Genre | Funk |
---|---|
Date (CEST) | 2019-07-06 04:19:35 |
Group | UVU |
Size | 80 MB |
Files | 8 |
M3U / SFV / NFO |
Ice-Each_Man_Makes_His_Destiny_(1974)-Remastered-WEB-2013-UVU
Infos
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Tracklist (M3U)
# | Filename | Artist | Songname | Bitrate | BPM |
---|---|---|---|---|---|
1 | 01-ice-too_little_room-uvu.mp3 | Ice | Too Little Room | 320 | Unknown |
2 | 02-ice-suicide-uvu.mp3 | Ice | Suicide | 320 | Unknown |
3 | 03-ice-one_chance-uvu.mp3 | Ice | One Chance | 320 | Unknown |
4 | 04-ice-love_can-uvu.mp3 | Ice | Love Can | 320 | Unknown |
5 | 05-ice-theres_time_to_change-uvu.mp3 | Ice | There's Time To Change | 320 | Unknown |
6 | 06-ice-put_an_x_on_the_spot_(in_the_sky)-uvu.mp3 | Ice | Put An X On The Spot (In The Sky) | 320 | Unknown |
7 | 07-ice-losin-uvu.mp3 | Ice | Losin' | 320 | Unknown |
8 | 08-ice-dgunji-uvu.mp3 | Ice | Dgunji | 320 | Unknown |
NFO
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░█████▓█████▓██ ▌Artist__│ Ice ██▓█████▓█████░
░████▓▓██▒██▓██ ▌Title___│ Each Man Makes His Destiny ██▓█████▓▓████░
░████▓███▒██▓██ ▌Label___│ Kedzie Records ██▓██▒███▓████░
░████▓███▒██▓██ ▌Genre___│ Funk ██▓██▒███▓████░
░████▓███▒██▓██ ▌Format__│ Album ██▓██▒███▓████░
░████▓███▒██▓██ ▌Year____│ 2013 ██▓██▒███▓████░
░░████▓█████▓██ ▀▀▀▀▀▀▀▀▀╝ ██▓█████▓████░░
░░████▓█████▓██ ▌Time____│ 34:54 ██▓█████▓████░░
░░░████▓████▓██ ▌Size____│ 84.00 MB ██▓████▓████░░░
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░░░░░███▓▓▓█▓██ ▌Source__│ Web Store ██▓█▓▓▓███░░░░░
░░░░░░████▓▓▓██ ▌Quality_│ 320 kbps ██▓▓▓████░░░░░░
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░░ ╔═══════════════╗
░░ ║ T R A C K S ║░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░
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░░
░░ 01. Too Little Room 5:37
░░ 02. Suicide 5:29
░░ 03. One Chance 3:16
░░ 04. Love Can 2:39
░░ 05. There's Time To Change 9:23
░░ 06. Put An X On The Spot (In The Sky) 3:03
░░ 07. Losin' 2:22
░░ 08. Dgunji 3:05
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░░ ╔═══════════════╗
░░ ║ N O T E S ║░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░
░░ ╚═══════════════╝▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀
░░
░░ Ice, a.k.a. The Lafayette Afro Rock Band, Crispy & Co., Captain Dax, Les
░░ Atlantes, Wall of Steel and Sweet Exorcist was formed originally as The
░░ Bobby Boyd Congress in Long Island, New York in 1970, named after their
░░ original vocalist Bobby Boyd. Upon deciding that the funk scene in the
░░ United States was too saturated for them to viably compete in, they
░░ relocated to France in 1971; there recording one album before Bobby Boyd
░░ would return to America. It was then, after Bobby Boyd left, they named
░░ themselves Ice.
░░
░░ Their regular performances in Paris' BarbΦs district (an area made up
░░ primarily of North African immigrants) caught the eye of producer Pierre
░░ Jaubert, owner of IHP productions, and he invited them to become the
░░ house session band at his Parisound studio. After the release of the
░░ first Ice album Each Man Makes His Own Destiny, their surroundings in the
░░ BarbΦs district of Paris inspired Ice to weave African music into their
░░ original funk rock style. At that same time, there was the huge
░░ international hit ôSoul Makossaö by African musician Manu Dibango. So, at
░░ the urging of Pierre Jaubert, they changed their name to The Lafayette
░░ Afro Rock Band and began recording songs with African sounding names,
░░ some of which would not be released until 1974 under the Ice moniker on
░░ the album entitled Afro Agban (The Afro Instrumental LP).
