[GLOBAL.TUNES.iNCORPORATED]──────┐ │ │ ▄▄██████▄▄▄ ▀▀██▄▄▄▄▄▄▄▄ │ ▄███▓▒░░▒░░░░███ ▀░░░░░▒▒▓█████████████ ██▓▒░░░░░░░░░░░░██ ░░░░░░░░░░░░░░░░░░░██ ██░░░░░▒░░░░░▒░░░░█ ▀░▒░░░░▒░░░░░▒░░░░▒█ ▄▄ ██▒▒░▒░░░░░░▒░░░░░░██ ░░░░░░░░▒░░░░░░░░▓█░░███▄ ▄█░░▒░░██▀▀▀██░░░████ ▄██▀▀█▒▒░░▒░░░░░░░██░░▒▒██▄ ▄ █▓░▒░░██ ▄█▄ ██▀▀▀ ▄▄▄▄ █▓░▒▒▒█▀▀█████░▒▒▓▒▓▓█ ▄ ▄ ▄ █▒▒░▒▒█ █▓▓▄ ░░ ░▒▓▓▓██ █▒▒▒░▒█ ▄░░░░░░▓▒▓▓▓█ ▄ ▄ ▀ ██▒▒▒░██ █▓▓▓▒▒ ▄▄ ▓▓█ █▒▒▓▒▒█ ██▓▓▒▓▒▒▓▓▓██ ▀ █ █ █▒▒▓▒▒█ ▄▀▀ ▄▄▄███████ ▓▀ █▒▓▒▒▓█ ▄ ██▓▓▓▓▓▓▓██AyL █ █ ▓ ▓██ █▒▓▒▒▒█ █ ████░▒▒▒▓▒▒▓██ ▒ ██▓▒▒▓▒█ ███▓▓███▀ cRO ██▓ ▓ ▀█ ▀▓█ █▒▒▒▓▒█ ▀ ██▒▒▒▒▓▒▒▒▓▓▓█ █▓▒▒▓▓▒██ ░ ▄ ▀▀▀▀ ▄ ▄██▓▀ █▀ ▓█▄ ▀ ██▒▓▒▒██ ▄ █░▒░▒▓▓▓▒▒▓▓██ █▓▒▓▒▓▒▒█ ▒ ████████ ███▀ ▄█▓ ▓███▄▄ █▒▒▓▓▒█ ▀ ████▀██▒▓▓▒▓▓█ █▒▓▓▓▒▓▒█ ▓▄ █▓▒░░█ ██ ▄▄███▓ ▀▓▓███ █▒▓▓▒▓██ ▀ ▄ ▄█▓▓▒▓▓▓█ ██▓▓▒▓▓▓▓█ ▓█ █▓░▒░█ ██ ▄███▓▓▀ ▀▓█ ██▒▓▓▒▒██▄▄ ▄▄██▓▒▓▓▓▓██ █▓▓▓▓▓▒▓▓█ █▀ █▒▒▓▒██ █ ▄██▓▀ ▀█▄ █▓▒▒▓▒▓▓▓███▓▓▓▓▓▓▓▒▓█ ▄█▓▓▒▓▓▓▓▓█ ▀ ██▓▓▒▒▒█ ▄ ███▀ ░░▒▓▓▓ ▀█ ██▓▓▓▓▓▓▒▓▓▓▓▓▓▓▒▓▓▓█▀ █▓▓▓▓▓▓▓▓▓██ █▓▓▒▓▒▓█ ██▀ ▓▓▓▒░░ ░█▓█▄ ██▓▒▓▓▓▓▓▓▓▓▓▓▓▓▓▓█▀ █▓▓▓▓▓▓▓▓▓▓█ █▓▓▓▓▓▓██ ██ ▄█▓█░ ▄▄ ▀██▄ ██▓▓▓▓▓▓▓▓▓▓▓▓▓██▀ ▀▀▀▀██████▓█ ██▓▓▓▓████ ▀ ▄██▀ ▄▄ ▄▓████▄ ▀▓█ ▀▀███▓▓▓█████▀▀ ▀▀▀ ████▀▀▀ ██▓▀ ▄████▓▄ ▓██▀ ▀██ ▓██ ▀▀▀▀▀ PRESENTS ██▓ ██▀ ▀██▓ ▓██ ▀ █ ▓███ ███▓ █ ▀ ██▓ ▓█▄ ▀▀ ▓▓███ Judge_Jules-The_Essential_Selection_Live ███▓▓ ▀▀ ▄█▓ ▀▀▀ ▄▓████ ████▓▄ ▀▀▀ ▄▄▓▓▓██████ ██████▓▓▓▄▄ ▓▓███████▀▀ ARTiST.......[ Judge Jules ▀▀███████▓▓ ▓▓███▀▀ ▄ TiTLE........[ The_Essential_Selection ▄ ▀▀███▓▓ ▄▓███ ▄█ ▓█▄ GENRE........[ House ▄█▓ █▄ ███▓▄ ▓▓██ █▀ ▓█ YEAR.........[ 2004 █▓ ▀█ ██▓▓ ▓▓███▄ ▄██▀ LABEL........[ n/a ▀██▄ ▄███▓▓ ▓▓██████▀ NR.OF.TRACKS.[ 01 ▀██████▓▓ ▀▓▓████ ████▓▓▀ ▀▀▓██ AUDiO SOURCE.[ Live Session ██▓▀▀ █▄▄▄ ▓█ ENCODER......[ Lame 3.90.3 █▓ ▄▄▄█ ▄▓█ █ QUALiTY......[ 192kbps / 44.1kHz / STEREO █ █▓▄ ▓███ ██ SIZE.........[ 230 MB ██ ███▓ ▓▓██████▄ RLS.DATE.....