Genre | Jazz |
---|---|
Date (CEST) | 2017-10-13 19:01:12 |
Group | GCP_INT |
Size | None MB |
Files | 14 |
M3U / SFV / NFO |
Jamie_Cullum-Twentysomething-2003-GCP_INT
Infos
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Tracklist (M3U)
# | Filename | Artist | Songname | Bitrate | BPM |
---|---|---|---|---|---|
1 | 01-jamie_cullum-what_a_difference_a_day_made-gcp.mp3 | Jamie Cullum | What A Difference A Day Made | 225 | Unknown |
2 | 02-jamie_cullum-these_are_the_days-gcp.mp3 | Jamie Cullum | These Are The Days | 245 | Unknown |
3 | 03-jamie_cullum-singin_in_the_rain-gcp.mp3 | Jamie Cullum | Singin' In The Rain | 245 | Unknown |
4 | 04-jamie_cullum-twentysomething-gcp.mp3 | Jamie Cullum | Twentysomething | 244 | Unknown |
5 | 05-jamie_cullum-but_for_now-gcp.mp3 | Jamie Cullum | But For Now | 229 | Unknown |
6 | 06-jamie_cullum-old_devil_moon-gcp.mp3 | Jamie Cullum | Old Devil Moon | 250 | Unknown |
7 | 07-jamie_cullum-i_could_have_danced_all_night-gcp.mp3 | Jamie Cullum | I Could Have Danced All Night | 252 | Unknown |
8 | 08-jamie_cullum-blame_it_on_my_youth-gcp.mp3 | Jamie Cullum | Blame It On My Youth | 216 | Unknown |
9 | 09-jamie_cullum-i_get_a_kick_out_of_you-gcp.mp3 | Jamie Cullum | I Get A Kick Out Of You | 256 | Unknown |
10 | 10-jamie_cullum-all_at_sea-gcp.mp3 | Jamie Cullum | All At Sea | 236 | Unknown |
11 | 11-jamie_cullum-wind_cries_mary-gcp.mp3 | Jamie Cullum | Wind Cries Mary | 248 | Unknown |
12 | 12-jamie_cullum-lover_you_should_have_come_over-gcp.mp3 | Jamie Cullum | Lover, You Should Have Come Over | 235 | Unknown |
13 | 13-jamie_cullum-its_about_time-gcp.mp3 | Jamie Cullum | It's About Time | 239 | Unknown |
14 | 14-jamie_cullum-next_year_baby-gcp.mp3 | Jamie Cullum | Next Year, Baby | 246 | Unknown |
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p r o u d l y p r e s e n t s ..::
░ Artist | Jamie Cullum
Title | Twentysomething
Genre | Jazz
Source | CDDA
Format | Album
Label | Universal
Catalog | 9866153
Released | 2003
Ripped | 2017
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Quality | 240 kbps avg at 44.1 kHz ▄▄███▀▀
Encoder | Lame 3.98.4 V0 ▄▄██▀▀ ░
Size | 103.16 MB ▄▄█████▀ ░░░
Playtime | 56:57 ▄███▄▄▄▄▄ ▄█▀ ▓█▄ ░░
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░ R E L E A S E I N F O R M A T I O N
British pianist/vocalist Jamie Cullum mixes jazz with melodic pop
and rock into a crossover style that calls to mind such artists as
Harry Connick, Jr. and Norah Jones. In that vein, Cullum will just
as often cover a swinging jazz standard as a modern rock song, and
his original compositions deftly move from earnest ballads to songs
of sardonic wit. Having played guitar and piano since age eight,
Cullum developed an avid interest in jazz passed down from his older
brother Ben. Inspired by such piano icons as Oscar Peterson and Dave
Brubeck, Cullum spent some of his formative years living in Paris,
where he honed his abilities performing in jazz clubs. Cullum
eventually earned a degree from Reading University, during which
time he recorded his first album, "Heard It All Before", at age 19.
Already a sensation in his native England, 22-year-old piano man
Cullum comes off like a hip amalgamation of Harry Connick, Jr. and
Randy Newman on his sophomore effort, "Twentysomething". As with
Blue Note's crossover wunderkind Norah Jones, Cullum works best when
he's not trying too hard to please hardcore jazz aficionados, but
it's not too difficult to imagine his bonus-track version of
Pharrell Williams' "Frontin'" turning some jazz fans onto the
Neptunes. Showcasing Cullum's sardonic wit and lounge-savvy
attitude, the album deftly flows from singer/songwriter love songs
to jazzy barroom romps and reappropriated modern rock tunes.
Cullum has a warm voice with a slight rasp that retains a bit of his
Brit accent even though his influences - Nat King Cole, Frank
Sinatra, Tom Waits - are resolutely American. Truthfully, Cullum
isn't the most accomplished vocalist and his piano chops are
pleasant at best - Oscar Peterson he ain't. That said, he's still a
kick. What he lacks in technique he makes up for in swagger and
smarts as many of his original compositions reveal. On the swinging
and wickedly humorous title track - a take on postgraduate
slackerdom - Cullum sardonically laments, 'After years of expensive
education, a car full of books and anticipation, I'm an expert on
Shakespeare and that's a hell of a lot but the world don't need
scholars as much as I thought'.
It's a timely statement in our overeducated, underemployed
'dot-bomb' economy and deftly posits Cullum as a jazz singer as much
of as for his generation. Also compelling are his choices of cover
tunes, as he is able to imprint his own persona on the songs while
magnifying what made them brilliant to begin with. To these ends,
Jeff Buckley's "Lover, You Should've Come Over" gets a
gut-wrenchingly minimalist treatment and Radiohead's "High and Dry"
comes off as the best Bruce Hornsby song you've never heard.
Conversely, Cullum treats jazz standards as modern pop tunes,
reworking them into contemporary styles that are neither cynical nor
awkward.
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ooh ye.. ░ ▀██████████████▄░▀███████▀
▀▀████████████▄▄▄▄ ▀
::t r a c k l i s t ::: ▀██████▀▀
::: . ▀▀
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01. What A Difference A Day Made 5:08
02. These Are The Days 3:21
03. Singin' In The Rain 4:07
04. Twentysomething 3:41
05. But For Now 3:55
06. Old Devil Moon 4:11
07. I Could Have Danced All Night 3:24
08. Blame It On My Youth 3:10
09. I Get A Kick Out Of You 4:10
10. All At Sea 4:32
11. Wind Cries Mary 3:35
12. Lover, You Should Have Come Over 4:49
13. It's About Time 4:06
14. Next Year, Baby 4:48
-----
56:57
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░ Special Thanks to DSP CMS FTD KrbZ JCE FuFFeNS IGR iMPG diss
░ and all rippers that have and continue to rip quality music. ░
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