Genre | Electronic |
---|---|
Date (CEST) | 2020-08-20 20:53:47 |
Group | MARR |
Size | 76 MB |
Files | 8 |
M3U / SFV / NFO |
J._Zunz-Hibiscus-WEB-2020-MARR
Infos
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Tracklist (M3U)
# | Filename | Artist | Songname | Bitrate | BPM |
---|---|---|---|---|---|
1 | 01-j._zunz-y-marr.mp3 | J. Zunz | Y | 320 | Unknown |
2 | 02-j._zunz-four_women_and_darkness-marr.mp3 | J. Zunz | Four Women and Darkness | 320 | Unknown |
3 | 03-j._zunz-jpiter-marr.mp3 | J. Zunz | Júpiter | 320 | Unknown |
4 | 04-j._zunz-3333-marr.mp3 | J. Zunz | 33:33 | 320 | Unknown |
5 | 05-j._zunz-white_labels-marr.mp3 | J. Zunz | White Labels | 320 | Unknown |
6 | 06-j._zunz-overtime-marr.mp3 | J. Zunz | Overtime | 320 | Unknown |
7 | 07-j._zunz-america_is_a_continent-marr.mp3 | J. Zunz | America Is A Continent | 320 | Unknown |
8 | 08-j._zunz-ouve-me-marr.mp3 | J. Zunz | Ouve-Me | 320 | Unknown |
NFO
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█ █
█▒ Artist - J. Zunz ▒█
█▒ Title - Hibiscus ▒█
█▒ ▒█
█▒ Genre - Electronic Year - 2020 ▒█
█▒ Format - Album Time - 32:45 ▒█
█▒ Label - Rocket Recordings Source - Web Store ▒█
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▌░ ▄▄▄┌─────────────┐▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄ ░▐
▌░ ▒▒▒│ tracklist │▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒ ░▐
▌░ └─────────────┘ ░▐
▌░ ░▐
▌░ 01. Y 3:46 ░▐
▌░ 02. Four Women and Darkness 5:27 ░▐
▌░ 03. J·piter 2:40 ░▐
▌░ 04. 33:33 4:41 ░▐
▌░ 05. White Labels 4:46 ░▐
▌░ 06. Overtime 3:19 ░▐
▌░ 07. America Is A Continent 4:50 ░▐
▌░ 08. Ouve-Me 3:16 ░▐
▌░ ░▐
▌░ ░▐
▌░ ▄▄▄┌─────────────┐▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄ ░▐
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▌░ └─────────────┘ ░▐
▌░ ░▐
▌░ In an era of uncertainty and introspection, frustrations will ░▐
▌░ inevitably arise. Yet there may also be the potential for ░▐
▌░ change. ItÆs possible that the warping of time and the ░▐
▌░ journey into oneÆs own headspace that come with altered ░▐
▌░ circumstances allow a moment to render the inner voice in the ░▐
▌░ service of something transformative and pure. ░▐
▌░ ░▐
▌░ Indeed, Lorena Quintanilla - better known up until this point ░▐
▌░ as one ░▐
▌░ half of Mexican duo æLorelle Meets The ObsoleteÆ - has ░▐
▌░ undergone just this kind of trajectory in her solo ░▐
▌░ reinvention as J. Zunz æHibiscusÆ, ░▐
▌░ her second under this name after 2017Æs æSilenteÆ, is the ░▐
▌░ result of ░▐
▌░ a metamorphic process whereby the minimal is rendered maximal ░▐
▌░ and the personal fused with the political. ░▐
▌░ ░▐
▌░ ôIt is hard to describe any record as they keep unfolding to ░▐
▌░ me in timeö says Lorena. ôNow it is almost a year since I ░▐
▌░ recorded it. What I know is that I wrote the album during a ░▐
▌░ personal crisis inside and a political crisis outside. After ░▐
▌░ being profoundly hurt by a person I trusted but also by the ░▐
▌░ structures outside of me. I wrote it during sleepless nights ░▐
▌░ filled with overwhelming thoughts and feelings.ö ░▐
▌░ ░▐
▌░ The initial vision for the J. Zunz project was for Lorena to ░▐
▌░ strip her ░▐
▌░ approach down to the basics - ôI remember I was reading a ░▐
▌░ biography of John Cage and that book detonated something in ░▐
▌░ me. The author was referring to the influence of Buddhism and ░▐
▌░ meditation, and ░▐
▌░ modern artists like Sonia Delaunay, Lucio Fontana, Julio Le ░▐
▌░ Parc, ░▐
▌░ Duchamp, futirism. I was very charged with ideas.ö ░▐
▌░ ░▐
▌░ ôLorelle is a collaboration, so every individual idea is ░▐
▌░ transformed into something else. And I love that, but somehow ░▐
▌░ I felt that I needed ░▐
▌░ another outlet. I just needed simplicity.ö ░▐
▌░ ░▐
▌░ Yet the strikingly confident and singular æHibiscusÆ marks a ░▐
▌░ move ░▐
▌░ on sonically from earlier comfort zones in her work, into ░▐
▌░ minimal ░▐
▌░ electronics, hypnotic repetition and compelling trance ░▐
▌░ states, arriving ░▐
▌░ at a soundworld in which cyclical synth patterns, eerie ░▐
▌░ ambient textures and cathartic vocal exhortations coalesce ░▐
▌░ into a beguiling atmosphere of otherworldly intensity. ░▐
▌░ Although some might hear echoes amongst these songs of the ░▐
▌░ like of Angelo BadalementiÆs ghostly raptures, the bleak ░▐
▌░ epiphanies of NicoÆs æMarble IndexÆ or Fifty Foot HoseÆs ░▐
▌░ spare sci-fi psychedelia, both the approach and the resulting ░▐
▌░ tapestry here ░▐
▌░ are LorenaÆs and hers alone. ░▐
▌░ ░▐
▌░ Yet æHibscusÆ more than anything else is a process of alchemy ░▐
▌░ - ░▐
▌░ turning a less-is-more approach into a formidable psychic ░▐
▌░ assault, ░▐
▌░ and undergoing an artistic transmutation that renders ░▐
▌░ compelling and ░▐
▌░ uplifting work from trying times. ôI didnÆt want these songs ░▐
▌░ to sound ░▐
▌░ vulnerable.ö Lorena reflects.öI wanted the songs to be ░▐
▌░ everything ░▐
▌░ I wasnÆt at that moment: strong and fearless.ö ░▐
▌░ ░▐
▌░ ░▐
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▌░ └─────────────┘ ░▐
▌░ ░▐
▌░ indie . pop . rock . shoegaze . dream . jangle . twee ░▐
▌░ chamber . noise . c-86 . college . goth . post . kraut ░▐
▌░ darkwave . alternative . lo-fi . country . americana ░▐
▌░ folk . folk/rock . psychedelic . progressive . metal ░▐
▌░ heavy . hair . math . grunge . classic . southern . aor ░▐
▌░ west coast . punk . garage . avantgarde . classical ░▐
▌░ electronic . ambient ░▐
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https://play.google.com/store/music/album?id=Bdwojsejrrbhlcdqwrdwfg77yki