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P R E S E N T S .···. ▓ │▀▀▀█▓▄▄ █████ ██████▓▀ ▀ ▀ ▀▓██████ █████▀ Kevin Morby - Sundowner ▀█████ ████▀ ▀████ ███▀ ▀███ █▓▓▓▓ ARTiST..[ Kevin Morby ▓▓▓▓█ █▓▓▓▓ TiTLE...[ Sundowner ▓▓▓▓█ ████ GENRE...[ Indie CAT#....[ DOC231D ████ ████ LABEL...[ Dead Oceans ENCODER.[ Lame 3.99.5 ████ ████ YEAR....[ 2020 QUALiTY.[ 320kbps ████ ████ SOURCE..[ WEB MODE....[ Joint Stereo ████ ████ PLAYTIME[ 52:29 REL.DATE[ 04.23.2021 ████ ████ TRACKS..[ 10 RiPPER..[ TEAM OMA ████ ████ SiZE....[ 107,29 MB SUPPLiER[ TEAM OMA ████ ████ ████ ████ ████ ████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████ ████ ■ ███▓█ .···. T R A C K L i S T .···. █▓███ ■ ████ ████ · ▄▓███▓ ▓███▓▄ · ████ █████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████ ██████▓▀ ▀ ▀ ▀▓██████ █████▀ ▀█████ ████▀ ▀████ ███▀ NR. TRACK. TiME. ▀███ █▓▓▓▓ ∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙ ▓▓▓▓█ █▓▓▓▓ ▓▓▓▓█ ████ 01 Valley 04:04 ████ ████ 02 Brother, Sister 04:37 ████ ████ 03 Sundowner 05:09 ████ ████ 04 Campfire 05:19 ████ ████ 05 Wander 01:54 ████ ████ 06 Don't Underestimate Midwest American Sun 05:21 ████ ████ 07 A Night At The Little Los Angeles 07:11 ████ ████ 08 Jamie 04:11 ████ ████ 09 Velvet Highway 03:20 ████ ████ 10 Provisions 11:23 ████ ████ ∙∙∙∙∙∙∙∙∙∙∙∙ ████ ████ TOTAL: 52:29 ████ ████ ████ ████ ████ ████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████ ████ ■ ███▓█ .···. R E L E A S E N O T E S .···. █▓███ ■ ████ ████ · ▄▓███▓ ▓███▓▄ · ████ █████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████ ██████▓▀ ▀ ▀ ▀▓██████ █████▀ ▀█████ ████▀ ▀████ ███▀ ▀███ █▓▓▓▓ ▓▓▓▓█ █▓▓▓▓ ▓▓▓▓█ ████ https://kevinmorby.bandcamp.com/album/sundowner ████ ████ ████ ████ In the winter of 2017 I moved back to my ████ ████ hometown of Kansas City from Los Angeles. The ████ ████ move was sudden and unforeseen, just as I was ████ ████ tying a bow on the writing process for what ████ ████ would become my 2019 album, Oh My God. I bought ████ ████ a Four Track Tascam model 424 off of an old ████ ████ friend to help me get to the finish line, but ████ ████ much to my surprise and excitement, this new ████ ████ piece of equipment in my all-but-bare home ████ ████ didnÆt help complete one album but rather ████ ████ inspire another: Sundowner. The new collection ████ ████ of songs came quickly and effortlessly as I did ████ ████ my best not to resist or refine the songs, but ████ ████ instead let them take shape all on their own. ████ ████ ████ ████ "As the songs kept coming I cleared out the ████ ████ crowded shed that was sitting dormant in my ████ ████ backyard and built a makeshift studio before ████ ████ adding drums, lead guitar and piano to complete ████ ████ the demos. Each day I would teach myself basic ████ ████ recording techniques, watching the channels ████ ████ illuminate and pulse as if the machine were ████ ████ breathing, and then emerge in the evenings as ████ ████ the sun was getting low: - around 5:30 in the ████ ████ winter, when the Kansan sunsets look icy and ████ ████ distant, like a pink ember inside of a display ████ ████ case, and 9 oÆclock in the summer, when the ████ ████ sunsets are warm and abstract. ████ ████ ████ ████ Landing back home felt jarring juxtaposed with ████ ████ a life full of chaos and adventure with my band ████ ████ on the road. But at the very least, I was happy ████ ████ to have - for the first time in my adulthood - ████ ████ a place to close the door, with no temptations ████ ████ other than to work on music and reflect on what ████ ████ I had built since I left. It was a new form of ████ ████ isolation, one I had never explored or expected ████ ████ to experience. Not ready to let go of the hand ████ ████ of the California desert, I spent the winter ████ ████ decorating the best I knew how; with mementos ████ ████ from my previous home, cactus and aloe vera and ████ ████ covering the walls in pinewood - immediately ████ ████ earning my house itÆs nickname, The Little Los ████ ████ Angeles. ████ ████ ████ ████ In January 2019 I contacted my friend and ████ ████ producer