▄██████▄ ▓████▄██████████████████▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀███████████████▄ ▓████████████▄ ██▀▀▀▀███ █████▓███████████▀▀▀▀ ▄▄░░▒▓▒▒▒▒░░▀ ████████████████▄ ▀██████▀▀▀▀██ █ ▓▓▓▓ ███████████████▀▀▀ ▄░▒ ░ ▄▄▄▄ ░ ░ ▓░ ██████████████████░██████ ▓▓▓▓ █ █ ▓▓▓▓ ███████████▀▀ ▄▄▒░░░ ▄▒████████████▒ ███████████████████▒██████ ▓▓▓▓ █ ██▄▄▄▄██████████▀ ▄░░░ ▄█░██████▓▓▓█▓█▒██▒ █████████████████████▓███████▄▄▄▄██ ██████████████▀ ░ ▓▓█████▓█▓█▓█▒█▓▒▓▓██ ███████████████████████████████████▓ ▄▀██████████▀ ▄▀ ░██▓███▓▓█████▓▓ ▒█░██ ████████████░█████████████████████▀▓ █ ▄███████▀ ░░ ▄███▓▓██▓██▓▒ ▒▓▓███░███ ███████████▓████████████████████▀ ▄▒ ██▓█████▀ ░░ ░███▒█▓▓██▒█░▒███████▓███▓ ██████████▒██████████████████▀▀ ▀▓██ ███████ ▄░ ░█▒███▓█▓▓█▓ ░█████████▓███ █████████████████████████████ ███▄ ▀██ █████▀ █▓▒ ██████▓███▒▓███████████▓███ ████████████████████████████▓██████ ▓█ ████ ░█ ▒██▓▓▓▓█▓█ ▒████████████▒▒███ ███████████████████████████████████ █ ███ ▄ ▓█▓█▓█▓█▓▒▒█████████████████▓███ ████████████▀▀ ▄ █████████████████ ██ ▒▓▒ ░██▓▓█▓▓█▓██████████████████░▓███▒ ███████▀▀ ▄░▓ ██████████████████ █▀ █▒▓▓███████▓▓████████████████████▒████ ████▀ ▄░███▒ ███████████████████ █ ██ ▓██▓███▒░██████████████████████▓░███░ ▀ ▄▒█████▓ ████████████████████ ▀▓░ █▓██▓███▒█████████████████████████▒▓███▄▄████████▒ ███████████████████▀ ▓▒ ▒░▒█▓▓███▓███████████████████████▓████▒████▓▒█████░ ▄██████████████████████ ▒ ░░ ██▓███▒░████████████████████▓█████████░▓▓██ ▓██ ███████████ ████████████ ░▒█▒ ███▓█▓▓▓███████████████████▒▓████████▓▒▓▒▓░██░█ ████████████▓░███████████ ▓░ ▒█▓▓▓▓██████████▒█▓ ███████▓█████▒██▓▒█████▒▒██▄ ▀█████████████▒▓██████████ █▓▓ ████████████████████▒▒█▓▓███████▓▓▒▓▓█▓▒▓▒▓▒█████▄ ▀██████████▓░██████▀▀ ▄ ░▓ ███▓░▀▀ ▄▄ ▀▀▒██████▒▓█████████▓▒▓██▒██▓███▓▓████▄▄ ▀████████████▀ ▄▄░▓ ░ █▒ ▄████████▄ ▀░█████▒▓████▓▒▓▒██▒▓██████████▓█████▒▄ ▀▀██▀▀▀▀ ▄▓███░▒░ █▓░▀ ▄███████████████▄ ▀██████▓▓░▒▓▒█▒▓░▒██████████░▒███████▄▄ ▄░░▒███████ ▒░ ▀ ▄████████████████████▄ ▀██▓▓▓▓██▒█▓████████████████ ░▓████████████▓████▓ ▓░ ██████████████████████▀ ░██▓▓▓▓██▓▒████████████████▓███▓▒█░▒▓▒█▒█░▒▓░▒█░█ ▒▒░ █████████▓▒██████████▀ ▄███▓█▓▓█▒▓▓████████████████▓██████████████▓░▓█▓▓██ ░ ▄ ██████████▒░███████▀ ▄██▒██▒▓▒▓███████████████████████████████████░▓█▒▓███ ▒ █ ▀████████████████ ▄██████▒▓████▓▒███▒█████████░▓▓███████████████▓███▓███▒░░ █ █ ▓█████████████▀ ███▓▓▓▓▓░█▓██▀ ▀███▓▒██████▓██▒▒▒▓▓█▓▓▓▓▓██▒██░██████▓ ▓░ █ ██▓████████████▀ ░█████▒▒▓████▀ ▄██ ████░███▓▓███▓███▓▓███▓█▓██▓ ▓▓▓▓██░░░ ▄█ ██████████████▀ ▓▓█░█▓█████░ ▄█████ ████░ ░█████▓███▒██▓████▒ ▓██████░░░ ███ ████████████▀ ▄▓██▓▓█████░ ▄███████ ░██████▓▓▓▒█▓█▓█▓█░▒██░▒▒█▓█▓███▒ ░▒ ████ ▀▀▀██████▀ ▄░██████▓▓█░ ██████████ ▓██▓█▒████▓█▓█▓████▓▓███▒██▓▒█▓ █ ▄████ ▄██████▀ ▄▓██████▓▀ ▄▄███████████ █▓███▓█████▓▓███▓▒▓███▓██▓█▓▓░▓ ▄██████ ▓█████▀ ▄░▓███████▀ ▄████████████████ ████▓▒███▓███▓▒▓████▓██▓▓█▓▓▓ ▄███████ ████▀ ▄▓▓███████▀ ▄██████████████████ ███▒▒▒▒▓██▒▒░█▓██▓▓▓█▓█▓▓▓▓░▒ ████████ █▀ ▄▓▓██▓▓▓██▀ ▄██████████▒█████████ ██▓▓█▒▓▓▓▓█████▓▓▓▓█▓█▓▓▓ ▓ ▄██████▓▀ ▄▓▓▓███▓███▓ ▄███████████▓█████████ █▓▓░▓████▓▓█▓█▓▓▓▓▓▓█░▓ ░ ███████▓ ▓▓▓██▓▓▓██▓▀ ██████████████████████ ███▒█▓██▓▓▓▓█▓▓▓█░▓░▓░ ▒ ▄▓█████▀▄██▓▄ ▓███▓███▓▀ ▄██████████████████████ ██▓█▓██▓▓▓▓▓█▓▓▓░▓▓▓▓█▒ ▄███████████████ █▓▓▓██▓░ ▄██████████████████████▀ ██▓▓▓▓█▓░▓▒▓▒▓▓░▓▒▓▒▓▀ ▄██████████████████ ▓███▓░ ▄██▀▀ ▀▀███████▀ ▄▓█▒▓▓░▓▓▓▓▓▓▓░▓█▓██░▓▀▓▓ ███████████████████ █▓▓▀ ▀ ▄▄▄▄████████▄▄▄ ▀▀█ ▀▓▓▓▓▓▓▓▀▓▓▓▓▓▓▓▓▓▒▀▓▓▓▓▓▓░ ▄█▀▀ ▀ ▄ ▓▀ ▄░█████████████████████▒ ▀ ▓▒░ ▄▓███▓▓██░ ▓▀█▀▀▓▀ ▄▒██████████▓▄▒█ ▄████████▓▒▒▓███████████████ ▓ ▄░█████████▓████░▓▓ ░ ░█▒▄█░██▒▒▓██████████ ▄██░▀▀ ░ ▒ ██▓█ ▒ ░▀████▓ ▄███░ █ ▒████████▓ ░▓ ▀▓███▀ ▄▄▄ ░ ░ ██▀ ▄ ██ ░█▓ ▒████░ ▒█▀█▓█ █████ █████ █ ▓ ░ ██████ █ █▓ ██████▄ ▀▀ ▒ ░ ▀▀ ▀▓ ▒ ██ ██████ ▓ █▓█▓█▓█████▒██████ ░ ░███▀ ▓█ ▓██▓ ▒██████▄ ▓██████████ █ ▓ ░██ ▒█████ ░██▓▒█▒█ █████▒████████░ ██▀ ▄████ ░ ▒█▒ ███████ █ █▓█████░ ░░█ ▒ █ ░█████░█▒ ▒ ▒ █████▓ ██████████████▓ █░████▓░ ▒▒█▓ ████▓ █ ▓░ █████ █▄▄▄ ▒ ▒▓██▓ █ ▓ ▒ ▓░ █████▓ ▓█████████▀ ▄ ▀▀████ ░ ▓ █ ███░ █ █░ █████ ▀▀ ▄▄▄▓▒▓▒ █ ▓ ▓ ▒▒ ▄█████▓░ ▒ █ ▒█▀▓ █ ▒█ ▀▀ ▄▄▄▄ ██▓██ ▓ ▓ █ █████ ░███████████▒▄ ▓ █████▒ ░ ▓░ ▒█▒ ▄ ▀ ▄▓█ ▒████████░██▄█ ▒ ▓ ▒ █████ ██ ░ ██████████████▓░ ▄▄█████ ▄ ▓ ▄█▒▀ ▄▄▓▓▒▒▓▓▓█▓████████████▄ ▄█ ░█████ ███▄▄ ▀▀▓████████████▓███ █▀ ▄███▓███████▒▓████░ ▀▀▀░████████████ ░████▓ ░▀█████▓▒ ░░ ▀░▒████████░ ▓ ▀▀ ▓█████████████▓███▒ ███▓█░░░ ▀▒███████ █ ░████▒ ░ █░ ▒▒▒█ █ ▓ ░ ▓ ▀▓█▀▀ ░░ ░████▓█████▓█▓██████ █ ▓ ██▒ ░ ▒█ ▄▄▄█ ████▒ █▄ █░ ▓░░█ █ ░ ░░▓▓ ▒ ░▒ ░▓▀ ██ █▒█ ▄ ░ ░░▒ █ ██▓ █ ▀███ ▄███▀ █ ██ █░ █ ▒ █░ ▒▓ ▓ █ ▒░ █ ░█ ▓ ▀ ▓ █ ▓▓ ▒ ▒██ █ ▓ ▄▄▒██▒ ███ ██ ▓▒ █ ░░ █▒ ▓▒ ▓░ ▓ ░▒ ░█ █ ▒▓ ░ ░ ▓░ ░ ▒█ █ ░█▓█▓█▀ ████ ██ ░░ █ ░░ ▒▒ ▓ ▀ ▒▒ ▓ ▓ ▒ ▓ ░ ▓░ ▓ ░ █ █░▓ ▓███ ██ ▒ █ ░ ▓ █ ▒ █ █░ ░ ░░ █ ▒ ▓███ ██ ▒ ░ ▓ ░ █ ▓███ ██ ▒ ░ █ ░ █░ ▓███ ██ ▒ Artist : Lamp ░ █░ ▓███ ██ ░ Album : Scales of Fortune ░ ▓▒ ▓███ ██▄▄ Genre : Electronic ░ ▓ ▓███ ███▓ Source : CD ░ ▒ ▓███ ███▓ Label : Groove Unlimited ░ ▓███ ███▓ Cat. Number : GR-213 ▓███ ███▓ Street Date : 2014-00-00 ▓███ ███▓ Rip Date : 2020-01-07 ▓███ ███▓ Encoder : LAME 64bits version 3.100 (http://lame.sf.net) -V0 ▓███ ███▓ Quality : 268kbps / 44.1KHz / Joint Stereo ▓███ ███▓ Tracks : 4 ▓███ ███▓ Playtime : 01:01:08 (123.MB) ▓███ ███▓ URL : http://www.groove.nl/cd/g/gr-213.html ▓███ ███▓ ▓███ ███▓█▄▄ ▄▄█▓███ ███████▓███▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄███▓███████ ██▀▀▀▀███▓████ ▄▄▄▄▄ ▄▄▄▄ ▀ ▄▄▄ ▀ ▄▄▄▄ ▄ ▄ ▄ ███ ▄ ▄▄▄▄ ▄▄▄▄▄ █████▓███▀▀▀▀██ █ ▓▓▓▓ ███████▄▄ █ ▄ █ █ █ █ █ ▄▄▄ █▄▀ █ ███ █ ▀▄▄▄ ▄ █ ▄▄████████ ▓▓▓▓ █ █ ▓▓▓▓ █████████ █ █ █ ▀▀▄ █▀▀▀█ ▀▄▄▄▄ █ ▀▄ █▄▄▄▄ █ ▄▄▄▄▀ █ █ ██████████ ▓▓▓▓ █ ██▄▄▄▄███▓██████▄▄▄█▄▄▄█▄▄▄▄▄█▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄██▄▄▄███████▓███▄▄▄▄██ ████████▀▀▀ ▀▀▀████████ ███▓▀ ▀▓███ ███▓ ▓███ ███▓ ▓███ ███▓ ▓███ ███▓ 01 Serendipity 15:07 ▓███ ███▓ 02 Calamity 15:20 ▓███ ███▓ 03 Adversity 15:29 ▓███ ███▓ 04 Fortunity 15:12 ▓███ ███▓ ▓███ ███▓ ▓███ ███▓ ▓███ ███▓ 61:08 min ▓███ ███▓ ▓███ ███▓█▄▄ ▄▄█▓███ ███████▓███▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄███▓███████ ██▀▀▀▀███▓█████ ▄▄▄▄ ▄▄▄▄▄ ▄ █████████████ ▄ ▄▄▄▄ ▄▄▄▄▄ ▄▄▄ ▀█████▓███▀▀▀▀██ █ ▓▓▓▓ ████████ █ █ █▄▄ ▄ █ █████ ▄▄▄▄▄ █ █ █ ▄ █ █ █ ▄ █ ████████ ▓▓▓▓ █ █ ▓▓▓▓ ████████ █ ▀▀▄ █▄▄▄▄ █▄▄▄▄ █▄▄▄▄▄▄▄█ █ █ █ █ █▀▀▀ ▀▄▄▄▀ ████████ ▓▓▓▓ █ ██▄▄▄▄███▓█████▄▄▄█▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄█████████▄▄▄▄▄█▄▄▄▄▄████▄▄▄▄▄██████▓███▄▄▄▄██ ████████▀▀▀ ▀▀▀████████ ███▓▀ ▀▓███ ███▓ ▓███ ███▓ Michael Shipway (keyboards) and Garth Jones (guitars) made this ▓███ ███▓ great new album full of strong, flowing, infectious melodies, ▓███ ███▓ exciting and ethereal atmospheres and tight sequencing work. Four ▓███ ███▓ fifteen-minute full of all of that û What more could a synth music ▓███ ███▓ fan want! ▓███ ███▓ ▓███ ███▓ The Three Towers had literally seduced the fans of EM in the spring ▓███ ███▓ of 2012. The fusion between the very electronic approach of Michael ▓███ ███▓ Shipway and that more dreamy, more bohemian of Garth Jones had ▓███ ███▓ split two universes of which the paradoxes overlapped in a