▒▒█▓▓▓███████ ▒▓▓▓▓███████ ▓▓█████████▒▒ ███████████▒ ▒████████░░ ▒▒████████░ ▓▓██████ ▓███████ ▓▓██████ ░ ▓█████▒▒ ▓▓██████ ▒▒▓████▒ ░████ ▓█████░░ ▒█████ ████████ ▓███████████▒███████████ ███████▒ ██████ ████████████ ▒▒█████▓ ▒██░░ ███████▒ ▓████████ ▓███████▓ ▒█████ ▒███░▒▒██████▒▒ ░░█████▓░░███░░████████▓ ░████████▒█████████ ░█████ ░██ ░████████▓▓ ░░█████▓████ ██████████▓ ░███████▓██████████ ░█████ ███ █████████▓▓ █████████░░██████████░ ██████████████████ █████████░░░█████████░░ ▓███████░░░ ░▒▒▒░ █████████▒ ██████ ████████░░ ▒▒▒▒░ ▒████████████▓░░ ▓███████▒ ▓█████ ███████████████ ▒█████████████████░ ████████ ▓████▓ ██████████████████ █████ ▒▒██████ ░███████ ▓████▓ ███████ ▒█████▒▒ █████████░░ ▒█████░░ ██████▓ ▓████▒ ██████████░ ███████░ ███████████ ░▓▓████████▒███████████ █████▒ ███████████ ░░▓████████▒▒ ░ ░▒▒▒███▒ ▓██████████▓███████████ ░░█████▒ ░░ ░▒▒████▒ ▓▓█████████▓▓ ▒▒▒ k n u c k l e s ░░░▒▒█ ▓▓█████▓ ▒▒ ████████▒▒ · ···──────░░▒█████──[ proudly presents...]──┐ ███████████████████████████████████████████████████████████████████████████│ █┌───────────────────────────────────────────────────────────────────────┐█│ █│ Layo & Bushwacka-Live At Guerrino Beach (Roma) 06-01 │█│ █│·─────────────────────────────────────────────────────────────────────·│█│ █│ Artist...: Layo & Bushwacka │█│ █│ Title....: Live At Guerrino Beach (Roma) 06-01 │█│ █│ Label....: n/a │█│ █│ Genre....: Electronic │█│ █│ Str.date.: 000-00-0000 │█│ █│ Rip.date.: Jul-11-2006 │█│ █│ Source...: LINE │█│ █│ Quality..: 192 kbps / 44,1Hz / Stereo │█│ █│ Encoder..: LAME │█│ █│ Supplier.: TEAM knk │█│ █│ Ripper...: Team knk │█│ █│ Tracks...: 02 │█│ █│ Size.....: 262,1 MB │█│ █│·─────────────────────────────────────────────────────────────────────·│█│ █└───────────────────────────────────────────────────────────────────────┘█│ ▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀│ │ ┌────────────────────────────────────────────────────────────────·· · │ │█▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀█████████████████████████████┘ │█ · ···───[ t r a c k ─ l i s t ]───────··· · ▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀█ │█┌───────────────────────────────────────────────────────────────────────┐█ │█│ │█ │█│ NR. │ TrackName │ Time │█ │█│ · ···─────────────────────────────────────────────────────────────·· ·│█ │█│ │ │ │█ │█│ 01 │ Live At Guerrino Beach (Roma) 06-01-LINE-2006 │89:22 │█ │█│ 02 │ Live At Guerrino Beach (Roma) 06-01-LINE-2006 │101:28 │█ │█│ │ │ │█ │█│ · ···─────────────────────────────────────────────────────────────·· ·│█ │█│ │ │█ │█│ │ TOTAL TiME 190:50 min │█ │█│ │█ │█│·─────────────────────────────────────────────────────────────────────·│█ │█└───────────────────────────────────────────────────────────────────────┘█ │▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀ │ │ · ···───┐ │█▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀█████████████████████████████│ │█ · ···───[ r e l e a s e ─ i n f o ]───··· · ▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀█│ │█┌───────────────────────────────────────────────────────────────────────┐█│ │█│ Always support artists!! Remember it!! │█│ │█│·─────────────────────────────────────────────────────────────────────·│█│ │█│ │█│ │█│ http://www.suburbiaclub.com/ │█│ │█│ │█│ │█│ http://www.guerrinoclub.com/ │█│ │█│ │█│ │█│ Suburbia Night │█│ │█│ │█│ │█│ "We both believe in the same things, good people, good parties, │█│ │█│ good music. Acid house, basically." Idealists, hedonists, │█│ │█│ prophets, call them what you will, but Layo & Bushwacka!'s love │█│ │█│ affair with music started as teenagers under 1988's strobe lights │█│ │█│ and it's led the both of them through techno, breakbeat, electro, │█│ │█│ dub and electronica, emerging blinking into the light a decade │█│ │█│ later with a sound that fuses all their influences and │█│ │█│ channelling