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▓██▓████████▓▓█▓▒░▀███▀▒▀▓▀▀▀▀▀▀▀▀▀▀▀▀▀▓██▒█▀▀▀▀▀▀▀▀▀▀▀▀▓▓▀░▄▀▀▓█▀▀▀▀▀▀▀▀ ▒ ▀▀▀ ▄█▓░▒▓ ▀▀ ▀▀▀ ▒ ▀▀▀ ▀█▓▓▀ ░ ░ ███▓▓▓▌ ░ ░░ ▒░ ▄▄▓▓▓▓██▀ ▒░ ▓▒▒▒▒▓▓▓▓▓▓▓▓▓░:░ Release notes ░▒▓▓▓▓▓▒▒░░░░░░░░░░ ░░░░░░░░░░░░░░░░░░▓▒░ ▒▒ ▀▀▀▄▄ ▀▓▓▀ ▒▒ ▒▒ ▀ ▄ ■ ▀ ▒▒ ▒░ ▀ ░▒ ▒░ Johann Sebastian Bach-Air & Badinerie-Orchestrar Suites ░░ ░░ ░░ ░░ Artist ....: Johann Sebastian Bach ░░ ░░ Album .....: Air & Badinerie-Orchestrar Suites ░░ ░░ Genre .....: Classical ░░ ░░ Label .....: Universal Classics ░░ ░░ Catalog # .: 4696402 ░░ ░░ Language ..: English ░░ ░░ ░░ ░░ Source ....: CDDA ░░ ░░ Grabber ...: EAC v0.95 prebeta 4 ░░ ░░ Encoder ...: LAME v3.92 ░░ ░░ Bitrate ...: VBRkbps ░░ ░░ Size ......: 103,2 MB ░░ ░░ ░░ ░░ Rel. date .: Sep-19-2006 ░░ ░░ Str. date .: May-26-2004 ░░ ░░ ░░ ░░ http://www.universalclassics.com ░░ ░░ ░░ ░░ ----------------------------------------------------------------------- ░░ ░░ ░░ ░░ As seen in : ░░ ░░ http://www.amazon.com/Johann-Sebastian-Bach-Harpsichord-Harpsichords/dp ░░ ░░ /B00004Z1AN/sr=1-1/qid=1158544833/ref=sr_1_1/103-7367942-5322215?ie=UTF ░░ ░░ 8&s=music ░░ ░░ ░░ ░░ < ░░ ░░ Biography by Robert Cummings ░░ ░░ ░░ ░░ Johann Sebastian Bach was better known as a virtuoso organist than as a ░░ ░░ composer in his day. His sacred music, organ and choral works, and ░░ ░░ other instrumental music had an enthusiasm and seeming freedom that ░░ ░░ concealed immense rigor. Bach's use of counterpoint was brilliant and ░░ ░░ innovative, and the immense complexities of his compositional style -- ░░ ░░ which often included religious and numerological symbols that seem to ░░ ░░ fit perfectly together in a profound puzzle of special codes -- still ░░ ░░ amaze musicians today. Many consider him the greatest composer of all ░░ ░░ time. ░░ ░░ ░░ ░░ Bach was born in Eisenach in 1685. He was taught to play the violin and ░░ ░░ harpsichord by his father, Johann Ambrosius, a court trumpeter in the ░░ ░░ service of the Duke of Eisenach. Young Johann was not yet ten when his ░░ ░░ father died, leaving him orphaned. He was taken in by his recently ░░ ░░ married oldest brother, Johann Christoph, who lived in Ohrdruf. Because ░░ ░░ of his excellent singing voice, Bach attained a position at the ░░ ░░ Michaelis monastery at Lⁿneberg in 1700. His voice changed a short ░░ ░░ while later, but he stayed on as an instrumentalist. After taking a ░░ ░░ short-lived post in Weimar in 1703 as a violinist, Bach became organist ░░ ░░ at the Neue Kirche in Arnstadt (1703-1707). His relationship with the ░░ ░░ church council was tenuous as the young musician often shirked his ░░ ░░ responsibilities, preferring to practice the organ. One account ░░ ░░ describes a four-month leave granted Bach, to travel to Lubeck where he ░░ ░░ would familiarize himself with the music of Dietrich Buxtehude. He ░░ ░░ returned to Arnstadt long after was expected and much to the dismay of ░░ ░░ the council. He then briefly served at St. Blasius in Mⁿhlhausen as ░░ ░░ organist, beginning in June 1707, and married his cousin, Maria Barbara ░░ ░░ Bach, that fall. Bach composed his famous Toccata and Fugue in D minor ░░ ░░ (BWV 565) and his first cantatas while in Mⁿhlhausen, but quickly ░░ ░░ outgrew the musical resources of the town. He next took a post for the ░░ ░░ Duke of Sachsen-Weimar in 1708, serving as court organist and playing ░░ ░░ in the orchestra, eventually becoming its leader in 1714. He wrote many ░░ ░░ organ compositions during this period, including his Orgel-Bⁿchlein. ░░ ░░ Owing to politics between the Duke and his officials, Bach left Weimar ░░ ░░ and secured a post in December 1717 as Kapellmeister at C÷then. In ░░ ░░ 1720, Bach's wife suddenly died, leaving him with four children (three ░░ ░░ others had died in infancy). A short while later, he met his second ░░ ░░ wife, soprano Anna Magdalena Wilcke, whom he married in December 1721. ░░ ░░ She would bear 13 