John_Carpenter-Lost_Themes_III_Alive_After_Death-WEB-2021-MARR

Tracklist (M3U)
# Filename Artist Songname Bitrate BPM
1 01-john_carpenter-alive_after_death-marr.mp3 John Carpenter Alive After Death 320 Unknown
2 02-john_carpenter-weeping_ghost-marr.mp3 John Carpenter Weeping Ghost 320 Unknown
3 03-john_carpenter-dripping_blood-marr.mp3 John Carpenter Dripping Blood 320 Unknown
4 04-john_carpenter-dead_eyes-marr.mp3 John Carpenter Dead Eyes 320 Unknown
5 05-john_carpenter-vampires_touch-marr.mp3 John Carpenter Vampire's Touch 320 Unknown
6 06-john_carpenter-cemetery-marr.mp3 John Carpenter Cemetery 320 Unknown
7 07-john_carpenter-skeleton-marr.mp3 John Carpenter Skeleton 320 Unknown
8 08-john_carpenter-turning_the_bones-marr.mp3 John Carpenter Turning The Bones 320 Unknown
9 09-john_carpenter-the_dead_walk-marr.mp3 John Carpenter The Dead Walk 320 Unknown
10 10-john_carpenter-carpathian_darkness-marr.mp3 John Carpenter Carpathian Darkness 320 Unknown
NFO
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Alive After Death 4:04 ░▐ ▌░ 02. Weeping Ghost 3:33 ░▐ ▌░ 03. Dripping Blood 3:54 ░▐ ▌░ 04. Dead Eyes 3:26 ░▐ ▌░ 05. Vampire's Touch 4:30 ░▐ ▌░ 06. Cemetery 4:11 ░▐ ▌░ 07. Skeleton 3:13 ░▐ ▌░ 08. Turning The Bones 3:33 ░▐ ▌░ 09. The Dead Walk 4:25 ░▐ ▌░ 10. Carpathian Darkness 5:36 ░▐ ▌░ ░▐ ▌░ ░▐ ▌░ ▄▄▄┌─────────────┐▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄ ░▐ ▌░ ▒▒▒│ rip notes │▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒ ░▐ ▌░ └─────────────┘ ░▐ ▌░ ░▐ ▌░ Much has changed in the musical life of renowned composer and ░▐ ▌░ director John Carpenter since 2016Æs Lost Themes II. ░▐ ▌░ Following the release of that album, he went on his ░▐ ▌░ first-ever concert tour, performing material from the Lost ░▐ ▌░ Themes albums, as well as music from his classic film scores. ░▐ ▌░ He re-recorded many of those classic movie themes for 2017Æs ░▐ ▌░ Anthology album, working alongside son Cody Carpenter and ░▐ ▌░ godson Daniel Davies. ░▐ ▌░ ░▐ ▌░ The following year, he was asked to executive produce and ░▐ ▌░ compose the music for the new Halloween movie directed by ░▐ ▌░ David Gordon Green, which promptly became the ░▐ ▌░ highest-grossing installment in the series. Now, he returns ░▐ ▌░ with his first album of non-soundtrack music in nearly five ░▐ ▌░ years, Lost Themes III: Alive After Death. ░▐ ▌░ ░▐ ▌░ Underpinning CarpenterÆs renaissance as a musician has been ░▐ ▌░ his collaboration with Cody Carpenter and Daniel Davies. ░▐ ▌░ TheyÆve composed and performed as a trio throughout this ░▐ ▌░ entire run, on studio albums, on soundtracks, and onstage. ░▐ ▌░ Here, the trio reaches a new level of creative mind meld. ░▐ ▌░ Richly rendered worlds are built in the interplay between ░▐ ▌░ DaviesÆs guitar and the dueling synthesizers played by the ░▐ ▌░ Carpenters. ░▐ ▌░ ░▐ ▌░ ôWe begin with a theme, a bass line, a pad, something that ░▐ ▌░ sounds good and will lead us to the next layer,ö John says of ░▐ ▌░ the trioÆs process. ôWe then just keep adding on from there. ░▐ ▌░ We understand each other's strengths and weaknesses, how to ░▐ ▌░ communicate without words, and the process is easier now than ░▐ ▌░ it was in the beginning. WeÆve matured.