them into 2002's most anticipated dance floor album. │█│ │█│ │█│ │█│ It's the same outlaw spirit of eclecticism that still informs │█│ │█│ their five hour DJs sets, whether at their spiritual home in │█│ │█│ London's The End, or on a beach in Brazil or a state of the art │█│ │█│ superclub in Ibiza or Argentina. Layo seamlessly segueing cutting │█│ │█│ edge sounds, while Bushwacka! tears the arse out of the │█│ │█│ crossfade, turning nondescript breakbeat battle weapons into a │█│ │█│ compulsive collage of beats and breaks. The same spirit that took │█│ │█│ the "for the fans" thousand-copy only 12" Untitled into a global │█│ │█│ club anthem. It's now 'Love Story' - renamed with the title given │█│ │█│ to it by the fans in Argentina who sit down rather than dance │█│ │█│ through the track as a mark of respect for its majesty. "I │█│ │█│ thought that track was a bit cheesy initially," muses the │█│ │█│ ever-analytical Layo. "Of course now everyone loves it, I've │█│ │█│ warmed up to it a bit." And you can't get much more acid house │█│ │█│ than the legal minefield that is Bushwacka!'s much bootlegged │█│ │█│ remix of Michael Jackson's 'Billie Jean' - surely the biggest │█│ │█│ bootleg mix in a year inundated with white label remixes of │█│ │█│ dubious legality. If only, as Matthew shrugs, he'd done the │█│ │█│ bootlegs himself, as everyone assumes. │█│ │█│ │█│ │█│ Layo and Bushwhacka! have come a long way from the teenager who │█│ │█│ frequented Clink Street's infamous acid parties and the kid who │█│ │█│ dropped classical music to hang out on the hardcore scene: two │█│ │█│ motor-mouthed refugees from the underground enjoying their │█│ │█│ position as new leaders of clubland's cutting edge. Layo & │█│ │█│ Bushwacka! have both served their time supporting British │█│ │█│ underground music when no-one wanted to know. Layo opening The │█│ │█│ End, a purpose-built club dedicated to breaking new music to the │█│ │█│ right people. Matthew jacking in a lucrative career as a rave │█│ │█│ circuit DJ when the moody music had gone too far for him, both │█│ │█│ taking the emergent strains of techno, tech-house, electro and │█│ │█│ breakbeat and forcing them together with the blues, classical and │█│ │█│ film soundtracks of the last hundred years to create the dance │█│ │█│ floor sound of the new century. │█│ │█│ │█│ │█│ Matthew 'Bushwacka!' Benjamin has always been into music: as a │█│ │█│ schoolboy in Ladbroke Grove, West London, he was playing │█│ │█│ percussion in the London School Symphony Orchestra." I played the │█│ │█│ Royal Festival Hall, the Barbican. We toured Italy when I was 13. │█│ │█│ It was a magical time of my life." It was 1988, and hooked on │█│ │█│ hip-hop and DJing, his life was about to take a sharp left turn. │█│ │█│ "In August '88 I went to a Rat Pack warehouse party. I left there │█│ │█│ at 11 o'clock the next morning and come home to an angry mum." │█│ │█│ Handing out flyers by night and working in Harrods by day, he │█│ │█│ began working for the Rat Pack. By 1989's summer of orbital rave │█│ │█│ he was DJing for them, as well as on London's legendary 'Radio │█│ │█│ Rental'é pirate station Sunrise FM. │█│ │█│ │█│ │█│ Graduating from a studio engineering course, Matthew - now widely │█│ │█│ held in awe by other producers for his crisp beats and │█│ │█│ heavyweight production techniques - went to work at Mr C's new │█│ │█│ studio "making cups of tea 80 hours a week". The Shaman front man │█│ │█│ had ploughed his pop earnings back into the studio, and he was │█│ │█│ also planning on opening a club with another young protΘgΘ of │█│ │█│ his: "That's where I met Layo," Matthew remembers. "About the │█│ │█│ same time as the End idea was coming about." │█│ │█│ │█│ │█│ Layo Paskin had a different upbringing in a liberal North London │█│ │█│ household: the son of an architect and a writer, he was