[ 05.11.2004 ▄██████▓▓ ▓▓▓█████▄▄ ▄▄█████▓▓▓ ▀▀▀ ███████▄ ██▀█ ██▀▀▀██ █▄ █▀██▀█▀▀██▀▀██▀▀ ██▀▀ ▄███████ ▀▀▀ ▄▓▓▄██▓▓▀▀▓█ ▓█▄▀ ▓█▀ ▓█ ▓███ ▓█ █ ▓█ ▓█▀ ▀▀▀█ ▓█▓▀▀▓▓██▄▓▓▄ ▓█████▓▓ █ ▓█ █▄▓███ ▓███▄▓█ █ ▓███ ▓█ ▓███▄▓███ ▓█ ▓▓█████▓ ▓█▀ ▀▓▓ ▓▓▀ ▀█▓ ▓█ Judge in for Tong with his esssential selection! █▓ ▓█ Enjoyyy :) █▓ ▓█ █▓ ▓█ Tracklisting: █▓ ▓█ █▓ ▓█ http://www.bbc.co.uk/radio1/dance/petetong/ █▓ ▓█ tracklistingsarchive.shtml █▓ ▓█ █▓ ▓█ Unfortunately, sometimes the tracklisting is not █▓ ▓█ always updated during or even after the show. █▓ ▓█ █▓ ▓█ Biography: █▓ ▓█ █▓ ▓█ For Pete Tong, whose consummate involvement in █▓ ▓█ all areas of dance music has made him a █▓ ▓█ genuine household name in the UK, these are █▓ ▓█ exciting times: every aspect of his █▓ ▓█ considerably varied career is currently █▓ ▓█ undergoing either consolidation, change, or █▓ ▓█ creation anew. As a DJ, Tong is enjoying █▓ ▓█ increasing international popularity, █▓ ▓█ especially in the USA, and is launching a █▓ ▓█ residency at Pacha in Ibiza this summer with █▓ ▓█ fellow pioneer Paul Oakenfold. And as a █▓ ▓█ broadcaster who brought dance to the masses █▓ ▓█ via his Essential Selection show at Radio One, █▓ ▓█ he has just agreed a new three-year contract █▓ ▓█ which will keep him on the BBC airwaves █▓ ▓█ through to 2005. The record executive who █▓ ▓█ founded the seminal ffrr label in 1988, █▓ ▓█ overseeing the careers of Orbital, Goldie, █▓ ▓█ Brand New Heavies, Salt n Pepa and Artful █▓ ▓█ Dodger, Pete Tong is returning to his A and R █▓ ▓█ roots with the company. The DJ behind many an █▓ ▓█ Essential Mix compilation, he has a triple CD █▓ ▓█ set Tune In, Turn On, Chill Out lined up for █▓ ▓█ the summer; he has also just assembled the █▓ ▓█ music for 24 Hour Party People. █▓ ▓█ █▓ ▓█ Such a range of high-profile activities seems █▓ ▓█ a long way removed from Tong's beginnings as a █▓ ▓█ wedding DJ in Kent during his teens. But for █▓ ▓█ all his current fame and acclaim, you'd be █▓ ▓█ hard put to find someone whose progression has █▓ ▓█ been more organic. In fact, in many ways, █▓ ▓█ Pete's story runs parallel to the growth of █▓ ▓█ dance music in the UK. █▓ ▓█ █▓ ▓█ When he was at school, hard rock ruled the █▓ ▓█ roost, and Pete tried playing in bands, but █▓ ▓█ after seeing a DJ playing actual records at a █▓ ▓█ school disco and deciding "that looked like █▓ ▓█ much more fun," he never looked back. "DJing █▓ ▓█ just