Genre | Ambient |
---|---|
Date (CEST) | 2016-01-25 18:35:25 |
Group | BERC_INT |
Size | None MB |
Files | 12 |
M3U / SFV / NFO |
Ulver-ATGCLVLSSCAP-2016-BERC_INT
Infos
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Tracklist (M3U)
# | Filename | Artist | Songname | Bitrate | BPM |
---|---|---|---|---|---|
1 | 01-ulver-englands_hidden-berc.mp3 | Ulver | England's Hidden | 226 | Unknown |
2 | 02-ulver-glammer_hammer-berc.mp3 | Ulver | Glammer Hammer | 230 | Unknown |
3 | 03-ulver-moody_stix-berc.mp3 | Ulver | Moody Stix | 241 | Unknown |
4 | 04-ulver-cromagnosis-berc.mp3 | Ulver | Cromagnosis | 238 | Unknown |
5 | 05-ulver-the_spirits_that_lend_strength_are_invisible-berc.mp3 | Ulver | The Spirits that Lend Strength Are Invisible | 229 | Unknown |
6 | 06-ulver-om_hanumate_namah-berc.mp3 | Ulver | Om Hanumate Namah | 245 | Unknown |
7 | 07-ulver-desert-dawn-berc.mp3 | Ulver | Desert/Dawn | 228 | Unknown |
8 | 08-ulver-d-day_drone-berc.mp3 | Ulver | D-Day Drone | 216 | Unknown |
9 | 09-ulver-gold_beach-berc.mp3 | Ulver | Gold Beach | 211 | Unknown |
10 | 10-ulver-nowhere_(sweet_sixteen)-berc.mp3 | Ulver | Nowhere (Sweet Sixteen) | 247 | Unknown |
11 | 11-ulver-ecclesiastes_(a_vernal_catnap)-berc.mp3 | Ulver | Ecclesiastes (A Vernal Catnap) | 220 | Unknown |
12 | 12-ulver-solaris-berc.mp3 | Ulver | Solaris | 214 | Unknown |
NFO
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/: :\
/:: Artist :: Ulver ::\
:: Album :: ATGCLVLSSCAP ::
:: Year :: 2016 ::
:: __ _ _ __ ::
-:--\\-----------------------------------------------------------------//--:-
:: \ / ::
:: . Genre :: Ambient Source :: CDDA . ::
:: Label :: House of Mythology R.date :: 2016.01.25 ::
_::__ Cat.nr. :: HOM 002 Size :: 131,67 MB __::_
::// \\::
::/---------------------------------------------------------------------\::
:: ::
/: Encoder :: LAME 3.98.4 -V0 :\
..: Bitrate :: avg. 228kbps : .
. Quality :: 44,1kHz/Joint Stereo .
. .
Website :: http://jester-records.com/ulver/ulver.html
__ __ _ . : _ ____ _ _ ____ _ : . _ __ __
.\\\\------- : | ---\ /---------------------\ /--- | : -------////.
+/ -\------- | | ----\ tracklist /---- | | -------/- \+
/: . : : . :\
/:: ::\
:: 01. England's Hidden 07:39 ::
:: 02. Glammer Hammer 04:50 ::
:: 03. Moody Stix 06:44 ::
:: 04. Cromagnosis 09:48 ::
:: 05. The Spirits that Lend Strength Are Invisible 03:16 ::
:: 06. Om Hanumate Namah 07:43 ::
:: 07. Desert/Dawn 08:35 ::
:: 08. D-Day Drone 09:21 ::
:: 09. Gold Beach 04:53 ::
:: 10. Nowhere (Sweet Sixteen) 05:56 ::
:: 11. Ecclesiastes (A Vernal Catnap) 09:01 ::
:: 12. Solaris 02:13 ::
:: ------- ::
.. >> 79:59 ..
__ __ _ . : _ ____ _ _ ____ _ : . _ __ __
.\\\\------- : | ---\ /---------------------\ /--- | : -------////.