style ▓███ ███▓ where the Berlin and England School displayed a poetic vision until ▓███ ███▓ then unequalled. Always inspired by the tales of Bernodine, ôScales ▓███ ███▓ of Fortuneö proposes us on the other hand an EM a little bit more ▓███ ███▓ soothing than that of the first album of the English duet with four ▓███ ███▓ sonic chapters of which the soft and subtle evolutions fall down in ▓███ ███▓ finales sometimes stormy but often deliciously lively. And although ▓███ ███▓ less clubbing than The Three Towers, this last opus of Lamp stays ▓███ ███▓ an attractive sonic adventure, in particular because of the very ▓███ ███▓ incisive tone of the Burns Hank Marvin Signature guitar. Its tears ▓███ ███▓ are really penetrating, like knocks of scalpel on the soul. But it ▓███ ███▓ stays before and beyond all a very electronic album where the ▓███ ███▓ guitar and the synths are really compatible. ▓███ ███▓ A humming where are hiding astral voices and dust from stars are ▓███ ███▓ opening the doors to "Serendipity". The onset is very relaxing and ▓███ ███▓ carpeted of an astral nebulosity with lot of mists which murmur as ▓███ ███▓ much as the choruses. Their cosmic harmonies flow on the soft ▓███ ███▓ caresses of a guitar of which the strings pinch and make sing sad ▓███ ███▓ and solitary airs sometimes sober and sometimes acute, like a slow ▓███ ███▓ morphic blues which refuses to cement, which, sometimes, give ▓███ ███▓ goosebumps. We float in a soft ethereal romantic world when a line ▓███ ███▓ of sequences unwinds its keys which deeply skip in the shadows of a ▓███ ███▓ heavy and brief bass line. The rhythm which takes shape stays as ▓███ ███▓ ambient as this lunar decoration. It tumbles with weak jingles and ▓███ ███▓ hangs onto the impulses of this bass line which breathes as a ▓███ ███▓ threat but also as a future implosion while the synth frees cyclic ▓███ ███▓ loops which coo as short harmonious solos. From then on, Garth ▓███ ███▓ Jones' six-strings and Michael Shipway's synth are exchanging solos ▓███ ███▓ and harmonies, decorating the music of ôScales of Fortuneö with ▓███ ███▓ beautiful poetic duels which will be as much attractive as the most ▓███ ███▓ beautiful words on paper. Everything is in evolution mode in the ▓███ ███▓ universes of Lamp. Sequences draw a kind of rhythm which circulates ▓███ ███▓ as an upward spiral