Genre | Psychedelic Rock |
---|---|
Date (CEST) | 2019-10-21 15:58:34 |
Group | NOiR |
Size | 88 MB |
Files | 9 |
M3U / SFV / NFO |
Kadavar-For_the_Dead_Travel_Fast-2019-NOiR
Infos
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Tracklist (M3U)
# | Filename | Artist | Songname | Bitrate | BPM |
---|---|---|---|---|---|
1 | 01-kadavar-the_end-noir.mp3 | Kadavar | The End | 228 | Unknown |
2 | 02-kadavar-the_devils_master-noir.mp3 | Kadavar | The Devil's Master | 279 | Unknown |
3 | 03-kadavar-evil_forces-noir.mp3 | Kadavar | Evil Forces | 278 | Unknown |
4 | 04-kadavar-children_of_the_night-noir.mp3 | Kadavar | Children of the Night | 264 | Unknown |
5 | 05-kadavar-dancing_with_the_dead-noir.mp3 | Kadavar | Dancing with the Dead | 276 | Unknown |
6 | 06-kadavar-poison-noir.mp3 | Kadavar | Poison | 290 | Unknown |
7 | 07-kadavar-demons_in_my_mind-noir.mp3 | Kadavar | Demons in my Mind | 276 | Unknown |
8 | 08-kadavar-saturnales-noir.mp3 | Kadavar | Saturnales | 233 | Unknown |
9 | 09-kadavar-long_forgotten_song-noir.mp3 | Kadavar | Long Forgotten Song | 280 | Unknown |
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For The Dead Travel Fast ▄▄▀▀ █
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SOURCE:.......CDDA
LABEL:........Nuclear Blast GRABBER:.....EAC
RELEASEDATE:..Oct-21-2019 ENCODER:.....Lame
STREETDATE:...000-00-0000 TRACKS:......09
▄ GENRE:........Psychedelic Rock PLAYTiME:....45:26 min ▄
▀▓▀ URL:..........n/a SiZE:........88,3 MB ▀▓▀
▄▄▀ ▄ RELEASETYPE:..Album LANGUAGE:....English ▄ ▀▄▄
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01. The End [02:19]
02. The Devil's Master [05:07]
03. Evil Forces [04:43]
04. Children of the Night [06:03]
05. Dancing with the Dead [05:11]
06. Poison [05:25]
07. Demons in my Mind [04:44]
08. Saturnales [04:04]
09. Long Forgotten Song [07:50]
▄ ------- ▄
▀▓▀ 45:26 min ▀▓▀
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y0,
Do you remember the final scene
of ôThe Fearless Vampire
Killersö? The one with dozing
Professor Abronsius in his
coach, unaware of what heÆs
bringing back with him from the
east? 50 years on, KADAVAR did
the exact same thing. They
ventured east û and brought
something with them: A gothic
horror story turned doom rock.
With a decidedly morbid turn,
EuropeÆs hardest working rock
band unearth their dark and
twisted roots, once and for all
defining their unique brand of
retro rock, doom and proto
metal.
Aptly entitled ╗For The Dead
Travel Fast½ after German gothic
poet Gottfried August Bⁿrger,
their doomed fifth record is a
perilous journey into the land
of the dead, a foray into the
bleakest corners of our minds. A
heavy, slow-paced, throbbing
force of guitar, bass and drums,
preciously enriched by spooky
synths and a brooding narrative
reminiscent of the Victorian
death-cult. Beware, this is
KADAVAR gone pitch-black! ôOld
horror soundtracks and Werner
HerzogÆs æDraculaÆ had a huge
impact on this albumö, drumming
maniac Tiger states. Think
HAWKWIND with old PINK FLOYD
melodies, eerily sung to you
from the grave by
guitarist/vocalist Lupus.
He, in turn, got under the spell
of Italian vintage horror,
namely the film ôSuspiriaö and
its uncanny soundtrack, courtesy
of cult act GOBLIN. ôMy first
idea for this album actually was
a synthie horror soundtrack just
like GOBLIN didö, Lupus states.
He even bought a couple of old
synthesizers for the project,
ôbut the other two werenÆt too
keen on the idea and preferred
making a rock record rather than
a synthie recordö, he laughs.
Yet, here and there, the ghostly
synths still echo through the
songs.
