J-Live-The_Best_Part-2001-GCP_INT

Tracklist (M3U)
# Filename Artist Songname Bitrate BPM
1 01-j-live-outside_looking_(prod._j-live)-gcp.mp3 J-Live Outside Looking (Prod. J-Live) 230 Unknown
2 02-j-live-intro_(prod._emmai_alaquiva)-gcp.mp3 J-Live Intro (Prod. Emmai Alaquiva) 260 Unknown
3 03-j-live-got_what_it_takes_(prod._88_keys)-gcp.mp3 J-Live Got What It Takes (Prod. 88 Keys) 228 Unknown
4 04-j-live-dont_play_(prod._88_keys_and_j-live)-gcp.mp3 J-Live Don't Play (Prod. 88 Keys & J-Live) 263 Unknown
5 05-j-live-vampire_hunter_j_(prod._grap_luva)-gcp.mp3 J-Live Vampire Hunter J (Prod. Grap Luva) 210 Unknown
6 06-j-live-yes_(prod._emmai_alaquiva_and_j-live)-gcp.mp3 J-Live YES! (Prod. Emmai Alaquiva & J-Live) 209 Unknown
7 07-j-live-them_thats_not_(prod._grap_luva_j-live_and_elliot_thomas)-gcp.mp3 J-Live Them That's Not (Prod. Grap Luva, J-Live & Elliot Thomas) 224 Unknown
8 08-j-live-kick_it_to_the_beat_(feat._asheru_and_probe_dms)_(prod._j-live_and_pete_rock)-gcp.mp3 J-Live Kick It To The Beat (Feat. Asheru & Probe Dms) (Prod. J-Live & Pete Rock) 222 Unknown
9 09-j-live-wax_paper_(prod._prince_paul_and_j-live)-gcp.mp3 J-Live Wax Paper (Prod. Prince Paul & J-Live) 229 Unknown
10 10-j-live-timeless_(prod._chris_catalyst_and_probe_dms)-gcp.mp3 J-Live Timeless (Prod. Chris Catalyst & Probe Dms) 238 Unknown
11 11-j-live-get_the_third_(prod._chris_catalyst_and_probe_dms)-gcp.mp3 J-Live Get The Third (Prod. Chris Catalyst & Probe Dms) 212 Unknown
12 12-j-live-schools_in_remix_(prod._j-live)-gcp.mp3 J-Live School's In Remix (Prod. J-Live) 237 Unknown
13 13-j-live-r.a.g.e._(prod._dj_spinna)-gcp.mp3 J-Live R.A.G.E. (Prod. DJ Spinna) 195 Unknown
14 14-j-live-true_school_anthem_(prod._dj_spinna_and_j-live)-gcp.mp3 J-Live True School Anthem (Prod. DJ Spinna & J-Live) 223 Unknown
15 15-j-live-inside_looking_outro_(prod._emmai_alaquiva)-gcp.mp3 J-Live Inside Looking Outro (Prod. Emmai Alaquiva) 222 Unknown
16 16-j-live-the_best_part_(prod._dj_premier)-gcp.mp3 J-Live The Best Part (Prod. DJ Premier) 233 Unknown
17 17-j-live-play_(prod._88_keys_j-live_and_david_kennedy)-gcp.mp3 J-Live Play (Prod. 88 Keys, J-Live & David Kennedy) 246 Unknown