ö ░▐ ▌░ ░▐ ▌░ John called the first Lost Themes album ôa soundtrack for the ░▐ ▌░ movies in your mind.ö On Alive After Death, those movies are ░▐ ▌░ even more vivid. The song titles here are among his most ░▐ ▌░ evocative, too. Lead single ôWeeping Ghostö thrillingly ░▐ ▌░ conjures its title figure in a wash of synthesizer, making ░▐ ▌░ the listenerÆs neck hairs stand on end as the aural specter ░▐ ▌░ stalks the halls of a dilapidated mansion. The pulsing ôThe ░▐ ▌░ Dead Walkö makes the zombie apocalypse feel like a rave. The ░▐ ▌░ gloomy, atmospheric closing track ôCarpathian Darknessö casts ░▐ ▌░ shadow on the album with its strikingly effective minimal ░▐ ▌░ piano and splashes of twinkling synth. Each of the ten songs ░▐ ▌░ is a universe unto itself. ░▐ ▌░ ░▐ ▌░ Whereas the original Lost Themes album came as a pleasant ░▐ ▌░ surprise after years of relative silence from Carpenter, the ░▐ ▌░ third installment sees him in the midst of a resurgent moment ░▐ ▌░ as a cultural force. The 2018 Halloween score gave his music ░▐ ▌░ its biggest audience in decades, and the world he releases ░▐ ▌░ his new album into is one that has, at long last, given him ░▐ ▌░ the credit he deserves as a founding father of modern ░▐ ▌░ electronic music. ░▐ ▌░ ░▐ ▌░ ░▐ ▌░ ▄▄▄┌─────────────┐▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄ ░▐ ▌░ ▒▒▒│ marr │▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒ ░▐ ▌░ └─────────────┘ ░▐ ▌░ ░▐ ▌░ indie . pop . rock . shoegaze . dream . jangle . twee ░▐ ▌░ chamber . noise . c-86 . college . goth . post . kraut ░▐ ▌░ darkwave . alternative . lo-fi . country . americana ░▐ ▌░ folk . folk/rock . psychedelic . progressive . metal ░▐ ▌░ heavy . hair . math . grunge . classic . southern . aor ░▐ ▌░ west coast . punk . garage . avantgarde . classical ░▐ ▌░ electronic . ambient ░▐ ▌░ ░▐ ▌░ ░▐ ░▌░ ░ █ █ ░ ░▐░ ▌░ ▓▓█ █▓▓ ░▐ ▌░ ░█ █░ ░▐ ▌░ █ ░ ▒ ░ ░ ▒ ░ █ ░▐ ░ ▌░██ ░ ▒█████░ ░█████▒ ░ ██░▐ ░ ▒ ░ ▌░█ ░ ███▓ ▓██ ▒ ▒ ██▓ ▓███ ░ █░▐ ░ ▒ ░██ ▌█▓ ████ █▒ ▒█ ████ ▓░▐ ██░ ░██████░ ███ █ █ ███ ░██████░ ██████ ███ █ █ ███ ██████ ▒███ ███▒ ██ █ █ ██ ▒███ ███▒ ████ ████████ ▒ █ █ ▒ ████████ ████ ████░ ███████░ ░░ █ █ ░░ ░███████ ░████ █████░ ████▒ ▒ ▓█ █▒ ▒█ █▓ ▒ ▒████ ░█████ █████░ ██████████ ███ █ █ ███ ██████████ ░█████ ▒██████ ░ ███████▒ ████▒▒█ █▒▒████ ▒███████ ░ ██████▒ ░ ███░ ███ ░ * █▓▓ ▓▓ ▓▓█ * ░ ███ ░███ ░ █░ ███ █░ *** * * █▒█▒▒██████▒▒█▒█ * * *** ░█ ███ ░█ ████ ██ * ████████ ████████ * ██ ████ ████████ * *** ░ ░██████ ██████░ ░ *** * ████████ █████ ** ░ ████ ▓▓▓▓▓▓▓▓ ████ ░ ** █████ ▒█████████████▒▒ ░░ ░░ ▒▒█████████████▒ ░▓██████████▒ ░░ ░░ ▒██████████▓░ ▒█████ ░░ ░░ █████▒ ███ ███ ██ ██ ▒█ █▒ https://www.amazon.co.jp/dp/B08KTH3MLP

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