Genre | Rock |
---|---|
Date (CEST) | 2019-11-22 19:46:02 |
Group | ENTiTLED |
Size | 9 MB |
Files | 1 |
M3U / SFV / NFO |
U2_and_A_R_Rahman-Ahimsa-SINGLE-WEB-2019-ENTiTLED
Infos
Similar Releases
- Phobetor-A_Solitary_Vigil-EP-WEB-2025-ENTiTLED
- st.sinner-hearts_in_hands-WEB-2025-ENTiTLED
- Terrordome-Plagued_with_Violence-WEB-2025-ENTiTLED
- Sin_Seer-Arrival-WEB-2025-ENTiTLED
- Radiation-Restoration-EP-WEB-2025-ENTiTLED
- Quickened-Drown_in_Nothing-WEB-2025-ENTiTLED
- Vertebra-The_Same-WEB-2025-ENTiTLED
- When_Man_Meets_His_Maker-The_Hell_In_Heaven-WEB-2025-ENTiTLED
- To_The_Grave-Still-EP-WEB-2025-ENTiTLED
- Mystopera-Das_Lied_der_steinernen_Engel-WEB-DE-2025-ENTiTLED
Tracklist (M3U)
# | Filename | Artist | Songname | Bitrate | BPM |
---|---|---|---|---|---|
1 | 01-u2_and_a_r_rahman-ahimsa-8ce40dbb.mp3 | U2 & A. R. Rahman | Ahimsa | 320 | Unknown |
NFO
▀▄
▀█▀
█▀
▒▄
░ ▒ ░
░ ▀▄▄ ░
█
░ ▀ █ ░
▀ ░ ▄▄▀ ▄ ░ ▀
▄▄ ░ ░█ ▀▀ ░ ▄▄
▀█ ░ ▀▀▀▄ ░ █▀
▄▀ ░░ ▄█▀░ ░░ ▀▄
▀▄▄▀▄ ░░░ ▒▀██▓ ░░░ ▄▀▄▄▀
▄▀▄█ ░ ░░ ▓▓▒ ░░ ░ █▄▀▄
▀██▓▒ ░░░ ░░▒ ░░░ ▒▓██▀
░ ░ ░ ▒▒░░ ░░░ ░░ ░░░ ░░▒▒ ░ ░
░ ░░░░ ░░░ ░░░░ ░ ░░░░ ░░░ ░░░ ░
░ ░ ░ ░ ░ ░ ░ ░ ░
░░░░ ▒ ░░░░
░░░░░ ░░░ ▀ ░░░ ░░░░░
░░ ░░ ░░ ░░ ░░ ░░
░░░░░░░ ░░░ ▄▀ ░░░ ░░░░░░░
░░░░░░ ░ ░ ░░░░░░
░ ░ ▄▀ ░ ░░
░░ ▄ ░░ ░░ ░
░░░ ▀░ ░░░ ░░ ░░░ ░ ░
░ ░░ ░ ░░ ░░░ ▄█ ░░░░░░░ ░░░ ▒
▒ ░░ ░░░░░ ░░░░░ ██ ░░░░ ▄▄ ██
██ ▄▄ ░░░░ ░▀▀▀██▀▀▀░ ░ ▐▄ ▀▀█▀▀█▀
▀█▀▀█▀▀ ▄▌ ░░ ██ ░░ ▄▄▀ ▄█ ▄█▄▀ ██▀
▀██ ▀▄█▄ █▄ ▀▄▄ ░░ ██ ░░ ▄█ ▄█▀ ██▀█▀▀▀
▀▀▀█▀██ ▀█▄ █▄ ▀▄ ██ ▄▀ ▄▄█ ▀ ▄▄▄▄
▄▄▄▄ ▀ █▄▄ ▄█ ██ ▓█ ██ █▄ ▀██ ▀ ▄▀▄█▀▄
▄▀█▄▀▄ ▀ ██▀▀ ▀▀█▄ ██ ▄▀ ██ ▄█▀▀ ▀ ▀ ▄▀▄▀▄ ▄
▄ ▄ ▄▀▄▀▄ ▀ ░░░ ██ █▓ ██ ░░░ ▀ ▀ ▀ ▓▄ ▀▄
█ ▄▓ ▀ ▀ ▀ ░░░░░▀ ██▓ ██ ▓██ ▀░░░░░░░ ▓▄ ▄▀
▀▀█▄█ █▒ █ ▄ ░░░ ▀██▄ ██ ▄██▀ ░░░ ▄ ▄ ▀▄ ▀▄▒▄ ██▄█▀
▀██▄▄█ ▄ █▄ █ ▄▀ ▄ ░░ ▀▀█▄ ██ ▄█▀▀ ░░ █ █ ▄█ ▄ █▄████▀
▀▀▀▀▀▀▀▀█▓▄█▄█▄ ▀▄ █ ▀▀▄▄▄██▄▄▄▀▀ █ █▄▄▄█▓█▀▀▀▀▀▀▀▀█
▒ ▀▀▀██▄███ ▀██▀ ███▄▄██▀▀▀ ▒
░ ▐█ ■▀░▄▒ ██▓ ░░░ █▓ ░░ ▓██ ▒▄░▀■ █▌ ░
