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Nr : Label : Elektra Records │██ │█▓ ------------------------------------------------------------------ │██ │▓█ Release date: 2021-04-22 Retail date: 2021-04-23 │██ │██░   ▄▄▄  ▄▄      ▄▄  ▄██▄  ▄▄▄ ▐██▓░ ░█▀▐▌ ▄█▓▌  ▌ ▐██▓▐██▓▐░▐█▀█ ▐▓█▀███▄▄▄░ ▐█░▓ ▐██ ▐ █▌▐▌██ ██░ █ ██░▓  ░▄▄▄███▀█▓▐│ ▐█▀█▓▄▀▄▀▓▌█▀▓▄░  ▀██▄▐██ ▐ █▌█ ██ █▌  █ ▀███▓ ░▄▓▀▀▀ ░▓█▀█▐│ ▀ ▌▐▌▀▓▓▀ ▀   ▄█▌ ██ ▌ ▐█▌ █▌ ▐░▐█    ▄█  ▀ │██│ ▀▄▀▄▒░▓ ▓▀██▓  ▀▀▀   ▀  ▀▓  ▀█▓ ▓▀█▀   │██ ░ ▀▄▀▄                   █████▄▄      │██ ▐▌▐▌                   ▀░   ▓▀▄ ▄▓▄ ██ ▓▀▄▀                ▄▄▀      ▐▌  ▀  │██               █▓░     ▄█▀     ▓█              ░▀▄▄▄▄███░       ▓█                ▀▀▀▀▀          ██ ██ ██ ██ 1. Brother Run Fast 3:43 ██ 2. Break My Baby 4:25 ██ 3. Alter Ego 4:08 ██ 4. Free The Slave 4:08 ██ 5. Skinny 3:42 ██ 6. Hey Gringo 4:44 ██ 7. My Fair Lady 3:43 ██ 8. I Want More 3:32 ██ 9. Backbone 3:52 ██ 10. I Walk On Water 5:41 ██ 11. Into My Mother's Arms 3:16 ██ ██ ██ ██ █▓ Total Runtime: 44:54 █▓ █░                 ▄             █                ▐██            ▓                ▓█▌░           ░                   ▀███████▓▀▀▀       ▓██▓░       ▄        ██▓  ▄▄   ▄▄▄▓ ░▓██▓ ░▀████▓      ██▌ ▄█▀█ ▐██  ██▀█ ▐█▀█▌ ░▓████▀░ ░ ░▀▀▄░ ▐█▄ ███▌▐██▓▐ ▐█▌ ▐█░▐█ ██░█░ ░▓█▐▀▀▄▀▄ ▄ ░ ▓ ▐█░▐▌██▓██▌░▐ ▐█▌ ██▓▀  █▌▄   ▀ ▐▌▐ █ ▓███ ██ ██▌ █ ▐█▌ ██▓░ ▐▀▀▀█▌ ░▒▄▀▄▀ █░ ░██▌ ██ ▐██ ▌░ █▌░ ▀█▄▄▓  ██▓ ▄▀▄▀ ░ │█▓   ▀   ▀▓ ▀▀▀   ▐█▓      ▄█▀   ▐▌▐▌ ▄ █▓                 ▀             ▀▄▀▄ ▀▓▀ ██ ░▄ ██│ Icelandic rock band Kaleo had already gained recognition in their home ██│ country ahead of their record label debut album, A/B, which featured ██│ most of the tracks they are widely known for today. The groupÆs sound ██│ is infused with blues and folk, and tends to trickle down one of two ██│ veins: soulful garage grunge driven by rugged riffs, or (as in All The ██│ Pretty Girls) a more lyrical tranquillity, sprinkled with falsetto and ██│ acoustic delicacy. A history as childhood friends knits the backbone of ██│ a warm earthiness rooted in brotherly solidarity, and lead guitarist JJ ██│ Julius Son provides smoky vocals that are soothing, despite their ██│ strength and the shredded textures. Four years after this first ██│ release, Kaleo remain comfortably distinctive on Surface Sounds, ██│ playing in many of the same shades as they did previously. ██│ ██│ Both opener Brother Run Fast and Free the Slave are classic Kaleo in ██│ their steady, wholesome pull and grounded bass, both simmering with ██│ foreboding amid themes of a threat ôheading your wayö. The latter is ██│ particularly unsettling, as it waxes and wanes between gritty builds ██│ and hearty comedowns, with lyrics such as ôswinging from a treeö. ██│ ██│ Skinny is vociferous and bubbling with contempt that is delivered in ██│ direct blows. The single adheres to typical rockÆnÆroll and is simply ██│ structured to sharpen a saturated anger towards the irrational ██│ expectations women endure. It even begins with the sound of cameras ██│ clicking, and a female voice uttering ôsmileö. Kaleo tackle societyÆs ██│ damaging demands with fury and painful frankness. Hey Gringo is a ██│ lighter, engaging formulation of all of the bandÆs stylistic ██│ influences. A little pop, with playful falsetto backed by a bright ██│ country and western guitar melody, it blends and bounces but doesnÆt ██│ overbear. ██│ ██│ There is a noticeable shift halfway through the album into softer ██│ acoustic realms. My Fair Lady stretches like one continuous vocal, ██│ guided by sleepy diction and celestial references to water and wine. I ██│ Want More whistles with birdsong, as a longing for love blossoms like ██│ the spring day it evokes. However, Backbone peaks with a heavier ██│ outburst of instrumentation, insistently repeating ôwhereÆs your ██│ backbone, brother?Æö which saves the song from sliding into the ██│ languorous lilt of its forerunners. ██│ ██│ Son continues to display vocal virtuosity, swooping between the rough ██│ edges of his guitar, and much of KaleoÆs appeal can be credited to his ██│ seductive ability to roll through the scales, throwing vocals and ██│ catching them again with ease. However, Surface Sounds does not offer ██│ much in the way of experimentation, and follows the same pathways that ██│ determined their success with A/B. Kaleo always sound like something ██│ is stirring, with a sense of elemental forces crackling beneath ██│ exterior layers, which creates a tension that continuously piques ██│ public intrigue, but this album hasnÆt strayed from what audiences ██│ already know they do well. ██ │▓█ │▓█ │██│ ██│ URL: http://www.officialkaleo.com/ ██│ ██│     ██│        │██░  █▄     │██▓░        ▓███▄▄▄  ▐██▓     ░▓██▓ │▓█▀███▄▄▄░   ─────▐─────▐───▐─░▌───▄─────▐██▄──── ░▓████▀░ │█▀█▓▄▀▄▀▓▌█▀▓▄░  ─▄───│─────▌────▌─▐──▀▓▀───▐░▓▓███── ▓█▐▀▀▄▀▄ ▄ ░ ▌▐▌▀▓▓▀ ▀░ ▀▓▀──▌────▐─────▐─────────▐▓─────▐──  ▀ ▐▌▐ ▀▄▀▄▒░▓ ────▐─────├────▄█▌───────▄▌─────▐───  ░▒▄▀▄▀ ░ ▀▄▀▄ ─▄▄▄▌───▄▓▌───▐██▌──-███▄▌─────▐░───  ▄▀▄▀ ░ ▄ ▐▌▐▌ ███▓ ▐███░   ░▀▀▀▀  ▄▄▓▄▌  ▄   ▐▌▐▌ ▄ ▀▓▀ ▓▀▄▀       ▀▀▓  2 0 2 1    ▓ ▐███▓  ▀▓▀  ▀▄▀▄ ▀▓▀    ▐  ▓▓      ░▄