▒▒█▓▓▓███████ ▒▓▓▓▓███████ ▓▓█████████▒▒ ███████████▒ ▒████████░░ ▒▒████████░ ▓▓██████ ▓███████ ▓▓██████ ░ ▓█████▒▒ ▓▓██████ ▒▒▓████▒ ░████ ▓█████░░ ▒█████ ████████ ▓███████████▒███████████ ███████▒ ██████ ████████████ ▒▒█████▓ ▒██░░ ███████▒ ▓████████ ▓███████▓ ▒█████ ▒███░▒▒██████▒▒ ░░█████▓░░███░░████████▓ ░████████▒█████████ ░█████ ░██ ░████████▓▓ ░░█████▓████ ██████████▓ ░███████▓██████████ ░█████ ███ █████████▓▓ █████████░░██████████░ ██████████████████ █████████░░░█████████░░ ▓███████░░░ ░▒▒▒░ █████████▒ ██████ ████████░░ ▒▒▒▒░ ▒████████████▓░░ ▓███████▒ ▓█████ ███████████████ ▒█████████████████░ ████████ ▓████▓ ██████████████████ █████ ▒▒██████ ░███████ ▓████▓ ███████ ▒█████▒▒ █████████░░ ▒█████░░ ██████▓ ▓████▒ ██████████░ ███████░ ███████████ ░▓▓████████▒███████████ █████▒ ███████████ ░░▓████████▒▒ ░ ░▒▒▒███▒ ▓██████████▓███████████ ░░█████▒ ░░ ░▒▒████▒ ▓▓█████████▓▓ ▒▒▒ k n u c k l e s ░░░▒▒█ ▓▓█████▓ ▒▒ ████████▒▒ · ···──────░░▒█████──[ proudly presents...]──┐ ███████████████████████████████████████████████████████████████████████████│ █┌───────────────────────────────────────────────────────────────────────┐█│ █│ James Zabiela-Live At Peter Pan (Misano Adriatico) 04-23 │█│ █│·─────────────────────────────────────────────────────────────────────·│█│ █│ Artist...: James Zabiela │█│ █│ Title....: Live At Peter Pan (Misano Adriatico) 04-23 │█│ █│ Label....: n/a │█│ █│ Genre....: House │█│ █│ Str.date.: 000-00-0000 │█│ █│ Rip.date.: May-16-2005 │█│ █│ Source...: MD │█│ █│ Quality..: 192 kbps / 44,1Hz / Stereo │█│ █│ Encoder..: LAME │█│ █│ Supplier.: TEAM knk │█│ █│ Ripper...: Team knk │█│ █│ Tracks...: 02 │█│ █│ Size.....: 225,3 MB │█│ █│·─────────────────────────────────────────────────────────────────────·│█│ █└───────────────────────────────────────────────────────────────────────┘█│ ▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀│ │ ┌────────────────────────────────────────────────────────────────·· · │ │█▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀█████████████████████████████┘ │█ · ···───[ t r a c k ─ l i s t ]───────··· · ▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀█ │█┌───────────────────────────────────────────────────────────────────────┐█ │█│ │█ │█│ NR. │ TrackName │ Time │█ │█│ · ···─────────────────────────────────────────────────────────────·· ·│█ │█│ │ │ │█ │█│ 01 │ Live At Peter Pan (Misano Adriatico) 04-23-MD-2005 │82:42 │█ │█│ 02 │ Live At Peter Pan (Misano Adriatico) 04-23-MD-2005 │81:23 │█ │█│ │ │ │█ │█│ · ···─────────────────────────────────────────────────────────────·· ·│█ │█│ │ │█ │█│ │ TOTAL TiME 164:05 min │█ │█│ │█ │█│·─────────────────────────────────────────────────────────────────────·│█ │█└───────────────────────────────────────────────────────────────────────┘█ │▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀ │ │ · ···───┐ │█▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀█████████████████████████████│ │█ · ···───[ r e l e a s e ─ i n f o ]───··· · ▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀█│ │█┌───────────────────────────────────────────────────────────────────────┐█│ │█│ Always support artists!! Remember it!! │█│ │█│·─────────────────────────────────────────────────────────────────────·│█│ │█│ │█│ │█│ http://www.peterpanclub.com/ │█│ │█│ │█│ │█│ Age isn't everything. Still just 21 years old, Southampton-based │█│ │█│ James Zabiela was introduced to the world of acid house through │█│ │█│ his father, who worked in a local record shop and would come home │█│ │█│ with armfuls of early house and techno. It was a time of │█│ │█│ innovation and invention and understandably, James was hooked │█│ │█│ instantly. "I can still hear the thumping through my bedroom │█│ │█│ floor!" remembers James fondly. │█│ │█│ When James was fifteen, he got his first-ever gig spinning in the │█│ │█│ school disco "I remember looking across the school