putting │█│ │█│ on funk parties at sixteen while working at weekends in Camden │█│ │█│ Market. "When I was 17," he recalls, "I went to my first acid │█│ │█│ house party, and straight away I was blown away by this thing." │█│ │█│ From then on he too was immersed in underground dance and within │█│ │█│ a couple of years he was throwing warehouse parties with Mr C. │█│ │█│ "We found this site for a party," he explains, "and that became │█│ │█│ The End." The End was designed by his father, and became Layo's │█│ │█│ life... taking in nights from future superstars like Fatboy │█│ │█│ Slim and Roni Size it quickly became the leading underground │█│ │█│ music club in the capital and one of the most influential dance │█│ │█│ clubs worldwide. │█│ │█│ │█│ │█│ By the time Layo and Bushwacka! started working together it was │█│ │█│ the mid-90s and dance music was changing. The hardcore scene that │█│ │█│ Matthew had been such an integral part of was already shifting │█│ │█│ into drum & bass, while new hybrids - that would later be termed │█│ │█│ tech-house and breakbeat - were emerging out of clubs like The │█│ │█│ End. Matthew had started his own Plank records, and was making │█│ │█│ and playing what he terms "good quality music to go out and dance │█│ │█│ to." │█│ │█│ │█│ │█│ In 1998 Layo and Bushwacka! released their first album Low Lifeé │█│ │█│ on End Recordings, the label that had begun life the day The End │█│ │█│ opened. A deceptively smooth collection that mashed together │█│ │█│ electro, techno, underground house and old skool breakbeat, but │█│ │█│ stretched into delta blues and dub reggae for inspiration, for a │█│ │█│ trippy down-tempo atmospheric breakbeat sound. It was rather │█│ │█│ brilliant. │█│ │█│ │█│ │█│ They also started DJing together more often - first at the End's │█│ │█│ Subterrain nights, later across the country and beyond. They make │█│ │█│ a good combination: Matthew tearing his crossfade through │█│ │█│ anonymous tech tunes and electro breaks Layo taking a more │█│ │█│ considered approach to playing "proper" tunes. Now, a year since │█│ │█│ they released the half-jokey 'Untitled' as a 1000 copy only │█│ │█│ Christmas present to their fans, their DJing has gone supernova. │█│ │█│ They can afford to play only clubs that allow them a five hour │█│ │█│ slot, so they can play an hour each at a time, building the │█│ │█│ intensity then dropping the tempo to play the odd vocal or │█│ │█│ hip-hop track. │█│ │█│ │█│ │█│ Now their second album - add title here - takes their blueprint │█│ │█│ onto a bigger, broader canvas. All the elements we loved about │█│ │█│ Low Lifeé and singles like the breakbeat blues of 'Deep South'é │█│ │█│ are still there - there's still the adherence to low end theory │█│ │█│ bass lines, but this time wrapped in a comfort blanket of │█│ │█│ synapse-tweaking soft chords. Once again its edited and tweaked │█│ │█│ into a non-stop collage that lulls you into a false sense of │█│ │█│ security at home, where you can't feel the monster bass lines │█│ │█│ these tracks unleash over a club sound system. Already planning │█│ │█│ to take their live performance on the road, the garrulous odd │█│ │█│ couple are keeping their hardcore fans happy by starting a │█│ │█│ monthly club night (at the End, where else?) where they will be │█│ │█│ the only DJs. Not to mention residencies at Space in Ibiza and │█│ │█│ Sirena in Brazil, two more of the finest clubs in the world. │█│ │█│ │█│ │█│ "The music industry is an industry where the best business people │█│ │█│ do the best and the most creative people don't," reflects Layo, │█│ │█│ "that's life I suppose. But I'm hungry for that creativity. I'd │█│ │█│ like to be really good at what I do, rather than hugely │█│ │█│ successful. You need to be able to look yourself in the eye and │█│ │█│ say the route youére taking is a good route, be proud