supported by good and sober electronic ▓███ ███▓ percussions. The road of this temperate electronic rock is wrapped ▓███ ███▓ of a dense cloud of fog, reminding the charms of The Three Towers, ▓███ ███▓ and by very soothing electronic tones which make noise with the ▓███ ███▓ brief lamentations and as well as Garth Jones' short solos which ▓███ ███▓ float in beautiful effects of Mellotron. The rhythm gets carried ▓███ ███▓ away in the last moments with a good very English electronic rock ▓███ ███▓ while the harmonies are divided between the very dreamy guitar of ▓███ ███▓ Garth Jones and some very nice synth solos perfumed of the ▓███ ███▓ beautiful years of the England progressive rock. Built in three ▓███ ███▓ stages, "Calamity" crosses a long passage clouded with mysteries ▓███ ███▓ and with cloudiness. A long sinister intro where prowl electric ▓███ ███▓ streaks and hoops which get loose as soon as the extremities make ▓███ ███▓ contact. Fogs and tones, like a field of ruins fed by ▓███ ███▓ radioactivity. A delicate movement of sequences rises a little ▓███ ███▓ after the 4th minute spot, drawing a peaceful rhythm which glitters ▓███ ███▓ beneath some very charming synth solos and the harmonies, ▓███ ███▓ contrasting in tones, of the six-strings. This electronic and ▓███ ███▓ electric duel becomes the bases of a lyrical ode where the music ▓███ ███▓ replaces the words in a mesmerizing space of mist and where the ▓███ ███▓ flutes are whistling some very charming harmonies. This is soft and ▓███ ███▓ very near the electronic hymns of the Tangerine Dream's Jive years. ▓███ ███▓ These harmonies freeze a little after the point of 9 minutes. The ▓███ ███▓ sequences hiccup and hop then more insistently, plunging "Calamity" ▓███ ███▓ into a good rhythmic ride which equals The Three Towers' heavy ▓███ ███▓ electronic rhythms. ▓███ ███▓ "Adversity" doesn't waste time! The sequences stamp an electronic ▓███ ███▓ rhythm which waddles with a good swiftness under the bites of ▓███ ███▓ guitar of which the tone is an elixir of charms. The electronic ▓███ ███▓ effects and the arrangements contrive a dramatic approach while ▓███ ███▓ Garth Jones' guitar continues to pull the hairs from our arms. No ▓███ ███▓ jokes, he is as incisive and precise as the most famous plastic ▓███ ███▓ surgeon. The esthetic is wonderful. The solos cry on this