seemed to be my vocation." Initially, █▓ ▓█ Pete followed that vocation to Soul Weekenders █▓ ▓█ in otherwise quiet sea-side towns like Caistor █▓ ▓█ and Prestatyn, where he "was always the young █▓ ▓█ boy" who ran with a crowd of old-school DJs █▓ ▓█ known as the Soul Funk Mafia. █▓ ▓█ █▓ ▓█ His involvement in that scene landed him a day █▓ ▓█ job at Blues and Soul magazine where he soon █▓ ▓█ became features editor and began making █▓ ▓█ appearances on BBC's Radio London and Radio █▓ ▓█ Medway. Out in club land, meanwhile, he █▓ ▓█ quickly learned a maxim that still holds true █▓ ▓█ today: "the only way to do it is to run your █▓ ▓█ own club, create your own scene." So Tong DJ'd █▓ ▓█ a club in Baker Street called [Family] █▓ ▓█ Function, and simultaneously booked bands for █▓ ▓█ a weekend alternative night: the first one he █▓ ▓█ hired was the then-unknown Culture Club. █▓ ▓█ █▓ ▓█ An ability to explain what was then considered █▓ ▓█ a fringe genre found him presenting a dance █▓ ▓█ music segment on Radio 1's Peter Powell show. █▓ ▓█ But noticing that daytime DJs had no control █▓ ▓█ over the music they played, Tong eschewed █▓ ▓█ national radio opportunities, launching a soul █▓ ▓█ show on Kent's newly-launched Invicta station █▓ ▓█ instead. By this time, his growing reputation █▓ ▓█ for recognising new talent saw him leave Blues █▓ ▓█ and Soul for an A and R position at London █▓ ▓█ Records, a job he has held, in one manner or █▓ ▓█ another, for almost twenty years. █▓ ▓█ █▓ ▓█ In the mid-eighties, the old guard was swept █▓ ▓█ away, as first the hip-hop and electro sounds █▓ ▓█ from New York, and then house music from █▓ ▓█ Chicago, techno from Detroit and the 'Baleiric █▓ ▓█ Beat' in Ibiza, were embraced by a new set of █▓ ▓█ young London promoters and DJs. Pete Tong and █▓ ▓█ his friend Nicky Holloway DJ'd in Ibiza for █▓ ▓█ the first time in 1986. The following year █▓ ▓█ Holloway went with Oakenfold and Danny █▓ ▓█ Rampling, and upon return to London, succeeded █▓ ▓█ in emulating the Ibiza experience across █▓ ▓█ clubland. The house generation was born. █▓ ▓█ █▓ ▓█ Tong, in the thick of it all, was