assembly hall │█│ │█│ to see my entire year going crazy to House of Pain's 'Jump │█│ │█│ Around'!" he recalls. A year later he gained a work experience │█│ │█│ placement in the same record shop that his Dad had worked in and │█│ │█│ it wasn't long until he was offered a job there as a stock vinyl │█│ │█│ buyer. Like father, like son? The phrase could've been coined for │█│ │█│ Zabiela's career. │█│ │█│ Of course, it was vinyl addiction from then on in. Through the │█│ │█│ shop, James was introduced to various promoters and went on to │█│ │█│ play for local clubs including Menage a Trois as well as warming │█│ │█│ up for Paul Oakenfold on three occasions at the cavernous Club │█│ │█│ Ikon in Southampton. But James was interested in a more diverse │█│ │█│ sound than trance with a capital 't' and found it hard to play │█│ │█│ his breakbeat-flavoured beats to local crowds, so as 'a way in' │█│ │█│ he decided to enter Muzik Magazines prestigious bedroom bedlam │█│ │█│ competition - and won. │█│ │█│ But fame doesn't come without sacrifice and the editorial team at │█│ │█│ Muzik would only let him win if he cut short his flowing locks. │█│ │█│ Keen to see just how dedicated James was, it was a small price to │█│ │█│ pay for impending stardom. He cut his hair the next morning - │█│ │█│ much to the chagrin of his girlfriend, who refused to speak to │█│ │█│ him for a week! "This is one winner who is seriously going │█│ │█│ places," said Muzik journalist Ralph Moore. │█│ │█│ This was a great boost to his confidence and inspired him into │█│ │█│ working harder to promote his DJing career. So he started going │█│ │█│ to more & more events, meeting people & handing out those trusty │█│ │█│ mixtapes he'd done. While at Bedrock in London James met Lee │█│ │█│ Burridge, one of his great influences, who took the time to │█│ │█│ listen to the tape. He too was hooked. "His style is diverse, │█│ │█│ interesting & technically skilled. Blurring the line between │█│ │█│ house and breakbeat, he encapsulates all the skills that a new DJ │█│ │█│ should bring to the job." Lee invited James to play at his own │█│ │█│ Breaks night along with DJ Hyper & Craig Richards at Bar │█│ │█│ Atlantis. Since then James has played there every month since, │█│ │█│ even luring the likes of Matthew 'Bushwacka!' B to check out the │█│ │█│ lad. Word was spreading. │█│ │█│ Inevitably, James was DJing in London more than ever with │█│ │█│ esteemed gigs at Laundry and the Muzik Magazine parties alongside │█│ │█│ the likes of Justin Robertson, Hybrid and Danny Tenaglia. Even │█│ │█│ John Digweed took the time to call him up, offering James a slot │█│ │█│ at Bedrock. And he's been asked back on several occasions since, │█│ │█│ as well as DJing for the Daliparade in Istanbul. America must be │█│ │█│ around the corner. As career paths go, this was nigh on perfect. │█│ │█│ Of course, any DJ with something to prove has to prove their │█│ │█│ skills in the studio - and James is no exception. Working with │█│ │█│ studio partner Lee Mintram - acclaimed engineer and Catskillz │█│ │█│ artist Feature Cast - he's already squeezed a track onto Tony │█│ │█│ Thorpe's Nu-Skool Breaks LP and has various projects forthcoming │█│ │█│ including his own projects as 'Offworld Colony & Spidermite' and │█│ │█│ a progressive remix for the much-vaunted 'Niche Recordings'. │█│ │█│ And just as James' feet were about to float back to earth, the │█│ │█│ phone call of his career came out of nowhere. Thanks to a gentle │█│ │█│ prod from Lee Burridge, one of his tapes was heard by Tyrant │█│ │█│ co-hort and superstar DJ Sasha, another of James' all-time │█│ │█│ musical heroes. Within the month, James was offered a place on │█│ │█│ Sasha's team at Excession Management, joining a roster that │█│ │█│ includes Lee, Sander Kleinenberg and Welsh breaksters Hybrid. And │█│ │█│ it was a good thing they did - he