▒ ▀▒▓████░░ ▄▀▀ ▀▄ ▀▀▄ ░░████▓▒▀ ▒
░░ ▀▄ ▀▀▀■ ▄ ▓█ ▄ ■▀▀▀ ▄▀ ░░
▒▒ ▄ ▄▄ ▄▀▀ ▓▓ ▀▀▄ ▄▄ ▄ ▒▒
▓▓ ▀███▄▒█▓▄▄▒▄▓█▓██▒█▓▀ ▄▒▀ ░ ▓▓ ░ ▀▒▄ ▀▓█▒██▓█▒▄▓▄▄▓█▒▄███▀ ▓▓
░░ ██▄▄███▓████▓█▓████▓██▄▀ ▄▄▓ ▒ ██ ▒ ▓▄▄ ▀▄██▓████▓█▓████▓███▄▄██ ░░
▒▒▓▓ ▀█████████▓██████▓█████▀▀ ▓ ██ ▓ ▀▀█████▓██████▓█████████▀ ▓▓▒▒
▀▀▄▄█████▓▓████████████▀▄▓ ░█ ██ █░ ▓▄▀████████████▓▓█████▄▄▀▀ ▄
▄ ▀▀████▀▓▓█████████▀█▄▄▒█▀▀ ▒█▄ █ █▒ ▀▀█▒▄▄▓▀█████████▓▓█▀███▀▀ ▄▀▓
▄█▄ ▀▀ ▒▒▀ ███▓█████▒▀▀ ░ ▓▄██▄█▄▓ ░ ▀▀▒█████▓███ ▀▒▒▀ ▀ ▀ ▄▄███
▀▀▀███▄▄ ▄ ▀▀██▒▀▀ ▄▄▄▒ ▓██████▓ ▒▄▄▄ ▀▀▒██▀▀ ▄▄▄██▀ ▀▀
▄▀ ▀▀▀██▀▀██▄▄ ▀▄▄▄ ▄█████ ██████████ █████▄ ▄▄▄▀ ▄▄▀██▀▀▀ ▀ ▀▄
██▄ ▄ ▄ ▄▀ ▄ ██████▀▀██████████▀▀██████ ▄ ▀▄ ▄█▄ ▄ ▄██
▄▀▄▀ ▄█▀▀▄████▀▓▀▀▄▀▀▀ ▀▓█▀ ▓██████▓ ▀█▓▀ ▀▀▀▄▀▀▓▀████▄▀▀█▄ ▀▄▀▄
▀█▄▄██ ███▀ ▄ ▒ ▄▄ ▀▓▓▓▓▀ ▄▄ ▒ ▄ ▀███ ██▄▄█▀
▀▄▀▄ ███ ▄█ ░▀ █▀ ▒▒▒▒ ▀█ ▀░ █▄ ███ ▄▀▄▀
▄█▀ ▀▄ ▓▓▌ ██ █ ░░░░ █ ██ ▐▓▓ ▄▀ ▀█▄
█▄ ▀▄ ▒▒▌ ███ █ █ ███ ▐▒▒ ▄▀ ▄█
▀█▄▄▄▀▄ ░░▌ ▐██▌ ▓ ░░░░ ▓ ▐██▌ ▐░░ ▄▀▄▄▄█▀
▀█▄▄▄▀▄ ▌▌ ████ ▒ ░ ▒ ████ ▐▐ ▄▀▄▄▄█▀
█▄▄ ▀▄ ▌▌ █ ███ ░ ░░░░ ░ ███ █ ▐▐ ▄▀ ▄▄█
▀█▄▀▀█▄ ▌▌ ▄ █ ▓███ ░ ░ ███▓ █ ▄ ▐▐ ▄█▀▀▄█▀
▐█▄ ▐█▀ ▌▌▄█▌ ▐█ ▓███ ▄█ ░ ▐ ░░ ▌ ░ █▄ ███▓ █▌ ▐█▄▐▐ ▀▀█▌ ▄█▌
▐█▄ █ ▌█▀█ ██ ▓███░ █▌█▌ █▌ ▐█ ▐█▐█ ░███▓ ██ █▀█▐ █ ▄█▌
██ █ █▀▒█▄ ▐██▄ ▀███▓ ▐█ ██▄ ▐██ ██▌ ▄██ █▌ ▓███▀ ▄██▌ ▄█▒▀█ █ ██
█▐ █ ▄██▀▀████████████████████████████████████████████████████▀▀██▄ █ ▌█
█▐ █ ▐▓█ ░▒ ▀████████████████████████████████████████████████▀ ▒░ █▓▌ █ ▌█
█ █ ▒ ████▒ ▀▄▄▄▄▄▄▄▄▄▄▄▄▄█▄██▀▄▀▄▀▄▀▄▀▄▀██▄█▄▄▄▄▄▄▄▄▄▄▄▄▀ ▒████ ▒ █ █
█ █ ▄███▀▀█▀█▀█▀▀▄▄ ▓▓▒▒░░ ▀▄▀▄▀▄▀▄▀▄▀ ░░▒▒▒▓▓▄▀▀█▀█▀█▀▀███▄ █ █
█ █ ▀▀▀████▄▄▄▄ ▀▀▄▄▄▄▄ ▀ ▀ ▀ ▀ ▄▄▄▄▄▀▀ ▄▄▄▄████▀▀▀ █ █
█ █ ▀▀▀▀▀█▀▄▄ ▄▄ ▓▀▀▀▀▄▄▄▄▀▀▀▀▓ ▄▄ ▄▄▀▀▀▀▀▀▀ █ █
█▐ █ ▀ ▀▄███▀▌███▐▀█ █ █ █▄█▐▀███▄▀▄▀ █ ▌█
█▐ █ ▌▌█ ▌█ █▐▀█ █ █ ▌▌█▐ █▐▐ █ ▌█
█ █ ▌▌█ ▌█ █▐ █ █ █ ▌▌█▐ █▐▐ █ █
█ █ ▌▌█ ▌█ █▐▀█ █ █ ▌▄█▐ █▐▐ ░ █ █
█ █ ░ ▌█ ▌█ █▐ █ █ █ ▌▌█▐ █▐ █ █
█▐ █ ▌ ▌ █▐ █ █ █ ▌▌ ▐ ▐ ░ █ ▌█
█▐▐ █ ▒ ▌ ▓▐ █ █ █ ▌ ▐ ▄ █ ▌▌█
