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Hard-Loving Woman 3:38 ░▐ ▌░ 02. We Gonna Keep It Together 5:12 ░▐ ▌░ 03. Now The Irony Keeps Me Company 3:21 ░▐ ▌░ 04. Rock'n Roll Testament 4:23 ░▐ ▌░ 05. The Creeper 4:02 ░▐ ▌░ 06. Back Again 4:03 ░▐ ▌░ 07. Sound In The Air 5:08 ░▐ ▌░ 08. Highway Five 3:43 ░▐ ▌░ 09. For Kathy 3:02 ░▐ ▌░ 10. See You Tomorrow In The Sky 3:45 ░▐ ▌░ ░▐ ▌░ ░▐ ▌░ ▄▄▄┌─────────────┐▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄ ░▐ ▌░ ▒▒▒│ rip notes │▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒ ░▐ ▌░ └─────────────┘ ░▐ ▌░ ░▐ ▌░ Karthago were founded in Berlin by Joey Albrecht (originally ░▐ ▌░ from Hannover) and Gerald Luciano Hartwig. Since 1968 they ░▐ ▌░ had performed together in clubs as the duo Blues Machine. In ░▐ ▌░ 1970 they engaged the Bolivian percussionist Thomas ░▐ ▌░ Goldschmitt (mainly hand percussion) and soon landed a ░▐ ▌░ recording contract with BASF. Just a month before the ░▐ ▌░ recordings of their first album began, two additional members ░▐ ▌░ were added to their line-up: Ingo Bischof and Wolfgang Brock. ░▐ ▌░ Karthago was recorded in October 1971 at Audio Tonstudio, ░▐ ▌░ Berlin with Dieter Zimmermann producing and Stan Regal ░▐ ▌░ engineering. It was released in a spectacular, inventive and ░▐ ▌░ expensive six part fold-out cover with several die cuts! ░▐ ▌░ Certainly a lavish package, recalling the multicoloured and ░▐ ▌░ psychedelic Santana album designs - but actually outdoing ░▐ ▌░ them! Karthago's sound was graced with excellent heavy guitar ░▐ ▌░ work and the funky, gutsy vocals of J. Albrecht, recalling ░▐ ▌░ the Jimi Hendrix Experience and the heavy progressive funk ░▐ ▌░ band Funkadelic. The best tracks in this style were "Why ░▐ ▌░ Don't You Stop Buggin' Me" and "String Rambler". Others, like ░▐ ▌░ the catchy little instrumental "Nos Vamos", had a more ░▐ ▌░ distinct Latin character, very much like early Santana. In my ░▐ ▌░ opinion, they were very underrated! Few other German bands ░▐ ▌░ recorded music in this particular style. ░▐ ▌░ ░▐ ▌░ More Santana-esque instrumental work was present on Second ░▐ ▌░ Step, recorded at Windrose Dumont Time, Hamburg, May 1973 ░▐ ▌░ with C. & M. Hudalla producing. This was much more of a joint ░▐ ▌░ group effort, balanced between jazzy keyboards, heavy guitars ░▐ ▌░ and South American rhythms. Most of the material was great, ░▐ ▌░ but I feel Ingo Bischof's compositions were a bit out of ░▐ ▌░ place - his songs were almost singer-songwriter type of ░▐ ▌░ ballads! Original drummer W. Brock had left for The Rattles ░▐ ▌░ in February 1973 and was replaced by Norbert "Panzer" Lehmann ░▐ ▌░ on this album. Then within months Lehmann departed to the ░▐ ▌░ heavy progressive band Epitaph. Into Karthago came Konstatin ░▐ ▌░ Bommarius (ex-2066 & Then, Abacus). The bass player Gerald ░▐ ▌░ Luciano Hartwig also left - in the Summer of 1974. His ░▐ ▌░ replacement was something of a sensation at the time - Glenn ░▐ ▌░ Cornick (ex-Jethro Tull, Wild Turkey) joined the band in ░▐ ▌░ October 1974. ░▐ ▌░ ░▐ ▌░ A revamped five-piece Karthago signed with Bacillus and ░▐ ▌░ relocated to Oxford, England, in November 1974, where they ░▐ ▌░ recorded Rock'n'Roll Testament in the Chipping Norton ░▐ ▌░ Studios. The producer of this album was Peter Hauke, manager ░▐ ▌░ of the Bacillus label. About the same time, another of his ░▐ ▌░ German signings, Nine Days' Wonder, recorded in England, ░▐ ▌░ although his British signing Nektar recorded in Germany for ░▐ ▌░ years! Karthago's new album did quite well and many people ░▐ ▌░ consider it to be their best. It marked a change of style ░▐ ▌░ towards a smooth, well-produced rock with some minor ░▐ ▌░ symphonic touches. Karthago had become another purveyor of ░▐ ▌░ the characteristic 'Bacillus rock' - a trade mark of Peter ░▐ ▌░ Hauke and Dieter Dierks. ░▐ ▌░ ░▐ ▌░ Concerts in Berlin and Hamburg in January 1976 were recorded ░▐ ▌░ and released as the double album Live At The Roxy (1976). As ░▐ ▌░ Glenn Cornick had quit the group, Gerald Hartwig was now back ░▐ ▌░ in action again. Albrecht, Bischof and Goldschmitt were also ░▐ ▌░ helped by Reinhard Bopp (ex-Hardcake Special) and Ringo Funk ░▐ ▌░ (ex-Atlantis, Jeronimo). This record literally became the ░▐ ▌░ "Karthago testament", as the group disbanded in the Spring of ░▐ ▌░ 1976. ░▐ ▌░ ░▐ ▌░ ░▐ ▌░ ▄▄▄┌─────────────┐▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄ ░▐ ▌░ ▒▒▒│ marr │▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒ ░▐ ▌░ └─────────────┘ ░▐ ▌░ ░▐ ▌░ indie . pop . rock . shoegaze . dream . jangle . twee ░▐ ▌░ chamber . noise . c-86 . college . goth . post . kraut ░▐ ▌░ darkwave . alternative . lo-fi . country . americana ░▐ ▌░ folk . folk/rock . psychedelic . progressive . metal ░▐ ▌░ heavy . hair . math . grunge . classic . southern . aor ░▐ ▌░ west coast . punk . garage . avantgarde . classical ░▐ ▌░ electronic . ambient ░▐ ▌░ ░▐ ▌░ ░▐ ░▌░ ░ █ █ ░ ░▐░ ▌░ ▓▓█ █▓▓ ░▐ ▌░ ░█ █░ ░▐ ▌░ █ ░ ▒ ░ ░ ▒ ░ █ ░▐ ░ ▌░██ ░ ▒█████░ ░█████▒ ░ ██░▐ ░ ▒ ░ ▌░█ ░ ███▓ ▓██ ▒ ▒ ██▓ ▓███ ░ █░▐ ░ ▒ ░██ ▌█▓ ████ █▒ ▒█ ████ ▓░▐ ██░ ░██████░ ███ █ █ ███ ░██████░ ██████ ███ █ █ ███ ██████ ▒███ ███▒ ██ █ █ ██ ▒███ ███▒ ████ ████████ ▒ █ █ ▒ ████████ ████ ████░ ███████░ ░░ █ █ ░░ ░███████ ░████ █████░ ████▒ ▒ ▓█ █▒ ▒█ █▓ ▒ ▒████ ░█████ █████░ ██████████ ███ █ █ ███ ██████████ ░█████ ▒██████ ░ ███████▒ ████▒▒█ █▒▒████ ▒███████ ░ ██████▒ ░ ███░ ███ ░ * █▓▓ ▓▓ ▓▓█ * ░ ███ ░███ ░ █░ ███ █░ *** * * █▒█▒▒██████▒▒█▒█ * * *** ░█ ███ ░█ ████ ██ * ████████ ████████ * ██ ████ ████████ * *** ░ ░██████ ██████░ ░ *** * ████████ █████ ** ░ ████ ▓▓▓▓▓▓▓▓ ████ ░ ** █████ ▒█████████████▒▒ ░░ ░░ ▒▒█████████████▒ ░▓██████████▒ ░░ ░░ ▒██████████▓░ ▒█████ ░░ ░░ █████▒ ███ ███ ██ ██ ▒█ █▒ https://play.google.com/store/music/album?id=B6dnqikjzox3c6ew2torcjvddia