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P R E S E N T S .···. ▓ │▀▀▀█▓▄▄ █████ ██████▓▀ ▀ ▀ ▀▓██████ █████▀ Jimmy Edgar - Cheetah Bend ▀█████ ████▀ ▀████ ███▀ ▀███ █▓▓▓▓ ARTiST..[ Jimmy Edgar ▓▓▓▓█ █▓▓▓▓ TiTLE...[ Cheetah Bend ▓▓▓▓█ ████ GENRE...[ Bass CAT#....[ IL2074A ████ ████ LABEL...[ Innovative Leisure ENCODER.[ Lame 3.99.5 ████ ████ YEAR....[ 2021 QUALiTY.[ 320kbps ████ ████ SOURCE..[ WEB MODE....[ Joint Stereo ████ ████ PLAYTIME[ 43:23 REL.DATE[ 02.27.2021 ████ ████ TRACKS..[ 14 RiPPER..[ TEAM OMA ████ ████ SiZE....[ 99,52 MB SUPPLiER[ TEAM OMA ████ ████ ████ ████ ████ ████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████ ████ ■ ███▓█ .···. T R A C K L i S T .···. █▓███ ■ ████ ████ · ▄▓███▓ ▓███▓▄ · ████ █████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████ ██████▓▀ ▀ ▀ ▀▓██████ █████▀ ▀█████ ████▀ ▀████ ███▀ NR. TRACK. TiME. ▀███ █▓▓▓▓ ∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙ ▓▓▓▓█ █▓▓▓▓ ▓▓▓▓█ ████ 01 Crown 01:41 ████ ████ 02 Get Up feat. Danny Brown 02:41 ████ ████ 03 Pause feat. Matt OX 02:35 ████ ████ 04 Metal feat. SOPHIE 03:20 ████ ████ 05 Be With You feat. Millie Go Lightly 02:37 ████ ████ 06 Bent feat. Hudson Mohawke 02:32 ████ ████ 07 Turn feat. B La B 03:19 ████ ████ 08 Have A Great Now! 01:06 ████ ████ 09 Cheetah feat. Semma 03:33 ████ ████ 10 Zigzag 04:08 ████ ████ 11 Notice feat. 24hrs 04:01 ████ ████ 12 Ready2die feat. Messer 02:58 ████ ████ 13 Crank feat. Rochelle Jordan 04:25 ████ ████ 14 Curves 04:27 ████ ████ ∙∙∙∙∙∙∙∙∙∙∙∙ ████ ████ TOTAL: 43:23 ████ ████ ████ ████ ████ ████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████ ████ ■ ███▓█ .···. R E L E A S E N O T E S .···. █▓███ ■ ████ ████ · ▄▓███▓ ▓███▓▄ · ████ █████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████ ██████▓▀ ▀ ▀ ▀▓██████ █████▀ ▀█████ ████▀ ▀████ ███▀ ▀███ █▓▓▓▓ ▓▓▓▓█ █▓▓▓▓ ▓▓▓▓█ ████ https://jimmyedgar.bandcamp.com/album/cheetah- ████ ████ bend ████ ████ ████ ████ Looking back, Jimmy Edgar has a lot to be proud ████ ████ of. Over the course of the last decade-and-a- ████ ████ half, the Detroit native has proven both a ████ ████ celebrated favorite and consistent fixture of ████ ████ dance music in its multitudinous forms. Looking ████ ████ over the arc of his lengthy and diverse ████ ████ discography, both under his own name as well as ████ ████ pseudonymously, itÆs hard not to see him as one ████ ████ of the most innovative producers and skilled ████ ████ sound designers to emerge this millennium, an ████ ████ artist whose legacy has touched untold numbers ████ ████ of home listeners and dance floor revelers ████ ████ alike. ████ ████ ████ ████ Since first emerging onto the scene as a ████ ████ prodigious teen via early pseudonymous ████ ████ offerings for respected electronic labels like ████ ████ Merck, he broke out properly under his own name ████ ████ in 2004 as a Warp Records act. Jimmy swiftly ████ ████ proved a savvy figure in the IDM world by ████ ████ employing the homegrown sounds of electro and ████ ████ ghetto-tech as part of his glitchy ████ ████ compositions. A restless innovator, he honed ████ ████ his skills in the ensuing years, eventually ████ ████ moving to the storied German city and ████ ████ developing a newfound affinity for techno ████ ████ there. ████ ████ ████ ████ Location often sparks inspiration. Sometimes, ████ ████ all it takes is a change of scenery to ████ ████ introduce something new in oneÆs creative ████ ████ process. For Jimmy, the move from the dance ████ ████ music mecca of Berlin to the sunnier climes of ████ ████ Los Angeles proved a turning point in an ████ ████ already formidable career of artistic ████ ████ exploration. ôBerlin was a self aware bubble ████ ████ where I was able to be immersed into music and ████ ████ rhythms simplicity,ö he says. Relocating ████ ████ stateside in LaLa Land altered his perspective ████ ████ once again, exposing him to a wider musical ████ ████ universe, including modern mainstream hip-hop ████ ████ and R&B that had been shadowed out while living ████ ████ overseas. ôThe more you open the doors to ████ ████ sounds and ideas, the more exploration you find ████ ████ fresh. Moving around and opening myself up to ████ ████ other sounds allowed me to find my sound.