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P R E S E N T S .···. ▓ │▀▀▀█▓▄▄ █████ ██████▓▀ ▀ ▀ ▀▓██████ █████▀ Jean-Michel Jarre - Amazonia ▀█████ ████▀ ▀████ ███▀ ▀███ █▓▓▓▓ ARTiST..[ Jean-Michel Jarre ▓▓▓▓█ █▓▓▓▓ TiTLE...[ Amazonia ▓▓▓▓█ ████ GENRE...[ Electronic CAT#....[ ████ ████ LABEL...[ Columbia Local ENCODER.[ Lame 3.99.5 ████ ████ YEAR....[ 2021 QUALiTY.[ 320kbps ████ ████ SOURCE..[ WEB MODE....[ Joint Stereo ████ ████ PLAYTIME[ 54:17 REL.DATE[ 04.10.2021 ████ ████ TRACKS..[ 09 RiPPER..[ TEAM OMA ████ ████ SiZE....[ 124,41 MB SUPPLiER[ TEAM OMA ████ ████ ████ ████ ████ ████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████ ████ ■ ███▓█ .···. T R A C K L i S T .···. █▓███ ■ ████ ████ · ▄▓███▓ ▓███▓▄ · ████ █████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████ ██████▓▀ ▀ ▀ ▀▓██████ █████▀ ▀█████ ████▀ ▀████ ███▀ NR. TRACK. TiME. ▀███ █▓▓▓▓ ∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙ ▓▓▓▓█ █▓▓▓▓ ▓▓▓▓█ ████ 01 Amazonia, Pt. 1 07:53 ████ ████ 02 Amazonia, Pt. 2 10:09 ████ ████ 03 Amazonia, Pt. 3 08:20 ████ ████ 04 Amazonia, Pt. 4 03:26 ████ ████ 05 Amazonia, Pt. 5 06:14 ████ ████ 06 Amazonia, Pt. 6 03:43 ████ ████ 07 Amazonia, Pt. 7 04:28 ████ ████ 08 Amazonia, Pt. 8 03:29 ████ ████ 09 Amazonia, Pt. 9 06:35 ████ ████ ∙∙∙∙∙∙∙∙∙∙∙∙ ████ ████ TOTAL: 54:17 ████ ████ ████ ████ ████ ████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████ ████ ■ ███▓█ .···. R E L E A S E N O T E S .···. █▓███ ■ ████ ████ · ▄▓███▓ ▓███▓▄ · ████ █████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████ ██████▓▀ ▀ ▀ ▀▓██████ █████▀ ▀█████ ████▀ ▀████ ███▀ ▀███ █▓▓▓▓ ▓▓▓▓█ █▓▓▓▓ ▓▓▓▓█ ████ https://www.amazon.de/dp/B08YP4CBVX/ ████ ████ ████ ████ Jean-Michel Jarre has composed and recorded a ████ ████ 52 minute musical score for æAmazoniaÆ, a new ████ ████ project by award winning photographer and ████ ████ filmmaker Sebastiπo Salgado, for the ████ ████ Philharmonic Paris. The exhibition launches on ████ ████ April 7th and will later travel to South ████ ████ America, Roma and Londonà ████ ████ æAmazoniaÆ is an immersive exhibition focussing ████ ████ on the Brazilian Amazon, featuring more than ████ ████ 200 photographs and other media by Salgado. He ████ ████ travelled the region for six years, capturing ████ ████ the forest, the rivers, the mountains and the ████ ████ people who live there, and most of the work ████ ████ will be seen publicly for the first time. At ████ ████ the heart of the exhibit is an invitation to ████ ████ see, hear and think about the future of ████ ████ biodiversity and the place of humans in the ████ ████ living world. ████ ████ JMJs accompanying sound-creation is a symphonic ████ ████ world which will engulf visitors to the exhibit ████ ████ in the sounds of the forest. Using a blend of ████ ████ electronic and orchestral instruments with ████ ████ other real-life natural sounds, the score has ████ ████ also been recorded in binaural audio, for a ████ ████ truly immersive experience. ████ ████ ████ ████ ████ ████ I wanted to avoid the ethnomusicological ████ ████ approach, or creating background music. So I ████ ████ conceived a sort of toolbox containing musical ████ ████ elements - orchestral and electronic - intended ████ ████ to recreate or evoke the timbre of natural ████ ████ sounds, to which I added sounds from the ████ ████ environment, and finally ethnic sources ████ ████ (voices, songs, and instruments) from the sound ████ ████ archives of the Ethnography Museum of Geneva ████ ████ (MEG). I approached the Amazon with respect, in ████ ████ a poetic and impressionistic way. I chose the ████ ████ vocal and sound elements in their evocative ████ ████ dimension, rather than trying to be faithful to ████ ████ a particular ethnic group. It seemed ████ ████ interesting to me to fantasise the forest. It ████ ████ carries with it a powerful imagination; for ████ ████ both Westerners and Amerindians. This music ████ ████ also evokes a form of nomadism, as if sounds ████ ████ appear and disappear during a migration. It was ████ ████ necessary to go back to the principles of ████ ████ orchestration of the sounds of nature, to work ████ ████ from sounds which follow one another randomly, ████ ████ but which can compose a harmony or a ████ ████ dissonance. And as in any symphony, the work ████ ████ has moments of clarity or tension. ████ ████ ████ ████ Jean-Michel Jarre ████ ████ ████ ████ ████ ████ ████ ████ ████ ████ ████ ████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████ ████ ■ ███▓█ .···. G R O U P .···. █▓███ ■ ████ ████ · ▄▓███▓ ▓███▓▄ · ████ █████ ▄▄▓█▀▀▀│ ▓ MAiL: [email protected] ▓ │▀▀▀█▓▄▄ █████ █▀ ▀██▓▀ ▀ ▀ ▀▓██▀ ▀█ ██▄██▀ ▀██▄██ ████▀ The only thing that really matters is music!!! ▀████ ▀██▓ ▓██▀ ▀██▓▄ ▄▓██▀ .▀ │ ▀▀██▄▓▄ .···. G R E E T S .···. ▄▓▄██▀▀ │ ▀ . ▄▓▓▄ │ ▀▀▀█▄▄ ▄▄█▀▀▀ │ ▄▓▓▄ . ▀▀ ▀▀▄ FRiENDS / SiTEOPS / NUKENET ▄▀▀ ▀▀ ▀ . ▄ ▄▓▓▄ ▀▄ RIP kHz ▄▀ ▄▓▓▄ ▄ . ▀ ▀ ▀▓▀ ▀▀ ▀ . ▄.···. !kb^faa 08.MARCH 2009 .···.▄ . ▀ ▀▀ ▀▓▀ ▀ .