Genre | Jazz |
---|---|
Date (CEST) | 2019-05-18 22:56:22 |
Group | UVU |
Size | 86 MB |
Files | 25 |
M3U / SFV / NFO |
Klaus_Weiss-Time_Signals-WEB-1978-UVU
Infos
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Tracklist (M3U)
# | Filename | Artist | Songname | Bitrate | BPM |
---|---|---|---|---|---|
1 | 01-klaus_weiss-journal-uvu.mp3 | Klaus Weiss | Journal | 320 | Unknown |
2 | 02-klaus_weiss-time_signals-uvu.mp3 | Klaus Weiss | Time Signals | 320 | Unknown |
3 | 03-klaus_weiss-scoria-uvu.mp3 | Klaus Weiss | Scoria | 320 | Unknown |
4 | 04-klaus_weiss-rhythm_and_sounds-uvu.mp3 | Klaus Weiss | Rhythm and Sounds | 320 | Unknown |
5 | 05-klaus_weiss-sequent-uvu.mp3 | Klaus Weiss | Sequent | 320 | Unknown |
6 | 06-klaus_weiss-just_walk_easy-uvu.mp3 | Klaus Weiss | Just Walk Easy | 320 | Unknown |
7 | 07-klaus_weiss-walk_easy-uvu.mp3 | Klaus Weiss | Walk Easy | 320 | Unknown |
8 | 08-klaus_weiss-join_in-uvu.mp3 | Klaus Weiss | Join In | 320 | Unknown |
9 | 09-klaus_weiss-the_rocker-uvu.mp3 | Klaus Weiss | The Rocker | 320 | Unknown |
10 | 10-klaus_weiss-hot_cake-uvu.mp3 | Klaus Weiss | Hot Cake | 320 | Unknown |
11 | 11-klaus_weiss-shuffling-uvu.mp3 | Klaus Weiss | Shuffling | 320 | Unknown |
12 | 12-klaus_weiss-the_hunters-uvu.mp3 | Klaus Weiss | The Hunters | 320 | Unknown |
13 | 13-klaus_weiss-drums_around-uvu.mp3 | Klaus Weiss | Drums Around | 320 | Unknown |
14 | 14-klaus_weiss-survivor-uvu.mp3 | Klaus Weiss | Survivor | 320 | Unknown |
15 | 15-klaus_weiss-different_strokes-uvu.mp3 | Klaus Weiss | Different Strokes | 320 | Unknown |
16 | 16-klaus_weiss-reports-uvu.mp3 | Klaus Weiss | Reports | 320 | Unknown |
17 | 17-klaus_weiss-humming-uvu.mp3 | Klaus Weiss | Humming | 320 | Unknown |
18 | 18-klaus_weiss-eternity-uvu.mp3 | Klaus Weiss | Eternity | 320 | Unknown |
19 | 19-klaus_weiss-swinging_skins-uvu.mp3 | Klaus Weiss | Swinging Skins | 320 | Unknown |
20 | 20-klaus_weiss-machinery-uvu.mp3 | Klaus Weiss | Machinery | 320 | Unknown |
21 | 21-klaus_weiss-the_searchers-uvu.mp3 | Klaus Weiss | The Searchers | 320 | Unknown |
22 | 22-klaus_weiss-space_waltz-uvu.mp3 | Klaus Weiss | Space Waltz | 320 | Unknown |
23 | 23-klaus_weiss-kind_of_bossa-uvu.mp3 | Klaus Weiss | Kind of Bossa | 320 | Unknown |
24 | 24-klaus_weiss-rudiments-uvu.mp3 | Klaus Weiss | Rudiments | 320 | Unknown |
25 | 25-klaus_weiss-heavy_weights-uvu.mp3 | Klaus Weiss | Heavy Weights | 320 | Unknown |
NFO
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░░░█████▓▓▓█▓██ ║ r e l e a s e i n f o ║ ██▓█▓▓▓█████░░░
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░█████▓█████▓██ ▌Artist__│ Klaus Weiss ██▓█████▓█████░
░████▓▓██▒██▓██ ▌Title___│ Time Signals ██▓█████▓▓████░
░████▓███▒██▓██ ▌Label___│ EMI Production Music ██▓██▒███▓████░
░████▓███▒██▓██ ▌Genre___│ Jazz ██▓██▒███▓████░
░████▓███▒██▓██ ▌Format__│ Album ██▓██▒███▓████░
░████▓███▒██▓██ ▌Year____│ 1978 ██▓██▒███▓████░
