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P R E S E N T S .···. ▓ │▀▀▀█▓▄▄ █████ ██████▓▀ ▀ ▀ ▀▓██████ █████▀ Laura Stevenson - Laura Stevenson ▀█████ ████▀ ▀████ ███▀ ▀███ █▓▓▓▓ ARTiST..[ Laura Stevenson ▓▓▓▓█ █▓▓▓▓ TiTLE...[ Laura Stevenson ▓▓▓▓█ ████ GENRE...[ Indie CAT#....[ DG239 ████ ████ LABEL...[ Don Giovanni Records ENCODER.[ Lame 3.99.5 ████ ████ YEAR....[ 2021 QUALiTY.[ 160kbps ████ ████ SOURCE..[ WEB MODE....[ Stereo ████ ████ PLAYTIME[ 41:48 REL.DATE[ 08.05.2021 ████ ████ TRACKS..[ 10 RiPPER..[ TEAM OMA ████ ████ SiZE....[ 88,63 MB SUPPLiER[ TEAM OMA ████ ████ ████ ████ ████ ████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████ ████ ■ ███▓█ .···. T R A C K L i S T .···. █▓███ ■ ████ ████ · ▄▓███▓ ▓███▓▄ · ████ █████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████ ██████▓▀ ▀ ▀ ▀▓██████ █████▀ ▀█████ ████▀ ▀████ ███▀ NR. TRACK. TiME. ▀███ █▓▓▓▓ ∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙ ▓▓▓▓█ █▓▓▓▓ ▓▓▓▓█ ████ 01 State 06:17 ████ ████ 02 Don't Think About Me 03:05 ████ ████ 03 Moving Cars 04:57 ████ ████ 04 Continental Divide 05:19 ████ ████ 05 Wretch 05:05 ████ ████ 06 Sky Blue, Bad News 04:54 ████ ████ 07 Mary 03:54 ████ ████ 08 Sandstorm 03:18 ████ ████ 09 After Those Who Mean It 02:40 ████ ████ 10 Children's National Transfer 02:19 ████ ████ ∙∙∙∙∙∙∙∙∙∙∙∙ ████ ████ TOTAL: 41:48 ████ ████ ████ ████ ████ ████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████ ████ ■ ███▓█ .···. R E L E A S E N O T E S .···. █▓███ ■ ████ ████ · ▄▓███▓ ▓███▓▄ · ████ █████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████ ██████▓▀ ▀ ▀ ▀▓██████ █████▀ ▀█████ ████▀ ▀████ ███▀ ▀███ █▓▓▓▓ ▓▓▓▓█ █▓▓▓▓ ▓▓▓▓█ ████ https://www.amazon.co.jp/dp/B0956W385M/ ████ ████ ████ ████ Laura Stevenson begins her new album in a ████ ████ state. ████ ████ ████ ████ ôIÆm in a state again, but I stay polite,ö she ████ ████ sings queasily over a nest of scraping cello ████ ████ strings. For an uncomfortable minute the ████ ████ uneasiness lingers until the song explodes into ████ ████ an incantation: ôIt keeps me alive.ö ████ ████ ████ ████ It is a powerful and apt beginning for a record ████ ████ that finds the acclaimed singer-songwriter ████ ████ chartingùin exacting detailùsome of the most ████ ████ turbulent states of her life. ████ ████ ████ ████ Here she documents a crisis in real-time, ôI ████ ████ relocated for a bit after finishing my last ████ ████ record, to help someone that I love very much ████ ████ who was going through something absolutely ████ ████ unthinkable,ö she explains. The album follows ████ ████ every turn as that year unfolded, from rage to ████ ████ helplessness, desperation, and in its own sort ████ ████ of way, acceptance. ████ ████ ████ ████ ôFor obvious reasons, I wonÆt be discussing the ████ ████ specific nature of what happened. I left ████ ████ everything kind of open-ended, but I think ████ ████ doing that helps people relate more to the ████ ████ general experience of going through a crisis or ████ ████ helping someone else through one,ö Stevenson ████ ████ says, a sentiment that comes through on every ████ ████ moment of the upcoming self-titled album, out ████ ████ August 6th 2021. ████ ████ ████ ████ Take ôState,ö for example. As the song builds, ████ ████ it becomes lost in the rhythm of its own ████ ████ heart-thumping anxiety, every instrument ████ ████ struggling for breath in the second chorus. ôI ████ ████ become rage,ö Stevenson admits. ôA shining ████ ████ example of pure anger.ö Then, just when it ████ ████ seems to have passed the point of all reason, ████ ████ something transformative happens: the anger and ████ ████ frustration that have been building bend, ████ ████ turning instead into something ôpure and real ████ ████ and sticky and moving and sweet.