Genre | Beat |
---|---|
Date (CEST) | 2002-11-17 17:04:00 |
Group | MiM |
Size | None MB |
Files | 1 |
M3U / SFV / NFO |
Kenny_Dope_Gonzalez_-_Club_Risk_Amsterdam-Cable_10-04-2002-MiM
Infos
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Tracklist (M3U)
# | Filename | Artist | Songname | Bitrate | BPM |
---|---|---|---|---|---|
1 | 01-kenny_dope_gonzalez_-_club_risk_amsterdam-cable_10-04-2002-mim.mp3 | Unknown | 01-kenny_dope_gonzalez_-_club_risk_amsterdam-cable_10-04-2002-mim | Unknown | Unknown |
NFO
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▒▒█░░ ▄▓▀▓▄ ░ ░ MiND ▒ ░ ░ MOTiON ▒ ░░░ ▄▓▀▓▄ ▒ █▒
▐▓▌▒ ▐▓▌ ▀▓▄▒ iN ▄▓▀░ ▐▓▌ ░▐▓▌
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░▀▓▄░ ▀▓▄▓▀ ░ ░ ░ Presents.. ▀▓▄▓▀ ▄▓▀
░ ▀▓▄░ ▀▓▄ ░ ▒ Kenny Dope Gonzalez - Club Risk Amsterdam-Cabl ▄▓▀ ▄▓▀░ ░
░ ▒ ░ ▐▓▌▒ ▐▓▒▓█▒█▓█▒█▓▒▓█▒██▓█▒▄▄▒▄▄▄▄▄░▄░▄ ▐▓▌ ▐▓▌░ ▒
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▄▓▀ ░▄▓▀▒ [Station] : Radio 538 [Event] ....: n/a ▀▓▄ ░▀▓▄
▐▓▌ ▒▐▓▌░ ░ [Ripper]..: Team MiM [Encoder] ..: Lame v3.92 ▐▓▌ ▐▓▌
▀▓▄ ░▀▓▄ [Genre]...: Beat [Source] ...: Live Session ▓▀ ░▄▓▀
▄▓▀▓▄ ▀▓▄ [Year]....: 2002 [Quality] ..: 192k/Full Stereo▄▓▀ ▄▓▀▓▄
▐▓▌ ▀▓▄ ▀▓▄[Date]....: 11-17-2002 [Tracks] ...: 01 ▄▓▀ ░▄▓▀░ ▐▓▌
▀▓▄ ▐▓▌ ▐▓▌ ▐▓▌ ▒▐▓▌ ▄▓▀
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░ ▒ ▀▓▄░▒▓█▓▒░ ░ [Tracklist] ▄▓▀
▒ ░ ░ ▐▓▌ ▓ ▐▓▌
░ ▄▓▀ ▒ 01. enny Dope Gonzalez - Club Risk Amsterdam 59:06 ▀▓▄
▄▓▀ ░ ▒ ▀▓▄
▐▓▌ [Total Playing Time] ................................: 59:06 ▒ ░ ░ ▐▓▌
▀▓▄ [Total Size] ........................................: 81,2 MB ░ ▄▓▀
░ ░▀▓▄ ▒▄▓▀░
░ ▒ ▀▓▄ ▄▓▀ ░ ░
▒ ░ ▄█▓░▒▒▓█▒█▓█▒█▓▒▓█▒██▓█▒▄▄▒▄▄▄▄▄░▄░▄ [Notes] ▓█▒░▓█▄ ▒
▄░█░█▀░ ░ ▀█░█░▄░
░▒█▒▀ ░ ▒ Club Risk@More Amsterdam Presents Kenny Dope Gonzalez @ ▀▒█▒░
░▒█▒▀ ░ ▒ "LUVDANCIN" in Paradiso Amsterdam, Enjoy. ▀▒█▒░
░▒█▒▀ ░ ▒ ▀▒█▒░
░▒█▒▀ ░ ▒ Kenny Dope Gonzalez ▀▒█▒░
░▒█▒▀ ░ ▒ Real Name: Kenny Gonzalez ▀▒█▒░
░▒█▒▀ ░ ▒ Style: Break Beats ▀▒█▒░
░▒█▒▀ ░ ▒ ▀▒█▒░
░▒█▒▀ ░ ▒ Born in 1970, Kenny "Dope" Gonzalez grew up in BrooklynÆs ▀▒█▒░
░▒█▒▀ ░ ▒ Sunset Park. By the early eighties he was absorbing the ▀▒█▒░
░▒█▒▀ ░ ▒ hip hop beats that were being played at the local street ▀▒█▒░
░▒█▒▀ ░ ▒ parties, and in 1985 he started to work in a local record ▀▒█▒░
░▒█▒▀ ░ ▒ store, WNR Music Center. Along with his partner, ▀▒█▒░
░▒█▒▀ ░ ▒ Mike Delgado, Gonzalez organized a series of neighborhood ▀▒█▒░
░▒█▒▀ ░ ▒ parties under the Masters at Work alias, and these were ▀▒█▒░
