Genre | Electronic |
---|---|
Date (CEST) | 2022-04-01 04:53:14 |
Group | OMA |
Size | 133 MB |
Files | 7 |
M3U / SFV / NFO |
Julian_Sartorius_and_Matthew_Herbert--Drum_Solo-(AC173D)-WEB-2022-OMA
Infos
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Tracklist (M3U)
# | Filename | Artist | Songname | Bitrate | BPM |
---|---|---|---|---|---|
1 | 01-julian_sartorius_and_matthew_herbert--four_twenty-oma.mp3 | Julian Sartorius & Matthew Herbert | four twenty | 320 | Unknown |
2 | 02-julian_sartorius_and_matthew_herbert--one_ten-oma.mp3 | Julian Sartorius & Matthew Herbert | one ten | 320 | Unknown |
3 | 03-julian_sartorius_and_matthew_herbert--twelve_fifty-oma.mp3 | Julian Sartorius & Matthew Herbert | twelve fifty | 320 | Unknown |
4 | 04-julian_sartorius_and_matthew_herbert--three-oma.mp3 | Julian Sartorius & Matthew Herbert | three | 320 | Unknown |
5 | 05-julian_sartorius_and_matthew_herbert--twelve_fifteen-oma.mp3 | Julian Sartorius & Matthew Herbert | twelve fifteen | 320 | Unknown |
6 | 06-julian_sartorius_and_matthew_herbert--eleven_fifty-oma.mp3 | Julian Sartorius & Matthew Herbert | eleven fifty | 320 | Unknown |
7 | 07-julian_sartorius_and_matthew_herbert--twelve_thirty-oma.mp3 | Julian Sartorius & Matthew Herbert | twelve thirty | 320 | Unknown |
NFO
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████ ■ ███▓█ █▓███ ■ ████
████ · ▄▓███▓ OPEN MUSiC ASSOCiATiON ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ .···. P R E S E N T S .···. ▓ │▀▀▀█▓▄▄ █████
██████▓▀ ▀ ▀ ▀▓██████
█████▀ Julian Sartorius & Matthew Herbert - Drum Solo ▀█████
████▀ ▀████
███▀ ▀███
█▓▓▓▓ ARTiST..[ Julian Sartorius & Matthew Herbert ▓▓▓▓█
█▓▓▓▓ TiTLE...[ Drum Solo ▓▓▓▓█
████ GENRE...[ Electronic CAT#....[ AC173D ████
████ LABEL...[ Accidental ENCODER.[ Lame 3.100 ████
████ YEAR....[ 2022 QUALiTY.[ 320kbps ████
████ SOURCE..[ WEB (FLAC) MODE....[ Joint Stereo ████
████ PLAYTIME[ 57:00 REL.DATE[ 04.01.2022 ████
████ TRACKS..[ 07 RiPPER..[ TEAM OMA ████
████ SiZE....[ 130,58 MB SUPPLiER[ TEAM OMA ████
████ ████
████ ████
████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████
████ ■ ███▓█ .···. T R A C K L i S T .···. █▓███ ■ ████
████ · ▄▓███▓ ▓███▓▄ · ████
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██████▓▀ ▀ ▀ ▀▓██████
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████▀ ▀████
███▀ NR. TRACK. TiME. ▀███
█▓▓▓▓ ∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙ ▓▓▓▓█
█▓▓▓▓ ▓▓▓▓█
████ 01 Four Twenty 04:03 ████
████ 02 One Ten 12:06 ████
████ 03 Twelve Fifty 13:55 ████
████ 04 Three 04:53 ████
████ 05 Twelve Fifteen 08:05 ████
████ 06 Eleven Fifty 02:09 ████
████ 07 Twelve Thirty 11:49 ████
████ ∙∙∙∙∙∙∙∙∙∙∙∙ ████
████ TOTAL: 57:00 ████
████ ████
████ ████
████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████
████ ■ ███▓█ .···. R E L E A S E N O T E S .···. █▓███ ■ ████
████ · ▄▓███▓ ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████
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████ https://listen.tidal.com/album/220827591 ████
████ ████
████ Matthew Herbert pulls apart Swiss drummer ████
████ Julian Sartorious' improvised percussion blasts ████
████ with his well-worn electronic processes, firing ████
████ jazz rhythms into swirling and chattering ████
████ vortexes of noise and delay. ████
████ ████
████ 'Drum Solo' isn't a strictly accurate way of ████
████ describing Herbert and Sartorious' ████
████ collaboration, it's a cheeky reference to the ████
████ fact that there aren't any other instruments ████
████ present in the recording. But Sartorious isn't ████
████ playing alone, Herbert's processes are just as ████
████ important as Sartorious' percussion blasts, ████
████ driving drums through his setup to create ████
████ inebriated layers of sound that flesh the music ████
████ out to sound far deeper than a solo job. A good ████
████ comparison might be Norwegian genre-twisting ████
████ outfit Supersilent, particularly on the epic ████
████ 'One Ten', where Herbert twists samples into ████
████ tuned blasts of synthesized electronics. ████
████ ████
████ While the backbone of the album is jazz improv ████
████ - think ECM or the fluttering collapsable work ████
████ of noise-adjacent drummer Chris Corsano - ████
████ Herbert's processes distort the timeline just ████
████ enough to fire the record into an electronic ████
████ space. There are echoes of Autechre's latter- ████
████ day on 'Twelve Fifty', as Herbert molds tricky ████
████ beats into buzzing, arhythmic electrical clouds ████
████ and stuttering neo-IDM structures. On 'Twelve ████
████ Fifteen', he freezes cymbal scrapes into ████
████ haunted drones, before launching a choppy, ████
████ ping'd rhythm that's complex, head-expanding, ████
████ and kinda funky. Heavy stuff. ████
████ ████
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████ ████
████ ████
████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████
████ ■ ███▓█ .···. G R O U P .···. █▓███ ■ ████
████ · ▄▓███▓ ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ MAiL: [email protected] ▓ │▀▀▀█▓▄▄ █████
█▀ ▀██▓▀ ▀ ▀ ▀▓██▀ ▀█
██▄██▀ ▀██▄██
████▀ The only thing that really matters is music!!! ▀████
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.▀ │ ▀▀██▄▓▄ .···. G R E E T S .···. ▄▓▄██▀▀ │ ▀
. ▄▓▓▄ │ ▀▀▀█▄▄ ▄▄█▀▀▀ │ ▄▓▓▄ .
▀▀ ▀▀▄ FRiENDS / SiTEOPS / NUKENET ▄▀▀ ▀▀
▀ . ▄ ▄▓▓▄ ▀▄ RIP kHz ▄▀ ▄▓▓▄ ▄ . ▀
▀ ▀▓▀ ▀▀ ▀ . ▄.···. !kb^faa 08.MARCH 2009 .···.▄ . ▀ ▀▀ ▀▓▀ ▀ .