ö ████ ████ ████ ████ The nauseous anxiety (and surprising ████ ████ transformation) of ôStateö is followed by a ████ ████ collection of songs that move gracefully ████ ████ between genres, something Stevenson has become ████ ████ known for. The album slides from indie-rock ████ ████ anti-anthems like ôDonÆt Think About Meö and ████ ████ ôSandstormö to Harry Nilsson-style string-laden ████ ████ ballads, mid-tempo alt-country, and quiet ████ ████ acoustic confessionals. ████ ████ ████ ████ ôThe album was written as a sort of purge and a ████ ████ prayer,ö Stevenson says. When it finally came ████ ████ time to record, she was pregnant with her first ████ ████ child. ôIt was a very intense experience to ████ ████ re-live all of the events of the previous year, ████ ████ while tracking these songs, with my daughter ████ ████ growing inside me, reliving all of that fear ████ ████ and pain and just wanting to protect her from ████ ████ the world that much more. It made me very raw.ö ████ ████ Considering this new context, the lyrics to the ████ ████ gently-twanging radio single ôContinental ████ ████ Divideö hit that much harder, ôwhat could I do ████ ████ right to keep you safe all of your life?ö ████ ████ ████ ████ While it is often emotionally heavy, Laura ████ ████ Stevenson never strays from its true motivating ████ ████ force: love. ████ ████ ████ ████ The journey that this new collection of songs ████ ████ takes the listener on may be a familiar one for ████ ████ anyone going through the stages of grief. ████ ████ ôMaryö sees Stevenson alone at her piano, ████ ████ recalling the long drive to the scene of the ████ ████ crisis, an agnostic bargaining with holy ████ ████ figures to save a life. On mid-album highlight, ████ ████ ôSky Blue, Bad Newsö Stevenson punishes herself ████ ████ for things that were ultimately out of her ████ ████ control, going over events in her life that ████ ████ lead up to this moment to figure out why all of ████ ████ this was happening, ôDid I shirk something? Did ████ ████ I hurt someone? Was I ever any good? Was I ████ ████ ungrateful?ö All this uncertainty and darkness ████ ████ is juxtaposed against a Crazy-Horse-like canter ████ ████ (a song in particular which may remind ████ ████ listeners of StevensonÆs recent Neil Young ████ ████ covers EP with longtime friend and collaborator ████ ████ Jeff Rosenstock, who also plays guitar on some ████ ████ of the new self-titled albumÆs tracks). ████ ████ ████ ████ Finally, Laura Stevenson ends on a moment of ████ ████ surreal tranquility: ôChildrenÆs National ████ ████ Transferö is a window of sudden, crystalline ████ ████ calm amidst the chaos, as the narrator stops ████ ████ for a Diet Coke and a pack of cigarettes while ████ ████ waiting for an ambulance to arrive, ôno one ████ ████ knows me in this store, pitiless me.ö ████ ████ ████ ████ The album follows StevensonÆs 2019 career ████ ████ milestone The Big Freeze, celebrated for its ████ ████ ôfinely detailed, wrenchingly intimate ████ ████ songwritingö (All Songs Considered), and a 2020 ████ ████ NPR Tiny Desk (counted as one of the yearÆs 20 ████ ████ Best). Produced by John Agnello (Sonic Youth, ████ ████ Dinosaur Jr., Kurt Vile,) at The Building in ████ ████ Marlboro, NY, Laura Stevenson is an altogether ████ ████ beautiful record, a sincere portrait of a human ████ ████ heart in all its vibrant colors. More than ████ ████ anything, it is about bearing oneÆs whole self ████ ████ in the face of those you loveùuncomfortable, ████ ████ and exposed, but vital, present. Here. ████ ████ ████ ████ ████ ████ ████ ████ ████ ████ ████ ████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████ ████ ■ ███▓█ .···. G R O U P .···. █▓███ ■ ████ ████ · ▄▓███▓ ▓███▓▄ · ████ █████ ▄▄▓█▀▀▀│ ▓ MAiL: [email protected] ▓ │▀▀▀█▓▄▄ █████ █▀ ▀██▓▀ ▀ ▀ ▀▓██▀ ▀█ ██▄██▀ ▀██▄██ ████▀ The only thing that really matters is music!!! ▀████ ▀██▓ ▓██▀ ▀██▓▄ ▄▓██▀ .▀ │ ▀▀██▄▓▄ .···. G R E E T S .···. ▄▓▄██▀▀ │ ▀ . ▄▓▓▄ │ ▀▀▀█▄▄ ▄▄█▀▀▀ │ ▄▓▓▄ . ▀▀ ▀▀▄ FRiENDS / SiTEOPS / NUKENET ▄▀▀ ▀▀ ▀ . ▄ ▄▓▓▄ ▀▄ RIP kHz ▄▀ ▄▓▓▄ ▄ . ▀ ▀ ▀▓▀ ▀▀ ▀ . ▄.···. !kb^faa 08.MARCH 2009 .···.▄ . ▀ ▀▀ ▀▓▀ ▀ .