18 18-j-live-braggin_writes_revisited_(prod._j-live_and_david_kennedy)-gcp.mp3 J-Live Braggin' Writes Revisited (Prod. J-Live & David Kennedy) 230 Unknown
19 19-j-live-epilogue_(prod._j-live)-gcp.mp3 J-Live Epilogue (Prod. J-Live) 223 Unknown
NFO
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░░░ ▄▓▒░░ █▄ ░ ▄▄██████▀░ ▀████▄▄▄▄▄████▀▀░░ ▄██ ░ ░ ▄▄▄▄▄▄▄▄████▀▀▀▀▀▀▀ ▀ ▀▀▀ ░▄▄▄███ ▄▄▄▄▄▄▄▄▄████████▀▀▀▀▀▀▀▀▀▀ ░ ░ ▄▄██▀▀▀▀ ▄██████▓▓▒▒░░▓ ░ ░░ ▄▄▄▄▄▄▄▄▄▄████▄████▀▀ ▄████▓▓▓▓▒▒▒░▄▄▄▄▄▄██████▄█▄▄▄▄▄▄▄ ░░░░░▒▓█████▀▀ ████▓▓▒▒▒▒░▒▓██▀ ▀ ▀██░░▒▒▒██▀▀ ░░░░░░ ███▓▓▒▒▒▒░░░▒▓█▄ ░░ ░░░░ ░░ █▀▒▒░░░██▄ ░░░░░ ▀███▓▓▓▓▒▒▒▒░░░▒▓██▄▄▄▄▄ ██░░░░░ ░███▄▄ ░ ▀██████▓▓▓▒▒▒░░ ▀▀▀▀▀▀▀▀█▀▀▀▀░ ▀▀▀███▄▄▄▄ ░ ▀▀▀███████░░░ ░ ░ ░ ▀▀▀▀███▄▄▄▄▄ ..::: ▀████████████▄▄▄ ░ ▀▀████▄ ▀▀▀██▀██▀█████████▄▄▄ ░░░ ░░░ ▀▀▀██▄▄ . ▀▀▀▀▀▀▀▀▀▀██████▄▄░░░░░░░░▄▄▄▄▄▄ ▀███▄ ::: ░ ░░░ ▀▀███▒▓▒█▀▀▀▀▀▀▀▀▀▀▀█▄▄ ░▀███▄ eh about this release ░░░░░░░ ▀██████ ░░ ░ ██▀ ░▓███ ░░ ▄▄███▓█████▄▄▄▄▄▄▄▄█▀ ░░███▀ :::.... ▄▄▄█████▀░░░░ ▀▀▀▀▀▀ ░░░▓▓█▀ .. ▄▄▄████████▀█▀▀░ ░ ░░░▓██▀ ████▓▀▀▀░░ ░ ▄▄▄▄▄▄▄▄▄████████████▄████▀▀▀ ▀░░▄▄▄███▀▀▀▀▀▀▀▀▀ ▀▀ ▀▀▀▀ ▀▀███ ░░ ░ R E L E A S E I N F O R M A T I O N Brooklyn MC J-Live first garnered notice with the release of his 1995 single "Bragging Writes". Delivering his thoughtful lyrics with confidence and ease, J-Live's rapping was strong and his soul-inflected grooves immediately appealed to fans of underground hip-hop. A year later he followed up with another hit, "Hush The Crowd", and started to generate a palpable buzz. With tracks produced by luminaries such as Prince Paul, DJ Premier, and Pete Rock, the release of J-Live's full-length debut, "The Best Part", was hotly anticipated and the future looked promising for the ascendant MC. "The Best Part" is, simply put, classic New York hip-hop, or, as J-Live himself labels it, 'true school' that can trace its roots in a direct line back to such icons as KRS-One and Big Daddy Kane. Granted, J-Live didn't reach that level of name recognition with this debut album, and even if it doesn't quite attain the heights of the landmark recordings from those artists, it does threaten to scale them. It is a truly cataclysmic tour de force, especially when you consider the hoops through which