movement ▓███ ███▓ of sequences which skip such as goblins who avoid to burn the sole ▓███ ███▓ of the foot. Sequences are always present and feed this minimalist ▓███ ███▓ electronic movement, with this subtle but present crescendo which ▓███ ███▓ operates its charm. And the guitar speaks to us through a dense ▓███ ███▓ cloud of mist. It's magic, soft and frankly striking. The rhythm ▓███ ███▓ grows slowly before exploding towards the 11th minute, tipping over ▓███ ███▓ "Adversity" into a good electronic rock coated of good Mellotron ▓███ ███▓ and, specially, decorated with good solos from Michael Shipway who ▓███ ███▓ has absolut ely nothing to envy to his partner in music. This is, ▓███ ███▓ imho, the most beautiful piece of music on ôScales of Fortuneö. ▓███ ███▓ "Fortunity" drinks a little of the origins of "Serendipity", but ▓███ ███▓ with a bipolar sonic decoration where elements dither between a ▓███ ███▓ bucolic or a cosmic state. The guitar is omnipresent, but never ▓███ ███▓ shade the synths nor the electronic effects, and throws harmonies, ▓███ ███▓ or harmonious solos, which roam with the same ambiguity than the ▓███ ███▓ decoration. A pulsing bass line undulates slyly, forging a ▓███ ███▓ gravitational rhythm which runs in loop over good synth solos. The ▓███ ███▓ setting reminds to me of a Western mood, for the solitary rhythm, ▓███ ███▓ quite electronic. The structure of rhythm changes skin without ▓███ ███▓ turning things upside down. Like a solid electronic Country-rock ▓███ ███▓ well peppered by a guitar which always gives this tint of blues to ▓███ ███▓ the soul. Shipway and Jones are again exchanging solos with forms ▓███ ███▓ and colors which mould themselves to our feelings on a structure, ▓███ ███▓ after a short ambiostatic passage, which becomes as heavy as ▓███ ███▓ lively. Like a solid e-rock, like this good old England School ▓███ ███▓ whose coat of arms carries the seal of Lamp, Volt and Steve Smith & ▓███ ███▓ The Tylas Cyndrome. All universes you really have to discoverà ▓███ ███▓ ▓███ ███▓█▄▄ ▄▄█▓███ ███████▓███▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄███▓███████ ██▀▀▀▀███▓█████▀ ▄▄▄▄ ▄▄▄▄ ▄▄▄▄ ▀█████████ ▄ ▄▄▄▄ ▄▄▄▄▄ ▄▄▄ ▀█████▓███▀▀▀▀██ █ ▓▓▓▓ ████████ █ ▄▄▄ █ █ █ █ █ ▄▄▄▄▄ █ █ █ ▄ █ █ █ ▄ █ ████████ ▓▓▓▓ █ █ ▓▓▓▓ ████████ █▄▄▄█ █▀▀▀▄ █ ▀▀ ▄█▄▄▄▄▄▄▄█ █ █ █ █ █▀▀▀ ▀▄▄▄▀ ████████ ▓▓▓▓ █ ██▄▄▄▄███▓█████▄▄▄▄▄▄▄▄▄█▄▄▄▄▄█████████████▄▄▄▄▄█▄▄▄▄▄████▄▄▄▄▄██████▓███▄▄▄▄██ ████████▀▀▀ ▀▀▀████████ ███▓▀ ▀▓███ ███▓ ▓███ ███▓ "LOVE AND RESPECT YOUR FRIENDS AND LET YOUR ENEMIES DIE!!!" ▓███ ███▓ ▓███ ███▓▄▄▄ ▄▄▄▓███ ██████████▄▄ ▄▄██████████ ██▀ ▄▄▄ ▀▀███▄ ▄███▀▀ ▄▄▄ ▀██ █ ▄▀▀████▄ ▀███▄ ▄███▀ ▄████▀▀▄ █ █▄▄▄▄ █▓▀██▄ ▀███ ███▀ ▄██▀▓█ ▄▄▄▄█ ████ ▄█▓ ▀██ ▀███ ███▀ ██▀ ▓█▄ ▀███ ███ ███ ▓███ ▀███ ███▀ ███▓ ███ ▀██ ██ ██▀ ▓███▓ ████▄ ▄████ ▓███▓ ▀██ ▀█ █ █▀ ▄██▓ ███████▄▄▄ ▄▄██████▄ ▓██▄ ▀█ █ ██ ▄███▓ ███████████████▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄██████████████ ▓███▄ ██ ██▓ ▓██▀ ▄███████████████▀▀▀▀▀▀▀█▀▀▀▀▀▀▀▀▀█▀▀▀▀▀▀██████████████▄ ▀██▓ ▓██ ██▓ ▓███▄ ▀ ▄▄▄▄ ▀▀█▀▀▀▀ ▄█████▄ ▄█▀▀▀▀▀█▄ ▄████▄ ▀▀▀█▀▀ ▄▄▄▄ ▀ ▄███▓ ▓██ ▓██▓ ▀███████████▄ ▄██▓██▀ ▀███▄ ▄█▀ ▀██▓██▄ ▄████████████▀ ▓██▓ ▓██▓ ▀▀▀▀ ▀██ ▓▓██▓ ▀██ ▄██▀ ▓██▓▓ ███▀ ▀▀▀▀ ▓██▓ █ ▓██▓ ▓██ ▓█▓ ▓██ ██▀ ▓█▓ ██▓ ▓██▓ █ ██ ▓██▄▄ ▓██ ▓█ ▓███▓ █▓ ██▓ ▄▄██▓ ██ ███▄ ▀████▄▄▄ ▄██ ▓█▄ ██▓ █▓ ██▄ ▄▄▄████▀ ▄▄██ █████▄▄ ▀███████▓████▀ ▀██ ██ █▓ ▄█ ██▀ ▀████▓███████▀▀ ▄█████ ██████▀ ▄█▓█▓█▓▓▓█▓ ▀████ ▓ ████▀ ▓█▓▓▓█▓█▓█▄ ▀██████ ████▀ ▄██▓▓█▓▓█▓█▓ ▄▄ ▀██▓ ▓██▀ ▄▄ ▓█▓▓█▓█▓▓██▄ ▀████ ██▀ ▄██▓▓█▓█▓▓█▓██▓ ▓██ ██▄ ▓██ ██▓ ▓██▓█▓▓█▓█▓▓██▄ ▀██ █▀ ███▓█▓█▓▓█▓██▓▀█▓ ▓████▄ ███▄▄ ▄▄██ ▄████▓ ▓█▀▓▓█▓█▓▓█▓█▓███ ▀█ █ ██▓█▓█▓▓█▓██▓█▓ ██ ▓███████▄ ▀█████ █████▀ ▄███████▓ ██ ▓█▓██▓█▓▓█▓█▓██ █ ▓█▓█▓█▓█▓▓█▓▓█▓█ ██ ▓████████▄ ▀██ ██▀ ▄████████▓ ██ █▓▓█▓█▓▓█▓█▓█▓██ ▓█▓▓▓█▓█▓█▓▓█▓██ ██ ▓█████████▄▄ █ █ ▄▄█████████▓ ██ ██▓█▓▓█▓▓██▓▓██▓ ███▓█▓█▓█▓███▀ ▓█▓ ▀▀█████████ █ █ █████████▀▀ ▓█▓ ▀███▓███▓▓█▓▓█ █▓██▓█▓█▓██▀ ▄█ ▓█▄▄ ▀▀▀▀▀ ▀▀▀▀▀ ▄▄█▓ █▄ ▀██▓█▓█▓▓█▓█ █▓▓████▓██ ▄███▄▄ ▀████▄ ▄███ ██ ███▄ ▄████▀ ███▄ ██▓█▓███▓█ █▓▓█▓████ ▄███████▄▄ ▀▀██ ████▄▄▄ ████████ ▄▄▄████ ██▀▀ ▄▄██████▄ ▀███▓█▓▓█ ▓█▓▓█▓█▓ ▄███████████ █ ███▓ ▓██████ ▀▀▀▀ ██████▓ ▓███ █ ███████████ ▓█▓█▓▓█▓ ▓██████▓ ████████████ █ █▓ ▄ █▓█▓█▓▓████████▓▓█▓█▓█ ▄ ▓█ █ ███████████ ▓██▓███▓ ▓█▓█▓█ ▄████████████▄ █ █ ██ █ ▄ ███ ▓█ ███ ▄ █ ██ █ █ ▄███████████▄ █▓█▓█▓ ▓███▓ ▀█████████████▄ █ █▄▀█ ███ █ █ ▀▓ █ █ ███ █▀▄█ █ ▄████████████▀ ▓███▓ ▓███▓ ▀█████████████▄ █ ██▄▓ ▀██ ███ ▀ ██ █▀▀ ▓▄██ █ ▄████████████▀ ▓███▓ ▓████▄ ▀████████████▄ █ ▀████▄▄▓▄ ▀ ▓ ▀ ▓▄█████▀ █ ▄███████████▀ ▄████▓ ▀▀▓███▄▄ ▀▀█████████▄ █▄ ▀▀████████████▀▀ ▄█ ▄████████▀▀ ▄▄███▓▀▀ ▀▀▀▀▀ ▀▀▀▀█████▄ ██▄▄ ▄▄██ ▄████▀▀▀▀ ▀▀▀▀▀ ▀████▄▄▄ ▄▄▄████▀ ▀▀████████████▀▀ ▀▀▀▀▀▀