hired by █▓ ▓█ Capital Radio to broadcast to the new █▓ ▓█ clubbers, which helped give him the clout to █▓ ▓█ start a 'label within a label' at London. Ffrr █▓ ▓█ Records was born in 1988: hitting the charts █▓ ▓█ immediately with Salt n Pepa's 'Push It', Tong █▓ ▓█ and ffrr became famous for conducting █▓ ▓█ lightning raids on the latest underground hits █▓ ▓█ and propelling them up the charts. "I've been █▓ ▓█ lucky," says Tong. "I grew up at a time when █▓ ▓█ the whole scene exploded, and I worked with a █▓ ▓█ bunch of people for a long period of time who █▓ ▓█ empowered me to be able to change things." █▓ ▓█ █▓ ▓█ The biggest change came in 1991, when Radio █▓ ▓█ One recognised that it needed to cater for the █▓ ▓█ new, and permanent, youth culture. Pete was █▓ ▓█ hired away from Capital to host a brand new █▓ ▓█ Friday evening show, the Essential Selection, █▓ ▓█ which gave him one of the most influential █▓ ▓█ jobs in the business - broadcasting to the █▓ ▓█ nation's record buying, club-going youth and, █▓ ▓█ unlike his daytime predecessors, choosing the █▓ ▓█ music too. █▓ ▓█ █▓ ▓█ Tong's success as a broadcaster, clubland DJ █▓ ▓█ and A and R man has been predicated on a █▓ ▓█ precarious but successful balance between █▓ ▓█ credibility - "I look for originality and █▓ ▓█ records with a lot of spirit and soul," - and █▓ ▓█ commerciality. "You can have good taste in █▓ ▓█ your own world and be very obscure," he says █▓ ▓█ of those DJs who ignore the crowd. This means █▓ ▓█ that he's not afraid to drop the hits onto the █▓ ▓█ decks. "People forget it's entertainment," █▓ ▓█ Tong explains. "You've got these DJs coming █▓ ▓█ on, and they'll inflict two or three hours of █▓ ▓█ music on the audience, and sometimes it's █▓ ▓█ torture because it's all unknown. It doesn't █▓ ▓█ really work, and the music they're picking █▓ ▓█ isn't really that good anyway. It's supposed █▓ ▓█ to be fun." █▓ ▓█ █▓ ▓█ This readiness to entertain, tempered by a █▓ ▓█ constant search for the next big thing, █▓ ▓█ enabled Tong to thrive throughout the 1990s. █▓ ▓█ Ffrr grew from a singles-based label to an █▓ ▓█ album artist's