Genre | Classical |
---|---|
Date (CEST) | 2020-12-28 10:17:53 |
Group | OMA |
Size | 228 MB |
Files | 22 |
M3U / SFV / NFO |
Igor_Levit--Encounter-WEB-2020-OMA
Infos
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Tracklist (M3U)
# | Filename | Artist | Songname | Bitrate | BPM |
---|---|---|---|---|---|
1 | 01-igor_levit--vier_ernste_gesaenge-_denn_es_gehet_dem_menschen_wie_dem_vieh_op._121-1-oma.mp3 | Igor Levit | Vier ernste Gesänge- Denn es gehet dem Menschen wie dem Vieh, Op. 121-1 | 320 | Unknown |
2 | 02-igor_levit--vier_ernste_gesaenge-_ich_wandte_mich_und_sahe_an_alle_op._121-2-oma.mp3 | Igor Levit | Vier ernste Gesänge- Ich wandte mich und sahe an alle, Op. 121-2 | 320 | Unknown |
3 | 03-igor_levit--vier_ernste_gesaenge-_o_tod_wie_bitter_bist_du_op._121-3-oma.mp3 | Igor Levit | Vier ernste Gesänge- O Tod, wie bitter bist du, Op. 121-3 | 320 | Unknown |
4 | 04-igor_levit--vier_ernste_gesaenge-_wenn_ich_mit_menschen-_und_mit_engelszungen_redete_op._121-4-oma.mp3 | Igor Levit | Vier ernste Gesänge- Wenn ich mit Menschen- und mit Engelszungen redete, Op. 121-4 | 320 | Unknown |
5 | 05-igor_levit--nachtlied_op._138-3_(transcription_for_piano)-oma.mp3 | Igor Levit | Nachtlied, Op. 138-3 (Transcription for Piano) | 320 | Unknown |
6 | 06-igor_levit--palais_de_mari-oma.mp3 | Igor Levit | Palais de Mari | 320 | Unknown |
7 | 07-igor_levit--10_chorale_preludes_bv_b_27-_no._1_komm_gott_schoepfer_heiliger_geist_bwv_667-oma.mp3 | Igor Levit | 10 Chorale Preludes, BV B 27- No. 1, Komm, Gott Schöpfer, Heiliger Geist, BWV 667 | 320 | Unknown |
8 | 08-igor_levit--10_chorale_preludes_bv_b_27-_no._2_wachet_auf_ruft_uns_die_stimme_bwv_645-oma.mp3 | Igor Levit | 10 Chorale Preludes, BV B 27- No. 2, Wachet auf, ruft uns die Stimme, BWV 645 | 320 | Unknown |
9 | 09-igor_levit--10_chorale_preludes_bv_b_27-_no._3_nun_komm_der_heiden_heiland_bwv_659-oma.mp3 | Igor Levit | 10 Chorale Preludes, BV B 27- No. 3, Nun komm, der Heiden Heiland, BWV 659 | 320 | Unknown |
10 | 10-igor_levit--10_chorale_preludes_bv_b_27-_no._4_nun_freut_euch_lieben_christen_gmein_bwv_734-oma.mp3 | Igor Levit | 10 Chorale Preludes, BV B 27- No. 4, Nun freut euch, lieben Christen gmein, BWV 734 | 320 | Unknown |
11 | 11-igor_levit--10_chorale_preludes_bv_b_27-_no._5_ich_ruf_zu_dir_herr_jesu_christ_bwv_639-oma.mp3 | Igor Levit | 10 Chorale Preludes, BV B 27- No. 5, Ich ruf zu dir, Herr Jesu Christ, BWV 639 | 320 | Unknown |
12 | 12-igor_levit--10_chorale_preludes_bv_b_27-_no._6_herr_gott_nun_schleuss_den_himmel_auf_bwv_617-oma.mp3 | Igor Levit | 10 Chorale Preludes, BV B 27- No. 6, Herr Gott, nun schleuß den Himmel auf, BWV 617 | 320 | Unknown |
13 | 13-igor_levit--10_chorale_preludes_bv_b_27-_no._7a_durch_adams_fall_ist_ganz_verderbt_bwv_637-oma.mp3 | Igor Levit | 10 Chorale Preludes, BV B 27- No. 7a, Durch Adams Fall ist ganz verderbt, BWV 637 | 320 | Unknown |
14 | 14-igor_levit--10_chorale_preludes_bv_b_27-_no._7b_durch_adams_fall_ist_ganz_verderbt._fuga_bwv_705-oma.mp3 | Igor Levit | 10 Chorale Preludes, BV B 27- No. 7b, Durch Adams Fall ist ganz verderbt. Fuga, BWV 705 | 320 | Unknown |
15 | 15-igor_levit--10_chorale_preludes_bv_b_27-_no._8_in_dir_ist_freude_bwv_615-oma.mp3 | Igor Levit | 10 Chorale Preludes, BV B 27- No. 8, In dir ist Freude, BWV 615 | 320 | Unknown |
16 | 16-igor_levit--10_chorale_preludes_bv_b_27-_no._9_jesus_christus_unser_heiland_bwv_665-oma.mp3 | Igor Levit | 10 Chorale Preludes, BV B 27- No. 9, Jesus Christus, unser Heiland, BWV 665 | 320 | Unknown |
17 | 17-igor_levit--6_chorale_preludes_bv_b_50-_herzlich_tut_mich_erfreuen_op._122-4-oma.mp3 | Igor Levit | 6 Chorale Preludes, BV B 50- Herzlich tut mich erfreuen, Op. 122-4 | 320 | Unknown |
18 | 18-igor_levit--6_chorale_preludes_bv_b_50-_schmuecke_dich_o_liebe_seele_op._122-5-oma.mp3 | Igor Levit | 6 Chorale Preludes, BV B 50- Schmücke dich, o liebe Seele, Op. 122-5 | 320 | Unknown |