░▒█▒▀ ░ ▒ regularly attended by Brooklyn hero Todd Terry, who ▀▒█▒░
░▒█▒▀ ░ ▒ eventually borrowed the MAW name for two releases û ▀▒█▒░
░▒█▒▀ ░ ▒ "Alright, Alright" and "Dum Dum Cry". Terry returned the ▀▒█▒░
░▒█▒▀ ░ ▒ favour when he lent Gonzalez a drum machine, and in 1989 ▀▒█▒░
░▒█▒▀ ░ ▒ the resourceful rhythm addict recorded a series of ▀▒█▒░
░▒█▒▀ ░ ▒ Powerhouse beat tracks for Frank MendezÆs cutting edge ▀▒█▒░
░▒█▒▀ ░ ▒ Nu Groove label. ▀▒█▒░
░▒█▒▀ ░ ▒ ▀▒█▒░
░▒█▒▀ ░ ▒ GonzalezÆs Nu Groove work culminated with "Salsa House", ▀▒█▒░
░▒█▒▀ ░ ▒ which received heavy rotation from Heartthrob DJ ▀▒█▒░
░▒█▒▀ ░ ▒ "Little Louie" Vega. The duo immediately began a prolific ▀▒█▒░
░▒█▒▀ ░ ▒ relationship with Gonzalez laying down the beats for four ▀▒█▒░
░▒█▒▀ ░ ▒ tracks on VegaÆs album with Marc Anthony, and the new boy ▀▒█▒░
░▒█▒▀ ░ ▒ established himself as one of New YorkÆs most original ▀▒█▒░
░▒█▒▀ ░ ▒ rhythm generators when he concocted the swinging ▀▒█▒░
░▒█▒▀ ░ ▒ syncopated beat for Saint EtienneÆs "Only Love Can ▀▒█▒░
░▒█▒▀ ░ ▒ Break Your Heart". "I used four or five different kick ▀▒█▒░
░▒█▒▀ ░ ▒ drums in different frequencies to get what I wanted, ▀▒█▒░
░▒█▒▀ ░ ▒ " says Gonzalez. " It took people two or three years to ▀▒█▒░
░▒█▒▀ ░ ▒ figure out those beats, by which time I had moved ▀▒█▒░
░▒█▒▀ ░ ▒ somewhere else." ▀▒█▒░
░▒█▒▀ ░ ▒ ▀▒█▒░
░▒█▒▀ ░ ▒ Gonzalez has spent the last ten years stretching beats to ▀▒█▒░
░▒█▒▀ ░ ▒ their conceptual breaking point, producing the murky ▀▒█▒░
░▒█▒▀ ░ ▒ hip hop of "Blood Vibes", the jazz-influenced rhythms of ▀▒█▒░
░▒█▒▀ ░ ▒ "The Nervous Track", the stacked percussion of ▀▒█▒░
░▒█▒▀ ░ ▒ "Love & Happiness" and the slamming sounds of ▀▒█▒░
░▒█▒▀ ░ ▒ "Close to You". At the same time, the Brooklyn ▀▒█▒░
░▒█▒▀ ░ ▒ remixer-producer has pursued an independent recording ▀▒█▒░
░▒█▒▀ ░ ▒ career that has included the pounding house of the ▀▒█▒░
░▒█▒▀ ░ ▒ Untouchables on Strictly Rhythm as well as a wide range of ▀▒█▒░
░▒█▒▀ ░ ▒ hip-hop projects. ▀▒█▒░
░▒█▒▀ ░ ▒ ▀▒█▒░
░▒█▒▀ ░ ▒ GonzalezÆs breakthrough as a solo artist came with the ▀▒█▒░
░▒█▒▀ ░ ▒ recording of the breathtaking Bucketheads album in 1995. ▀▒█▒░
░▒█▒▀ ░ ▒ "One night I was driving from Manhattan to Brooklyn with ▀▒█▒░
░▒█▒▀ ░ ▒ Jonny "D" and we were listening to all those terrible ▀▒█▒░
░▒█▒▀ ░ ▒ records. I said æFuck that! IÆm going to make me some ▀▒█▒░
░▒█▒▀ ░ ▒ music!Æ" Gonzalez went home and, pulled out a series of ▀▒█▒░
