Genre | Avantgarde |
---|---|
Date (CEST) | 2018-05-23 01:18:50 |
Group | FANG |
Size | None MB |
Files | 1 |
M3U / SFV / NFO |
John_Tilbury_-_Keith_Rowe_-_Kjell_Bjorgeengen-Sissel-(SOFA563)-CD-2018-FANG
Infos
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Tracklist (M3U)
# | Filename | Artist | Songname | Bitrate | BPM |
---|---|---|---|---|---|
1 | 01-john_tilbury_-_keith_rowe_-_kjell_bjorgeengen-sissel.mp3 | John Tilbury / Keith Rowe / Kjell Bjørgeengen | Sissel | 280 | Unknown |
NFO
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: /\ / / \ \/ \ / / / . sH!
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\ / \ / . '
: \/ F A N G \ / : '
____ \ / . . .. .. .:.. .
\ / presents \ / .
. \/ \/ :
: .
..:.. ,
: Artist......: John Tilbury / Keith Rowe / Kjell Bj°rgeengen
: Album.......: Sissel :
: Label.......: SOFA .. .:.. .
Genre.......: Avantgarde :
Catnr.......: SOFA563 .
' Source......: CD ,
; Rip.date....: 2018-05-15
Str.date....: 2018-05-25
Quality.....: 280kbps/44.1kHz/Joint Stereo . :..
.:. Url.........: http://www.sofamusic.no/album/sissel '
' ,
________ ________
\ / \ /
\ / \ /
\ / # title time \ /
\/ \/
1. Sissel 48:23
______
\ / ________ Runtime 48:23
,\ /... . . .... .... \ / ' Size 101.88______
:\/ ', \ / , \ /
' '... ..\ /.. .. .....:. .. .... .. . ..\ /.
: Release Notes: \/ , \/ ,
' '
,: John Tilbury and Keith Rowe have performed together within the :,
: legendary improvising ensemble AMM, as well as in numerous other :
:' contexts over the years. Duos for Doris (2003) was their first ':
,: meeting as a duo, E.E. Tension and Circumstance (2010) was the :,
: second before the 4CD box on SOFA, enough still not to know, was :
:' released in 2015. enough still not to know also introduces the ':
,: norwegian video artist Kjell Bj°rgeengen as a collaborator, in :,
: this case as the producer of the album. Bj°rgeengen, being a :
:' long time collaborator with both Tilbury and Rowe, is an ':
,: integral part of the group with Sissel. :,
: :
:' SOFA is proud to continue to present the work of Tilbury and ':
,: Rowe's long time collaboration, but also equally proud to hear :,
: Kjell Bj°rgeenges as a performer on this deeply moving album :
:' captured by Espen Reinertsen at the concert series Moving Sound ':
,: in Stavanger 2016. The album is dedicated to the memory of :,
: Kjell's wife Sissel, who passed away some weeks before the :
:' performance. ':
,: :,
: Keith Rowe writes the following about Sissel: :
:' ':
,: When Kjell suggested a painting by Nicolas Poussin "The :,
: gathering of the ashes of Phocion by his widow |╗ (1648) as a :
:' possible focal point for our performance in Stavanger, his ':
,: suggestion immediately resonated. At the National Gallery London :,
: we have stood in front of this very painting, I got a sense on :
:' how we might share a reading of this painting largely based on ':
,: TJ ClarkÆs book "The Sight of Death". :,
: :
:' In "The gathering of the ashes of Phocion by his widow", we ':
,: find in the foreground the central figure of PhocionÆs widow on :,
: her hands and knees surreptitiously gathering the ashes of the :
:' executed Phocion, who had become a victim of political ':
,: manoeuvring, while her maid standing behind keeps watch. Phocion :,
: has been denied a proper burial, his body burned on open ground, :
:' by necessity his widow must collect his remains secretively. ':
,: :,
: In the middle ground are the local people going about their :
:' daily tasks. Overseeing all of this are two large trees, ':
,: bearing witness to the comings and goings of human life, they :,
: watch, observe, track, without words, they are mute, and itÆs :
:' this muteness that interest me. ItÆs where my music has been ':
,: heading for during the past decade, a mute scratching in the :,
: foreground, and the chatter and clatter of human life somewhere :
:' vaguely behind. During the performance in Stavanger a recording ':
,: of JS BachÆs Chaconne BWV1004-5 (Tayiana Nikolayeva) is played, :,
: but you cannot hear it, it is silent, it is mute. :
:' ':
,: I ask myself, why for such a distressing event as the death of a :,
: dear precious friend Sissel finds its expression in muteness, :
:' why muteness? I think it relates to another Poussin painting ':
,: Landscape with a Calm (1650-51). :,
: :
:' In this painting we see, in the exact same spot as the widow, a ':
,: curly haired shepherd gazing out over a lake. But there is :,
: something strange here, the sky is full of turbulent stormy :
:' clouds, but the reflection on the lake is completely calm. ':
,: Maybe itÆs here where the disruptive turbulent shocking :,
: distressing news of the death of a dear friend who we loved :
:' locates its muteness. ':
,: :,
: Again the trees are watching. :
:' ':
: '
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\ / \ /
\ / Shout out to all our homies from: \ /
\ / \ /
\ / iPC BOSS HiT2000 1way UKi i8 RNS \ /
\ / RAGEMP3 MANDY DV8 pLAN9 BUTT \ /
\ / \ /
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\ / F A N G \ /
\/ 2 0 1 8 \/