VA-All_The_Young_Droids_Junkshop_Synth_Pop_1978-1985-(RVSN003)-WEB-2025-OMA

NFO
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P R E S E N T S .···. ▓ │▀▀▀█▓▄▄ █████ ██████▓▀ ▀ ▀ ▀▓██████ █████▀ VA - All The Young Droids: Junkshop Synth Pop 1978-1985 ▀█████ ████▀ ▀████ ███▀ ▀███ █▓▓▓▓ ARTiST..[ Various Artists ▓▓▓▓█ █▓▓▓▓ TiTLE...[ All The Young Droids: Junkshop Synth Pop 1978-1985 ▓▓▓▓█ ████ GENRE...[ Synthpop CAT#....[ RVSN003 ████ ████ LABEL...[ Night School ENCODER.[ Lame 3.100 ████ ████ YEAR....[ 2025 QUALiTY.[ 320kbps ████ ████ SOURCE..[ WEB (FLAC) MODE....[ Joint Stereo ████ ████ PLAYTIME[ 37:42 REL.DATE[ 07.10.2025 ████ ████ TRACKS..[ 11 RiPPER..[ TEAM OMA ████ ████ SiZE....[ 86,53 MB SUPPLiER[ TEAM OMA ████ ████ ████ ████ ████ ████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████ ████ ■ ███▓█ .···. T R A C K L i S T .···. █▓███ ■ ████ ████ · ▄▓███▓ ▓███▓▄ · ████ █████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████ ██████▓▀ ▀ ▀ ▀▓██████ █████▀ ▀█████ ████▀ ▀████ ███▀ NR. TRACK. TiME. ▀███ █▓▓▓▓ ∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙ ▓▓▓▓█ █▓▓▓▓ ▓▓▓▓█ ████ 01 John Howard - I Tune Into You 03:30 ████ ████ 02 Selwin Image - The Unknown 03:04 ████ ████ 03 Rich Wilde - The Lady Wants To Be Alone 03:40 ████ ████ 04 Billy London - Woman 03:25 ████ ████ 05 The Microbes - Computer 02:42 ████ ████ 06 Peta Lily - I Am A Timebomb 03:21 ████ ████ 07 Sole Sister - It's Not Who You Are But How You Are03:36 ████ ████ 08 Alastair Riddell - Do You Read Me 03:43 ████ ████ 09 Karel Fialka - Armband 03:04 ████ ████ 10 Incandescent Luminaire - Famous Names 03:24 ████ ████ 11 Dream Unit - A Drop In The Ocean 04:13 ████ ████ ∙∙∙∙∙∙∙∙∙∙∙∙ ████ ████ TOTAL: 37:42 ████ ████ ████ ████ ████ ████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████ ████ ■ ███▓█ .···. R E L E A S E N O T E S .···. █▓███ ■ ████ ████ · ▄▓███▓ ▓███▓▄ · ████ █████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████ ██████▓▀ ▀ ▀ ▀▓██████ █████▀ ▀█████ ████▀ ▀████ ███▀ ▀███ █▓▓▓▓ ▓▓▓▓█ █▓▓▓▓ ▓▓▓▓█ ████ https://play.qobuz.com/album/qoqmlf32ylhza ████ ████ ████ ████ Boomkat Product Review: ████ ████ ████ ████ Surveying the synth-pop genre's autodidactic ████ ████ underbelly, 'All the Young Droids' sweeps up ████ ████ proto-techno punk, DIY classics, chart flops ████ ████ and progressive pop from an era when everyone ████ ████ wanted to be the new Yazoo or Human League. ████ ████ ████ ████ We're not gonna lie, it's not all good stuff, ████ ████ but this one's a time capsule-cum-history ████ ████ lesson that's hard to ignore. In the late '70s, ████ ████ as punk coughed up its dying hairball, mass- ████ ████ market synthesizers and drum machines shifted ████ ████ the course of pop music, catching the UK's gaze ████ ████ most memorably. With Gary Numan and Depeche ████ ████ Mode notching up global acclaim, the rest of ████ ████ the country wondered what might be next and ████ ████ made sure to order a cheapo EDP Wasp monosynth. ████ ████ Philip King, who compiled 2004's 'Glitterbest', ████ ████ 2005's 'Boobs (The Junkshop Glam Discoteque)' ████ ████ and 2019's 'All The Young Droogs', scrapes the ████ ████ dirt from the underside of the country's ████ ████ bargain bins here, telling the story of a ████ ████ musical gold-rush, when major and indie distro ████ ████ networks were all looking for DIY breakout acts ████ ████ in the wake of punk. ████ ████ ████ ████ If you're looking for particular gems, the ████ ████ proto minimal wave sleaze of 'I Am A Timebomb' ████ ████ is surprisingly relevant, delivered by ████ ████ performance artist Peta Lilly and Michael ████ ████ Chance, and mysterious femme trio Sole Sister's ████ ████ bleepy instrumental 'It's Not Who You Are But ████ ████ How You Are' sounds almost modern - properly ████ ████ crucial listening if you're into vintage synths ████ ████ and Veronica Vasicka's comps. And Gibraltar- ████ ████ based trio The Microbes' 'Computer' is a ████ ████ light-hearted aside, attacking the march of ████ ████ progress with a lampooning of impending tech ████ ████ dominance. Honestly, even when the tracks fall ████ ████ short - Billy London's 'Woman' is both ████ ████ embarrassing and hopelessly corny - the record ████ ████ is still interesting. It's an area of musical ████ ████ history that's not been excavated anywhere near ████ ████ enough. ████ ████ ████ ████ ████ ████ ████ ████ ████ ████ ████ ████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████ ████ ■ ███▓█ .···. G R O U P .···. █▓███ ■ ████ ████ · ▄▓███▓ ▓███▓▄ · ████ █████ ▄▄▓█▀▀▀│ ▓ MAiL: [email protected] ▓ │▀▀▀█▓▄▄ █████ █▀ ▀██▓▀ ▀ ▀ ▀▓██▀ ▀█ ██▄██▀ ▀██▄██ ████▀ The only thing that really matters is music!!! ▀████ ▀██▓ ▓██▀ ▀██▓▄ ▄▓██▀ .▀ │ ▀▀██▄▓▄ .···. G R E E T S .···. ▄▓▄██▀▀ │ ▀ . ▄▓▓▄ │ ▀▀▀█▄▄ ▄▄█▀▀▀ │ ▄▓▓▄ . ▀▀ ▀▀▄ FRiENDS / SiTEOPS / NUKENET ▄▀▀ ▀▀ ▀ . ▄ ▄▓▓▄ ▀▄ RIP kHz ▄▀ ▄▓▓▄ ▄ . ▀ ▀ ▀▓▀ ▀▀ ▀ . ▄.···. !kb^faa 08.MARCH 2009 .···.▄ . ▀ ▀▀ ▀▓▀ ▀ .

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