░▒█▒▀ ░ ▒ classics and produced "a whole album in three days. ▀▒█▒░
░▒█▒▀ ░ ▒ " A track called "The Bomb! (These Sounds Fall Into My ▀▒█▒░
░▒█▒▀ ░ ▒ Mind)" was the standout track, fulfilling KennyÆs ambition ▀▒█▒░
░▒█▒▀ ░ ▒ to make "something raw, something that was fun." With its ▀▒█▒░
░▒█▒▀ ░ ▒ driving drums, screeching sound effects and extended sample ▀▒█▒░
░▒█▒▀ ░ ▒ from ChicagoÆs "Street Player", the song was an instant ▀▒█▒░
░▒█▒▀ ░ ▒ sensation on the underground and before long Gonzalez was ▀▒█▒░
░▒█▒▀ ░ ▒ gate-crashing the European pop charts with his first major ▀▒█▒░
░▒█▒▀ ░ ▒ hit "That was a big turning point," acknowledges Kenny. ▀▒█▒░
░▒█▒▀ ░ ▒ ▀▒█▒░
░▒█▒▀ ░ ▒ Following the success of the Bucketheads album, Gonzalez ▀▒█▒░
░▒█▒▀ ░ ▒ took a break from his solo career, focusing on his ▀▒█▒░
░▒█▒▀ ░ ▒ collaborative work with Vega. The Nuyorican Soul album ▀▒█▒░
░▒█▒▀ ░ ▒ marked a particularly important moment, and had Kenny DopeÆs ▀▒█▒░
░▒█▒▀ ░ ▒ unerringly creative imprint written all over it. Gonzalez was▀▒█▒░
░▒█▒▀ ░ ▒ behind every aspect of the albumÆs creation, and tracks such ▀▒█▒░
░▒█▒▀ ░ ▒ as "Nautilus" were handpicked by the man himself. He also ▀▒█▒░
░▒█▒▀ ░ ▒ laid down the foundation of all the beats for the album, and ▀▒█▒░
░▒█▒▀ ░ ▒ then worked alongside drummer Vidal Davis in the studio. ▀▒█▒░
░▒█▒▀ ░ ▒ "He came from Jazzy JeffÆs camp," says Kenny. ▀▒█▒░
░▒█▒▀ ░ ▒ "We just clicked." The albums release marked the MAW manÆs ▀▒█▒░
░▒█▒▀ ░ ▒ transition into one of AmericaÆs most important ▀▒█▒░
░▒█▒▀ ░ ▒ contemporary producers. ▀▒█▒░
░▒█▒▀ ░ ▒ ▀▒█▒░
░▒█▒▀ ░ ▒ With the MAW-Nuyorican Soul combination going from strength ▀▒█▒░
░▒█▒▀ ░ ▒ to strength Kenny is keen to revive his solo career. ▀▒█▒░
░▒█▒▀ ░ ▒ Having contributed ten of his favorite tracks to a recent ▀▒█▒░
░▒█▒▀ ░ ▒ "Stop and Listen" BBE compilation, Gonzalez is about to ▀▒█▒░
░▒█▒▀ ░ ▒ relaunch his Dope Wax label. The first release is titled ▀▒█▒░
░▒█▒▀ ░ ▒ "The Illout" and the second runs under the name "Brazilica". ▀▒█▒░
░▒█▒▀ ░ ▒ A string of Gonzalez classics will follow soon after. At the ▀▒█▒░
░▒█▒▀ ░ ▒ same time, Kenny is also working on a rap album, Merciless ▀▒█▒░
░▒█▒▀ ░ ▒ RNS, which heÆs shopping around, and a hip-hop influenced ▀▒█▒░
░▒█▒▀ ░ ▒ beats album for BBE called the Madd Rackett is due to be ▀▒█▒░
░▒█▒▀ ░ ▒ completed this summer. ▀▒█▒░
░▒█▒▀ ░ ▒ ▀▒█▒░
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