Genre | House |
---|---|
Date (CEST) | 2004-09-08 18:17:14 |
Group | FFS |
Size | None MB |
Files | 1 |
M3U / SFV / NFO |
King_Unique-Promotional_Radio_Mix_September_2004_on_Proton_Radio_(09-08)-DAB-2004-FFS
Infos
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Tracklist (M3U)
# | Filename | Artist | Songname | Bitrate | BPM |
---|---|---|---|---|---|
1 | 01-king_unique-promotional_radio_mix_september_2004_on_proton_radio_(09-08)-2004-ffs.mp3 | Unknown | 01-king_unique-promotional_radio_mix_september_2004_on_proton_radio_(09-08)-2004-ffs | Unknown | Unknown |
NFO
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█▓║ ║▓█
█▓║ 2004 ║▓█
█▓║ PRESENTS ║▓█
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█▓║ ███████████████████████████████████████████████████████████████████████ ║▓█
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█▓║ ║▓█
█▓║ ║▓█
█▓║ ║▓█
█▓║ ║▓█
█▓║ King Unique ║▓█
█▓║ Promotional Radio Mix September 2004 on Proton Radio (09-08) ║▓█
█▓║ ║▓█
█▓║ ║▓█
█▓╠══════════════════════════════════════════════════════════════════════════╣▓█
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█▓║ ║▓█
█▓║ ║▓█
█▓║ Release Info ║▓█
█▓║ ║▓█
█▓║ ARTiST : King Unique ║▓█
█▓║ TiTLE : Promotional Radio Mix September 2004 on Proton Radio (09-08) ║▓█
█▓║ LABEL : n/a RIPPER : Team FFS ║▓█
█▓║ CAT # : n/a ║▓█
█▓║ GENRE : House ║▓█
█▓║ SOURCE : DAB BITRATE : 192k ║▓█
█▓║ SIZE : 86,4 MB RLS DATE : 09/08/2004 ║▓█
█▓║ ║▓█
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█▓║ Tracklist ║▓█
█▓║ ║▓█
█▓║ TRK# TRACK TiTLE TiME ║▓█
█▓║ [01] Promotional Radio Mix September 2004 on Proton Radio (09 62:53 ║▓█
█▓║ ║▓█
█▓║ TOTAL TiME : 62:53 min:sec ║▓█
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█▓║ ║▓█
█▓║ Release Notes ║▓█
█▓║ ║▓█
█▓║ King Unique / artists (K) ║▓█
█▓║ Real Name: Matthew Roberts and Matt Thomas ║▓█
█▓║ Profile: ║▓█
█▓║ URLs: http://www.kingunique.com/ ║▓█
█▓║ Aliases: Dirty ║▓█
█▓║ Members: Matt Thomas, Matthew Roberts ║▓█
█▓║ ║▓█
█▓║ King Unique : ║▓█
█▓║ King Unique is the production team of Matthew Roberts and Matt ║▓█
█▓║ "Watkins" Thomas, long-standing collaborators who decided to join ║▓█
█▓║ forces full-time at the start of 2001 and make some 21st century ║▓█
█▓║ noise. The result has been a series of diverse remixes and ║▓█
█▓║ productions mixing funky and techy house elements, tied together ║▓█
█▓║ with head twisting production. ║▓█
█▓║ From obscurity to four Essential New Tunes, a couple of Buzz Chart ║▓█
█▓║ No. 1s and a pair of bona-fide Ibiza classics in twelve short ║▓█
█▓║ months. Chuck in the solo releases and remixes as Mainframe,UBU and ║▓█
█▓║ Watkins, plus live decks and FX sets at dozens of clubs (including ║▓█
█▓║ Cream, Renaissance, Code, Ministry, Elements) and it's not hard to ║▓█
█▓║ see why the two Matts are a) happy and b) knackered. ║▓█
█▓║ Their drugged-up remix of Mutiny's "The Virus" seduced and battered ║▓█
█▓║ clubbers in equal measure, making it one of the big club tracks of ║▓█
█▓║ the summer. On a more soothing level the chilled yet hooky remix of ║▓█
█▓║ Baz "Believers" sound tracked more than one Ibiza sunrise. Meanwhile ║▓█
█▓║ a quick name change and a killer vocal sample yielded "Dirty" by ║▓█
█▓║ Dirty, an Essential New Tune and Single of the Week in 7. ║▓█
█▓║ Highlights of the year include making Steve Lawler play Madison ║▓█
█▓║ Avenue at Code; getting the chance to remix tracks like Chocolate ║▓█
█▓║ Puma's "I Wanna Be U", Stylus Trouble's "Sputnik" and Foremost ║▓█
█▓║ Poets' "Moonraker"; doing the Essential Mix; hooking up with the ║▓█
█▓║ Junior posse to make dirty (and Dirty) tracks. And then there was ║▓█
█▓║ Cream in Tokyo û early morning earthquakes, Afro-Ken frenzy, tiny ║▓█
█▓║ techno bars, pissed pole-dancing and the very first KU stalker - ║▓█
█▓║ "93!-93!-93!-93!". ║▓█
█▓║ Rounding the whole thing off, the countdown to New Year set at ║▓█
█▓║ Tribal Sessions. ║▓█
