our team started to release internationally ██▀█ ▀█▀▄ in 2000. In our group news we always inform you with ▄▀██▀ ░██▀█ what we are looking for. ▄▀██ ▄▀██▀ ▀▄█▄ ▄▀██ ░█▄▀▄ ▀▄█▄ Currently BOSS is looking for: ▄▀██▀ ░█▄▀▄ ▄▀██ ▄▀██▀ 1) Non-Commercial Shells (10mb+/1gig+) ░██▄ ▄▀██ 2) Membership is currently closed ██▄▀ ▀██▄ ▄▀▄▀ ░██▄▀ Remember we do this for fun!! If you like the rls then ▀▄██ ▄▀▄▀ go buy it and support the artist!!! ░██▄ ▀▄██ ██▀▄ ░██▄ We kindly ask for the security of our scene to not ▀█▀ ██▀▄ spread our releases via p2p (kazaa, soulseek, etc.) ▄▀██ ▀█▀ ▄▀██░ ▄▀██ Greetz Fly Too: ░███▄ ▄░██ ░██▄▀ ░██▄▀ (and any others we respect..u know who you are) ███ ▄▀██ ▀▐██▌ █▀███ █▀▄█ ▀▐██▌ GREETZ THE BOSS CREW!!! ▄▀▄▄ ░█▀▄█ ▄▀▄▄▄▀░ ▀█▄▀▄▄▀▄▀▄▄ ▄▀▄█▄░ █▄▀█▄█▀▀ ▀ ▄▀▄█▀▄ ▄ ▄▀▄▀█▀▄▀▀▄ ▄ ▄▀▄▀▄▀ ▄ ▄▄▀▄█▄▀▄█ ░█▀█▄▀ ▄▀▀▀ ▀▀▀██▄▄▄▀▀ ▀▄▄▄▀▄▀ ▀▄▀▄▄▄██▀▀▄ ▀▀ ▀▀▄█▄ ▀ ▀▄▀▄▀▄█░ ░▀██▄ █ ▀▄▀ ▀ ▀ ▄▀ ▀█ ▀▄▀▄█░ ███ ▀███ ██ ██▄ ▀█▄ ▄█▀ ▀▀