hadn't slept a wink for over a │█│ │█│ week. "This is the best thing for my music career so far," he │█│ │█│ said, toes still on cloud nine. On this form, 2001 will be │█│ │█│ astounding. │█│ │█│ │█│ │█│·─────────────────────────────────────────────────────────────────────·│█│ │█└───────────────────────────────────────────────────────────────────────┘█│ │▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀│ └─────────────────────────────────────────────────────────────────·· · │ │ │ █▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀█████████████████████████████│ █ · ···───[ g r o u p ─ i n f o ]───────··· · ▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀█│ █┌───────────────────────────────────────────────────────────────────────┐█│ █│" │█│ █│ In the beginning, there was Jack. And Jack had a groove. │█│ █│ And from this groove came the groove of all grooves. │█│ █│ And while one day viciously throwing down on his box, Jack boldly │█│ █│ declared,Let there be House! And House music was born. │█│ █│ I am, you see. I am the creator. And this is my House. │█│ █│ And in my House there is only House music. │█│ █│ But I am not so selfish, because once you've entered my House, │█│ █│ it then becomes our House, and our House music. And you see, │█│ █│ no one man owns House, because house music is a universal language │█│ █│ spoke and understood by all. You see, House is a feeling, that no one │█│ █│ can understand really, unless you're deep into the vibe of House. │█│ █│ House is an uncontrollable desire to Jack your body. And as I told │█│ █│ ya before, this is our house, and our House music. And in every house │█│ █│ you understand,there is a keeper. And in this house the keeper is │█│ █│ Jack. Now some of you might wonder, │█│ █│ who is Jack and what is it that Jack does? │█│ █│ Jack is the one who gives you the power to Jack your body. │█│ █│ Jack is the one who gives you the power to do the snake. │█│ █│ Jack is the one who gives you the key to the wiggly world. │█│ █│ Jack is the one who learns you how to walk your body. │█│ █│ Jack is the one that can bring nations and nations of all Jackers │█│ █│ together under one house. │█│ █│ You may be black, you may be white, you may be Jew, or Gentile. │█│ █│ It don't make a difference in our house. And this is fresh!!! │█│ █│ " │█│ █│·─────────────────────────────────────────────────────────────────────·│█│ █│ │█│ █│ knk was meant to be a house music group. but even if house music is │█│ █│ our only reason to exist as a group, we start now to release every │█│ █│ kind of electro-vocal-lounge liveset, mixcd, compilation or full cd. │█│ █│ We know livesets are considered worst than shit in the scene. │█│ █│ But we keep betting on them because we KNOW that normal people │█│ █│ love them. We got high feedbacks about many and many livesets we │█│ █│ released over the last year. We want to continue with .. │█│ █│ │█│ █│·─────────────────────────────────────────────────────────────────────·│█│ █│ │█│ █│ We are now in look for: │█│ █│ │█│ █│ - talented rippers, promo cd/live suppliers │█│ █│ │█│ █│ - 100mbit+ sites that would like us to affiliate them │█│ █│ │█│ █│ - bnc, (legit) shells suppliers │█│ █│ │█│ █│ If u think can help us, please send a mail to: [email protected] │█│ █│ │█│ █│·─────────────────────────────────────────────────────────────────────·│█│ █│ │█│ █│ We would like to thank the following groups for the good music │█│ █│ they release │█│ █│ │█│ █│ BWA - 1REAL - BPM - dh - MS - tronik - WHOA - XDS │█│ █│ │█│ █│ │█│ █│ and a special thank goes to Morgoth for his tools :) │█│ █│ │█│ █│·─────────────────────────────────────────────────────────────────────·│█│ █└───────────────────────────────────────────────────────────────────────┘█│ ▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀│ · ···──────────────[last update 11-24-03]─────────────────────────────┘