░░████▓█████▓██ ▀▀▀▀▀▀▀▀▀╝ ██▓█████▓████░░
░░████▓█████▓██ ▌Time____│ 36:30 ██▓█████▓████░░
░░░████▓████▓██ ▌Size____│ 90.04 MB ██▓████▓████░░░
░░░░███▓▓███▓██ ▀▀▀▀▀▀▀▀▀╝ ██▓███▓▓███░░░░
░░░░░███▓▓▓█▓██ ▌Source__│ Web Store ██▓█▓▓▓███░░░░░
░░░░░░████▓▓▓██ ▌Quality_│ 320 kbps ██▓▓▓████░░░░░░
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░░ ╔═══════════════╗
░░ ║ T R A C K S ║░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░
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░░
░░ 01. Journal 0:36
░░ 02. Time Signals 1:28
░░ 03. Scoria 2:30
░░ 04. Rhythm and Sounds 1:23
░░ 05. Sequent 1:40
░░ 06. Just Walk Easy 1:02
░░ 07. Walk Easy 1:02
░░ 08. Join In 1:34
░░ 09. The Rocker 1:29
░░ 10. Hot Cake 1:19
░░ 11. Shuffling 1:16
░░ 12. The Hunters 1:16
░░ 13. Drums Around 1:52
░░ 14. Survivor 2:43
░░ 15. Different Strokes 1:13
░░ 16. Reports 1:10
░░ 17. Humming 1:19
░░ 18. Eternity 1:20
░░ 19. Swinging Skins 1:21
░░ 20. Machinery 1:37
░░ 21. The Searchers 1:09
░░ 22. Space Waltz 1:40
░░ 23. Kind of Bossa 1:29
░░ 24. Rudiments 1:17
░░ 25. Heavy Weights 1:45
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░░
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░░ ╔═══════════════╗
░░ ║ N O T E S ║░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░
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░░
░░ jazz, new age, fusion, electronic... i dunno. read the bio and we're
░░ stickin with jazz for consistency and what klaus was about. his quotes
░░ below apply to genres today. and so many of todays artists have no idea
░░ what klaus is talking about haha
░░
░░ Born in Gevelsberg, Westphalia, on February 17, 1942, Klaus Weiss taught
░░ himself to play drums and began his professional career at the age of 16
░░ as a member of the Jazzopators, a group which accompanied American
░░ trumpeter Nelson Williams and also singer Inez Cavanaugh.
░░
░░ His musical associates have included Benny Bailey, Cecil Bridgewater, Don
░░ Byas, Philip Catherine, Eddie "Lockjaw" Davis, Jerry Dodgion, Klaus
░░ Doldinger, Kenny Drew, Booker Ervin, Wilton Gaynair, Herb Geller, Dusko
░░ Goykovic, Johnny Griffin, Friedrich Gulda, Slide Hampton, Billy Harper,
░░ Hampton Hawes, Clifford Jordan, Herbie Mann, Howard McGhee, Don Menza,
░░ Tete Montoliu, George Mraz, Sal Nistico, Walter Norris, Horace Parlan,
░░ Bud Powell, Jerome Richardson, Tony Scott, RenΘ Thomas, Mal Waldron, Leo
░░ Wright and Attila Zoller.
░░
░░ When Klaus Weiss began his professional career in 1958, good drummers in
░░ Europe were still very few and far between. Weiss, however, found favour
░░ with visiting jazz stars because, as Johnny Griffin observed, "he is one
░░ of the few European drummers with that distinctive American feeling."
░░
░░ From 1962 to 1965 he worked with Klaus Doldinger and during this time he
░░ had a spell in Paris, where he worked in the famous Blue Note club with
░░ Bud Powell, Johnny Griffin and Kenny Drew.