█▐ █ ▀▄ ▒▐ █ █ █ ▌▒ ▀▄ █ ▌█
█▐ ░ ░ █ █ █ ░ ▄ █ ▌█
▌ ▄▀ ▓ ░ █ █ █ ░ ▀▄█ ░ ▐
▌ ■ █ ▀▄ ▓ ▀▄ ▀▄ ▐
▐ ▀ ▄ ▄▀ ▒ ▄▀ ▄█▀▒ ▌
▐ ░▄▀ ▀█░ ░ █░ ▀▄ ▌
▌ ▓ ▄▀ ▀█▄ ▒█▀ ▐
▀ ▀▄ █ ░ ██ ▀▓ ▀
▄▄■ ▓█ ░ ▒ ▄ ██ ░
▄██▀▀ ██▒ ▄ ▓ ▄▌ ░▄█ ▄▄▄▒
██▄ ▀▀▄ ■░ ▀▀▄ ▀█ ▄▀▀ ███ ▒
▀███▄▄▄▄▄ ▐█▄▌ ▀▄ ▐█▄█▌ █ ▄■ ▀▀▀███▄██▓▄▄▄▄
███▀▀▀▀████▓ ███ ▓██▄ ███ ██▓ ▀███▀▀▀███
██ ▀▀ ▒█▀█ ▀▀ █▀█ ███▒ ▄▄▄▄▒ ███ ░ ██▓
███ █ ▄▄ ▄▄▄▄▄██▄▄▌ ▄▄ ▄▄▄▄▄██▄▄▌▄▄███ ▄▄▄█████████▀ ▐██▌ ▐██▌
▀██▄▄ ▄██ ▄▀▀███▄ ▀▀███▀▀▀ ▀███▄ ▀▀███▀▀▀ █████ ▀███▀ ██▓ ▀██ ███
█▓ ▀ ▓██▄ ▀██▌ ▐██▀ ▀██▌ ▐██▀ ▀███ ▐██▀ ██▓ █▄ ▓█▌
██▌ ──── ██▌ ── ███ ███ ──── ███ ███ ──── ███ ███ ██▓ ██▓ ── ▐██
▐██ ░░░░ ██░ ░░ ███ ███ ░░░░ ███ ███ ░░░░ ███ ██▄▄▄▀▀▀ ▄ ██ ░░ ██▌
███ ░░ █▄█ ░ ███ ███ ░░ ███ ███ ░░ ███ ███ ▄██ ██▓ ░ ███
███ ███ ▀▄█ █▄▀ ▀▄█ █▄▀ ▀▄█ █▄▀ ▄▄▀▀▀▀ ▀██ ░ ███
▓██▌ ███ ░ ▀▓██ ██▓▀ ▀▓██ ██▓▀ ░ ▀▓██ ██▓▀▀ ▄ ▀ ▐██▓
▐███ ███▄ ██ ██ ░ ░░ ██ ██ ░░ ░░ ██ ██ ░░ ██ ▄▄█▀▀█▄ ███▌
▄███ ░ ██▓ ░░ █ █ ░ ░ █ █ ░ ░░ █ █ ░░ ▀▓▄▄█▀▀ ▀█████▄
▀███▄ █▀ ░░ █ █ ░░ █ █ ░ ░░ █ █ ▀▀ ▄▓███▀▀
░ ▀███▄ ▄▀ ░░ ░ ▐ ▌ ░ ▐ ▌ ░ ▐ ▌ sM!iMPURE ███▒ ░
░░░ ███▀ ░░ ░ ▐ ▌ ░▐ ▌ ░▐ ▌ ./\\//\\. ▀███ ░░
░░░ █▌ ░ ░░ ░ ░ ░ ░ ▐█ ░░
░░ ▓ ░░ ░░ ▓ ░░
░ ░ ░ ░ ░
▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄
▄▄▄▄▄▄▄▄▄▄▀▀▀▀▀▀▀▀ ▀▀▀▀▀▀▀▀▄▄▄▄▄▄▄▄▄▄
▄█▀ ▄▀ ▀▄ ▀█▄
█▓▀▀ RELEASE INFORMATION for: ▀▀▓█
▓▒ U2_and_A_R_Rahman-Ahimsa-SINGLE-WEB-2019-ENTiTLED ▒▓
▒░ ░▒
░ artist........ | U2 & A. R. Rahman ░
title......... | Ahimsa
label......... | An Island Records Release; Universal Music Operations
genre......... | Rock
rip date...... | 2019-11-22
retail date... | 2019-11-22
runtime....... | 03:50
tracks........ | 1
size.......... | 8.94MB
quality....... | 320kbps 44.1kHz
░ codec......... | MP3 (MPEG-2 Audio Layer III) ░
▒░ encoder....... | LAME ░▒
▓▒ ▒▓
█▓▄ ▄▓█
▀█▄█ █▄█▀
▀▀▀▀▀▀▀▀▀▀▄▄▄▄▄▄▄▄ ▄▄▄▄▄▄▄▄▀▀▀▀▀▀▀▀▀▀
░▓▄ ▀ ▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀ ▀ ▄▓░
