Genre | House |
---|---|
Date (CEST) | 2020-10-25 19:52:15 |
Group | dh |
Size | 130 MB |
Files | 14 |
M3U / SFV / NFO |
Joris_Voorn--Four-(SPCTRM004CD)-CD-2019-dh
Infos
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Tracklist (M3U)
# | Filename | Artist | Songname | Bitrate | BPM |
---|---|---|---|---|---|
1 | 01-joris_voorn--never-dh.mp3 | Joris Voorn | Never | 263 | Unknown |
2 | 02-joris_voorn--district_seven_(broken_mix)-dh.mp3 | Joris Voorn | District Seven (Broken Mix) | 270 | Unknown |
3 | 03-joris_voorn--ryo-dh.mp3 | Joris Voorn | Ryo | 266 | Unknown |
4 | 04-joris_voorn--life-dh.mp3 | Joris Voorn | Life | 274 | Unknown |
5 | 05-joris_voorn--polydub-dh.mp3 | Joris Voorn | Polydub | 268 | Unknown |
6 | 06-joris_voorn--antigone-dh.mp3 | Joris Voorn | Antigone | 269 | Unknown |
7 | 07-joris_voorn--mano-dh.mp3 | Joris Voorn | Mano | 258 | Unknown |
8 | 08-joris_voorn--this_city_feat._lazarusman-dh.mp3 | Joris Voorn | This City feat. Lazarusman | 279 | Unknown |
9 | 09-joris_voorn--dark-dh.mp3 | Joris Voorn | Dark | 271 | Unknown |
10 | 10-joris_voorn--too_little_too_late_feat._underworld-dh.mp3 | Joris Voorn | Too Little Too Late feat. Underworld | 280 | Unknown |
11 | 11-joris_voorn--messiah_feat._haelos-dh.mp3 | Joris Voorn | Messiah feat. HÆLOS | 260 | Unknown |
12 | 12-joris_voorn--planet_nine-dh.mp3 | Joris Voorn | Planet Nine | 273 | Unknown |
13 | 13-joris_voorn--blanky_feat._michiel_borstlap-dh.mp3 | Joris Voorn | Blanky feat. Michiel Borstlap | 256 | Unknown |
14 | 14-joris_voorn--shallow-dh.mp3 | Joris Voorn | Shallow | 292 | Unknown |
NFO
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█ - d e e p h o u s e -
25.10.2020
·∙∙·[rlsnfo]·∙ ∙···∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙···∙···∙·
.
artist : Joris Voorn
title . Four
type : Album
year . 2019
genre : House
subgenre . Progressive House / Tech House / Downtempo / Ambient
label : Spectrum Music (NL)
cat . SPCTRM004CD
URL : https://jorisvoorn.com
.
·∙∙∙[ripnfo]∙∙ ∙···∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙···∙···∙·
.
grabber : EAC
encoder . LAME 3.100
quality : VBRkbps / 44,1Khz / Joint-Stereo
source . CDDA
.
·∙∙·[trax]∙·∙∙ ∙∙··∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙···∙···∙∙
01.Never 04:14
02.District Seven (Broken Mix) 05:09
03.Ryo 05:26
04.Life 03:22
05.Polydub 04:57
06.Antigone 05:58
07.Mano 04:12
08.This City feat. Lazarusman 04:54
09.Dark 05:13
10.Too Little Too Late feat. Underworld 05:48
11.Messiah feat. H╞LOS 05:47
12.Planet Nine 02:47
13.Blanky feat. Michiel Borstlap 04:38
14.Shallow 04:33
66:58 min 129,62 MB
·∙∙∙·[comments]·∙·∙∙·∙···∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙·∙·
Despite chiefly being known as an artist who moves dancefloors, Joris
Voorn has always made clear his intentions to be known as more of a
musician in the traditional sense. Steadily releasing three acclaimed
studio albums that display his keen sense of musicality, mood and
arrangement, he has proved that he is highly accomplished at providing
more than just dancefloor fodder. His fourth album '\\\\' [four] is
now ready to be unleashed: the glorious pinnacle of his studio efforts
to date.
Where his first two albums 'Future History' and 'From A Deep Place'
saw Voorn draw inspiration from Detroit Techno, this new album finds
its inspiration in the European electronic scene of the mid-'90s. From
the crossover success of acts like Underworld, The Prodigy and Orbital
through to bastions of hard techno and ambient like R&S Records, it's
the fertile and rapidly-evolving sounds of his formative musical years
that he has looked back on with such reverence for this majestic
record.
"I believe the mid-90s was the most inspiring time to be listening to
electronic dance music" he says. "Artists were discovering new sounds
and genres every single day, never again has there been so much
innovation in such a short time. Where in the very early-'90s it
sounds like most producers were still using their equipment in quite a
basic way, around '94/'95 the same artists mastered their instruments
and studios to create masterpieces that still sound inspiring 25 years
later. I'm glad to have entered my musical journey in just the right
time." states Joris.
The backslashes of the title refer both to this being his fourth album
experience and a nod to the design of the 'V' from Voorn in his logo.
"Like my previous albums, it's a collection of tracks that I've worked
on over the last few years" says Voorn. "Some even date from before my
last album 'Nobody Knows'. As an electronic music artist, I've always
worked on many different sounds, whether it's dance music or more
atmospheric or experimental melody driven music. '\\\\' is no
different in this."
Featuring collaborations with Voorn's heroes Underworld, British
trip-hop outfit H╞LOS, the South African poet Lazarusman and Dutch
pianist Michiel Borstlap, the record exercises his wide variety of
tastes. From tried-and-tested dancefloor workouts through to
introspective, languid compositions, it's a beautifully varied
package. Guitar plucks rub up against delicate synth arpeggios,
crashing breakbeats contrast soulful vocals, dulcet piano tones glide
over ghostly hip-hop rhythms and classic techno stabs permeate among
atmospheric pads.
While texture and cadence vary, it's the melodic content that ties the
record together. "As always in my music, melodies are important on '\
\\\'. They are what defines me as an electronic music artist the most.
The album features some tracks I've played out in my sets for a long
time ù which represent my work as a DJ and dance music artist ù tied
together with tracks where the drums are less prominent and melodies
or synth arpeggios are the driving force."
enjoy!
remember to support artists.
·∙∙∙·[respect]∙··∙·∙∙·∙···∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙··
shoutouts to the groups that love the music they promote..
·∙∙··[dh]·∙·∙∙·∙···∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙·····∙··∙
If you're down with the deep house music, music with feeling..
music that makes you groove no matter where you are.. and you
think you can add to this feeling.. then drop us a line [email protected]
keep the feeling real. .∙· d e e p h o u s e 2 0 2 0 ·∙.
·∙∙∙··∙∙··∙·∙∙·∙···∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙···∙···∙·