░░
░░ In 1965 he formed a trio which backed American saxophonists Don Byas and
░░ Leo Wright and Jamaican Wilton Gaynair. That same year Weiss toured with
░░ a group that included Sal Nistico and Dusko Goykovic and also played some
░░ dates with Don Menza.
░░
░░ The following year Weiss's trio, now with pianist Rob Franken and bassist
░░ Rob Langereis, toured with Booker Ervin. That same year Weiss won the
░░ International Jazz Competition in Vienna.
░░
░░ After a spell with the Erwin Lehn Big Band (1967 - 68), Klaus Weiss moved
░░ to Munich, joined the Bayerischer Rundfunk Jazz Ensemble led by Joe
░░ Haider and appeared many times at Munich's celebrated Domicile club. In
░░ the late sixties and early seventies, he became increasingly active as a
░░ studio musician. In 1971 he worked with a multi-national quartet which
░░ featured American bassist Jimmy Woode, Dutch saxophonist Ferdinand Povel
░░ and Austrian pianist Fritz Pauer, and in the autumn of that year toured
░░ with an all-star orchestra which included Slide Hampton, Don Menza, Herb
░░ Geller, Fritz Pauer, Philip Catherine and Chuck Findley.
░░
░░ In the first half of the 1970s, Klaus Weiss worked with the Horst
░░ Jankowski Sextet, the trio of former Mingus saxophonist Bobby Jones and
░░ the Eugen Cicero Trio. From 1975 to 1977 he toured with Mal Waldron and
░░ with the Dusko Goykovic Big Band and then, between 1978 and 1983, Weiss
░░ led a quintet which featured various guest soloists, including Sal
░░ Nistico, Roman Schwaller, Clifford Jordan and Andy Scherrer. He also
░░ played with Catalan pianist Tete Montoliu, with Eddie "Lockjaw Davis" and
░░ with the WDR and NDR big bands.
░░
░░ In the 1980s toured with Clifford Jordan and Horace Parlan, played with
░░ multi-instrumentalist Jerome Richardson and toured with his new quintet.
░░ In 1984 he recorded a big band album, "Lightnin' " which was nominated
░░ for the Sⁿd West Funk Jazz Prize.
░░
░░ In 1991 Klaus Weiss formed a new trio with pianist Rob van Bavel and
░░ bassist Thomas Stabenow and also put together the Saxophone Connection
░░ group (with Roman Schwaller, Andy Scherrer, Dado Moroni and Thomas
░░ Stabenow) which recorded a fine album for L&R Records (Bellaphon).
░░
░░ In a highly varied career, Klaus Weiss has made 17 albums under his own
░░ name, with formations ranging from trio, quartet, quintet and sextet to
░░ full orchestra, and has appeared on numerous other albums as a sideman.
░░
░░ Weiss's musical philosophy is that good jazz music - which means jazz
░░ played by consummate professionals who have a powerful rapport with one
░░ another and the same sense of musical direction - is a highly durable
░░ music. He says: "Count Basie's music will still be up to date 50 years
░░ from now."
░░
░░ It is significant that Klaus himself defines his approach to drumming as
░░ directly derived from some of the great American drummers which he began
░░ listening to in the early 1950s.
░░
░░ Says Klaus: "For me, the essence of great jazz drumming was epitomized by
░░ those giants, like Big Sid Catlett, Klook, Blakey, Buddy and Philly Joe.
░░ These have all been listening drummers, each with his own personality,
░░ but having in common a great ability to swing, to generate excitement,
░░ and to stimulate the soloists. And besides their sound and way of
░░ playing, I got really interested in the American drum rudiments because,
░░ as I discovered at the time, all great American drummers know and use
░░ those essential rudiments - but few of the European drummers in the
░░ fifties seemed to have assimilated these elements - at least, to my
░░ ears."
░░
░░ He died January 10, 2008 very surprisingly suffering from a heart
░░ failure.
░░
░░ https://play.google.com/store/music/album?id=Bkqb5fcrb6qtnrbjytve3flaptq
░░
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░░░██ ███ ░| shouts 2 all the groups |░
░░░░██ ████ ░| putting out |░
░░░░░██ █████ ░| quality music |░
░░░░░░███ ████▒ \─────────────────────────/
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