ö He ████ ████ refers to the period as one of research and ████ ████ development. Before long, he was producing for ████ ████ everyone from former Danity Kane singer DAWN to ████ ████ erstwhile Odd Future associate Vince Staples. ████ ████ ████ ████ Continuing on his spirited journey through the ████ ████ multifaceted realm of electronic music, Jimmy ████ ████ makes a grand return to the solo album fat with ████ ████ æCheetah BendÆ for Innovative Leisure, the same ████ ████ label behind his most recent J-E-T-S output ████ ████ with Machinedrum. Recorded over the past few ████ ████ years in multiple cities including Atlanta, ████ ████ Detroit, and, of course, L.A., it draws upon ████ ████ his vibrant discography as much as it does the ████ ████ contemporary ubiquity of rap music. Coming some ████ ████ eight years after æMajentaÆ, his oft-explicit ████ ████ set of pop-wise booty anthems, the album ████ ████ improbably synthesizes what might seem like ████ ████ disparate styles together, resulting in ████ ████ something as cohesive as it is engrossing. ôThe ████ ████ value I bring is hybridization,ö Jimmy explains ████ ████ of his approach. ôI think about different ████ ████ universes of sound coming together to create an ████ ████ entirely new domain of knowing.ö ████ ████ ████ ████ From the opening whirr of ôCrownö onwards, ████ ████ æCheetah BendÆ does precisely that, unspooling ████ ████ fresh perspectives and glistening sound design ████ ████ that flaunts genre rules while respecting genre ████ ████ spirit. ôHave A Great Now!ö evokes classic West ████ ████ Coast boogie without dropping a beat, while ████ ████ ôZig Zagö gorgeously reconciles deconstructed ████ ████ club with the glitch work of his past. ôCurvesö ████ ████ seems to capture Berlin and L.A. in one fell ████ ████ swoop, creeping and bleeping towards its close ████ ████ with cinematic gravity. ████ ████ ████ ████ Building upon his prior collaborative ████ ████ endeavors, not the least of which being the ████ ████ various EPs released on his own Ultramajic ████ ████ imprint throughout the 2010s, æCheetah BendÆ ████ ████ finds Jimmy working in tandem with a veritable ████ ████ vanguard of forward-thinking artists towards ████ ████ his unique vision. ôSOPHIE and I spent time ████ ████ together trading files, sounds and techniques, ████ ████ developing a new kind of version of modal ████ ████ synthesis,ö Jimmy says, having used resonators ████ ████ and delays to emulate sonic environs akin to ████ ████ pipes, tunnels, and vibrating sheets. SOPHIE ████ ████ and TNGHTÆs Hudson Mohawke respectively assist ████ ████ on the tenuous bass rattle of ôMetalö and ████ ████ ôBent,ö adding their inflections to JimmyÆs ████ ████ signatures. ████ ████ ████ ████ Beyond these production partners, æCheetah ████ ████ BendÆ achieves its ethos with the aid of some ████ ████ well- placed vocal guests. Rapper Danny Brown ████ ████ does irreparable microphone damage to ôGet Up,ö ████ ████ a tough love motivational set to springy synth ████ ████ flourishes and bass rattling. Toronto singer ████ ████ Rochelle Jordan, a recent J-E-T-S collaborator, ████ ████ imbues the lithe R&B suite ôCrankö with her ████ ████ breathy delivery, while Atlanta trapper B La B ████ ████ spits streetwise singsong over a rugged and ████ ████ snappy beat. ôI bring an energy to the room ████ ████ whatever I do I wanna be the best at it - ████ ████ ideas, direction and technique refined,ö Jimmy ████ ████ explains. ████ ████ ████ ████ By the time æCheetah BendÆ wraps, itÆs hard not ████ ████ to see how far Jimmy has come from his early ████ ████ days. The culmination of a catalog brimming ████ ████ with high points, the album rewards fans whoÆve ████ ████ gladly stuck with him over the years, and ████ ████ invites a new batch of listeners to dive into ████ ████ his world. Above all, it remains true to his ████ ████ artistry. ôI'm not willing to sacrifice ████ ████ integrity,ö he asserts, reflecting on the path ████ ████ that got him here. ôNow we create a new ████ ████ reality.ö ████ ████ ████ ████ ████ ████ ████ ████ ████ ████ ████ ████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████ ████ ■ ███▓█ .···. G R O U P .···. █▓███ ■ ████ ████ · ▄▓███▓ ▓███▓▄ · ████ █████ ▄▄▓█▀▀▀│ ▓ MAiL: [email protected] ▓ │▀▀▀█▓▄▄ █████ █▀ ▀██▓▀ ▀ ▀ ▀▓██▀ ▀█ ██▄██▀ ▀██▄██ ████▀ The only thing that really matters is music!!! ▀████ ▀██▓ ▓██▀ ▀██▓▄ ▄▓██▀ .▀ │ ▀▀██▄▓▄ .···. G R E E T S .···. ▄▓▄██▀▀ │ ▀ . ▄▓▓▄ │ ▀▀▀█▄▄ ▄▄█▀▀▀ │ ▄▓▓▄ . ▀▀ ▀▀▄ FRiENDS / SiTEOPS / NUKENET ▄▀▀ ▀▀ ▀ . ▄ ▄▓▓▄ ▀▄ RIP kHz ▄▀ ▄▓▓▄ ▄ . ▀ ▀ ▀▓▀ ▀▀ ▀ . ▄.···. !kb^faa 08.MARCH 2009 .···.▄ . ▀ ▀▀ ▀▓▀ ▀ .