children, though only five would survive childhood. ░░ ░░ The six Brandenburg Concertos (BWV 1046-51), among many other secular ░░ ░░ works, date from his C÷then years. Bach became Kantor of the Thomas ░░ ░░ School in Leipzig in May 1723 and held the post until his death. It was ░░ ░░ in Leipzig that he composed the bulk of his religious and secular ░░ ░░ cantatas. Bach eventually became dissatisfied with this post, not only ░░ ░░ because of its meager financial rewards, but also because of onerous ░░ ░░ duties and inadequate facilities. Thus, he took on other projects, ░░ ░░ chief among which was the directorship of the city's Collegium Musicum, ░░ ░░ an ensemble of professional and amateur musicians who gave weekly ░░ ░░ concerts, in 1729. He also became music director at the Dresden Court ░░ ░░ in 1736, in the service of Frederick Augustus II; though his duties ░░ ░░ were vague and apparently few, they allowed him freedom to compose what ░░ ░░ he wanted. Bach began making trips to Berlin in the 1740s, not least ░░ ░░ because his son Carl Philipp Emanuel served as a court musician there. ░░ ░░ In May 1747, the composer was warmly received by King Frederick II of ░░ ░░ Prussia, for whom he wrote the gloriously abstruse Musical Offering ░░ ░░ (BWV 1079). Among Bach's last works was his 1749 Mass in B minor. ░░ ░░ Besieged by diabetes, he died on July 28, 1750. ░░ ░░ > ░░ ░░ all stolen off allmusic.com :$ ░░ ░░ ░░ ░░ ----------- ░░ ░░ ░░ ░░ Love goes out to our affils and our friends n family. <3 ░░ ░░ ░░ ░░ -TEAM WASHED UP. ░░ ░░ ░░ ░░ ░░ ░░ ░ ░░ ░░ ░░ ▒ ▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▓▒░ ▒▒ ░░ ░░ ▄▓▓▓▄▄▒▓█▄░░░▒▒▒▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄ ░ ░░ █▓▓▓█▀▄▄░▒▓▓ ▄▄▄▄ ▀ ░░░▒▒▒▒▓▓▓▓▓▓▓▓▓▓▓███▓▄ ░░ █▓ ▀▓▓████▄▀ ▄███████▄ ▄ ░░░░▒▒▒▒▓▓▓▓███▓▓▓▓ ▒▒░░░ ░░░░ ░░░ ░ █▓ ▓▓▄ ▀▓▓▓▀ ▄▓ ▐██████████▄ ▀▄ ░░░░░▒█▓▓████▓▓ ░░ █░░ ▀▓▓▄▄▓▀▀ ▀████████████▄▄ ░░▒▒▓ ▒▓▀▀▀█▓▌ ░░ █▓▒░ ▄▄■▀▀▓▀▀▓▄▄ ░ ▀██████████████▄ ■▄▄▓ ░▒▒▓▒ ░░ ░ ░░ █▓▒▒░▀▀ ▓ ▀ ░▓▓ ▐█████████▓▀▓▀ ▀▀ ▒▒▓░ ░░ ░░ ░ ██▓▒░ ▄▄██▓▓▓▄▄▄ ▄▄▒████████▓ ▒ ▄ ░▓▓░ ░▒ ░░ ▒ ██▓▓░▄▓▓▓█████▓███▓▓▓▓▓▓██████████▓ ░ ░▒█░ ▒▒ ▒▒░▒░▒▒▒▓▒░▒░░░ ███▓▒░░▀▀▓▓▓██████████▓███████████▀ ▐▌ ▒▓▓ ▒▒ ▒░ ▒ ███▓▓▒░░ ▀▀▀█▓███████████████▀ ░▓█░░░░░▒░▒▒▓▓▒░░░ ░░ ░ ████▓▓▒░░ ▀▀▀▓██████▓▀▀ █ ▒█▓ ▒▒ ░░ ▓████▓▓▒░░ ▒ ▀ ░▓█░ ▒░ ░░ ▒ ▓█████▓▓▒▒░ ▀██▄ ▄▄▓▀ ▄ ▀ ░▓▓▒ ░░ ░ ▓ ▄▓▓█████▓▓▓▒▒░ ▀██▓▓▄▄▄▄▒▒▄▄▄▓▄▓▓■ ▀▀ ░ ▒█▓░ ░ ▄▓▓▓▒▄▄▓▄▓▓███████▓▓▓▒▒▒░▄▄▓▓▀██▄ ▀▀▀▀▀▀▓ ░░ ▒▓▓░ █▓▓▒ ▀▀▓▓▓▓▓██████▓▓▓▒▒▓▀▀ ▀██▄ ▒ ░░░░ ░▓▓░ ░ ██▓▒▒▒░░░ ▀▀▀▓▓██▓██▓▓▒▒▒▒░░░ ▀▓▓▄ ░ ░░░░░░░ ▒█░ ░ ▀▀▀▓▓▓▓▒▒▒░░░░ ▀▀▀████▓▓▓▒▒▒░▒▒░░░▀▀▀▀ ▓▓▓ ░░ ▀▀▀▀▓▓▓▓▒▒▒░░░ ▀▀▀▀▓▓▓▓▓▓▓▒▒░░░ ░░▓▄▓ ░ ░░░ ▀▀▀▀▓▓▒▒▒░░░░░░ ▀▀▀▀▀▓▓▓▓▓▓▓▓▒▒░░░░░▓▄▓░ ░ ░░░ ▀▀▀▓▓▓▒▒▒░░░░░░░ ▀▀▀▀▓▒▒▒▒▄▓▓ ░ ░░░ ▓▒ ▀▀▀▓▓▓▓▒▒▒░░░░░░ ▓▓▓▓▓▓▓▓ ░▒░ ░░▒▒▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▒░▄▄▄▄▄▓▒▒ ▀▀▀▀▓▓▓▒▒▒▒░░▐████▓▓▀ ░ ░░░▒░░ ░▓▓▄▓ Track ░ list ░▒▄▓▓▓█▓▓▒░░░ ░ ▀▀▀▀▄████▀ ░░░░▒░▒▒▓▒▒░░░ ░░░ ░░ ░ ░▒▓▓▓▒▄▄▄▄▄▄▄▄▄▄▄▓▓▄▄▒▒▒▓▀░▄▓▓▒░░ ░░ ░░░ ░ ░░░▒░ ░ ▒▒▒ ░▒░░▀▀▓▀▓▓▀▀██▓██▀▀▀▓▓▓█▄▓▓▒▒▒▒░▒░░▒░ ░░░░░ ░░ ░░ ░ ░░░░░░░░░░░░ ░░░▓▓▓░░ ░░ ▀ ▀▀▒▓█▓▓▒▓▒░░ ░ ░ ░ ▒▒▒ ░░ ░▒▒░ ░░ ░░░ ░░ ░░░ ░░ ░░░ ░░ THIS IS *NOT* A SUBSTITUTE OF THE ORIGINAL. ░░░ ░░ --------------------------------------------------------------------- ░░░ ░░ ░░░ ░░ NB TRACKNAMES: LENGHT: ░░░ ░░ ░░░ ░░ 01. Orchester - Karl Richter-Orchestersuite Nr. 2 09:18 ░░░ ░░ H-Moll BWV 1067- I. Ouvertⁿre ░░░ ░░ 02. Orchester - Karl Richter-Orchestersuite Nr. 2 01:55 ░░░ ░░ H-Moll BWV 1067- II. Rondeau ░░░ ░░ 03. Orchester - Karl Richter-Orchestersuite Nr. 2 H 03:59 ░░░ ░░ Moll BWV 1067- III. Sarabande ░░░ ░░ 04. Orchester - Karl Richter-Orchestersuite Nr. 2 02:05 ░░░ ░░ H-Moll BWV 1067- IV. BourrΘe I - II ░░░ ░░ 05. Orchester - Karl Richter-Orchestersuite Nr. 2 H - 03:30 ░░░ ░░ Moll BWV 1067- V. Polonaise - Double ░░░ ░░ 06. Orchester - Karl Richter-Orchestersuite Nr. 2 H - 01:28 ░░░ ░░ Moll BWV 1067- VI. Menuet ░░░ ░░ 07. Orchester - Karl Richter-Orchestersuite Nr. 