Genre | Thrash Metal |
---|---|
Date (CEST) | 2025-08-30 18:52:13 |
Group | GRAVEWISH |
Size | 87 MB |
Files | 10 |
M3U / SFV / NFO |
Last_Rites-Unholy_Puppets-2016-GRAVEWISH
Infos
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Tracklist (M3U)
# | Filename | Artist | Songname | Bitrate | BPM |
---|---|---|---|---|---|
1 | 01-last_rites-children_of_war.mp3 | Last Rites | Children of War | 281 | 95 |
2 | 02-last_rites-humanburger.mp3 | Last Rites | Humanburger | 275 | 97 |
3 | 03-last_rites-human_crashtest.mp3 | Last Rites | Human Crashtest | 267 | 130 |
4 | 04-last_rites-waterwall.mp3 | Last Rites | Waterwall | 279 | 122 |
5 | 05-last_rites-the_walking_dead.mp3 | Last Rites | The Walking Dead | 283 | 153 |
6 | 06-last_rites-infected_mind.mp3 | Last Rites | Infected Mind | 277 | 97 |
7 | 07-last_rites-realm_of_illusion.mp3 | Last Rites | Realm of Illusion | 285 | 164 |
8 | 08-last_rites-forgotten.mp3 | Last Rites | Forgotten | 276 | 92 |
9 | 09-last_rites-soul_reaper.mp3 | Last Rites | Soul Reaper | 278 | 92 |
10 | 10-last_rites-gods_slave.mp3 | Last Rites | God's Slave | 280 | 92 |
NFO
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██▌ Artist...: Last Rites ░▐██▌
░▐██ Album....: Unholy Puppets ░██▌░
▓▐██ Year.....: 2016 ▓▐██▓
▓▐██ Rel. Date: 2025-08-29 ░▐██▓
▐██ Genre....: Thrash Metal ██▌░
░ ██▌ Label....: Beyond Prod. / Black Tears ██▌
▐██ Source...: CD ▐██
░▐██▌ Type.....: Album ▐██▌░
▓▄████ Quality..: VBR, 44.1kHz, Joint Stereo ████▌░
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1. Children of War 4:43
2. Humanburger 5:12
3. Human Crashtest 3:48
4. Waterwall 4:01
5. The Walking Dead 4:39
6. Infected Mind 3:25
7. Realm of Illusion 4:49
8. Forgotten 3:47
9. Soul Reaper 3:18
10. God's Slave 5:48
43:30
This band canÆt be placed squarely within the old school thrash
resurrection campaign although their inception coincided with the
appearance of the latter movement, the guys more interested in the
thrash/death metal hybrid as a way of expression. Still, on the debut
traces of the Bay-Area can easily be detected, but their co-existence
with more brutal deathy escapades and clumsy groovy decisions didnÆt
work very consistently. The sophomore was more successful in pulling out
the death/thrash symbiosis both styles helping each other more, with the
groove decidedly left aside.
Things were moving in the right direction but even the biggest optimists
couldnÆt have foreseen the radical metamorphosis witnessed on the album
here. The band have embraced the technical/progressive idea
whole-heartedly ending up with something not far from CarcassÆ
ôHeartworkö, only more exuberantly intricate. ôChildren of Warö starts
this delightful saga with choppy, hectic, not very predictable rhythms
that change every few seconds, the delivery trying to accommodate a more
individualistic physiognomy, but comes öHumanburgerö and the ôHeartworkö
overtones take over, only interpreted through a more twisted, less
orthodox spectacles, the interpretation acquiring a more brutal but
equally intriguing shape on ôHuman Crashtestö.
Death metal seems to have side-lined thrash at this point, but ôThe
Walking Deadö brings it back in the game with stylized technical riffage
galore and stop-and-go surprises at every corner. ôInfected Mindö stays
the course and even goes up the technicality scale with mazey
vortex-like configurations which nicely interlace with vivid galloping
motifs; and ôRealm of Illusionö partially loses the plot with a portion
of misplaced blast-beats which bring the winds of death again.
ôForgottenö pulls a balancing act with very effective, creepy
minimalistic riffs, a surprising anti-climactic piece with appropriate
speedy jolts; but there wonÆt be two in a row as ôSoul Reaperö reapsà
sorry, rips the listener apart with some of the most intense guitars on
the album. The latter donÆt get lost on ôGodÆs Slaveö where thrash and
death join forces for the creation of a marvellous dynamic tribute to
the Death legacy also served with great melodic leads and a
spell-binding outro.
The band really elevated their musical proficiency here, and it seemed
as though they would squeeze more niceties from the thrash/death metal
symbiosis in the days to come. However, productivity in their case
wasnÆt synonymous with quality as the following ôNemesisö, which
appeared less than a year later, was a less striking effort the guys
focusing on death metal more, leaving the technical exuberance of the
album here behind. Not a bad showing by any stretch, it didnÆt quite
fulfil the promises that were left hanging in the air a few months
earlierà I think itÆs time the band took out these nefarious wicked
puppets again, and unleash them upon the scene for more stylish, complex
havoc.
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