the music was forced to jump before it finally appeared, long overdue, in 2001. "The Best Part" was near completion as early as 1997, and was once set for official release in 1999 (most of the songs were written between 1995 and 1998). Unfortunately, the album, according to J-Live's own liner notes, was 'built, robbed, destroyed, rebuilt, held up, postponed, cancelled, shelved, bootlegged, analyzed, exploited, slept on, supported, patiently awaited, and appreciated' long before it ultimately came to commercial fruition for everyone else to appreciate. No wonder, then, that it is such a confident, assured record. No wonder also that the music is very reminiscent of the sounds that were coming out of the alternative New York scene of the fertile early 90's (Pete Rock, DJ Premier, and Prince Paul all lent a hand in the production booth), although, reworked as it frequently was, it sounded just as timely at the outset of the 21st century. So uniformly excellent are the songs that it plays almost like a best-of compilation. Particular highlights include the brilliant call-and-response anthem "YES", the cool-cat jazz of "Them That's Not", a cerebral stream-of- consciousness head trip, the classic old-school pastiche "Kick It To The Beat" (featuring labelmates Asheru & Blue Black, with whom J-Live shares an artistic sensibility), the new wave groove of "Get The Third", and the autobiographical title track. This is one of the sine qua non hip-hop joints of 2001. ░ ░ █▀▀█▀ ░░░░ ░░░ ██ ██ ░░ ░ ░░░ ░░ ▄▄▄▄ ▄ ▄▄ ░ ▄▄ █ ▀▀ ░ ▄█▀▀█ ▄ ▀█ ▄▄█ ░░░ ▀ ▀███ ░ ████ ░░ ░ ░ ░ ░░░ █ ▄███▀▀▀▀▀▀▀▀▀▄▄▄▄▄ ░░ ░░░ █▄ █▀ ░░ ▄▄██▀▀▀▀██▄▄▄ ░ ▀▀▀▄▄ ░░░ ░▄ ░ ▀▀ █ ░ ▄███▓░ ░░ ▀███▄▄▄ ░░ ▀▀▀▀▄▄▄ ░░ ░░ █░ ░ █ ▄█▀▄██▄▄▄▄▄██████████████▄▄▄ ░ ░░▒██▄ ▄░░░░▒█ ░▒░ ░ ▄▄▄▄▄██████▀████▀███████████████████████▄▄░░░▒▒▓▓██▄ ▀█▒▓▓█ █▓░░░ ▄▄▄▄▀▀▀▀▀░░ ░ ███████▄ ▀▀▀██████████████░░ ▄███████████▀▄▀▀▀▀▀ █▀▀ ▄█▀██▀▒▒▒░░░░ ▀██▄ ▀████▄▄█▀████████▓░░ ░███████████▀░▓█▄▄▄ █ ▄█░ ▀▀█▒▒░░░ ░ ▀██▄▄▄ ██████████▓░░ ░▄██████████▓▀▀▓▓▓▓██ █▀█▄▄▄ ▀▀▄▄░░ ░ ▄ ▀ ▀▀▄▄▄ ▀███████░ ▄██▀██████████▒▒▒▒▓▓▀ ▀ █▄█ ███▄▄░░▀▀▄▄░░ ░ ▀ ░ ▀▀▄▄▀▀▀▀████████████▀███░░░▒▒▓▓██ ▄██████████▄▄ ░░▀█▀▀▄░ ░░▀▀█▄▄ ████▀▀▀▀▀ ░ ░░░░▄██▄▀▀ ██░▓██▄▀████████▀ ▄░░ ▀▄▄▄ ░ ░░▄▄█▀ █▀▀ ░░ ░░▄██▀ ▀▀▄ ▀▓██▄▀▀███▓░ ▀█▄▄▄░░ ▀▀▄▄ ▄▄▄▀███▀ ░ ░░░███ ▀▀▄▄▀███▄▄▀████░████▄▄█▄▄░▀▀▄▄ ▄▀▀░▄▄▀▀ ░ ░░ ░▄▄███ ▄▄███▄█▀▓████▄ ███████████▄░░▀▀▄██▀▀░▄▀▀ ░ ▀ ░ ▄▄██████ ▄████████████▄█▀███▄█▀██████████▄▄▄██▄▄▀▀░░ ▄▄▄▄ ▄ ▄▄██████▄▀ ░ ▀▀██████████░ ▀▀▄█▀▓██▄▄▀▀██████▀ ▄██ ░░ ▄█████▓░▄▄███████▀ ░░ ▀▀███████▄▄░░▀█▄▄█▀▓██▄▄ ▀██▄▄██▀ ░ ▄███████████████▀ ░░░ ░░░ ▀▀████████▄█████▄▄▀▀█████████ ░ ▄▓████████████▀ ░░░░░ ▀▀██████████████▄▄▀▀▓████▄▄▄▄▄▄████▄██████▀▀ ░░░░░ .. ░░░░░ ▀███████████████▄▄█▀▀██████████████▀▀ ░░░░░ ::. ░░░░ ▀▀██████████████████████▀██████▀ ░░░░ ooh ye.. ░ ▀██████████████▄░▀███████▀ ▀▀████████████▄▄▄▄ ▀ ::t r a c k l i s t ::: ▀██████▀▀ ::: . ▀▀ ------------------------------------------------------------------------------ 01. Outside Looking (Prod. J-Live) 1:48 02. Intro (Prod. Emmai Alaquiva) 1:14 03. Got What It Takes (Prod. 88 Keys) 5:09 04. Don't Play (Prod. 88 Keys & J-Live) 5:04 05. Vampire Hunter J (Prod. Grap Luva) 2:59 06. YES! (Prod. Emmai Alaquiva & J-Live) 3:32 07. Them That's Not (Prod. Grap Luva, J-Live & Elliot Thomas) 5:12 08. Kick It To The Beat (Feat. Asheru & Probe Dms) (Prod. J-Live & 4:22 Pete Rock) 09. Wax Paper (Prod. Prince Paul & J-Live) 3:27 10. Timeless (Prod. Chris Catalyst & Probe Dms) 4:00 11. Get The Third (Prod. Chris Catalyst & Probe Dms) 4:45 12. School's In Remix (Prod. J-Live) 5:14 13. R.A.G.E. (Prod. DJ Spinna) 3:36 14. True School Anthem (Prod. DJ Spinna & J-Live) 4:23 15. Inside Looking Outro (Prod. Emmai Alaquiva) 2:07 16. The Best Part (Prod. DJ Premier) 3:36 17. Play (Prod. 88 Keys, J-Live & David Kennedy) 5:01 18. Braggin' Writes Revisited (Prod. J-Live & David Kennedy) 3:17 19. Epilogue (Prod. J-Live) 5:31 ----- 74:17 ------------------------------------------------------------------------------ ██ ░ █▀█ ▀███▄▄ ░ █░▀░▓█ ░ ██ ░░░ ██░█ ██▄▄ ░ ██ ░ ░░ █▒▀▀█░▒▓█▄ ▄ ███ ░░░▀▀█▓░ █ █▀████▄▄▄ ░░ ███▄ ░░░ ▀▀█▄░ ▀██▄▀▀████▄ ▄ ▄█████ ░ ░ █▄▄ ░░▒▓███▄▀████▄▄▄▄ ░ ██████▄ ░░ ▄▄▄▄▄▄▄▄▄▄▄▄██▄▄███████████▄▀▓░▀████▄ ▄███████▄ ░ ▄███████▀▀███▓▀░███▀▀███▀██████████░▀█░▀███████████████▄ ▄█ ▄▄▄▄▄█████▓▄▄ ▀██▄▄███▄▄▄▀█▄░░▓█▄░▀▓█▀████████▄▓██████████████████ ▄█████████▓▄▄█████▀▀▀▀▀▀▀▀▀▀██████████████████████████████████▄▄███▀▀ ▄▄██▓▀▄▄▄▄██▀▀▀▀▀ ░░░░░░▒▓ ▄███████ █████████▀▀▀▀▀▄████▓░▀██▄▄▄██▄ ▄██▓▄██▀▀▀ ░ ░░ ▄▄█████▄▄▄███▓██████▀ ▄▄██▀████▄▄▄▄░░ ▀▓██ ▄███▀▀▀ ░ ▄██▓▒▒░░ ██████▀▄█████▀▀░▄▄███▓░ ░▀▀▀█░▄▀██ ███▀▀ ::.. ▄███▀▀▀▀▀▀████░▓█ ▀▀██▀░░▄█▀▀ ▄█████▄▄░░ ▀███▄ ██▀ ░ ███▄█████▄██░████ ██▓▄▄▀▀░▄▄█▀██░ ▀▀▄▄░▓██▀ and then we chill ▄██▓░ ░▄ ▄█▀█ ▓███ ▀███▀░░▄█▀▀▄▄██▀██▄ ░ ▀ ▄██▄ ▄██▄ ▀▀▀▀██ ░███ █▓▀▒░▄▀ ▄█▀▀█▓░ ▀▀█▄░░████ :::: ▄█▓░░▄▄▄██▀░▓██▀ ░░ ██▄█░░▄█▀ ███▄▄ ▀█▄░▓█ G R O U P N E W S ::: ▄██▄█▀▀▀█▀██▄█▀ ░░ ▀█▓▀ █▀ ░▄████ ▀█▄ ▀███ .. ▀█▓▀░░▄██░████ ░░░ ██▄▄░░ ▄▀ ██░ ▀ ░░▀█▀ ██▀▄█▀███▒▓██ ░░ ███▀░▄█ ░ ▄██▓▀█▄ ░ ░▄▄██ ▄███▀░▄█▀█▄██ ░░ █▓░▄█░░ █▀ ██░ ▀█▄▒▓███ █▓░███░▄███ ████░░ █▀ ██ ░ ▀░ ██ ▄███▀██▄▓█▀ ░ ▀██▓▒▄█ ░ ▄████▄ ░███ ▄█▀░██████ ▀████░░ █▀ ▀█░▀▀▄░░▓██ █▓▄▄█ ██▀ ▀██▓▒░█░ ░▄█▄ ▀▀░▄██ ░ ████▀██▀ ██▄█▀░▄█ ███▄░░░███ ░ ██████▀ ▀██▓▒▄█░░█▓ ▀█▄▒▓█ ░░ ░ ▄█████▀ ██▄█ ░▄██▄░ ▀███▄ ▀░░ ░░ █████ ▀██▓▒▄█░██▀▄░▓███ █▓░░░ ░░░ ▄███▀ ▀▀███▀▄██░▀███ ▀▀▀█▓░░ ░ ░░░ ▄██▀ ▀█▓░█▀█▄░▓██▀ ▀▀▀ ▀ ▀▀ G R E E T I N G S ██▄█░█▓▄▄█▄ ▀██░██▀██▀ ▒█▄▓█ ▀█▓████ ▀████▀ ███ ░ Special Thanks to DSP CMS FTD KrbZ JCE FuFFeNS IGR iMPG diss ░ and all rippers that have and continue to rip quality music. ░ ░ ░░░ ░░░ ░ ░▒█ █▒░ ░ ░▒▓█ █▓▒░ ░░▓█▀ ▀█▓░░ ░ ░░▓█▀ ▀█▓░░ ░ ░ ░░░▄█▀ ▀█▄░░░ ░ ▄ aSC' fairchild o4, 11 ▀ ▀▀▀ ▀▀▀ ▀ ▄▄▄▄▄▄▄▄ ▄▄▀▀▀█▄▄ .dFs. ▄▄▄█▀▀▀▀▀█▀█▄▄▄ ▄██▀▀▀▀ ▀ ▀▀ ██▄ ▄█▀ ▀▀▀▀▀▀██▄ ▄█░░ ▀█▄ ▄█▀ ░ ░░░ ████ ▄█▀ ░ ░░ ▄███▄▄█▄█▄░░ ░░ ▀█▄ ▄█▀▀ ░ ░ ████ ▄█░ ░ ▄█████▓▓▒▒░░░░ ░░ ██ ██░ ▄▄▄▄▄▄▄ ████▄ █▀░░ ▄██ ██████▄▓▒▒▒░░░ ████▄ ░ ███ ██░░░ ▄█████████████▀██▄█░░░░ ▄███ ░ ████▀ █▓▓▒▒▒░░░░ ████ ▄████ █░░░░ ▄████▀▀▀▀▀ ████░░░░ ███████▄█▄▄▄██▀██ █▓▓▓▒▒▒░░░░███▀ ░ ████ █░░░░░ ████▀█▄▄░░░ ░ ███░░░░░░▀███▄████▀█▀░░ ▀██▄█▓▓▓▒▒▒▒░░░░▀░ ▄█████ █▄░░░░░░███▄▄▄██▒░░░ ████░░░░▒▒▒██▓▓▓▓▓▓▓▒░░░ ▀████▓▓▓▓▒▒▒▒░░░░░▄▄██████▀ ▀█░░░▒▒▒▒▒▒▒▒▓▓▓▓▒▒░░░░░███░░░▒▒▒▒▒▒▒▓▓▓▓▓▓▓▓▒░░░░████▓▓▓▓▓▒▒▒▒▒▒███████▀ ▀█░▒▒▒▒▒▒▒▒▓▓▓▓▓▓▓▒▒▒▒░▀███░░▒▒▒▒▒▒▒▓▓▓▓▓▓▓▓▓▓▓▒▄▄████▓▓▓▓▓▓▓▓▓▓▓███▀▀ ▀█▒▒▒▒▒▒▓▓▓▓▓▓▓▓▓▓▓▒▒▒▀████▒▒▒▒▒▒▒▒▓▓▓▓▓▓▓▄▄███████▀█▓▓▓▓▄█▄███████▄ ▀▀███▒▒▒▓▓▓▓██▓▓▓▓▓█████████████▄█▄▄█▄▄████████▀▀ ▀█▄█████████▀▀▀ ▀▀████████████████████▀▀▀███████████████▀▀ █████▀▀▀ ▀▀▀▀▀ ▀████▀▀▀ ▀▀▀▀▀▀▀▀ ▀ ▀▀

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