█▓║ Twelve more months like that please! ║▓█
█▓║ ║▓█
█▓║ -------------------------------------------------------------------- ║▓█
█▓║ ║▓█
█▓║ Matthew Roberts: ║▓█
█▓║ ║▓█
█▓║ Matthew Roberts got the house music bug at the age of 15 whilst ║▓█
█▓║ supposedly studying for his High School exams. A rather more useful ║▓█
█▓║ education was gained by taping ManchesterÆs Key 103 house show every ║▓█
█▓║ week, and he soon became wise in the ways of house (while failing ║▓█
█▓║ most of his grades). As soon as he looked about old enough, he ║▓█
█▓║ visited the now legendary Hacienda, staying with older brother Leon ║▓█
█▓║ who was working in a Mancunian artificial limb unit at the time. ║▓█
█▓║ Things got pretty twisted, but there was of course, no going backFor ║▓█
█▓║ the next couple of years, life pretty much revolved around The Hac ║▓█
█▓║ every Friday, with a Thursday weekend warm-up at a small club in ║▓█
█▓║ Chester, where Matthew cut his DJÆing teeth. The main crew there ║▓█
█▓║ included fledgling decks-wizard DJ Lottie, a clothes shop assistant ║▓█
█▓║ called Darren Hughes who would later start some club in Liverpool ║▓█
█▓║ called Cream, a gang of blokes with a drum machine who were thinking ║▓█
█▓║ of calling themselves K-Klass and various other social misfits and ║▓█
█▓║ deviants. The excitement and hedonism of that period was so intense ║▓█
█▓║ that Matthew even got a normal job for a short time to get the cash ║▓█
█▓║ necessary for the Friday night out. The horror of 9-5 life quickly ║▓█
█▓║ led him to the realization that he just had to make music for a ║▓█
█▓║ living. One of his proudest achievements is the fact that he has not ║▓█
█▓║ had a proper job since 1989. ║▓█
█▓║ After Manchester went gangster-city, Leon moved back to Wales. Both ║▓█
█▓║ brothers spent every penny on vinyl, being connoisseurs of finest US ║▓█
█▓║ house, silly Italian party music and elusive mutant Hac tunes. ║▓█
█▓║ Unsurprisingly they soon found themselves being turfed out of the ║▓█
█▓║ parental home to "make that bloody racket somewhere else", thus ║▓█
█▓║ commencing a long career of vinyl hording, music obsessing, and weed ║▓█
█▓║ smoking. Matthew's initial hook up with cheeky ticket-tout James ║▓█
█▓║ BartonÆs Olympic label spawned some innocent DIY house mostly made ║▓█
█▓║ under the Bottom Dollar name, very much influenced by the heroes of ║▓█
█▓║ the day such as Todd Terry, MAW, Kevin Saunderson, MK, and Slam. ║▓█
█▓║ These were good times. ║▓█
█▓║ In 1996, after 3 years of spinning at Olympic records little ║▓█
█▓║ offshoot club, Cream, Bottom Dollar became Funk Force. Leon had come ║▓█
█▓║ on board, and the brothersÆ studio skills had developed nicely. ║▓█
█▓║ Increasingly bored by the corporate sound of the UK record labels, ║▓█
█▓║ the brothers set out to subvert the cause, greatly inspired by the ║▓█
█▓║ almost punky attitude being dished from Chicago label Relief and the ║▓█
█▓║ then on-form Armand Van Helden. Their first tune, "Mind Games" was a ║▓█
█▓║ dark nÆ sleazy Twilo throbber signed to Ultra Records. This picked ║▓█
█▓║ up support from dark house DJ's of the time such as Terry Farley, ║▓█
█▓║ instantly dispensing with the Bottom Dollar vibe. They remixed for ║▓█
█▓║ the likes of Jay Williams (Testify), U2 (Mofo), Way Out West ║▓█
█▓║ (Ajare),Olive (You're Not Alone), and the Sneaker Pimps (Post Modern ║▓█
█▓║ Sleaze). The Funk Force brothers were now getting cheeky and more ║▓█
█▓║ creative, making everything in their own crappy little studio, and ║▓█
█▓║ soon scored a biggie with Revival 3000 "The Mighty High". This was a ║▓█
█▓║ dirty, raw and ruthless cut up of The Mighty Clouds of Joy's "Mighty ║▓█
█▓║ High", a 1975 down-home gospel LP track. They cut a slate, and ║▓█
█▓║ passed it on to Doc Marten who broke the record all by himself. ║▓█
█▓║ So, those were the good old days. Now it's 2002, and Leon has ║▓█