██ ██
▄▀▀▀ ------------------------------------------- ▀▀▀▄
▀▀█ · ·< t r a c k . l i s t >· · █▀▀
█▀▓ ------------------------------------------- ▓▀█
█▀ ▀█
▀▄ ▄▀
█▀ ▀█
█ █
▀ ▀
▒ ▒
█ █
▀ ▀
█ 01 > Ahimsa < 03:50 █
▄ ▄
█ █
▒ ▒
▄ ▄
█ █
█▄ ▄█
▄▀ ▀▄
█▄ ▄█
█▄▓ ▓▄█
▄▄█ █▄▄
▀▄▄▄ ▄▄▄▄▄▄▄▄▄▄▄ ▄▄▄▀
██ ▄▄▀▀▀▀ ▄▄▄▄▄▄▄▄▄ ▀▀▀▀▄▄ ██
░▓▀ ▄▄▄█▄█▄█▄▄▄▄▀▀▀ ▀▀▀▄▄▄▄█▄█▄█▄▄ ▄ ▀▓░
▄▄▄▄▄▄▄▄▄▄▀▀▀▀▀▀▀▀ ▀ ▀ ▀ ▀ ▀▀▀▀▀▀▀▀▄▄▄▄▄▄▄▄▄▄
▄█▀█ █▀█▄
█▓▀ · ·< RELEASE NOTES >· · ▀▓█
▓▒ ▒▓
▒░ ░▒
░ ░
Through a combination of zealous righteousness and post-punk
experimentalism, U2 became one of the most popular rock & roll bands
of the '80s. They were rock & roll crusaders during an era of
synthesized pop and heavy metal, equally known for their sweeping
sound as for their grandiose statements about politics and religion.
The Edge provided the group with a signature sound by creating
sweeping sonic landscapes with his heavily processed, echoed guitars.
Though the Edge's style wasn't conventional, the rhythm section of
Larry Mullen, Jr. and Adam Clayton played the songs as driving hard
rock, giving the band a forceful, powerful edge that was designed for
arenas. And their lead singer, Bono, was a frontman with a knack of
grand gestures that played better in stadiums than small clubs. It's
no accident that footage of Bono parading with a white flag with
"Sunday Bloody Sunday" blaring in the background became the defining
moment of U2's early career -- there rarely was a band that believed
so deeply in rock's potential for revolution as U2, and there rarely
was a band whose members didn't care if they appeared foolish in the
process.During the course of the early '80s, the group quickly built
up a dedicated following through constant touring and a string of
acclaimed records. By 1987, U2's following had grown large enough to
propel them to the level of international superstardom with the
