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MMMMMX ______________________________________________________________________________________________________________________________________________________ Release Info Artist : Joe Satriani Album : Strange Beautiful Music Tracks : 14 genre : Instrumental Rock Time : 60:17 min Frequancy : 44.1KHz Bitrate : 256kbps Mode : Full Stereo Size : 110,6 MB Label : Epic Catalog# : 86294 Str.date : Jun-25-2002 Rip.date : Aug-17-2005 URL : http://www.allmusic.com Ripper : AoW: SuperWyse ______________________________________________________________________________________________________________________________________________________ Artist and Album Notes Joe Satriani Born on Jul 15, 1956 in Westbury, Long Island, NY Years Active: 1980s-2000s Member Of * Deep Purple Biography Along with teaching some of the top rock guitar players of the '80s and '90s, Joe Satriani is one of the most technically accomplished and widely respected guitarists to emerge in recent times. Born on July 15, 1956, in Westbury, NY, and raised in the nearby town of Carle Place, Satriani -- inspired by guitar legend Jimi Hendrix -- picked up the guitar at the age of 14 (although he was initially more interested in the drums). Quickly learning the instrument, Satriani began teaching guitar to others and found a kindred spirit in one of his students, Steve Vai. By the late '70s, however, Satriani had relocated to Berkeley, CA. With his sights set on his own musical career, "Satch" kept teaching others, including such future rock notables as Kirk Hammett (Metallica), Larry LaLonde (Primus), David Bryson (Counting Crows), and jazz fusion player Charlie Hunter. In the early '80s, Satriani got a gig playing guitar with power popster Greg Kihn, doing some session work and touring with the group (an archival release recorded around this time, King Biscuit Flower Hour, was later issued in 1996), and issuing his own solo self-titled EP in 1984, financing and releasing the project entirely on his own. But when Vai hit the big time as the guitarist of David Lee Roth's solo band in 1986, he offered praise for his good friend and former teacher in several major guitar publications, leading to widespread interest in Satriani's playing. The timing couldn't have been more perfect for Satch, as he'd just issued his first full-length solo album, Not of this Earth, which automatically made ripples in the rock guitar community. But the best was still to come, in the form of his sophomore release, 1987's Surfing With the Alien. Almost overnight, Satriani was widely regarded as one of rock's top guitarists, as the album earned gold certification and the guitarist would finish at the top of guitar magazine polls for years afterwards. He was even handpicked by Mick Jagger to accompany the famous singer on a tour of Australia and Japan around this time. A stopgap EP, Dreaming #11, combed both studio and live tracks and was issued a year later, and in 1989, Satriani issued his third solo full-length, Flying in a Blue Dream. Another sizeable hit, the album also marked Satch's debut as a vocalist on several tracks. His career received another big push the same year when his song, "One Big Rush," was included on the soundtrack to Cameron Crowe's hit movie, Say Anything. The '90s began with Satriani creating his own line of guitars for the Ibanez company (the JS Joe Satriani model), but it wasn't until 1992 that he would issue his next solo release, The Extremist. The double-disc set Time Machine followed a year later (a combination of new tracks, live material, and the long out-of-print Joe Satriani EP from 1984), and in 1994, Satch filled in on tour for the departed Ritchie Blackmore for heavy metal pioneers Deep Purple. Although he was asked to become a full-time member, Satriani turned down the offer to return to his solo career. Satriani issued two more solo albums during the '90s -- 1995's self-titled release and 1998's Crystal Planet, and also started the G3 guitar showcase tour with Steve Vai in 1996, becoming an annual event and issuing a live document of the tour's initial run, G3: Live in Concert, a year later. 2000 saw Satriani issue his most musically daring release yet, the electronic-based Engines of Creation, and a year later, the live disc Live in San Francisco. Engines... was nominated for a Grammy the next year, and after a successful tour he stepped back into the studio. The results, Strange Beautiful Music, were released in 2002. In addition to his own albums, Satriani has guested on several other artists' albums over the years, including Blue Oyster Cult's Imaginos, Alice Cooper's Hey Stoopid, Stuart Hamm's Radio Free Albemuth, Pat Martino's All Sides Now, and Spinal Tap's Break Like the Wind. AMG Rating: 3 AMG Review What's a guitar hero to do now that the masses prefer electronic beats and rap-metal to killer scale runs? Joe Satriani seeks that answer on Strange Beautiful Music. Satriani set himself apart from other would-be kings of the six-string in the 1980s by combining impeccable technique with great feel and pop hooks. With those qualities, he produced great guitar-driven albums like Surfing With the Alien and Flying in a Blue Dream. On his 2002 release, Satriani tries to make his music fresh by incorporating world music influences and a bit of techno flava. To his credit, he succeeds more than he fails. "Belly Dancer" combines straight-up rock riffs with Middle Eastern-twinged melodies and faster-than-sound runs up and down the fretboard. On "Oriental Melody," Satch's world music sensibility shines with the help of ping-pong delay and keyboards. He still has a knack for great hooks, too, as is evident on "New Last Jam," which features a melody that bounces around in your head for days. But none of these tracks approach the pop brilliance of his Surfing With the Alien songs. In many ways, the experimental nature of songs like "What Breaks a Heart" hark back to his Not of This Earth release. But Strange Beautiful Music suffers from inconsistency. While the mix-and-match approach works on "Belly Dancer," it can also result in the bland discontinuity of "Chords of Life," which at times sounds like "All Along the Watchtower" and at others resembles scale and chord exercises from Yngwie Malmsteen -- not an enticing combo. And "Starry Night," while a nice ballad, feels like an attempt to rewrite his masterful ballad "Always With You, Always With Me." Credz Gregg Bissonette Drums, Guest Appearance Matt Bissonette Bass Jay Blakesberg Photography Mick Brigden Direction Jeff Campitelli Percussion, Drums, Rhythm Eric Caudieux Keyboards, Producer, Computers, Digital Editing, Photography John Cuniberti Percussion, Producer, Engineer, Mixing Robert Fripp Guitar (Electric), Frippertronics, Guest Appearance Bernie Grundman Mastering Leff Lefferts Mixing Michael Manning Technical Crew Stephen Marcussen Mastering Woody Pornpitaksuk Authoring Rex Ray Art Direction, Design Joe Satriani Guitar (Acoustic), Banjo, Bass, Guitar, Autoharp, Guitar (Electric), Guitar (Rhythm), Keyboards, Sitar, Producer, Engineer, Mixing Kaz Utsunomiya A&R Pia Vai Harp, Guest Appearance _____________________________________________________________________________________________________________________________________________________ Track Listing 01 Oriental Melody [03:56] 02 Belly Dancer [05:02] 03 Starry Night [03:55] 04 Chords of life [04:13] 05 Mind Storm [04:12] 06 Sleep Walk [02:46] 07 New Last Jam [04:19] 08 Mountain Song [03:31] 09 What breaks a Heart [05:20] 10 Seven String [04:03] 11 Hill Groove [04:10] 12 The Journey [04:09] 13 The Travaler [05:39] 14 You Saved My Life [05:02] ######################################################################################################################################################