█▓║ decided that he'd rather live in San Francisco, where the weather is ║▓█
█▓║ warm and the KFC actually tastes of chicken. Matthew is now spending ║▓█
█▓║ all his time making records and DJ'ing with Matt Thomas as King ║▓█
█▓║ Unique and Dirty, and with Leon as Ubu. ║▓█
█▓║ ║▓█
█▓║ -------------------------------------------------------------------- ║▓█
█▓║ ║▓█
█▓║ Matt Thomas : ║▓█
█▓║ ║▓█
█▓║ Matt 'Watkins' Thomas is a studio junky who has spent the last few ║▓█
█▓║ years releasing dirty tech-house under the Watkins name, and tougher ║▓█
█▓║ more progressive tracks as Mainframe. 1999's Watkins 'Heavyweight ║▓█
█▓║ EP' found favour with Pete Tong, DJ Dan and Norman Cook (who was ║▓█
█▓║ still playing it 18 months on at his Brighton beach bash). More ║▓█
█▓║ recently Nick Warren, Deep Dish and Pete Tong championed the ║▓█
█▓║ eponymous Mainframe single on Fuju, and the Mainframe remixes of ║▓█
█▓║ Stylus Trouble 'Sputnik' led to howling, screaming and gibbering in ║▓█
█▓║ clubs across the globe. Any attempt at providing an organized, ║▓█
█▓║ coherent personal history is doomed to failure, due to the ║▓█
█▓║ disorganized and incoherent events that have made up Matt's career ║▓█
█▓║ to date. ║▓█
█▓║ However, the following may help:- Matt entered the glamorous world ║▓█
█▓║ of showbiz when, shortly after discovering a corpse in Leicester, he ║▓█
█▓║ spent his entire year's rent on a synthesizer. His first taste of ║▓█
█▓║ success came providing the music for an animation shown on BBC ║▓█
█▓║ children's TV classic Take Hart. He still hasn't received any ║▓█
█▓║ royalties. ║▓█
█▓║ He spent the best part of the 90s working in various Liverpool ║▓█
█▓║ studios where he helped nine million identical sub-Las guitar bands ║▓█
█▓║ record nine million identical jangly guitar tracks. In his spare ║▓█
█▓║ time he kept his underground house credentials intact by not setting ║▓█
█▓║ foot in Cream even once, little knowing he'd eventually be booked to ║▓█
█▓║ play there. Shortly after catching a final ferry across the Mersey ║▓█
█▓║ and moving out into the wilds of Wales he acquired the Watkins name, ║▓█
█▓║ taken from both a 1950s tape-echo and from a small furry cat known ║▓█
█▓║ as Mr. Woo. In addition to his Watkins and Mainframe alter egos Matt ║▓█
█▓║ releases collaborative tracks under a variety of different guises ║▓█
█▓║ including King Unique, Fatty Acid and Headhuntaz. He has also worked ║▓█
█▓║ as a programmer and engineer with various remixers, adding his ║▓█
█▓║ unique 'bonus bleeps' to dozens of releases. He has more recording ║▓█
█▓║ gear than he knows what to do with, but wants more. Matt Thomas can ║▓█
█▓║ also occasionally be found damaging eardrums in good, honest ║▓█
█▓║ northern clubs with his live filter-abuse sets. ║▓█
█▓║ ║▓█
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█▓║ ███████████████████████████████████████████████████████████████████████ ║▓█
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█▓║ ║▓█
█▓║ ║▓█
█▓║ FFS IS NOT REALLY LOOKING FOR NEW RIPPERS/SUPPLIERS BUT IF YOU FEEL ║▓█
█▓║ YOU ARE SPECIAL AND THAT YOU CAN BRING SOMETHING INTERESTING TO OUR ║▓█
█▓║ SMALL AND DEDICATED FAMILY YOU ARE FREE TO EMAIL US. ║▓█
█▓║ * ║▓█
█▓║ FFS NE RECHERCHE PAS PARTICULIEREMENT DE NOUVEAUX RIPPERS/SUPPLIERS ║▓█
█▓║ MAIS SI VOUS SENTEZ QUE VOUS ETES SPECIAL ET QUE VOUS POUVEZ ║▓█
█▓║ APPORTER QUELQUE CHOSE DE BON A L'EQUIPE, VOUS POUVEZ NOUS LE FAIRE ║▓█
█▓║ SAVOIR PAR EMAIL, NOUS PRENDRONS LE TEMPS D'Y REPONDRE. ║▓█
█▓║ ║▓█
█▓║ SERIOUS SITES OFFERS ARE WELCOMED. ║▓█
█▓║ * ║▓█
█▓║ TOUTE OFFRE DE SITE EST LA BIENVENUE. ║▓█
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█▓║ ALL THE GREETS GO OUT TO OUR FRIEND MISTAHWAX WHO HAS BEEN A VERY ║▓█
█▓║ CLOSE FRIEND FOR MANY YEARS. ║▓█
█▓║ YOUR PRESENCE WAS MUCH APPRECIATED BRO. REST IN PEACE. ║▓█
█▓║ WE'LL MEET LATER, I'M SURE. ║▓█
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