Genre | Rock |
---|---|
Date (CEST) | 2018-11-19 20:00:51 |
Group | ERP |
Size | 74 MB |
Files | 11 |
M3U / SFV / NFO |
John_Hiatt-The_Eclipse_Sessions-2018-ERP
Infos
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Tracklist (M3U)
# | Filename | Artist | Songname | Bitrate | BPM |
---|---|---|---|---|---|
1 | 01-john_hiatt-cry_to_me-erp.mp3 | John Hiatt | Cry To Me | 243 | Unknown |
2 | 02-john_hiatt-all_the_way_to_the_river-erp.mp3 | John Hiatt | All The Way To The River | 248 | Unknown |
3 | 03-john_hiatt-aces_up_your_sleeve-erp.mp3 | John Hiatt | Aces Up Your Sleeve | 245 | Unknown |
4 | 04-john_hiatt-poor_imitation_of_god-erp.mp3 | John Hiatt | Poor Imitation Of God | 236 | Unknown |
5 | 05-john_hiatt-nothing_in_my_heart-erp.mp3 | John Hiatt | Nothing In My Heart | 246 | Unknown |
6 | 06-john_hiatt-over_the_hill-erp.mp3 | John Hiatt | Over The Hill | 239 | Unknown |
7 | 07-john_hiatt-outrunning_my_soul-erp.mp3 | John Hiatt | Outrunning My Soul | 253 | Unknown |
8 | 08-john_hiatt-hide_your_tears-erp.mp3 | John Hiatt | Hide Your Tears | 257 | Unknown |
9 | 09-john_hiatt-the_odds_of_loving_you-erp.mp3 | John Hiatt | The Odds Of Loving You | 241 | Unknown |
10 | 10-john_hiatt-one_stiff_breeze-erp.mp3 | John Hiatt | One Stiff Breeze | 249 | Unknown |
11 | 11-john_hiatt-robbers_highway-erp.mp3 | John Hiatt | Robber's Highway | 232 | Unknown |
NFO
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┌────────┐
────┤ Info ├─────────────────────────────────────────────────────────────────
└────────┘
Artist | John Hiatt
Title | The Eclipse Sessions
Genre | Rock Format | Album
Source | CDDA Time | 42:15
Label | New West Records Store | 2018-00-00
Catalog | NW6452 Rip | 2018-11-19
Bitrate | 244 kbps Size | 77.73 MB
Freq | 44.1 kHz Encoder | Lame 3.98.4
┌────────┐
────┤ Tracks ├─────────────────────────────────────────────────────────────────
└────────┘
01. Cry To Me 3:55
02. All The Way To The River 4:30
03. Aces Up Your Sleeve 3:21
04. Poor Imitation Of God 2:57
05. Nothing In My Heart 4:03
06. Over The Hill 4:21
07. Outrunning My Soul 3:43
08. Hide Your Tears 3:15
09. The Odds Of Loving You 4:06
10. One Stiff Breeze 3:40
11. Robber's Highway 4:24
┌────────┐
────┤ Notes ├─────────────────────────────────────────────────────────────────
└────────┘
John Hiatt's sales have never quite matched his reputation. Hiatt's songs
were covered successfully by everyone from Bonnie Raitt, Ronnie Milsap, and
Dr. Feelgood to Iggy Pop, Three Dog Night, and the Neville Brothers, yet it
took him 13 years to reach the charts himself. Of course, it took him
nearly that long to find his own style. Hiatt began his solo career in
1974, and over the next decade he ran through a number of different styles,
from rock & roll to new wave pop, before he finally settled on a rootsy
fusion of rock & roll, country, blues, and folk with his 1987 album "Bring
The Family".
Hiatt's best work often comes when he seems to be looking inward and baring
a bit of his soul, as he did on his 1987 masterpiece, "Bring The Family".
Of course, most folks have only so many demons to reveal to their public,
and by all accounts Hiatt is far from the reprobate he was in his younger
days. But he seems to remember the long shadows of his past with clarity,
and on 2018's "The Eclipse Sessions", he appears to be taking a look into
the more unforgiving parts of his nature and trying to make sense of it
all.
"Poor Imitation Of God" and "Nothing In My Heart" are plainspoken
meditations on his failings as a partner and as a man, "Over The Hill" has
less to do with age than his distance from the people in his life, "Hide
Your Tears" contemplates the pain that comes from his misdeeds, and
"Robber's Highway" is sung in the voice of a man at the end of his life
with more regrets than blessings to show for a life spent on the road. Only
Hiatt can know just how autobiographical any of these tunes may be, but
even if they're all fiction, "The Eclipse Sessions" rings true as the work
of someone who has been thinking a lot about human frailty and the
consequences of the choices we all must make.
Hiatt is too smart to pretend he has answers to any of the emotional
puzzles he's working in these tunes, but he sounds fearlessly honest as he
ponders it all, and the grain in his voice gives the right texture to his
contemplative delivery. And the arrangements and production on "The Eclipse
Sessions" are well matched to the material; Hiatt's band (Yates McKendree
on guitar, Patrick O'Hearn on bass, Kenneth Blevins on drums, Kevin
McKendree on keys) lays a lean but eloquent groove behind his performances,
and the audio is rich and clear.
One hopes for his sake that John Hiatt's life is happier than "The Eclipse
Sessions" may suggest, but either way he's given us a dark night of the
soul that's compelling and beautifully crafted.
┌────────┐
────┤ Salute ├─────────────────────────────────────────────────────────────────
└────────┘
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