After their unique and
liberating one-off show in
BerlinÆs Heimathafen in February
2019, which for the first time
ever saw them taking to the
stage with four guest musicians
named THE COSMIC RIDERS OF THE
BLACK SUN (which will be
released as a bonus DVD with the
album), they went back into
songwriting mode. They played
and they jammed until, seemingly
out of nowhere, there was that
evil and menacing riff that has
since then grown into the
intense æEvil ForcesÆ.
ôSuddenly, we were all
goosebumps and instantly knew we
were on to somethingö, Tiger
recalls. They decided here and
there to fully embrace the
darkness that has been kept at
bay in recent years. Fuelled and
encouraged by the mind-
broadening experience of their
Heimathafen show and inspired by
darkness itself, the trio set
out for Transylvania.
ôTransylvania does something to
youö, Tiger muses. ôThereÆs a
deep mystery in the air. The
snow-covered fields, the deep
woods, the fablesà we soaked it
all up and set it to music.ö The
trip to Draculaland also was a
trip down memory lane: Their
first ever tour pulled them all
over Eastern Europe. ôIt was
nice to get back into that
groove.ö
Just like the album cover, taken
in front of DraculaÆs alleged
crib in Transylvania, mysterious
Castle Bran, the whole album is
drenched in superstition,
Romanian folklore and the
mysterious ways of our psyche.
ôA lot of the songs can be seen
as a warning or an invitation to
meddle with the dark forcesö,
Tiger explains. And of course
those dark forces can have many
faces: Toxic relationships,
intoxication, near death
experiences. ôWe all want to
feel closer to death somehowö,
he muses, ôwhich is why horror
movies are so successful. We
want to confront our biggest
fears, live through them.ö
Now five strong albums into
their stellar career, Christoph
ôLupusö Lindemann (vocals,
guitars, synthesizers),
Christoph ôTigerö Bartelt
(drums) and Simon ôDragonö
Bouteloup (bass) decide to open
up. To boldly go where they
never went before û only to
rediscover their very roots
along the way. ôThis is a record
with a concept, with longer,
more embellished songs not
particularly drawn to ordinary
song structuresö, Lupus
describes. ôSomething like this
wouldnÆt have been possible
earlier in our career. Only now
do we know each other well
enough to pull off something
like this.ö Tiger nods: ôWe have
the feeling we created something
new while at the same time
having rediscovered our core
DNA.ö He smiles. ôFeels damn
good.ö
Sounds damn good, too. But
thatÆs old news by now. Formed
in Berlin in 2010, it took the
trio a mere couple of years to
conquer the world and to install
themselves as leaders of the
vintage pack. Not with being
copycats. But with their working
class ethos and their constant
urge to liberate themselves from
all guide book rules. With their
blend of retro rock, occult
imagery, doom and a decidedly
antique patina, they released
four albums in five years and
relentlessly toured the globe
with their lysergic frenzy of a
show, playing the biggest
festivals and sharing the stage
with OZZY OSBOURNE or the
SCORPIONS.
In 2017, however, they commenced
their most massive undertaking
yet. They converted an old
industrial complex in grubby
Berlin district Neukoelln into
their very own vision of a home
base, a creative haven, a
studio. ôThis studio is
essential for the bandö, sound
engineer Tiger states, telling
how he even took on a loan to
buy a new mixing board and a
couple of other vintage loversÆ
wet dreams. ôI literally sunk
everything I had into that
studio. And boy, is it pretty!ö
You would think he is talking
about his own child (that heÆs
also extremely proud of, of
course!), but then again, in a
way, this band is his life. A
living entity with a soul more
than a thing you spend your
weekends on, KADAVAR has become
a worldwide phenomenon, a
brotherhood hunting their high
ambitions and fulfilling their
vintage fever dreams. Authentic,
free and true. To. The. Bone!
Self-recorded and self-produced
in May 2019, ╗For The Dead
Travel Fast½ has becomes
KADAVARÆs very own death cult,
an album at the same time
uncanny and extremely powerful.
How do they repeatedly say in
ôSuspiriaö? Right, ômagic is
everywhereö. And while that may
be true in some sense, you wonÆt
find it any more concentrated on
a rock record than on ╗For The
Dead Travel Fast½.
enjoy & support the artists!
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