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P R E S E N T S .···. ▓ │▀▀▀█▓▄▄ █████ ██████▓▀ ▀ ▀ ▀▓██████ █████▀ Kero Kero Bonito - Civilisation I EP ▀█████ ████▀ ▀████ ███▀ ▀███ █▓▓▓▓ ARTiST..[ Kero Kero Bonito ▓▓▓▓█ █▓▓▓▓ TiTLE...[ Civilisation I EP ▓▓▓▓█ ████ GENRE...[ Indie CAT#....[ PRC387 ████ ████ LABEL...[ Kero Kero Bonito ENCODER.[ Lame 3.99.5 ████ ████ YEAR....[ 2019 QUALiTY.[ 160kbps ████ ████ SOURCE..[ WEB MODE....[ Stereo ████ ████ PLAYTIME[ 26:03 REL.DATE[ 05.04.2021 ████ ████ TRACKS..[ 03 RiPPER..[ TEAM OMA ████ ████ SiZE....[ 29,85 MB SUPPLiER[ TEAM OMA ████ ████ ████ ████ ████ ████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████ ████ ■ ███▓█ .···. T R A C K L i S T .···. █▓███ ■ ████ ████ · ▄▓███▓ ▓███▓▄ · ████ █████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████ ██████▓▀ ▀ ▀ ▀▓██████ █████▀ ▀█████ ████▀ ▀████ ███▀ NR. TRACK. TiME. ▀███ █▓▓▓▓ ∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙ ▓▓▓▓█ █▓▓▓▓ ▓▓▓▓█ ████ 01 Battle Lines 08:53 ████ ████ 02 When the Fires Come 07:36 ████ ████ 03 The River 09:34 ████ ████ ∙∙∙∙∙∙∙∙∙∙∙∙ ████ ████ TOTAL: 26:03 ████ ████ ████ ████ ████ ████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████ ████ ■ ███▓█ .···. R E L E A S E N O T E S .···. █▓███ ■ ████ ████ · ▄▓███▓ ▓███▓▄ · ████ █████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████ ██████▓▀ ▀ ▀ ▀▓██████ █████▀ ▀█████ ████▀ ▀████ ███▀ ▀███ █▓▓▓▓ ▓▓▓▓█ █▓▓▓▓ ▓▓▓▓█ ████ https://kerokerobonito.bandcamp.com/album/civil ████ ████ isation-i ████ ████ ████ ████ If Kero Kero BonitoÆs most recent full-length, ████ ████ Time ænÆ Place, was about mixing up adolescent ████ ████ nostalgia, contemporary millennial malaise, and ████ ████ the daunting near future, then Civilisation I ████ ████ blows up that timeline to cover the ancient ████ ████ past of primitive man, the large-scale ████ ████ situation facing humanity in 2019, and the ████ ████ distant future ù when humans have been wiped ████ ████ from the face of the Earth. ████ ████ ████ ████ Civilisation I features Kero Kero BonitoÆs most ████ ████ ambitious work yet via complex arrangements and ████ ████ their grandest song themes thus far. It ████ ████ demonstrates a return to electronic music after ████ ████ the indie rock exploration of Time ænÆ Place, ████ ████ though retains shades of that albumÆs dusty ████ ████ patina via its use of obsolete music ████ ████ technology. The result is modernism hewn from ████ ████ lost technology, like a parallel universe that ████ ████ never existed, while showing off the band's ████ ████ skills as electronic musicians. ████ ████ ████ ████ ôBattle Linesö imagines Lao TzuÆs Art of War in ████ ████ a 21st Century context, taking that tone (war ████ ████ as deception) and placing it in todayÆs world ████ ████ of misinformation amidst political division, et ████ ████ al. ôWhen The Fires Comeö tells the story of ████ ████ the wildfires heralding climate change around ████ ████ the world like a fable written from a strangely ████ ████ fatalist perspective; the songÆs uncanny ████ ████ acceptance of our destruction is designed to be ████ ████ more disturbing than your standard call-to- ████ ████ action. ôThe Riverö details a flood apocalypse ████ ████ prophecy, invoking Biblical imagery and acting ████ ████ as something of a companion to ôWhen The Fires ████ ████ Comeö (ôthe longer the drought/the heavier the ████ ████ cloudsö). ████ ████ ████ ████ Civilisation I was written, produced, and ████ ████ recorded by KKB in GusÆ room in the London ████ ████ borough of Bromley using hardware only. The ████ ████ artwork was made by Sarah etching a drawing of ████ ████ one of her designs onto copper. ████ ████ ████ ████ From their inception, KKB has always been ████ ████ focused on creating a dream vision of pop music ████ ████ ù acknowledging its deep history while ████ ████ challenging the status quo. While theyÆve ████ ████ explored nostalgic rock, kitsch pop and ████ ████ psychedelic experimentalism, their trademarks ù ████ ████ subversion, idealism, craftsmanship ù are ████ ████ ever-present on Civilization I. ████ ████ ████ ████ "Where the London trio's last project (2018's ████ ████ Time 'n' Place) lacquered existential dread ████ ████ onto their already-established bubbly dreampop, ████ ████ Civilisation I zooms out to muse on society and ████ ████ the environment at large. Though the issues at ████ ████ hand loom heavier this time around, Sarah, Gus, ████ ████ and Jamie never relinquish one bit of their ████ ████ zany charm." ████ ████ - The FADER ████ ████ ████ ████ ████ ████ ████ ████ ████ ████ ████ ████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████ ████ ■ ███▓█ .···. G R O U P .···. █▓███ ■ ████ ████ · ▄▓███▓ ▓███▓▄ · ████ █████ ▄▄▓█▀▀▀│ ▓ MAiL: [email protected] ▓ │▀▀▀█▓▄▄ █████ █▀ ▀██▓▀ ▀ ▀ ▀▓██▀ ▀█ ██▄██▀ ▀██▄██ ████▀ The only thing that really matters is music!!! ▀████ ▀██▓ ▓██▀ ▀██▓▄ ▄▓██▀ .▀ │ ▀▀██▄▓▄ .···. G R E E T S .···. ▄▓▄██▀▀ │ ▀ . ▄▓▓▄ │ ▀▀▀█▄▄ ▄▄█▀▀▀ │ ▄▓▓▄ . ▀▀ ▀▀▄ FRiENDS / SiTEOPS / NUKENET ▄▀▀ ▀▀ ▀ . ▄ ▄▓▓▄ ▀▄ RIP kHz ▄▀ ▄▓▓▄ ▄ . ▀ ▀ ▀▓▀ ▀▀ ▀ . ▄.···. !kb^faa 08.MARCH 2009 .···.▄ . ▀ ▀▀ ▀▓▀ ▀ .