19 | 19-igor_levit--6_chorale_preludes_bv_b_50-_es_ist_ein_ros_entsprungen_op._122-8-oma.mp3 | Igor Levit | 6 Chorale Preludes, BV B 50- Es ist ein Ros entsprungen, Op. 122-8 | 320 | Unknown |
20 | 20-igor_levit--6_chorale_preludes_bv_b_50-_herzlich_tut_mich_verlangen_op._122-9-oma.mp3 | Igor Levit | 6 Chorale Preludes, BV B 50- Herzlich tut mich verlangen, Op. 122-9 | 320 | Unknown |
21 | 21-igor_levit--6_chorale_preludes_bv_b_50-_herzlich_tut_mich_verlangen_op._122-10-oma.mp3 | Igor Levit | 6 Chorale Preludes, BV B 50- Herzlich tut mich verlangen, Op. 122-10 | 320 | Unknown |
22 | 22-igor_levit--6_chorale_preludes_bv_b_50-_o_welt_ich_muss_dich_lassen_op._122-11-oma.mp3 | Igor Levit | 6 Chorale Preludes, BV B 50- O Welt, ich muss dich lassen, Op. 122-11 | 320 | Unknown |
NFO
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████ · ▄▓███▓ OPEN MUSiC ASSOCiATiON ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ .···. P R E S E N T S .···. ▓ │▀▀▀█▓▄▄ █████
██████▓▀ ▀ ▀ ▀▓██████
█████▀ Igor Levit - Encounter ▀█████
████▀ ▀████
███▀ ▀███
█▓▓▓▓ ARTiST..[ Igor Levit ▓▓▓▓█
█▓▓▓▓ TiTLE...[ Encounter ▓▓▓▓█
████ GENRE...[ Classical CAT#....[ ████
████ LABEL...[ Sony Classical ENCODER.[ Lame 3.99.5 ████
████ YEAR....[ 2020 QUALiTY.[ 320kbps ████
████ SOURCE..[ WEB MODE....[ Joint Stereo ████
████ PLAYTIME[ 100:15 REL.DATE[ 12.23.2020 ████
████ TRACKS..[ 22 RiPPER..[ TEAM OMA ████
████ SiZE....[ 229,83 MB SUPPLiER[ TEAM OMA ████
████ ████
████ ████
████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████
████ ■ ███▓█ .···. T R A C K L i S T .···. █▓███ ■ ████
████ · ▄▓███▓ ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████
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████▀ ▀████
███▀ NR. TRACK. TiME. ▀███
█▓▓▓▓ ∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙ ▓▓▓▓█
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████ 01 Vier ernste Gesaenge- Denn es gehet dem Menschen 04:51 ████
████ wie dem Vieh, Op. 121-1 ████
████ 02 Vier ernste Gesaenge- Ich wandte mich und sahe an 03:34 ████
████ alle, Op. 121-2 ████
████ 03 Vier ernste Gesaenge- O Tod, wie bitter bist du, 04:54 ████
████ Op. 121-3 ████
████ 04 Vier ernste Gesaenge- Wenn ich mit Menschen- und 05:00 ████
████ mit Engelszungen redete, Op. 121-4 ████
████ 05 Nachtlied, Op. 138-3 (Transcription for Piano) 03:08 ████
████ 06 Palais de Mari 28:49 ████
████ 07 10 Chorale Preludes, BV B 27- No. 1, Komm, Gott 02:06 ████
████ Schoepfer, Heiliger Geist, BWV 667 ████
████ 08 10 Chorale Preludes, BV B 27- No. 2, Wachet auf, 03:19 ████
████ ruft uns die Stimme, BWV 645 ████
████ 09 10 Chorale Preludes, BV B 27- No. 3, Nun komm, 04:16 ████
████ der Heiden Heiland, BWV 659 ████
████ 10 10 Chorale Preludes, BV B 27- No. 4, Nun freut 02:06 ████
████ euch, lieben Christen gmein, BWV 734 ████
████ 11 10 Chorale Preludes, BV B 27- No. 5, Ich ruf zu 03:18 ████
████ dir, Herr Jesu Christ, BWV 639 ████
████ 12 10 Chorale Preludes, BV B 27- No. 6, Herr Gott, 02:50 ████
████ nun schleuss den Himmel auf, BWV 617 ████
████ 13 10 Chorale Preludes, BV B 27- No. 7a, Durch Adams 02:14 ████
████ Fall ist ganz verderbt, BWV 637 ████
████ 14 10 Chorale Preludes, BV B 27- No. 7b, Durch Adams 05:32 ████
████ Fall ist ganz verderbt. Fuga, BWV 705 ████
████ 15 10 Chorale Preludes, BV B 27- No. 8, In dir ist 02:20 ████
████ Freude, BWV 615 ████
████ 16 10 Chorale Preludes, BV B 27- No. 9, Jesus 06:20 ████
████ Christus, unser Heiland, BWV 665 ████
████ 17 6 Chorale Preludes, BV B 50- Herzlich tut mich 02:59 ████
████ erfreuen, Op. 122-4 ████
████ 18 6 Chorale Preludes, BV B 50- Schmuecke dich, o 02:29 ████
████ liebe Seele, Op. 122-5 ████
████ 19 6 Chorale Preludes, BV B 50- Es ist ein Ros 02:14 ████
████ entsprungen, Op. 122-8 ████
