Genre | Of |
---|---|
Date (CEST) | 2005-03-14 20:01:55 |
Group | FuFFENS |
Size | None MB |
Files | 13 |
M3U / SFV / NFO |
VA--The_Music_Of_Islam_Vol._10_Quran_Recitation-1998-FuFFENS
Infos
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Tracklist (M3U)
# | Filename | Artist | Songname | Bitrate | BPM |
---|---|---|---|---|---|
1 | 01-va--ezan-fuf.mp3 | VA | Ezan | 151 | Unknown |
2 | 02-va--fatiha-fuf.mp3 | VA | Fatiha | 167 | Unknown |
3 | 03-va--baqara_1-fuf.mp3 | VA | Baqara 1 | 173 | Unknown |
4 | 04-va--baqara_2-fuf.mp3 | VA | Baqara 2 | 168 | Unknown |
5 | 05-va--furqan-fuf.mp3 | VA | Furqan | 164 | Unknown |
6 | 06-va--ya_sin-fuf.mp3 | VA | Ya Sin | 162 | Unknown |
7 | 07-va--rahman-fuf.mp3 | VA | Rahman | 175 | Unknown |
8 | 08-va--hashr-fuf.mp3 | VA | Hashr | 160 | Unknown |
9 | 09-va--asr-fuf.mp3 | VA | Asr | 159 | Unknown |
10 | 10-va--ikhlas-fuf.mp3 | VA | Ikhlas | 153 | Unknown |
11 | 11-va--falak-fuf.mp3 | VA | Falak | 156 | Unknown |
12 | 12-va--nas-fuf.mp3 | VA | Nas | 162 | Unknown |
13 | 13-va--tekbir-fuf.mp3 | VA | Tekbir | 173 | Unknown |
NFO
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F u F F E N S p r o u d l y p r e s e n t s a r e l e a s e w h i c h
i n t e n t i o n i s t o p l e a s e a n d t o e n l i g h t e n t h
o s e l e s s a w a r e o f t h e t r u e m e a n i n g a n d q u a l
i t y o f m u s i c d u e t o d a m a g e s r e l a t e d t o m t v b
u t w i t h o u t f u r t h e r a d o f u f f e n s o f f e r y o u t
o i n c r e a s e y o u r k n o w l e d e g e a b o u t m u s i c a n
d i n t h a t w a y c r e a t e a b e t t e r w o r l d f o r o u r c
h i l d r e n t h e f o l l o w i n g m a s t e r p i e c e o f a r t
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a r t i s t va
a l b u m the music of islam vol. 10 quran recitation
l a b e l harmonies
g e n r e ethnic
r i p d a t e 14-03-2005
s t r e e t d a t e 17-02-1998
o r i g i n a l r e l 1998
s u p p l i e r doobz
s o u r c e cd
b i t r a t e VBR
e n c o d e r lame 3.90.3
r e l e a s e n o t e s
Ten years in the making, The Music of Islam series recorded in Egypt,
Morocco, Tunisia, Turkey, Yemen, Pakistan, Indonesia, Iran and Qatar
represents the most comprehensive sound documentation available to
Westerners today, of a world religion dating back to 1/622. Although
governed by strict rules for fourteen centuries, contact with other
cultures has radically affected Islamic music throughout history. As
the world enters the XV/21st century the timing of this collection
serves an even larger purpose, documenting the traditions that have
survived and will continue to survive for centuries to come. Today,
one fifth of the world's population, one billion people, are Muslims,
occupying a large territory stretching from the Atlantic shore of
north and west Africa, through west, central, and south Asia to
island southeast Asia, and attracting an increasing following in
India, western Europe, north America, east Asia, and southern Africa.
This is a global presence which cannot be ignored.
Many orthodox Muslims have traditonally held that music is generally
detrimental to the listener's religious life, and as a result there
is relatively little sacred music in Islam. But there is some.