░░
░░ In 1973, The Lafayette Afro Rock Band released Soul Makossa (released in
░░ the U.S. as Movin' and Groovin') covering Manu Dibango's international
░░ hit alongside their own new sounds of afro-jazz-rock. Despite the LP
░░ failing to chart, it made sufficient impact that its standout song, the
░░ oft-covered "Hihache", was sampled regularly for over 20 years by artists
░░ as diverse as Janet Jackson, Biz Markie, LL Cool J, De La Soul, Digital
░░ Underground, Naughty By Nature, and the Wu-Tang Clan. The Lafayette Afro
░░ Rock Band's follow-up effort, their 1974 LP Malik, prominently featured
░░ the Univox Super-Fuzz and liberal usage of the vocoder. It met equal
░░ enduring success, with a modified horn and saxophone sample of "Darkest
░░ Light" being featured prominently in Public Enemy's "Show 'Em Whatcha
░░ Gotö. The original sax solo on "Darkest Light" from the Malik LP was
░░ played by Leroy Gomez, who later became popular as the lead singer of
░░ Santa Esmeralda group with the 1977 mega-hit single "Don't Let Me Be
░░ Misunderstood". After Public Enemy's usage of the song was highly
░░ praised, samples of "Darkest Light" backed numerous culturally
░░ significant songs, including "Back to the Hotel", the multi-platinum 1992
░░ single "Rump Shaker" by new jack group Wreckx-N-Effect and rapper Jay-Z's
░░ 2006 single "Show Me What You Got".
░░
░░ 1974 proved to be quite an active year for the band. Returning to the
░░ band name Ice, they recorded albums behind vocalists of varying notoriety
░░ from Bad Child to Nino Ferrer. They also spent enough time in the studio
░░ recording their own original music to fill two albums. The band released
░░ their fourth album (the second under the name Ice) entitled Frisco Disco
░░ (released in the U.S as Import Export). The remaining recordings from
░░ those sessions wouldnÆt be released until 1977 on the album entitled
░░ Thumpin.
░░
░░ Mal Waldron, an American jazz composer who came to fame after performing
░░ as Billie Holiday's accompanist until her death, collaborated with Ice in
░░ 1975, employing them to back him on his unreleased Candy Girl album. The
░░ group also backed African guitarist Francois Niombo for his album IÆm
░░ Cool. Then they released a decidedly more disco styled album, along with
░░ a song reminiscent of their African days called ôA.I.E (A Mwana)ö,
░░ concurrently on a "Various Artists" formatted 1975 released LP "Tonight
░░ at the Discotheque". On this ôVarious Artistsö album they created various
░░ names for themselves; "Captain Dax", "Les Atlantes" and "Crispy & Co."
░░ (spelled in French and German speaking countries as "Krispie & Company").
░░ As the latter they even scored two UK charts hits, a disco cover of
░░ "Brazil" in 1975 made No. 26, while "Get it together" made No. 21 in
░░ 1976. After success faded in Europe the band found luck in Japan, scoring
░░ with the mildly successful single "Dr. Beezar, Soul Frankenstein". They
░░ subsequently released the album Funky Flavored under the alias Crispy &
░░ Co. to little fanfare. Then they released a cassette only novelty album
░░ entitled Disco Vampire under the name Ice. Most of the Disco Vampire
░░ tracks later wound up on a ôVarious Artistsö album under yet a different
░░ band name, Sweet Exorcist.
░░
░░ In 1977, their final album, Seven Americans in Paris was released using
░░ the name Ice. Having succumbed to the overwhelming trend toward disco,
░░ with the three part ôLouisiana Suiteö being the only piece mildly
░░ displaying the bandÆs former afro-jazz-rock prowess. Much of the band
░░ went their separate ways after their last recording session for the 1978
░░ album ôNumber One Manö by Leroy Gomez, a few returning to the U.S. and
░░ recording as session musicians on various albums. Some stayed in France,
░░ working with Pierre Jaubert and his company IHP productions, backing up
░░ vocalists on many Disco albums of the late seventies and into the
░░ eighties.
░░
░░ https://play.google.com/store/music/album?id=B7owv2gl6rgtaa5mkvwnd62tgrq
░░
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░░░██ ███ ░| shouts 2 all the groups |░
░░░░██ ████ ░| putting out |░
░░░░░██ █████ ░| quality music |░
░░░░░░███ ████▒ \─────────────────────────/
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