Joris_Voorn--Four-(SPCTRM004CD)-CD-2019-dh

Tracklist (M3U)
# Filename Artist Songname Bitrate BPM
1 01-joris_voorn--never-dh.mp3 Joris Voorn Never 263 Unknown
2 02-joris_voorn--district_seven_(broken_mix)-dh.mp3 Joris Voorn District Seven (Broken Mix) 270 Unknown
3 03-joris_voorn--ryo-dh.mp3 Joris Voorn Ryo 266 Unknown
4 04-joris_voorn--life-dh.mp3 Joris Voorn Life 274 Unknown
5 05-joris_voorn--polydub-dh.mp3 Joris Voorn Polydub 268 Unknown
6 06-joris_voorn--antigone-dh.mp3 Joris Voorn Antigone 269 Unknown
7 07-joris_voorn--mano-dh.mp3 Joris Voorn Mano 258 Unknown
8 08-joris_voorn--this_city_feat._lazarusman-dh.mp3 Joris Voorn This City feat. Lazarusman 279 Unknown
9 09-joris_voorn--dark-dh.mp3 Joris Voorn Dark 271 Unknown
10 10-joris_voorn--too_little_too_late_feat._underworld-dh.mp3 Joris Voorn Too Little Too Late feat. Underworld 280 Unknown
11 11-joris_voorn--messiah_feat._haelos-dh.mp3 Joris Voorn Messiah feat. HÆLOS 260 Unknown
12 12-joris_voorn--planet_nine-dh.mp3 Joris Voorn Planet Nine 273 Unknown
13 13-joris_voorn--blanky_feat._michiel_borstlap-dh.mp3 Joris Voorn Blanky feat. Michiel Borstlap 256 Unknown
14 14-joris_voorn--shallow-dh.mp3 Joris Voorn Shallow 292 Unknown
NFO
▓█ █ ██ █ ███░ ██ █ █░ █ ██ ███░ █ ████ ██ █░ ████▒ ██ █ ███▒ ▓█ ██ █░ █▒ █▓░█ █░ █░▒███ ██▒████ ███ █ █▓ ░█ ██ ██ ██ ░██ █ █▓▓█ █ █ █ ███ █ ██ ▒███ ██ ░█ ██ ██▒ █████ █ ▓█ ██▓███▓ ▒█ ██ ██ █ ██ ░███ ███ ███░ ████ █▓ ██ ███▓ ██░ █████▒ ██ █ ████▓█ █▒██ ░██ ██ ▒█ ██████ ██ █▓ ██ ░██ █▒ ▒████▒ ▒█ ░████ ██▓ ███░ ████ ██░ ▓░ ████ █▓ ██ █ - d e e p h o u s e - 25.10.2020 ·∙∙·[rlsnfo]·∙ ∙···∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙···∙···∙· . artist : Joris Voorn title . Four type : Album year . 2019 genre : House subgenre . Progressive House / Tech House / Downtempo / Ambient label : Spectrum Music (NL) cat . SPCTRM004CD URL : https://jorisvoorn.com . ·∙∙∙[ripnfo]∙∙ ∙···∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙···∙···∙· . grabber : EAC encoder . LAME 3.100 quality : VBRkbps / 44,1Khz / Joint-Stereo source . CDDA . ·∙∙·[trax]∙·∙∙ ∙∙··∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙···∙···∙∙ 01.Never 04:14 02.District Seven (Broken Mix) 05:09 03.Ryo 05:26 04.Life 03:22 05.Polydub 04:57 06.Antigone 05:58 07.Mano 04:12 08.This City feat. Lazarusman 04:54 09.Dark 05:13 10.Too Little Too Late feat. Underworld 05:48 11.Messiah feat. H╞LOS 05:47 12.Planet Nine 02:47 13.Blanky feat. Michiel Borstlap 04:38 14.Shallow 04:33 66:58 min 129,62 MB ·∙∙∙·[comments]·∙·∙∙·∙···∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙·∙· Despite chiefly being known as an artist who moves dancefloors, Joris Voorn has always made clear his intentions to be known as more of a musician in the traditional sense. Steadily releasing three acclaimed studio albums that display his keen sense of musicality, mood and arrangement, he has proved that he is highly accomplished at providing more than just dancefloor fodder. His fourth album '\\\\' [four] is now ready to be unleashed: the glorious pinnacle of his studio efforts to date. Where his first two albums 'Future History' and 'From A Deep Place' saw Voorn draw inspiration from Detroit Techno, this new album finds its inspiration in the European electronic scene of the mid-'90s. From the crossover success of acts like Underworld, The Prodigy and Orbital through to bastions of hard techno and ambient like R&S Records, it's the fertile and rapidly-evolving sounds of his formative musical years that he has looked back on with such reverence for this majestic record. "I believe the mid-90s was the most inspiring time to be listening to electronic dance music" he says. "Artists were discovering new sounds and genres every single day, never again has there been so much innovation in such a short time. Where in the very early-'90s it sounds like most producers were still using their equipment in quite a basic way, around '94/'95 the same artists mastered their instruments and studios to create masterpieces that still sound inspiring 25 years later. I'm glad to have entered my musical journey in just the right time." states Joris. The backslashes of the title refer both to this being his fourth album experience and a nod to the design of the 'V' from Voorn in his logo. "Like my previous albums, it's a collection of tracks that I've worked on over the last few years" says Voorn. "Some even date from before my last album 'Nobody Knows'. As an electronic music artist, I've always worked on many different sounds, whether it's dance music or more atmospheric or experimental melody driven music. '\\\\' is no different in this." Featuring collaborations with Voorn's heroes Underworld, British trip-hop outfit H╞LOS, the South African poet Lazarusman and Dutch pianist Michiel Borstlap, the record exercises his wide variety of tastes. From tried-and-tested dancefloor workouts through to introspective, languid compositions, it's a beautifully varied package. Guitar plucks rub up against delicate synth arpeggios, crashing breakbeats contrast soulful vocals, dulcet piano tones glide over ghostly hip-hop rhythms and classic techno stabs permeate among atmospheric pads. While texture and cadence vary, it's the melodic content that ties the record together. "As always in my music, melodies are important on '\ \\\'. They are what defines me as an electronic music artist the most. The album features some tracks I've played out in my sets for a long time ù which represent my work as a DJ and dance music artist ù tied together with tracks where the drums are less prominent and melodies or synth arpeggios are the driving force." enjoy! remember to support artists. ·∙∙∙·[respect]∙··∙·∙∙·∙···∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙·· shoutouts to the groups that love the music they promote.. ·∙∙··[dh]·∙·∙∙·∙···∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙·····∙··∙ If you're down with the deep house music, music with feeling.. music that makes you groove no matter where you are.. and you think you can add to this feeling.. then drop us a line [email protected] keep the feeling real. .∙· d e e p h o u s e 2 0 2 0 ·∙. ·∙∙∙··∙∙··∙·∙∙·∙···∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙···∙···∙·

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