Central to Islamic life is the chanting of the holy scripture, the
Qur'an. Two associated works, the call to prayer known as ezan
(adhon) and the tekbir, are known throughout the Islamic world, and
are also performed in a highly stylized, richly embroidered style of
chant. These prayers are the subject of this volume. A further
prayer, the mevlud (mawlid) and regional prayers for the month of
Ramadan are reserved for special occasions. All of these sacred works
are sung/recited (the distinction becomes almost a semantic one in
these performances in Arabic, of course; but difference in
pronunciation and inflection have led to distinctly regional styles
of performance. The five reciters recorded in this volume are all
based in Istanbul, Turkey, where the tradition of Qur'anic chant is
particularly strong.
The sound of the Qur'an recitation can be a striking one for Western
ears. The modes can range from the slightly piqant to the starlingly
exotic. But it bears repeating that, for all the musical interest in
these performances, this is basically not music at all. It is prayer;
and like the chanting of the Buddhist monks of Tibet, has as its
ultimate aim not a musical goal but a spiritual one.
the artists
Featuring five of the best reciters in Turkey, this volume in The
Music of Islam series focuses on the recitation of the Qur'an, as the
title implies. Producer David Parsons has remarkably captured the
spiritual essence of this ancient and timeûhonored tradition.
Hafiz Kani Karaca is one of Turkey's greatest Qur'an reciters and has
represented Turkey in recitation competitions in other Islamic
countries.
Hafiz Huseyin Erek is the leader of the Sisli Mosque Foundation of
Istanbul.
Hafiz Kadir Konya is a famous reciter who also represents religious
business interests on the Istanbul City Council.
Hafiz Dr. Emin Isik is a Professor of Qur'an recitation and
commentary on Qur'an (Tefsir) at the Theology Faculty of Marmara
University. He is one of Turkey's best-known proponents of Qur'an
recitation.
Coûproducer Al-Sheikh Nail Kesova is the Leader of the Galata Mevlevi
Ensemble (the world famous Whirling Dervishes), a composer in the
Turkish mystic music tradition, and a wellûknown singer and reciter
of Turkish mystic and religious music.
...and remember: s t a y f u f f e n s f o r l i f e
t r a c k l i s t
ezan 01:58
fatiha 01:22
baqara 1 03:06
baqara 2 03:24
furqan 12:52
ya sin 20:28
rahman 15:02
hashr 02:10
asr 01:00
ikhlas 00:48
falak 00:55
nas 01:06
tekbir 01:38
65:49
MB 78,5
g r o u p n e w s
From now on, we rip everything in VBR, using the alt-preset standard.
h e l p f u f f e n s
We are looking for quality sites in Europe and US, to be afilliated
on. Remember, we are not in it for the creds, but for the spreading
of quality music - we just want to get our releases out to the ppl
that wants/needs it. More pre sites fills this purpose.
g r e e t s
CMS CMG diss DPS HiT2000 IGR JUST kw miso NuHS om sb sfE smc soup BCC
s p e c i a l g r e e t s t o : SChiZO and FRAGMENT
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i f y o u l i k e t h i s r e l e a s e t h e n g e t y o u r l e e c
h a s s d o w n t o y o u r l o c a l r e c o r d d e a l e r a n d b
u y t h e s t u f f b e c a u s e t h i s i s m a d e b y r e a l a r
t i s t s a p a r t f r o m t h e m a i n s t r e a m p r o d u c t s
t h a t s i n t h e t o p 2 5 l i s t i n t h a t s t o r e y o u w i
l l v i s i t r i g h t a w a y t o s h o w y o u r s u p p o r t t o
t h e t r u e a r t i s t s o f m u s i c - t h e f u f f e n s a r t
i s t s t h a t s i n i t f o r t h e m u s i c n o t t h e m o n e y
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a l w a y s d o r e m e m b e r : s t a y f u f f e n s f o r l i f e
⌐ FuFFENS 2 0 0 4