release of The Joshua Tree. Unlike many of their contemporaries, they
were able to sustain such popularity in the '90s by reinventing
themselves as a postmodern, self-consciously ironic, dance-inflected
pop/rock act, owing equally to the experimentalism of late-'70s Bowie
and '90s electronic dance and techno. By performing such a successful
reinvention, the band confirmed its status as one of the most popular
bands in rock history, in addition to earning additional critical
respect.With its textured guitars, the band's sound was undeniably
indebted to post-punk, so it's slightly ironic that U2 formed in 1976,
before punk had even reached their hometown of Dublin, Ireland. Larry
Mullen Jr. (born October 31, 1961; drums), posted a notice on a high-
school bulletin board asking for fellow musicians to form a band. Bono
(born Paul Hewson, May 10, 1960; vocals), the Edge (born David Evans,
August 8, 1961; guitar, keyboards, vocals), Adam Clayton (born March
13, 1960; bass), and Dick Evans responded to the ad, and the teenagers
banded together as a Beatles and Stones cover band called the
Feedback. They then changed their name to the Hype in 1977. Shortly
afterward, Dick Evans left the band to form the Virgin Prunes, and the
group changed names once again, this time adopting the moniker of
U2.U2's first big break arrived in 1978, during the members' final
year of high school, when they won a talent contest sponsored by
Guinness. By the end of the year, the Stranglers' manager, Paul
McGuinness, had seen U2 play and offered to manage them. Even with a
powerful manager in their corner, the band had trouble making much
headway, and failed an audition with CBS Records at the end of the
year. In the fall of 1979, U2 released their debut EP, U2 Three. The
EP was available only in Ireland, where it topped the national charts.