Brad Cook to help recreate what I had ████ ████ made in my shed. We chose to work in Texas; we ████ ████ wanted to make sure the record was done far ████ ████ away from any coastline, and in the heart of ████ ████ America. Brad played bass and some keys on the ████ ████ album, but beyond that he encouraged and ████ ████ inspired me to play almost everything else. All ████ ████ lead guitar, proper drums (save the drums on ôA ████ ████ Night At The Little Los Angelesö), mellotron ████ ████ and what I believe to be the albums secret ████ ████ weapon - a WWII era collapsible and slightly ████ ████ out-of-tune pump organ - were performed by me. ████ ████ We did, however, bring in James Krivchenia ████ ████ towards the end of the session to fill out the ████ ████ percussion. It was an honor to work with him as ████ ████ he built maracas from pecans and played on the ████ ████ floor of the live room, adding flourish ████ ████ wherever he saw fit. ████ ████ ████ ████ On the last evening of the session, after ████ ████ everything had wrapped, we all climbed on top ████ ████ of an empty water tower on the property, giving ████ ████ us a view in all directions. To the North you ████ ████ could see an endless Texas, with long wisps of ████ ████ cirrus clouds above the desert floor, and to ████ ████ the South there was Mexico, the recent ████ ████ detention camps only a mile beyond, with large ████ ████ cumulus clouds hovering over, bringing us to an ████ ████ ominous pause. To the West, towards the setting ████ ████ sun, the two families of clouds merged, holding ████ ████ the last light of the day in purple and orange. ████ ████ Below, a freight train cut the landscape in ████ ████ half as it whistled in the distance. ████ ████ ████ ████ Almost as soon as the session wrapped, I was ████ ████ off and away on press trips and then proper ████ ████ tours for Oh My God, which came out in April ████ ████ that same year. Sundowner sat inside of a hard ████ ████ drive back at Sonic Ranch and did not see the ████ ████ light of day, until I found myself, as did the ████ ████ rest of the world, stuck inside their home and ████ ████ in quarantine in March 2020. My second year of ████ ████ touring for Oh My God was cancelled. Brad, ████ ████ Jerry and I worked from our respective homes, ████ ████ sending notes back and forth as we worked alone ████ ████ but together to mix the album, and suddenly, ████ ████ just like that, Sundowner was finished. ████ ████ ████ ████ Songs, like sunsets, are fleeting, and itÆs ████ ████ only due to a willingness and desire to catch ████ ████ them that you ever, if even only for a moment, ████ ████ grab a hold of one. When writing Sundowner, I ████ ████ was lucky to have had the Tascam 424 there to ████ ████ help capture both. Sundowner is my attempt to ████ ████ put the Middle American twilight -- itÆs beauty ████ ████ profound, though not always immediate -- into ████ ████ sound. It is a depiction of isolation. Of the ████ ████ past. Of an uncertain future. Of provisions. Of ████ ████ an omen. Of a dead deer. Of an icon. Of a Los ████ ████ Angeles themed hotel in rural Kansas. Of ████ ████ billowing campfires, a mermaid and a highway ████ ████ lined in rabbit fur. It is a depiction of the ████ ████ nervous feeling that comes with the skyÆs proud ████ ████ announcement that another day will be soon ████ ████ coming to a close as the pink light recedes and ████ ████ the street lamps and house lights suddenly ████ ████ click on. -- Kevin Morby, Kansas, 2020" ████ ████ ████ ████ ████ ████ ████ ████ ████ ████ ████ ████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████ ████ ■ ███▓█ .···. G R O U P .···. █▓███ ■ ████ ████ · ▄▓███▓ ▓███▓▄ · ████ █████ ▄▄▓█▀▀▀│ ▓ MAiL: [email protected] ▓ │▀▀▀█▓▄▄ █████ █▀ ▀██▓▀ ▀ ▀ ▀▓██▀ ▀█ ██▄██▀ ▀██▄██ ████▀ The only thing that really matters is music!!! ▀████ ▀██▓ ▓██▀ ▀██▓▄ ▄▓██▀ .▀ │ ▀▀██▄▓▄ .···. G R E E T S .···. ▄▓▄██▀▀ │ ▀ . ▄▓▓▄ │ ▀▀▀█▄▄ ▄▄█▀▀▀ │ ▄▓▓▄ . ▀▀ ▀▀▄ FRiENDS / SiTEOPS / NUKENET ▄▀▀ ▀▀ ▀ . ▄ ▄▓▓▄ ▀▄ RIP kHz ▄▀ ▄▓▓▄ ▄ . ▀ ▀ ▀▓▀ ▀▀ ▀ . ▄.···. !kb^faa 08.MARCH 2009 .···.▄ . ▀ ▀▀ ▀▓▀ ▀ .