████ 20 6 Chorale Preludes, BV B 50- Herzlich tut mich 01:42 ████
████ verlangen, Op. 122-9 ████
████ 21 6 Chorale Preludes, BV B 50- Herzlich tut mich 03:04 ████
████ verlangen, Op. 122-10 ████
████ 22 6 Chorale Preludes, BV B 50- O Welt, ich muss 03:10 ████
████ dich lassen, Op. 122-11 ████
████ ∙∙∙∙∙∙∙∙∙∙∙∙ ████
████ TOTAL:100:15 ████
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████ https://www.amazon.com/dp/B08D3GK4TJ ████
████ ████
████ A very personal double album marked by a desire ████
████ for encounter and togetherness. The program ████
████ includes rarely played arrangements of Bach and ████
████ Brahms by Ferruccio Busoni and Max Reger, as ████
████ well as ôPalais de Mariö û Morton FeldmanÆs ████
████ final work for solo piano. ████
████ ████
████ Igor LevitÆs double album ôEncounterö seeks ████
████ sounds that give inner strength and support for ████
████ the soul. In works by Bach to Max Reger, based ████
████ on poignant vocal compositions, the desire for ████
████ encounters and human togetherness is given ████
████ expression û at a time when isolation is the ████
████ order of the day. The result is a very personal ████
████ recital. ████
████ ████
████ The 33-year-old once again steps beyond the ████
████ limits of pure piano repertoire: in the Busoni ████
████ transcriptions of BachÆs chorale preludes and ████
████ the late Brahms, which are rarely heard as ████
████ complete cycles, Levit assumes the role of an ████
████ organist who fills vast church spaces. In ████
████ Johannes BrahmsÆs Vier ernste Gesaenge, he lends ████
████ instrumental eloquence to overcoming the ████
████ torments of fearing death. On the other hand, ████
████ the gentle shimmer produced from its very few ████
████ notes makes Morton Feldman's extremely quiet ████
████ work for piano, Palais de Mari (1986), the ████
████ epitome of a sensuous, transcendental realm of ████
████ possibilities. ████
████ ████
████ The repertoire presented by Levit here reflects ████
████ the albumÆs title. The works create a community ████
████ of experience for many individuals forced to ████
████ maintain distance from one another. They ████
████ establish contact with religious and inward ████
████ spirituality. In addition, the inner ████
████ connections between the composers and their ████
████ respective aesthetics make ôEncounterö a ████
████ journey offering astonishing discoveries, even ████
████ on ostensibly familiar terrain. ████
████ ████
████ ôThe restricted isolation in the weeks since ████
████ mid-March 2020 was often difficult for me too. ████
████ As an artist, however, I have never felt so ████
████ free, so open in my life as on those days when ████
████ I often only decided half an hour before the ████
████ live stream what I would play in my house ████
████ concerts,ö reports Igor Levit. The complete ████
████ absence of routine concert activity also had ████
████ its positive sides: ôBeing able to make music ████
████ without any compulsion and spontaneously ████
████ choosing works in which all questions about ████
████ love and death, loneliness and the possibility ████
████ of real love for others are examined, has given ████
████ my piano playing a level of freedom that I had ████
████ never before experienced in this form.ö ████
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████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████
████ ■ ███▓█ .···. G R O U P .···. █▓███ ■ ████
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█████ ▄▄▓█▀▀▀│ ▓ MAiL: [email protected] ▓ │▀▀▀█▓▄▄ █████
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████▀ The only thing that really matters is music!!! ▀████
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▀ . ▄ ▄▓▓▄ ▀▄ RIP kHz ▄▀ ▄▓▓▄ ▄ . ▀
▀ ▀▓▀ ▀▀ ▀ . ▄.···. !kb^faa 08.MARCH 2009 .···.▄ . ▀ ▀▀ ▀▓▀ ▀ .