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P R E S E N T S .···. ▓ │▀▀▀█▓▄▄ █████ ██████▓▀ ▀ ▀ ▀▓██████ █████▀ Jim Ghedi - In The Furrows Of Common Place ▀█████ ████▀ ▀████ ███▀ ▀███ █▓▓▓▓ ARTiST..[ Jim Ghedi ▓▓▓▓█ █▓▓▓▓ TiTLE...[ In The Furrows Of Common Place ▓▓▓▓█ ████ GENRE...[ Folk CAT#....[ BR010 ████ ████ LABEL...[ Basin Rock ENCODER.[ Lame 3.99.5 ████ ████ YEAR....[ 2021 QUALiTY.[ 320kbps ████ ████ SOURCE..[ WEB MODE....[ Joint Stereo ████ ████ PLAYTIME[ 39:02 REL.DATE[ 01.31.2021 ████ ████ TRACKS..[ 08 RiPPER..[ TEAM OMA ████ ████ SiZE....[ 89,56 MB SUPPLiER[ TEAM OMA ████ ████ ████ ████ ████ ████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████ ████ ■ ███▓█ .···. T R A C K L i S T .···. █▓███ ■ ████ ████ · ▄▓███▓ ▓███▓▄ · ████ █████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████ ██████▓▀ ▀ ▀ ▀▓██████ █████▀ ▀█████ ████▀ ▀████ ███▀ NR. TRACK. TiME. ▀███ █▓▓▓▓ ∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙ ▓▓▓▓█ █▓▓▓▓ ▓▓▓▓█ ████ 01 Common Thread 03:42 ████ ████ 02 The Lamentations Of Round Oak Waters 05:59 ████ ████ 03 Mytholm 03:22 ████ ████ 04 Stolen Ground 06:13 ████ ████ 05 Ah Cud Hew 02:44 ████ ████ 06 Beneath the Willow 04:02 ████ ████ 07 Beneath the Willow, Pt. II 04:37 ████ ████ 08 Son David 08:23 ████ ████ ∙∙∙∙∙∙∙∙∙∙∙∙ ████ ████ TOTAL: 39:02 ████ ████ ████ ████ ████ ████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████ ████ ■ ███▓█ .···. R E L E A S E N O T E S .···. █▓███ ■ ████ ████ · ▄▓███▓ ▓███▓▄ · ████ █████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████ ██████▓▀ ▀ ▀ ▀▓██████ █████▀ ▀█████ ████▀ ▀████ ███▀ ▀███ █▓▓▓▓ ▓▓▓▓█ █▓▓▓▓ ▓▓▓▓█ ████ https://jimghedi.bandcamp.com/album/in-the- ████ ████ furrows-of-common-place ████ ████ ████ ████ "Instead of landscape sketches I wanted to go ████ ████ into more personal areas of my reality", says ████ ████ Jim Ghedi of his third album In The Furrows Of ████ ████ Common Place. "To hold up certain aspects of ████ ████ society that were laying bare in front of me." ████ ████ Whilst Ghedi's previous idiosyncratic take on ████ ████ folk has often been instrumental, exploring the ████ ████ natural world and his relationship to it ████ ████ through his music as seen on 2018's A Hymn For ████ ████ Ancient Land. ████ ████ ████ ████ His new album In The Furrow Of Common Place is ████ ████ a deeper plunge inside himself to offer up more ████ ████ of his voice to accompany his profoundly unique ████ ████ and moving compositions. "There were things I ████ ████ was seeing around me and being affected by in ████ ████ my daily life", he says. "Socially and ████ ████ politically I saw defiance but also ████ ████ hopelessness. I wanted to be honest with the ████ ████ frustration and turmoil I was experiencing." ████ ████ The decision to include more of Ghedi's vocals ████ ████ was a conscious one and driven by a need to say ████ ████ something. However, this isn't a brash raging ████ ████ political polemic. As is now customary with ████ ████ Ghedi's work, it is rich in nuance, history, ████ ████ poetry and allegory. ████ ████ ████ ████ Musically, the album is equally locked into ████ ████ this ongoing sense of evolution. Ghedi's ████ ████ intricate yet deft guitar playing still twists ████ ████ and flows its way through the core, weaving in ████ ████ and out of gliding double bass, sweeping ████ ████ violin, gentle percussion and vocals that shift ████ ████ from tender solos to overlapping harmonies. As ████ ████ with much of Ghedi's work, there's a rich ████ ████ connection between the past and the current. ████ ████ Musically, he continues to sit in a singular ████ ████ position of sounding distinctly contemporary ████ ████ yet also with a touch of traditional flair. ████ ████ This expands itself into the lyrical terrain ████ ████ here too. ████ ████ ████ ████ "I've been exploring contemporary issues and in ████ ████ that process discovering sources that correlate ████ ████ with similar issues in the past", he says. ████ ████ "Which proves that these issues throughout ████ ████ history - environmental destruction, working ████ ████ class poverty etc - are ongoing." For all the ████ ████ socio-political and historical backdrop to the ████ ████ record it is not one that feels overwhelmed by ████ ████ it. Much like Ghedi's work when it was largely ████ ████ instrumental - and some of it still is here - ████ ████ it flows and unfurls thoughtfully, with space ████ ████ still being utilised masterfully, creating room ████ ████ to pause and reflect. It's another inimitable ████ ████ record from an artist that truly sounds like ████ ████ nobody else right now. ████ ████ ████ ████ ████ ████ ████ ████ ████ ████ ████ ████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████ ████ ■ ███▓█ .···. G R O U P .···. █▓███ ■ ████ ████ · ▄▓███▓ ▓███▓▄ · ████ █████ ▄▄▓█▀▀▀│ ▓ MAiL: [email protected] ▓ │▀▀▀█▓▄▄ █████ █▀ ▀██▓▀ ▀ ▀ ▀▓██▀ ▀█ ██▄██▀ ▀██▄██ ████▀ The only thing that really matters is music!!! ▀████ ▀██▓ ▓██▀ ▀██▓▄ ▄▓██▀ .▀ │ ▀▀██▄▓▄ .···. G R E E T S .···. ▄▓▄██▀▀ │ ▀ . ▄▓▓▄ │ ▀▀▀█▄▄ ▄▄█▀▀▀ │ ▄▓▓▄ . ▀▀ ▀▀▄ FRiENDS / SiTEOPS / NUKENET ▄▀▀ ▀▀ ▀ . ▄ ▄▓▓▄ ▀▄ RIP kHz ▄▀ ▄▓▓▄ ▄ . ▀ ▀ ▀▓▀ ▀▀ ▀ . ▄.···. !kb^faa 08.MARCH 2009 .···.▄ . ▀ ▀▀ ▀▓▀ ▀ .