Shortly afterward, they began to play in England, but they failed to
gain much attention away from home.U2 scored one more chart-topping
single, "Another Day," in early 1980 before Island Records offered the
group a contract. Later that year, the band's full-length debut, Boy,
was released. Produced by Steve Lillywhite, the album's sweeping,
atmospheric but edgy sound was unlike most recordings by U2's post-
punk contemporaries, and the band earned further attention for its
public embrace of Christianity; only Clayton was not a practicing
Christian. Through constant touring, including opening gigs for
Talking Heads, U2 were able to take Boy into the American Top 70 in
early 1981. October, also produced by Lillywhite, followed in the
fall, and it became their British breakthrough, reaching number 11 on
the charts. By early 1983, Boy's "I Will Follow" and October's
"Gloria" had become staples on MTV, which, along with their touring,
gave U2 a formidable cult following in the U.S. Released in the spring
of 1983, the Lillywhite-produced War became U2's breakthrough release,
entering the U.K. charts at number one and elevating them into arenas
in the United States, where the album peaked at number 12. War had a
stronger political message than its predecessors, as evidenced by the
international hits "Sunday Bloody Sunday" and "New Year's Day." During
the supporting tour, the band filmed its concert at Colorado's Red
Rocks Amphitheater, releasing the show as an EP and video titled Under
a Blood Red Sky. The EP entered in the U.K. charts at number two,
becoming the most successful live recording in British history. U2 had
become one of the most popular bands in the world, and their righteous
political stance soon became replicated by many other bands, providing
the impetus for the Band Aid and Live Aid projects in 1984 and 1985,
respectively. For the follow-up to War, U2 entered the studios with
co-producers Brian Eno and Daniel Lanois, who helped give the
resulting album an experimental, atmospheric tone. Released in the
fall of 1984, The Unforgettable Fire replicated the chart status of
War, entering the U.K. charts at number one and reaching number 12 in
the U.S. The album also generated the group's first Top 40 hit in
America with "(Pride) In the Name of Love," a tribute to Martin Luther
King Jr. U2 supported the album with a successful international tour,
highlighted by a show-stealing performance at Live Aid. Following the
tour, the band released the live EP Wide Awake in America in
1985.While U2 had become one of the most successful rock bands of the
'80s, they didn't truly become superstars until the spring 1987
release of The Joshua Tree. Greeted with enthusiastic reviews, many of
which proclaimed the album a masterpiece, The Joshua Tree became U2's
first American number one hit and their third straight album to enter
the U.K. charts at number one; in England, it set a record by going
platinum within 28 hours. Generating the U.S. number one hits "With or
Without You" and "I Still Haven't Found What I'm Looking For," The
Joshua Tree and the group's supporting tour became the biggest success
story of 1987, earning U2 the cover of respected publications like
Time magazine. U2 decided to film a documentary about their American
tour, recording new material along the way. The project became "Rattle
& Hum", a film that was supported by a double-album soundtrack that
was divided between live tracks and new material. While the album
Rattle & Hum was a hit, the record and film received the weakest
reviews of U2's career, with many critics taking issue with the
group's fascination with American roots music like blues, soul,
country, and folk. Following the release of Rattle & Hum, the band
took an extended hiatus.U2 reconvened in Berlin in 1990 to record a
new album with Eno and Lanois. While the sessions for the album were
difficult, the resulting record, Achtung Baby, represented a
successful reinvention of the band's trademark sound. Where they had
been inspired by post-punk in the early career and American music
during their mid-career, U2 delved into electronic and dance music
with Achtung Baby. Inspired equally by late-'70s Bowie and the
Madchester scene in the U.K., Achtung Baby was sonically more eclectic
and adventurous than U2's earlier work, and it didn't alienate their
core audience. The album debuted at number one throughout the world
and spawned Top Ten hits with "Mysterious Ways" and "One." Early in
1992, the group launched an elaborate tour to support Achtung Baby.