+/ -\------- | | ----\ release notes /---- | | -------/- \+
/: . : : . :\
/:: ::\
:: ::
:: House of Mythology proudly presents the new Ulver album, ::
:: with over 80 minutes worth of material. This album consists ::
:: of multitracked and studio-enhanced live, mostly ::
:: improvisational, rock and electronic soundscapes, 2/3 of ::
:: which has never been heard before. ::
:: ::
:: In Newton's basic laws of motion - those which lie at the ::
:: heart of modern physics - the paradox stands that constant ::
:: velocity is essentially as natural as being at rest. True to ::
:: form, in the now twenty-two-year-old life of Ulver, only one ::
:: constant has remained, that being a forward-driving spirit ::
:: that has moved this mercurial Norwegian-based collective ::
:: forever through challenges and adventure anew, irrespective ::
:: of reductive genre pigeonholing. Moreover, their latest ::
:: voyage into the unknown is no different, marking another new ::
:: chapter for an outfit characterised by wild and inspiring ::
:: unpredictability, along with a fresh triumph for one of ::
:: modern music's most iconoclastic forces. ::
:: ::
:: The basis for ATGCLVLSSCAP - which the band has been working ::
:: with under the moniker '12' - arrives from recordings made ::
:: at twelve different live shows that Ulver performed in ::
:: February 2014, in which band the band vaulted into the deep ::
:: end of an improvisatory approach to their performance. As ::
:: Kristoffer Rygg, the prime mover of the band since its ::
:: inception puts it wryly, "The tour was to be an experiment, ::
:: kind of loose and scary for a band as 'set in their ways' as ::
:: us." ::
:: ::
:: Although the line-up for these shows remained similar to ::
:: that on 2012's psychedelic covers album Childhood's End, and ::
:: the band had taken succour from the sounds and headspace ::
:: they explored on that record, this was another break into ::
:: new territory, using their live energy and spontaneity as ::
:: the fuel for aural explorations that would surprise even the ::
:: band themselves. "At the end of any album process, I can't ::
:: wait to do something else," comments Rygg. "So yeah, it is ::
:: partly borne out of that feeling, being a bit bored with the ::
:: circumstances. It was quite liberating to do something more ::
:: in the moment. One night a jam could be five minutes, and ::
:: the next it could be fifteen. We couldn't have captured ::
:: these songs in a studio environment." ::
:: ::
:: Once the tour was over, it was down to his bandmate Daniel ::
:: O'Sullivan to take charge of these multitrack recordings, ::
:: sculpting and editing hours of material in his North London ::
:: enclave, formerly owned by charismatic artist and Coil ::
:: associate, the sadly departed Ian Johnstone - as O'Sullivan ::
:: noted, "The hungry ghosts of the now empty house appear to ::
:: be burrowing into this record." Anders M°ller, Kristoffer ::
:: Rygg and Tore Ylwizaker got involved a bit later, honing ::
:: things from their end in Subsonic Society and Oak Hill ::
:: Studios, Oslo, before the vinyl cutting process took place ::
:: at THD Vinyl Mastering, also in Oslo, in which the band was ::
:: fully involved in the crucial initial cut of the 14" ::
:: lacquer. What resulted is the widescreen sweep and ::
:: atmospheric splendour of ATGCLVLSSCAP, ultimately a piece of ::
:: work that exists above and beyond any conventional live ::
:: recording, rather a hallucinatory travelogue as potent an ::
:: experience to bear witness to as it was to construct. ::
:: ::
:: As always in the world of Ulver, influences are disparate ::
:: and diverse, yet as Rygg notes, "It's quite tributary in a ::
:: way, there are clear nods to sounds from the past." Many of ::
:: these dwell in progressive, electronic and krautrock realms, ::
:: heralding a lifelong love within the band for the music of ::
:: the 70s - the fiery mantras of 'Om Hanumate Namah' and the ::
:: motorik drive of 'Cromagnosis' draw an astral trajectory ::
:: between the propulsion of Kraftwerk/Neu! and the ritualistic ::
:: intensity of prime Amon Dⁿⁿl II, whilst the spirits of both ::
:: Klaus Schulze and John Carpenter are audible in the ::
:: electronic soundscapes of 'Desert/Dawn', not to mention the ::
:: Bernard Herrmann touch in the closing 'Solaris'. Even when ::
:: the band revisits an earlier gem from 2000's Perdition City ::
:: album, as on 'Nowhere (Sweet Sixteen)', its reinvigorated by ::
:: their expansive and emotionally charged approach. ::
:: ::
:: "We always feel like, independently of what kind of ::
:: instrumentation we use, we're still playing the same ::
:: nocturnal stuff," laughs Rygg. "There are a few motifs that ::
:: keep recurring all the time in what we do, and if it's in a ::
:: rock form or an electronic form, it's always there." Yet as ::
:: true as this may be, by shaking up their creative process, ::
:: the band have summoned up a unique testimony to the creative ::
:: power of a mighty force who remain blissfully free of genre ::
:: or convention, ATGCLVLSSCAP is progressive in the truest ::
:: sense of the word, a record that may be this capricious ::
:: band's piΦce-de-resistance. ::
:: ::
:: . _ _ . ::
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