of what you │█│ │█│ do, and on the other hand also enjoy it. I'd be much more happy │█│ │█│ if this album had good reviews, rather than sell a million │█│ │█│ copies. Something I can visit in a few years and be really proud │█│ │█│ of." │█│ │█│ │█│ │█│·─────────────────────────────────────────────────────────────────────·│█│ │█└───────────────────────────────────────────────────────────────────────┘█│ │▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀│ └─────────────────────────────────────────────────────────────────·· · │ │ │ █▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀█████████████████████████████│ █ · ···───[ g r o u p ─ i n f o ]───────··· · ▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀█│ █┌───────────────────────────────────────────────────────────────────────┐█│ █│" │█│ █│ In the beginning, there was Jack. And Jack had a groove. │█│ █│ And from this groove came the groove of all grooves. │█│ █│ And while one day viciously throwing down on his box, Jack boldly │█│ █│ declared,Let there be House! And House music was born. │█│ █│ I am, you see. I am the creator. And this is my House. │█│ █│ And in my House there is only House music. │█│ █│ But I am not so selfish, because once you've entered my House, │█│ █│ it then becomes our House, and our House music. And you see, │█│ █│ no one man owns House, because house music is a universal language │█│ █│ spoke and understood by all. You see, House is a feeling, that no one │█│ █│ can understand really, unless you're deep into the vibe of House. │█│ █│ House is an uncontrollable desire to Jack your body. And as I told │█│ █│ ya before, this is our house, and our House music. And in every house │█│ █│ you understand,there is a keeper. And in this house the keeper is │█│ █│ Jack. Now some of you might wonder, │█│ █│ who is Jack and what is it that Jack does? │█│ █│ Jack is the one who gives you the power to Jack your body. │█│ █│ Jack is the one who gives you the power to do the snake. │█│ █│ Jack is the one who gives you the key to the wiggly world. │█│ █│ Jack is the one who learns you how to walk your body. │█│ █│ Jack is the one that can bring nations and nations of all Jackers │█│ █│ together under one house. │█│ █│ You may be black, you may be white, you may be Jew, or Gentile. │█│ █│ It don't make a difference in our house. And this is fresh!!! │█│ █│ " │█│ █│·─────────────────────────────────────────────────────────────────────·│█│ █│ │█│ █│ knk was meant to be a house music group. but even if house music is │█│ █│ our only reason to exist as a group, we start now to release every │█│ █│ kind of electro-vocal-lounge liveset, mixcd, compilation or full cd. │█│ █│ We know livesets are considered worst than shit in the scene. │█│ █│ But we keep betting on them because we KNOW that normal people │█│ █│ love them. We got high feedbacks about many and many livesets we │█│ █│ released over the last year. We want to continue with .. │█│ █│ │█│ █│·─────────────────────────────────────────────────────────────────────·│█│ █│ │█│ █│ We are now in look for: │█│ █│ │█│ █│ - talented rippers, promo cd/live suppliers │█│ █│ │█│ █│ - 100mbit+ sites that would like us to affiliate them │█│ █│ │█│ █│ - bnc, (legit) shells suppliers │█│ █│ │█│ █│ │█│ █│·─────────────────────────────────────────────────────────────────────·│█│ █│ │█│ █│ We would like to thank the following groups for the good music │█│ █│ they release │█│ █│ │█│ █│ BWA - 1REAL - BPM - dh - MS - tronik - WHOA - XDS │█│ █│ │█│ █│ │█│ █│ and a special thank goes to Morgoth for his tools :) │█│ █│ │█│ █│·─────────────────────────────────────────────────────────────────────·│█│ █└───────────────────────────────────────────────────────────────────────┘█│ ▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀│ · ···──────────────[last update 11-24-03]─────────────────────────────┘