Dubbed Zoo TV, the tour was an innovative blend of multimedia
electronics, featuring a stage filled with televisions, suspended
cars, and cellular phones. Bono devised an alter ego called the Fly,
which was a knowing send-up of rock stardom. Even under the ironic
guise of the Fly and Zoo TV, it was evident that U2 were looser and
more fun than ever before, even though they had not abandoned their
trademark righteous political anger. Following the completion of the
American Zoo TV tour in late 1992 and preceding the launch of the
tour's European leg, U2 entered the studio to complete an EP of new
material that soon became the full-length Zooropa. Released in the
summer of 1993 to coincide with the tour of the same name, Zooropa
demonstrated a heavier techno and dance influence than Achtung Baby
and received strong reviews. Nevertheless, the album stalled at sales
of two million and failed to generate a big hit single. During the
subsequent Zooropa tour, the Fly metamorphosed into the demonic
MacPhisto, which dominated the remainder of the tour. Upon the
completion of the Zooropa tour in late 1993, the band took another
extended break.During 1995, U2 re-emerged with "Hold Me, Thrill Me,
Kiss Me, Kill Me," a glam rock theme to "Batman Forever" that was
produced by Nellee Hooper (Bjork, Soul II Soul). Later that year, they
recorded the collaborative album Original Soundtracks, Vol. 1 with
Brian Eno, releasing the record under the name the Passengers late in
1995. It was greeted with a muted reception, both critically and
commercially. Many hardcore U2 fans (including drummer Larry Mullen
Jr.) were unhappy with the Passengers project, and U2 promised their
next album, to be released in the fall of 1996, would be a rock & roll
record. The album took longer to complete than usual, ultimately being
pushed back to the spring of 1997. During its delay, a few tracks,
including the forthcoming first single "Discotheque," were leaked, and
it became clear that the new album was going to be heavily influenced
by techno, dance, and electronic music. When it was finally released,
Pop did indeed bear a heavier dance influence, but it was greeted with
strong initial sales and a few positive reviews. Demand for the album
lessened in the following months, however, and Pop ultimately became
the band's least popular album in over a decade. In late 1998, the
group returned with Best of 1980-1990, the first in a series of hits
collections issued in conjunction with a reported 50 million dollar
agreement with Polygram. Included in the comprehensive track list was
a remixed version of "Sweetest Thing," originally released as B-side
in 1987, which charted well in multiple countries.Three years after
the mediocre response to Pop, U2 teamed up with Eno and Lanois once
again to release All That You Can't Leave Behind in fall 2000. The
album was heralded as a return to form, melding the band's classic
sound with contemporary trends. It topped charts around the world,
reached number three in America, earned Grammy Awards for the singles
"Beautiful Day" and "Walk On," and became the band's biggest-selling
record in years. (The Elevation tour that followed also brought U2 a
hefty paycheck.) Steve Lillywhite, producer of the early-'80s
landmarks Boy, October, and War, returned to the helm for U2's next
record, How to Dismantle an Atomic Bomb. Released in November 2004, it
hit the top of the Billboard charts and quickly gained platinum
status. The album also garnered eight Grammy Awards, including Album
of the Year, Rock Album of the Year, and Song of the Year (for
"Sometimes You Can't Make It on Your Own," which Bono had written for
his father). U2 were inducted into the Rock & Roll Hall of Fame in
early 2005 and launched an international tour soon after, selling out
arena venues in the U.S. and outdoor stadium shows abroad. The Vertigo
Tour became the highest-grossing tour of 2005; by the time the entire
tour concluded in late 2006, its gross of $389 million had made it the
second most successful tour ever. U2 returned to the drawing board in
2006 by partnering with veteran rock producer Rick Rubin. Two songs
from those sessions appeared on the compilation U218 Singles, but the
remaining material was ultimately scrapped. The band then turned to
longtime friends Brian Eno, Daniel Lanois, and Steve Lillywhite, all
of whom helped shape the sound of U2's 12th studio effort. Entitled No
Line on the Horizon, the album was originally slated to appear in
October 2008, although the release date was ultimately pushed back to
March 2009. No Line on the Horizon was met with enthusiastic reviews
but failed to yield a big radio single; even so, the band embarked on
another lucrative tour that summer. A second leg, originally planned
for 2010, was postponed when Bono suffered a slipped disc and
underwent emergency back surgery. Touring resumed the following year,
and the so-called 360 Tour was ultimately named the highest-grossing
concert tour in history. Meanwhile, Bono and the Edge also worked on
music for the Broadway musical "Spider-Man: Turn Off the Dark", which
opened in June 2011.
