Genre | Electronic |
---|---|
Date (CEST) | 2021-10-05 09:39:30 |
Group | MARR |
Size | 47 MB |
Files | 5 |
M3U / SFV / NFO |
Ladytron-Live_In_Sofia_2003-EP-WEB-2021-MARR
Infos
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Tracklist (M3U)
# | Filename | Artist | Songname | Bitrate | BPM |
---|---|---|---|---|---|
1 | 01-ladytron-usa_vs_white_noise_(live_in_sofia_2003)-marr.mp3 | Ladytron | USA vs White Noise (Live In Sofia 2003) | 320 | Unknown |
2 | 02-ladytron-he_took_her_to_a_movie_(live_in_sofia_2003)-marr.mp3 | Ladytron | He Took Her To A Movie (Live In Sofia 2003) | 320 | Unknown |
3 | 03-ladytron-commodore_rock_(live_in_sofia_2003)-marr.mp3 | Ladytron | Commodore Rock (Live In Sofia 2003) | 320 | Unknown |
4 | 04-ladytron-cracked_lcd_(live_in_sofia_2003)-marr.mp3 | Ladytron | Cracked LCD (Live In Sofia 2003) | 320 | Unknown |
5 | 05-ladytron-light_and_magic_(live_in_sofia_2003)-marr.mp3 | Ladytron | Light & Magic (Live In Sofia 2003) | 320 | Unknown |
NFO
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█▒ Artist - Ladytron ▒█
█▒ Title - Live In Sofia 2003 ▒█
█▒ ▒█
█▒ Genre - Electronic Year - 2021 ▒█
█▒ Format - EP Time - 20:14 ▒█
█▒ Label - Nettwerk Records Source - MP3 320 kbps ▒█
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▌░ └─────────────┘ ░▐
▌░ ░▐
▌░ 01. USA vs White Noise (Live In Sofia 2003) 4:07 ░▐
▌░ 02. He Took Her To A Movie (Live In Sofia 2003) 5:17 ░▐
▌░ 03. Commodore Rock (Live In Sofia 2003) 4:32 ░▐
▌░ 04. Cracked LCD (Live In Sofia 2003) 2:55 ░▐
▌░ 05. Light & Magic (Live In Sofia 2003) 3:23 ░▐
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▌░ ▄▄▄┌─────────────┐▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄ ░▐
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▌░ └─────────────┘ ░▐
▌░ ░▐
▌░ When they first appeared in the early 2000s, Ladytron were ░▐
▌░ wrongly included in the era's electroclash trend, but their ░▐
▌░ body of work proved much more enduring and influential than ░▐
▌░ that movement. Instead, Ladytron combined the fundamentals of ░▐
▌░ classic synth pop - crystalline melodies enveloped in icy ░▐
▌░ textures and rippling arpeggios - with touches of indie pop, ░▐
▌░ shoegaze, disco, and industrial music. ░▐
▌░ ░▐
▌░ While they never deviated much from this sound, they still ░▐
▌░ conjured distinctly different moods on each album, spanning ░▐
▌░ the hook-laden simplicity of 2000's 604 to the darker feel of ░▐
▌░ 2005's landmark Witching Hour to 2011's meditative Gravity ░▐
▌░ the Seducer. Just how well they bridged the gap between synth ░▐
▌░ pop's original '80s heyday and its renaissance in the 2010s ░▐
▌░ was proven by 2019's Ladytron, which fit in perfectly with ░▐
▌░ their previous albums as well as the work of artists like ░▐
▌░ Chvrches, Robyn, and Austra. ░▐
▌░ ░▐
▌░ ░▐
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▌░ └─────────────┘ ░▐
▌░ ░▐
▌░ indie . pop . rock . shoegaze . dream . jangle . twee ░▐
▌░ chamber . noise . c-86 . college . goth . post . kraut ░▐
▌░ darkwave . alternative . lo-fi . country . americana ░▐
▌░ folk . folk/rock . psychedelic . progressive . metal ░▐
▌░ heavy . hair . math . grunge . classic . southern . aor ░▐
▌░ west coast . punk . hardcore . garage . avantgarde . ░▐
▌░ classical . electronic . ambient . synthpop . leftfield ░▐
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https://www.deezer.com/us/album/255484562