Genre | Fusion |
---|---|
Date (CEST) | 2006-11-22 01:42:33 |
Group | JUST |
Size | 94 MB |
Files | 9 |
M3U / SFV / NFO |
Jean-Pierre_Zanella-Mother_Tree-2002-JUST
Infos
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Tracklist (M3U)
# | Filename | Artist | Songname | Bitrate | BPM |
---|---|---|---|---|---|
1 | 01-jean-pierre_zanella-minor_injuries.mp3 | Jean-Pierre Zanella | Minor Injuries | 204 | Unknown |
2 | 02-jean-pierre_zanella-jelly_fish.mp3 | Jean-Pierre Zanella | Jelly Fish | 198 | Unknown |
3 | 03-jean-pierre_zanella-dozen_matter.mp3 | Jean-Pierre Zanella | Dozen Matter | 202 | Unknown |
4 | 04-jean-pierre_zanella-how_insensitive.mp3 | Jean-Pierre Zanella | How Insensitive | 182 | Unknown |
5 | 05-jean-pierre_zanella-what_is.mp3 | Jean-Pierre Zanella | What Is | 194 | Unknown |
6 | 06-jean-pierre_zanella-you_go_to_my_head.mp3 | Jean-Pierre Zanella | You Go to My Head | 197 | Unknown |
7 | 07-jean-pierre_zanella-u_and_i.mp3 | Jean-Pierre Zanella | U & I | 189 | Unknown |
8 | 08-jean-pierre_zanella-last_parade_of_minishtov.mp3 | Jean-Pierre Zanella | Last Parade of Minishtov | 186 | Unknown |
9 | 09-jean-pierre_zanella-mother_tree.mp3 | Jean-Pierre Zanella | Mother Tree | 194 | Unknown |
NFO
Artist.......: Jean-Pierre Zanella
Album........: Mother Tree
Label........: Effendi
Genre........: Fusion
Catnr........: FND027
source.......: CDDA
rip.date.....: nov.-20-2006
str.date.....: jun.-2002
quality......: VBR/44,1Hz/Joint-Stereo
Url..........: www.jpzanella.com
track title time
01. Minor Injuries 04:35
02. Jelly Fish 07:28
03. Dozen Matter 08:40
04. How Insensitive 09:11
05. What Is 07:22
06. You Go to My Head 07:44
07. U & I 11:10
08. Last Parade of Minishtov 04:52
09. Mother Tree 07:06
Runtime 68:08 min
Size 94,5 MB
Release Notes:
Saxophonist, composer, and arranger Jean Pierre
Zanella is a much sought-after artist on the Quebec
music scene. On Mother Tree, the multi-talented
Zanella is accompanied by longtime quartet members
Michel Donato on acoustic bass, James Gelfand on
piano, Paul Brochu on drums, and Alain Labrosse on
percussion. Guests Daniel Zanella and Guy Thouin
round out the ensemble's performance on nine
stellar songs. Jean Pierre Zanella wrote five of
the nine songs, and has referred to the title track
as one that is symbolic of motherhood and all it
represents. Opening with a standout soprano
saxophone performance on "Minor Injuries," the
group forges ahead into straight-ahead jazz
territory. No hip-hop, no R&B; this is just great
hard-blowing straight-ahead jazz with mesmerizing
improvisations that keep your attention. One
particularly interesting passage by Zanella on the
opening track finds him experimenting with an
entire range of saxophone registers ù all without
losing control of the solo or the listener's
interest. Also, this ensemble's interpretations of
"How Insensitive" and "You Go to My Head" really
draws the listener into Zanella's diversified sax
colors and shadings, as well as their beautiful
complements and punctuations. Zanella's solo on
"How Insensitive" ranks right up there with some of
the finest love ballad solos recorded. The joyous
"The Last Parade of Minishtov" and the beautiful
"Mother Tree" close this excellent set and make it
more than memorable. Together, Zanella and company
play with the sensitivity of poets in love and the
energy of youths with a wide range of interests.
Mother Tree should open new doors for Zanella,
because of its far-reaching international appeal
and very distinctive sound.
Le saxophoniste alto Jean-Pierre Zanella a le meme
quatuor depuis 10 ans: Michel Donato, James Gelfand
(qui glisse ici deux de ses compos) et Paul Brochu.
Ensemble, ils ont imperturbablement suivi l'altiste
dans ses thematiques bresiliennes, toujours
impregnees de jazz et solidement assises sur une
kyrielle de rythmes grouillants. Ce quatrieme
compact en 20 ans de carriere (il accompagne aussi
beaucoup) nous offre ses compositions les plus
eclairees, tout en subtilites et en tons, donnant
une juste place aux trois instruments rajoutes:
percussions (Alain Labrosse), tablas (Guy Thouin,
qui d'autre?) et batterie d'appoint (Daniel
Zanella). Meme sa version de How Insensitive
(Antonio Carlos Jobim) evite habilement l'ecueil
trop facile de la bossa avec un traitement novateur
et nourrissant.