░ ░
▒░ ░▒
▓▒ https://play.google.com/store/music/album?id=Bnaxmpolsyp7y7ysugiy3rdwwoa ▒▓
█▓▄ ▄▓█
▀█▄█ █▄█▀
▄ ▀▀▀▀▀▀▀▀▀▀▄▄▄▄▄▄▄▄ ▄▄▄▄▄▄▄▄▀▀▀▀▀▀▀▀▀▀ ▄
██▓▀ ▀▀▀▀▀▀▀▀▀▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▀▀▀▀▀▀▀▀▀ ▀▓██
█▄▀ ▀▄█
█ · ·< GREETINGS >· · █
▄% %▄
█▀ ▀█
▄% %▄
█▀ Shout out to all of those who keep the dream of the scene alive. ▀█
▄% %▄
█▀ Special thanks to those who have paved the way and parted. ▀█
▄% %▄
█▀ We miss you! ▀█
▄% %▄
█▀ ▀█
▄% %▄
█▀ ▀█
▄% %▄
█▀ ▄ ▀█
▄% █ %▄
█▀ ▀▀▀█▀▀▀ ▀█
█% ▄▄▄▄▄▄▄▄▄▄▄ ▄%█
█▀▄▀▄ ▄▄▀▀▀▀ ▄▄▄▄▄▄▄▄▄ ▀▀▀▀▄▄ ▄▀▄▀█
██▓▄ █▄▄▄▀▀▀▄▄▀ ▀ ▄▄█▄█▄█▄▄▄▄▀▀▀ ▄ ▀▀▀▄▄▄▄█▄█▄█▄▄▄ ▀ ▀▄▄▀▀▀▄▄▄█ ▄▓██
▀ ▄▄▄▄▄▄▄▄▄▄▀▀▀▀▀▓▀ ▀▀█▀█▀█▀▀▀▀▄▄▄ ▀▀█▀▀ ▄▄▄▀▀▀▀█▀█▀█ ▀▀▓▀▀▀▀▀▄▄▄▄▄▄▄▄▄▄ ▀
▄█▀█▄▄▄ ▀▀█▄█▀▀ █▄▄▄▄ ▀▀█ █ █▀▀ ▄▄▄▄██ ▀▀█▄█▀▀ ▄▄▄█▀█▄
█▓▀ ▀▀▀▄██▄ ▀ ▄▄██▀▀ ▀▀▀▀ █ ▀▀▀▀ ▀▀██▄▄ ▀ ▄██▄▀▀▀ ▀▓█
▓▒ ▀▀██▄▄▄█▀▀▀ ░ ░ ▀█▀ ░ ░ ▀▀▀█▄▄▄██▀▀ ▒▓
▒░ ▀▀ ▄▄ + ▒ ▒ ▄ ▒ ▒ + ▄▄ ▀▀ ░▒
░ ▀▀▓██▀▀▀▀▄▄▄▓▀▓ o ▓▀▓▄▄▄▀▀▀▀██▓▀▀ ░
▄▄▄▄▄▄▄▄ ████████▄▄▄ ▀▀▀▀▄▄▄▀▀▀▀▄▄▄▄▄▀▀▀▀▄▄▄▄▀▀▀▀ ▄▄▄████████ ▄▄▄▄▄▄▄▄
▄▀▀▓██████ █████████████████▄░ ▀▀▀▄▄▄▄▄▄▄▀▀▀ ░▄▄█████████████████ ██████▓▀▀▄
▄██████▓▓░ ░▒▄▄▄▄█▄ ▄█▄▄▄▄▒░ ░▓▓██████▄
▀ ▀▀▀▀ ▀▀▀▀