Genre | Techno |
---|---|
Date (CEST) | 2019-11-25 09:03:38 |
Group | ENTANGLE |
Size | 28 MB |
Files | 2 |
M3U / SFV / NFO |
Underworld_and_O_(Phase)-Border_Country_(The_Remixes)-WEB-2019-ENTANGLE
Infos
Similar Releases
- OFlynn-Mesablanca_(OFlynn_and_Ekhe_Dub)-(BEAR0019)-WEB-2020-ENTANGLE
- VA-Axioma_Vol_1-(ELS042)-WEB-2020-ENTANGLE
- Claudio_Gasparini-The_Last_Oracle-WEB-2020-ENTANGLE
- Kraust_Sonido-Caraimama-(SHL184)-WEB-2020-ENTANGLE
- JOFF-Safe_place-(JF003)-WEB-2020-ENTANGLE
- Buddhafish-Acid_Baby-(BDF001)-WEB-2020-ENTANGLE
- Darius_Syrossian-Planet_Jazz__The_Renegade-(VIVA169)-WEB-2020-ENTANGLE
- Archer_Hubart-Noir-(INWD101)-WEB-2020-ENTANGLE
- mexCalito-freakuencies-WEB-2020-ENTANGLE
- mexCalito-Onionbrainsalad-WEB-2020-ENTANGLE
Tracklist (M3U)
# | Filename | Artist | Songname | Bitrate | BPM |
---|---|---|---|---|---|
1 | 01-underworld_and_o_(phase)-border_country_(adam_beyer_and_bart_skils_remix__radio_edit)-853a344f.mp3 | Underworld & O [Phase] | Border Country (Adam Beyer & Bart Skils Remix / Radio Edit) | 320 | Unknown |
2 | 02-underworld_and_o_(phase)-border_country_(o_(phase)_dark_room_tension_dub)-55154b90.mp3 | Underworld & O [Phase] | Border Country (Ø (Phase) Dark Room Tension Dub) | 320 | Unknown |
NFO
entangle: (verb)
involve (someone) in difficulties or complicated circumstances
from which it is difficult to escape.
ARTIST.....: Underworld & O [Phase]
TITLE......: Border Country (The Remixes)
LABEL......: Smith Hyde Productions
GENRE......: Techno
RIP DATE...: 2019-11-25
RETAIL DATE: 2019-11-15
RUNTIME....: 12:20
TRACKS.....: 2
SIZE.......: 28.46MB
QUALITY....: 320kbps 44.1kHz
CODEC......: MP3 (MPEG-2 Audio Layer III)
ENCODER....: LAME
URL........: https://play.google.com/store/music/album?id=Bkfn2jbeg3atvah6b5wnyttgkhe
Tracklist:
----------
01. Border Country (Adam Beyer & Bart Skils Remix / Radio 05:42
02. Border Country (O (Phase) Dark Room Tension Dub) 06:38
Notes:
------
It's no overstatement to say that Barbara Barbara, we face a
shining future is Underworld's creative rebirth. The band's
seventh album (their first together since 2010's Barking and the
band's first new music since the London Olympics Opening
Ceremony) is something of a miracle of chance and controlled
chaos. The fact that Karl Hyde and Rick Smith have made their
best album in years is all thanks to a strict writing process
undertaken by the duo in the spring of 2015. After thirty;five
years working together, its implementation proved utterly
transformative. If Barbara Barbara, we face a shining future
exists as a result of self;imposed parameters and the desire to
explore ideas in close quarters, that method helped create a
spontaneous, frenetic energy - that other thing in the room. It's
the kind usually displayed by bands at the start of their
journeys rather than those celebrating a three and a half decade
working relationship. As well as that audible electricity between
Rick and Karl, some of Underworld's reinvigoration has to
credited to the 2014 twentieth anniversary reissue of their
classic debut dubnobasswithmyheadman and the subsequent live
shows (the band's fastest selling gigs ever and a tour that Karl
views as the most enjoyable in his entire career).