2 H - 01:32 ░░░ ░░ Moll BWV 1067- VII. Badinerie ░░░ ░░ 08. Orchester - Karl Richter-Konzert Fⁿr Cembalo F - 03:38 ░░░ ░░ Moll BWV 1056- I. (Ohne Satzbezeichnung) ░░░ ░░ 09. Orchester - Karl Richter-Konzert Fⁿr Cembalo F - 01:59 ░░░ ░░ Moll BWV 1056- II. Largo ░░░ ░░ 10. Orchester - Karl Richter-Konzert Fⁿr Cembalo F - 04:20 ░░░ ░░ Moll BWV 1056- III. Presto ░░░ ░░ 11. Orchester - Karl Richter-Orchestersuite Nr. 3 D - 09:08 ░░░ ░░ Dur BWV 1068- I. Ouvertⁿre ░░░ ░░ 12. Orchester - Karl Richter-Orchestersuite Nr. 3 D - 05:45 ░░░ ░░ Dur BWV 1068- II. Air ░░░ ░░ 13. Orchester - Karl Richter-Orchestersuite Nr. 3 D-Dur 04:04 ░░░ ░░ BWV 1068- III. Gavotte I - II ░░░ ░░ 14. Orchester - Karl Richter-Orchestersuite Nr. 3 D - 01:15 ░░░ ░░ Dur BWV 1068- IV. BourrΘe ░░░ ░░ 15. Orchester - Karl Richter-Orchestersuite Nr. 3 D - 03:07 ░░░ ░░ Dur BWV 1068- V. Gigue ░░░ ░░ 16. Orchester - Karl Richter-Konzert Fⁿr 4 Cembali A - 04:18 ░░░ ░░ Moll BWV 1065- I. (Ohne Satzbezeichnung) ░░░ ░░ 17. Orchester - Karl Richter-Konzert Fⁿr 4 Cembali A - 02:03 ░░░ ░░ Moll BWV 1065- II. Largo ░░░ ░░ 18. Orchester - Karl Richter-Konzert Fⁿr 4 Cembali A - 03:58 ░░░ ░░ Moll BWV 1065- III. Allegro ░░░ ░░ 19. Orchester - Karl Richter-Orchestersuite Nr. 4 D-Dur 03:03 ░░░ ░░ BWV 1069- I. BourrΘe I - II ░░░ ░░ 20. Orchester - Karl Richter-Orchestersuite Nr. 4 D - 02:00 ░░░ ░░ Dur BWV 1069- II. Gavotte ░░░ ░░ 21. Orchester - Karl Richter-Orchestersuite Nr. 4 D-Dur 03:37 ░░░ ░░ BWV 1069- III. Menuet I - II ░░░ ░░ 22. Orchester - Karl Richter-Orchestersuite Nr. 4 D - 02:43 ░░░ ░░ Dur BWV 1069- IV. RΘjouissance ░░░ ░░ 78:45 min ░░░ ░░ --------------------------------------------------------------------- ░░░ ░░ TO THE INVOLVED ARTIST(S), CONSIDER THIS AS A FREE WORLDWIDE ░░░ ░░ PROMOTION CAMPAIGN. TO THE END USER, SUPPORT THE ARTIST(S) OR DEL! ░░░ ░░ ░░░ ░░ ▄▄▄▄▄▄▄ ░░░ ░░ ▄▓▓▒▒░░ ▀▓▄ ░░░ ░░ ░▄▓▓▒▒░░ ▄▓▀▄ ▒▓ ░░░ ░░ ▓▓▓▄░▒▒▒▄▀▀▀▀ ░▒▓ ░░░ ░░ ▐▓▀░░░░░▒▒▀▄░░░▒▓▓▓▓▄ ░░░ ░▒▒░▒░░░░░ ▄▀░░ ▄▄▄▄█▓░▒▒▒▒▒▒▒▒▒▒▒▓▄ ░░░░░░░░░░░░░░░ ░░░░ ░░░░░░░░░░▒▒▒░░ ░░ ▓░ ▄▓███████▓▒▒▓█░░░ ░░░▒▒▒▓▄ ░░░ ░░ ▓▄▓▀▀▀▀▓▄▄▄███████░░░░ ░░░▒▓▄▄ ░░▒ ░░ ▒ ▀▀▓██▓▓▓█▄ ░░░░░░ ░░░▒▓▄▄ ░▒▓ ░░ ░ ▀███▓▒▓██▄▄░░░░░░░░░░░░░░░░▀█▄ ▄▄▄▓█ ▐▓ ░░ ░▀██▓▓▒▒▓▓███▄▄▓░░░░░░░▄▄▄████▄ ▄▄██▓▓▒▒▓ ░▒▒ ░░ ▀███▓▓▓▒▒▒▒▓██████████▓█▒▓▓███▄▄▄▄██▓▓▓▒▒▒▓▓█ ░▒ ░░ ▀███▓▓▓▓▓▓▓▓▒▒▒▒▒▒▒▒▒▒▒▓▓▓▓███████████▓▓▓█▀ ░░░ ░░ ▀▀██████▓▓▓▓██▓▒▒▒▒▒▓▓███████▀▀▀▀▓░ ░ ░░░ ░░░ ░░▀▀▀▓█████▓████████▀▀▀ ▒ ░ ░░░ ▒▒░░░ ██▌ █▓ ░ ░░ ░░ ░░ ▐█▓ ░█▓ ░░ ░░░ ░░ ░ ░░░ █▓▒ ░█▓ ░░░ ░░▒▒░ ░░ ░░ ░ ░░░░░░░░░ ▐█▓░ ░█▓ ░░ ░░░ ░░ ░▒ ░ ░░░▒▒▒▓▓▓█▒▒▒░░ ░█▓ ░░ ▒░ ░▒ ░ ░ ░░ ░ ▀▀▀▀▓▓▓▓▓▓▓█▒░▀▄ ░░ ░░ ▒▒░░▓░ ░ ░ ▒░ ░░ ░░ ░░ ░ ▀▀▀▀▀█▓▓▓▓▓▓▄▄▄▄▄ ▒░░ ▓▒░▒▓▒░▒▒▒░░░░▒▒░░▒▒░░░░ ░░ ░▒░░░░░░░ ░ ▒▀▀▀▀▓▓▓▓▓██▄▄▄ ░▒░░ █▓▒▒█▓▒▒▓▒▒░░▒▒▒▒▒▓▒▒▒▒▒▒░░▒▒░▒▓▒▒▒▒▒▒▒░░░░▒░░░░ ░░▒▒▒▒▒▒ ▀▀▀▓▓▓▓▓▓▒▒ ▒▓░░ ██▓▓██▓▓█▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▒▒▓▓▓▒▓▀▓▓▓▓▓▓▓▓▓▒▒▓▓▒▒▒▒▓▓▓▓▓▓▓▓▓▄▄▄▄▄▄▄▄▄▓▓▓▓▓▓▓▒░ ██████▀▀▀▀ ▀ ▀ ▒ ░▒▒░ ▓▓▒▒░ ▓█▓▒ ▀▀▀▀▀▀▀▓███████▓▓▓▒▒░░ ▓██▀ "Oi" to: ░▒▒░ ░ ▓▓▒▒░░ ▀▓▓▒▒▒░░░ ▀▀▓██▓▒▒░░ ▓█▌ ░▒▒░░ ▀▓▓▓▒▒▒░░ ▀▀▓▓▓▓▒▒▒▒░░ ░▓█▓▒░ ▒█░▒▓▓▓▒▒▒▒▒▒▒▒▒▒░░░░░░░░░░░ ░░░ ░ ░░▒▒░░ ▀▀▓▓▓▒▒▒▒▒▒▒▒▒▒▒▓▓▓▓▓▄░░░▓▓░░ ▒█ ░░▒▒▒░░░░░▀▀▀▀▀▀▀▀▀▀▓▓▓▄▄▀▀▓▓▄▓▓░░ ▒▓ ░ ▀▀▓▓▄░▀▓▓░░ ░▓ ▀▓▓░░▓░░ ░▓ █▓░▓░░ ░▒ 4 HORSEMEN, █▓▓░░ ░▒ 801, █▓░░ ░▒ APOCALYPSE PRODUCTiON CREW, AUDiO ARCHiVE FORCE, ▓░░ ░░ BEATS iN CONTROL, ▒░░ ░░ CHROMANCE, CiTADEL CREW MP3 DiViSiON, COMPRESS DA AUDIO, CRiSiS, ▒░░ ░░ DEAFNESS, DiSSiDENT, ░░░ ░░ FRENCH SOUND PROViDER, ░░ ░░ iMAGiNE, iMPULZ, iNTERNET MUSiC PiRATE GUiLT, ░░ ░░ JAZ, ░░ ░░ KiLOHERTZ, ░░ ░░ MUSiC AND DECiBELS, MUSiC TO MASSES, ░░ ░░ NEW WORLD ORDER MP3, NORDiC MUSiC ENSEMBLE, ░░ ░░ PROViDERS OF SOUND, PSiLOCiBiN, ░░ ░░ REVOLUTiON, ROCKERS' BREWiNG CORP, RUDE BWOY KUTZ, ░░ ░░ SCHOOL OF THE OLD, STRONGER THAN ALL, SYNTHESiS MEDiA, ░░ ░░ THE FLAME ARROWS MP3, TOUCHDOWN, TWEE, ░░ ░░ WALL OF SOUND, WE LOVE WAREZ MP3, ░░ ░░ ░░ ░░ FAITHMUSE, MORGOTH, MISTAHWAX, SDL & ░░ ░░ ░░ ░░ *ALL* of our friends and family. ░░ ░░ ░░ ░░ ---------------------------------------------------------------------- ░░ ░░ ░░ ░░ "Those who cannot remember the past are condemned to repeat it." ░░ ░░ ░░ ░░ George Santayana (1863-1952) ░░ ░░ ░░ ░░ --------- ▄▄█▓▀ ▄▄ -------------------------------------------------- ░░ ░░ ▄▄▓███▓▓▓░░███▓▓▓▄▄▄ ░░ ░░ ▄▓████▀░░▒▒▒▒▒▓▓▒▒▒▒▒▒▓█▄▄ - We are *ONLY* scouting bisexual women ░░ ░ ▄▀▀▄░░░▒▒▒▓▓▓▓▓▓▓▓▓▓▓▓▒▒▓▓██▄ and (most possibly) their mother. ░░ ░ ▄░░▒▒▓▓▓▓█▀▀▀▀▀▓▓██▀▓▓▓▓▓▒▒▓█ ░░ ░ █▓▓▓▀██▓▀▀▀▄▓▒░░▄██▌░░ ▓▀▓▓▓▓█ - We PISS on wrong doers who are trying ░░ █▓▓▀▄▓█▓▓░░░░█████▓█▓▄▄▄█▓ ▀▓▀▓▓ to bring our MP3 scene down, on 0sec ░░ █▀ █▓▀▓███▄▄▄███▓▓▓█████▓█▀▄▐▌ █ puppets and on idiotic nukers. ░░ █ ▐█████▀ ████▓▓█▌▀██▓▓ ▐▓ ░░ ░ ███▀ ▐████▓█▓ ▐▓▀ ▀ - DON'T contact us we'll contact you. ░░ ░░ ▓ ███▓███▓ ▀ ░░ ░░ ▐███▓▓██▌ Founded overnight by monkeys with typewriters, WUS ░░ ░░ ██▓▓▓▓█▌ is yet another group of new and copycatting ░░ ░ ▓█▓▒▒▓█ amateurs. The only reason why we're around is ░░ ░░ ██▒▒▒▓█▌ because we like to expose our huge cock out in ░░ ░░ ▐█▌░▒▒▓██ public and brague about it in nfos... ░░ ░░ ▐█▌░░▒▓█▌ ░░ ░░░ ██▒░▒▓█▌ ▓ ▄■ Your TRUE pseudo-friends, ░░ ░▒░ ▐█▌▓▀▓█▌ ▓▄▓ · ░░ ░▒▒ ░██▌▒▒▓█▓▌▓▒█▀·▄■▄ ▄ ▓▓▄▄▄ WUZZiES' iNK ░░ ░▒▒▌ ▒▒██▒▒▓▓░█▓▒▒▒▀▒▒▄▄ ▄ ██▓▓███▄▄▄▄▄ ░░ ░░▓▓▄ ░▒▓▓▓██▓▓▓▒▒░▀▓▒▒░▄▒ ▄ ▀ ▄▓▄▄▄██▓▒▒▒▒▒▒▒▒▓▓▓▓▄▄ ░░ ░░░▀▓▒█▓███▓▓▓▓▓██▒▒▒▒░░▒▀░▒░█▄▄▓▓▄▄█████████▓▓▒▒▒▒░░░░░░░▒▒▓▓▓▓▓▓▓▓▄▄ ░░ ░▒▒▒ █▀█████▓▓██▒▒▒▒░░░▓▒▒▒░▀▀▀▀▀▀▀░░░░░░░░░░░░░░░░░░░░░░░░▒▒▒▒▓▓▒▒▓▓▓▒▒▒░░ ░░░░░ ░█░█████▓██▒▒▒░░░▒▒░▒▒░░░░░░░▒▒▒▒▒▒▒▒▒░░░░░░░░▒▒▒ ░░░░░░▒▒▓▓▓▒▒▒▒▒▒▒█░ █▒░░░░░▓█▓███████▒▒▒░░░▒▒▒▒▓▓▓▓▓▒░░▒▓██████▓▓▒▒▒▒▒▒▒▒▓▓▓░░░░▒▒░░░░▒▒▓▓▒▒▒▒▓█░░░ ▓█▒▓▓▓▓████████▓▒▒░░▒▒▒▒▓▓▓▓▓▓▓▒▒▒▒▓█████████▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓░░░░░▒▓▓▓▓██▓▒▒░ ▒▒▒▒▒▒▒▓▓▓▓████▓▒░░░░▒▒▒▒▒▓▓▓▓▒▒▒▒▓█████████████████████▓▓▓▓▓▓▓▓▒░░▒▒▒▒░▒▓▓▓▓▒▒ ▒░░░░░░▒▒▓▓▓██▓▓▒░░░░░░░▓▓▓▒▒▒░▒▒▓█████████████████████████▓▓▓▓▓▓▒▒▒▒▒░░░▒▓▓▓▓▒ ░░ 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