breeding ground. The Essential █▓ ▓█ Selection spun off a show called the Essential █▓ ▓█ Mix, enabling DJs worldwide to showcase their █▓ ▓█ mixing talents on national radio, and together █▓ ▓█ these led to the Essential compilations, with █▓ ▓█ Tong producing several best-sellers himself. █▓ ▓█ In the mid-nineties, Radio 1 sought Tong's █▓ ▓█ advice on revamping their roster, and with the █▓ ▓█ arrival of Judge Jules, Danny Rampling and co. █▓ ▓█ to the national airwaves, the revolution was █▓ ▓█ complete. Success, though, can bring █▓ ▓█ complacency, something Tong is adamant to █▓ ▓█ avoid. "When you're on the radio for so long █▓ ▓█ your audience stays the same age but you get █▓ ▓█ older. The new people come in and think of you █▓ ▓█ as a radio DJ and not a club DJ." Tong's new █▓ ▓█ contracts with both ffrr and Radio 1 allow him █▓ ▓█ more time on the road, searching out new music █▓ ▓█ as he plays across the globe, broadcasting █▓ ▓█ from select cities en route. █▓ ▓█ █▓ ▀▓█▄▄▄█▀ /TEAM GTi ▀█▄▄▄█▓▀ ▀▓██▀ ▀██▓▀ ▄███▄ ▄ ▄ ▄███▄ ▓▓█▀ ▄▄▓ ▄▓█ ▀██▀▀██▀█ ██▀█▀██▀▀ ██ █ ██ ██ ██▀▀▀▀██▀ █▓▄ ▓▄▄ ▀█▓▓ ▓▓██ ▀█▀ ▄██▀▀ ▓█ ▓█▄▀ ▓█▄█ ▓█ ▓██▄ ▓█ ▄▄ ▀▀▀█ ▓█ ▀▀██▄ ▀█▀ ██▓▓ ▓▓███▄▄▄▓██▓ ▓█ ▓█ █▄▓█ █ ▓███▄▓█ █▄▓███▄▓█▄▓███ ▓█ ▓██▓▄▄▄███▓▓ ▓▓███████▓ ▓███████▓▓ ▀▀▓▓▓▀█▓ NR. TRACKNAME TiME ▓█▀▓▓▓▀▀ ░██▓ ───┬───────────────────────────────┬────── ▓██░ ░██ 01 │the essential selection live a│ 168:03 ██░ ▄▄▓████ ───┴───────────────────────────────┴────── ████▓▄▄ ▄▓██▀ ▀██ ToTAL: 168:03 min█▀ ▀██▓▄ ▄▓██ ▄██▄ ▀ ▀ ▄██▄ ██▓▄ ░ ▓▓█ █ ███ ███ █ █▓▓ ░ ▒ ▓▓██ ███ ██▀▀▀██▀█ ██▀█▀██ █ ██▀█▀█▄ █▀██▀▀▀██ █ ██▀▀ ███ ██▓▓ ▒ ▓▄ ▓▓██▄▄███ ▓█ █ ▓█▄▀ ▓█ █ ▓█ █ ▓█▄█ ▓███ ▓█▀ ▓█ ▄ █ ▀▀▀█ ███▄▄██▓▓ ▄▓ ▓▄ ▓▓▓█▓██▀ ▓███ ▓█ █▄▓███ ▓███▄▓█ ▓█ █ ▓███ ▓█▀█▀█▄▓███ ▀██▓█▓▓▓ ▄▓ █▓▄▄ ▀▀▀ ▄▄▓ ▓▄▄ ▀▀▀ ▄▄▓█ ██▓▓▓▄▄ ▀▀ Global Tunes Inc has been established for ▀▀ ▄▄▓▓▓██ ▀████▓▓▓▓ close to a year releasing quality music ▓▓▓▓████▀ ▀██████▓▓ for everyones listening pleasure and what ▓▓██████▀ ▓██ ███▓ started out as a small group releasing UK ▓███ ██▓ ▒██ █▓▀ based dance music has grown into something ▀▓█ ██▒ ▒██▓ ▀▀▀█ much greater than what we could ever have █▀▀▀ ▓██▒ ▓███▓▄▄ hoped for. Our intention to focus on ▄▄▓███▓ ▀████▓▓▄ electronic dance music remains the same ▄▓▓████▀ ▄██████▓▓ although we have grown quite strong in ▓▓██████▄ ▄██▀ ▀███▓▄ other styles of music as well. ▄▓███▀ ▀██▄ █▓ ▄█ ██▓▓ ▓▓██ █▄ ▓█ ▀█▓ █▀ ███▓▀ Besides releasing retail and promo ▀▓███ ▀█ ▓█▀ ▀ ▄▄███▓▓ material we have our own liveset division ▓▓███▄▄ ▀ ▄▄███████▓▓ releasing sets from the worlds greatest ▓▓███████▄▄ ██████▓▓▓▀▀ DJ's on a regular basis and will continue ▀▀▓▓▓██████ ████▓▀ ▄▄▄ to do so as long as people enjoy them. ▄▄▄ ▀▓████ ███▓▓ ▄▄ ▀█▓ ▓█▀ ▄▄ ▓▓███ ███▓ █ ▄ ██▓ Our hope is that our releases will help ▓██ ▄ █ ▓███ ███▓ ██▄ ▄██▓ you widen your taste in music and embrace ▓██▄ ▄██ ▓███ ██▓▄ ▀████▓▀ alternative styles of music and not only ▀▓████▀ ▄▓██ ████▄▄ ▀▀ run out and buy the latest Britney album ▀▀ ▄████ ▀▓███▓▄▄ or whatever tops the charts at the moment. ▄▄▓███▓▀ ▀▓████▓▓▄ ▄▓▓████▓▀ ▄██████▓▓ These artists deserve your support, don't ▓▓██████▄ ▄██▀ ▀███▓▓ hesitate to purchase a copy of this album ▓▓███▀ ▀██▄ █▓ ▄█ ██▓▓ if you like it ▓▓██ █▄ ▓█ ▀█▓ █▀ ███▓▀ ▀▓███ ▀█ ▓█▀ ▀ ▄▄███▓▓ We are currently seeking: ▓▓███▄▄ ▀ ▄▄███████▓▓ ▓▓███████▄▄ ██████▓▓▓▀▀ - CD/Vinyl rippers with their own supply ▀▀▓▓▓██████ ████▓▀ ▄▄▄ - CABLE/DAB/SAT rippers with a 100k/s+ upload ▄▄▄ ▀▓████ ███▓▓ ▄▄ ▀█▓ - 100 Mbit+ HQ's in CZ, NO, DK and FR ▓█▀ ▄▄ ▓▓███ ███▓ █░▓█ ██▓ ▓██ █▓░█ ▓███ ███▓ ▓█ █ ██▓ ▀ ██▀▀▀██▀█ ██▀▀▀██▀▀▀▀██▀ ██▀▀ ▀ ▓██ █ █▓ ▓███ ███▓ ▓█ █ ██▓ ▄▄█ ▓█ █ ▓█▄▀ ▓█▀ ▓█▀ ▓█ ▀▀▀█ █▄▄ ▓██ █ █▓ ▓███ ███▓ ▓█ ▓▀ ██▓ ░▒▓▓▓██ ▓███ ▓█ █▄▓███ ▓███ ▓█▄▄▓███ ██▓▓▓▒░░ ▓██ ▀▓ █▓ ▓███ ███▓ ██▄ ▄██▓ ▓██▄ ▄██ ▓███ ██▓▄ ▀████▓▀ 1REAL - APC - BOSS - BPM - MiM - RNS - USF ▀▓████▀ ▄▓██ ▀███ ▀▀ UTE - DEVIANCE - CENTROPY - DVL - DEiTY ▀▀ ███▀ ▄ ███▄ ▀▄▄ and everyone else keeping the scene alive ▄▄▀ ▄███ ▄ ▄ ▀█▓█░▄▄▄ ▄▄▄ ▄▄ ▄ ▄ ▄▄ ▄▄▄ ▄▄▄░█▓█▀ ▄ ▀▄▄ ▀▀▀▀████████████████████████████████████████████████████████▀▀▀▀ ▄▄▀ ▀▀▀▀▄▄▄▄▄▄ ▀▀▀▓█▓█▄ ▀█▓ ▓█▀ ▄█▓█▓▀▀▀ ▄▄▄▄▄▄▀▀▀▀ ▀▀▀▄▄ ▀▓▓█ █▓ ASCii BY AyLieN ▓█ █▓▓▀ ▄▄▀▀▀ ▄ ▓▓█ █ CHEMiCALREACTiON █ █▓▓ ▄ ▓▄ ▄▓█▀ ▄ -+ 2oo4 +- ▄ ▀█▓▄ ▄▓ ▀▓███▀ ▀ ▀ ▀███▓▀ ▀▀ ▄ ▄ ▀▀