Genre | Jazz |
---|---|
Date (CEST) | 2019-08-09 22:27:47 |
Group | UVU_INT |
Size | 89 MB |
Files | 6 |
M3U / SFV / NFO |
Jan_Garbarek-Dansere-WEB-1976-UVU_INT
Infos
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Tracklist (M3U)
# | Filename | Artist | Songname | Bitrate | BPM |
---|---|---|---|---|---|
1 | 01-jan_garbarek-dansere-uvu.mp3 | Jan Garbarek | Dansere | 320 | Unknown |
2 | 02-jan_garbarek-svevende-uvu.mp3 | Jan Garbarek | Svevende | 320 | Unknown |
3 | 03-jan_garbarek-bris-uvu.mp3 | Jan Garbarek | Bris | 320 | Unknown |
4 | 04-jan_garbarek-skrik_and_hyl-uvu.mp3 | Jan Garbarek | Skrik & Hyl | 320 | Unknown |
5 | 05-jan_garbarek-lokk_(etter_thorvald_tronsgard)-uvu.mp3 | Jan Garbarek | Lokk (Etter Thorvald Tronsgard) | 320 | Unknown |
6 | 06-jan_garbarek-til_vennene-uvu.mp3 | Jan Garbarek | Til Vennene | 320 | Unknown |
NFO
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░█████▓█████▓██ ▌Artist__│ Jan Garbarek ██▓█████▓█████░
░████▓▓██▒██▓██ ▌Title___│ Dansere ██▓█████▓▓████░
░████▓███▒██▓██ ▌Label___│ ECM Records ██▓██▒███▓████░
░████▓███▒██▓██ ▌Genre___│ Jazz ██▓██▒███▓████░
░████▓███▒██▓██ ▌Format__│ Album ██▓██▒███▓████░
░████▓███▒██▓██ ▌Year____│ 1976 ██▓██▒███▓████░
░░████▓█████▓██ ▀▀▀▀▀▀▀▀▀╝ ██▓█████▓████░░
░░████▓█████▓██ ▌Time____│ 38:35 ██▓█████▓████░░
░░░████▓████▓██ ▌Size____│ 93.23 MB ██▓████▓████░░░
░░░░███▓▓███▓██ ▀▀▀▀▀▀▀▀▀╝ ██▓███▓▓███░░░░
░░░░░███▓▓▓█▓██ ▌Source__│ Web Store ██▓█▓▓▓███░░░░░
░░░░░░████▓▓▓██ ▌Quality_│ 320 kbps ██▓▓▓████░░░░░░
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░░ ║ T R A C K S ║░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░
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░░ 01. Dansere 15:06
░░ 02. Svevende 5:03
░░ 03. Bris 6:15
░░ 04. Skrik & Hyl 1:36
░░ 05. Lokk (Etter Thorvald Tronsgard) 5:43
░░ 06. Til Vennene 4:52
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░░ ║ N O T E S ║░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░
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░░
░░ There is a tendency in ECMÆs formative jazz releases toward immersive
░░ beginnings. Dansere is no exception, with its introductory flutter of sax
░░ and glittering piano runs. Comparing this album to Belonging, which
░░ features Keith Jarrett in the same company as Bobo Stenson is here, itÆs
░░ amazing to consider the differences with another pianist at the fulcrum.
░░ One musicianÆs worth of difference may not seem like much on the back of
░░ an album jacket, but here it translates into essentially ten new voices
░░ with their own sensibility of time and space. StensonÆs abstractions
░░ throughout bleed into the listenerÆs mind like a smearing of watercolor
░░ across absorbent paper.
░░
░░ This is music that has woken up after a long slumberùso long, in fact,
░░ that now it struggles to face the morning glare. The musicians seem to
░░ play with their eyes closed, grasping at fading tendrils of memory so
░░ close in dreamtime yet otherwise so distant. Whereas some of us might
░░ grab a note pad and try to capture as many of those fleeting moments
░░ before they escape us upon waking, each member of this quartet finds an
░░ instrument and sets his recollections to music. The album finds the time
░░ to stretch its vocal cords, to take in the air, to look outside and judge
░░ the weather from the clouds and the moisture it inhales.
░░
░░ The title track is the most demanding journey here, carrying us through a
░░ gallery of moods and locales, and fades out beautifully with
░░ ChristensenÆs rim shot clicking like a metronome into the heavy silence.
░░ In ôSvevendeö Stenson emotes a laid-back aesthetic, finding joy in
░░ quieter moments. Though we are by now fully awake, we still find
░░ ourselves regressing to the darkness of sleep and its promise of vision.
░░ Every moment leaves its own echo, so that each new note carries with it a
░░ remnant of all those it has left behind. ôBrisö picks up the pace a
░░ little and showcases Garbarek in a heptatonic mode. Stenson also has some
░░ memorable soloing here, working wonderfully against ChristensenÆs drums
░░ and DanielssonÆs steady thump. Somehow the motives remain melancholy,
░░ speaking as they do in languages they have yet to understand. ôSkrik &
░░ Hylö features a sax/bass duet of piercing incantations before Stenson
░░ brings us back down to terra firma in ôLokk.ö The title here means
░░ ôherding songö and feels like a call home. It unfolds like the dotted
░░ plain on the albumÆs cover, a desert under a hanging moon or an ocean
░░ swept by a lighthouse. ôTil Venneneö is the end of a long and fruitful
░░ day. Yet in spite of the albumÆs pastoral flair, I find this final track
░░ to be rather urban. It shifts and settles like a drained glass of scotch,
░░ leaving only that diluted rim of sepia at the bottom: a mixture of melted
░░ ice and solitude. You feel just a little tipsy, straggling home through
░░ the rainy streets. Memory and sorrow swirl without blending, like every
░░ rainbow-filmed puddle you pass in gutters and potholes. You wander as if
░░ you are walking these streets for the first time, knowing that your legs
░░ will get you home regardless of your inebriation. Your only footholds are
░░ those brief moments of bliss shared among friends; the only times when
░░ trust was never absent. Your world becomes blurryàor is it you who blurs?
░░
░░ https://play.google.com/store/music/album?id=Bqyqnm6y3uylqjtan7hntkvkyyy
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░░░██ ███ ░| shouts 2 all the groups |░
░░░░██ ████ ░| putting out |░
░░░░░██ █████ ░| quality music |░
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