Artist.......: La Chicana Album........: Tango Agazapado Label........: Acqua Records Genre........: Tango Catnr........: n/a source.......: CDDA rip.date.....: Feb-15-2006 str.date.....: 000-00-2004 quality......: VBR/44,1Hz/Joint-Stereo Url..........: n/a track title time 01. Una iguana y tres monedas 03:10 02. Sopapa 02:50 03. Confesi≤n 03:19 04. Milonga de los perros 02:38 05. El camba 02:46 06. Juguete rabioso 03:45 07. Chamarrita del chamßn 03:00 08. Frankenstein 03:07 09. Callejera 02:57 10. Ayer hoy era ma±ana 03:04 11. Pe≤n de tu ajedrez 03:01 12. La mujer del soldado 04:04 13. Y no me conocΘs 02:23 14. Sol tropical 02:56 15. Mu±equita china 03:19 16. Dolor wolof 03:25 17. Si vieras 02:31 Runtime 52:15 min Size 62,4 MB Release Notes: The title of this cd points to the traditional and modern songs that, cleverly mixed, were selected for the recording. Made up of tangos, milongas, waltz, a chamame and a "batucada". A vigorous rhythm accompanies the voice - gifted with natural vibrato - of Dolores Solß. She knows how to give with her performance and phrasing a quaint sound to the "lowlife" songs that she attacks with panache. A thematic thread is distinguished in many of the chosen lyrics: the one in which the author flares up to the woman that left the misery of her origins to dwell in the world of easy living. We find it in ôOro y plataö, ôFaranduleraö, and ôLa Marilynö. And from another angle in "La mina del Ford". Without forgetting the complains of the deserted woman in "Que queres con ese loro?". Acho Estol┤s compositions deserve a special paragraph, he manages to combine magnificent musical rhythms with lyrics where today┤s street language rehashes the traditional urban topics as well as those of other genres he visits. The rocker origin is expressed in the nostalgic "La Patota", romanticism impregnates "Una rosa y un farol" and the horror experienced is expressed in "Llamame chamame". Juan Valverde shows in his performance harmonic and melodic subtleties that are attractive to the ear. We recommend this youthful group because starting from a primitive line-up it manages a pleasing conjuction with the expressive forms of today.