Genre | Electronic |
---|---|
Date (CEST) | 2019-05-16 12:28:29 |
Group | ENSLAVE |
Size | None MB |
Files | 2 |
M3U / SFV / NFO |
Iain_Chambers-The_Eccentric_Press-(PS001)-WEB-2019-ENSLAVE
Infos
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Tracklist (M3U)
# | Filename | Artist | Songname | Bitrate | BPM |
---|---|---|---|---|---|
1 | 01-iain_chambers-the_eccentric_press-08bdd955.mp3 | Iain Chambers | The Eccentric Press | 320 | Unknown |
2 | 02-iain_chambers-maudslay_engine-c0549973.mp3 | Iain Chambers | Maudslay Engine | 320 | Unknown |
NFO
enslave: (verb)
make (someone) a slave.
ARTIST.....: Iain Chambers
TITLE......: The Eccentric Press
LABEL......: Persistence of Sound Ltd
CATNUM.....: PS001
GENRE......: Electronic
RIP DATE...: 2019-05-16
RETAIL DATE: 2019-05-17
RUNTIME....: 42:17
TRACKS.....: 2
SIZE.......: 97.01MB
QUALITY....: 320kbps 44.1kHz
CODEC......: MP3 (MPEG-2 Audio Layer III)
ENCODER....: LAME
URL........: https://play.google.com/store/music/album?id=Bmcrpgbo2yneycpq6mqugefewpy
Tracklist:
----------
01. The Eccentric Press 22:34
02. Maudslay Engine 19:43
Notes:
------
Iain Chambers is an English composer, producer and performer.Iain
has composed and performed since the 1990s. He formed the duo Bow
Mods with Philip Clayton Smith, releasing an album and 2 EPs on
Drunken Records. He produced programmes at BBC Radio 3 between
1999-2007, including Andy Kershaw and Late Junction. With Kershaw
he made programmes in Algeria, Mali, Corsica and Sardinia,
winning a Gold award for best Specialist Music Programme at the
Radio Academy Awards in 2003.In 2003, with Radio 3 colleagues
Felix Carey and Philip Tagney, he co-founded musique concrete
collective Langham Research Centre. The trio sought to breathe
new life into experiments with reel-to-reel tape, producing two
editions of Between The Ears: Gateshead Multistorey Carpark, and
guest+host=ghost written by and starring Peter Blegvad, and
featuring Nick Cave. In 2005 the trio were joined by Robert
Worby, and began to perform new realisations of work by John
Cage, Alvin Lucier, Christian Wolff and others, using their
instrumentarium of obsolete analogue equipment, alongside their
own new music made from the same sources.